Matériel : Partition + Accès audio
SKU: HL.50148750
UPC: 073999779769. 9.25x12.25x0.123 inches.
Contents: Allegro Moderato • Aria (Willst Du Dein Herz Mir Schenken) • Bourrée • Chorale • Double • Entree (Overture in F) • Gavotte • Gavotte • Gigue • Giguetta (Partita in C) • Kleiner Kanon • March in D Major • Menuett • Moderato • Polonaise in A Minor • Prelude in A Minor • Prelude in C • Prelude in C Minor • Sarabande • Scherzo.
SKU: MB.97745
ISBN 9780786607730. UPC: 796279036719. 8.75 x 11.75 inches. Transcribed by Bennet Cohen.
While many electric bassists study the Bach cello suites at some point, few attempt the sonatas and partitas for unaccompanied violin BWV 1001-1006 . Composed around 1720, the sonatas and partitas display rich polyphonic writing, unlike the simpler monophonic cello suites. This collection features a challenging but rewarding transcription of the complete A minor Violin Sonata BWV 1002 , which fits particularly well on the bass. Also included are the well-known gavotte en rondeau from the E major violin partita BWV1006 and the complete A minor partita for solo flute BWV 1013 , transposed here to D minor. Finally, an arrangement of the familiar chorale Jesu, Joy of Mans Desiring from BWV 147 takes advantage of the basss natural and artificial harmonics. Performance notes are included. Written in notation and tablature for the 4-string electric bass.
SKU: HL.49007549
ISBN 9790001081139.
The present pieces are intended to help the teacher position playing at an early stage. Having tackled two-part playing with open bass strings n first and second positions, it is possible to attempt two-part playing with open strings in higher positions (without changing position), without encountering technical difficulties.The book concentrates on the most commonly used positions (I-V, VII) and offers two pieces in each position. The song Happy Birthday also requires the ninth position.The exact range of the appropriate position is given above each piece. In the pieces themselves, fingering indications have been avoided to eliminate the danger of relying upon them. The right hand can play apoyando throughout.The addition of a second guitar part (of the same technical standard as the first) makes this book suitable for group teaching as well as for individual lessons. All the pieces may be played as solos (upper part) or as duets.The range of musical styles extends from baroque to folklore and blues and will therefore suit the various preferences of guitar students.
