Bears

SKU: HL.9971312

ISBN 9781423473626. UPC: 884088363871. 8.5x11.0x0.082 inches. John Jacobson/John Higgins.

The Polar Bears are throwing a bear-y big holiday celebration at the North Pole and their guests from around the world are starting to arrive – black bears and brown bears, rapping grizzlies, pirouetting dancing bears, teddy bears, Kodiaks from nearby Alaska, and more! But what is taking the Pandas so long? The wait is becoming un-bear-able! Join in the festive panda-monium when the bear-y small Pandas finally arrive in true vaudeville style and the party begins! From the popular writing team of John Jacobson and John Higgins comes this clever and easy-to-prepare 20-minute holiday musical for primary grades that will delight audiences of all ages. Five original songs, rhyming dialog, choreography and staging tips are included in the Teacher Edition, and vocal parts and dialog are available in the handy Reproducible Pak. Check out the Classroom Kit for a real budget-saver! Available separately: Teacher Edition, Reproducible Pak, Preview CD (with vocals), Preview Pak (1 Preview CD and sample pages), Performance/Accompaniment CD, Classroom Kit (Teacher Edition, Reproducible Pak, P/A CD). Duration: ca. 20 minutes. Suggested for grades K-3.

SKU: BT.9780713670851

ISBN 9780713670851. English.

The famously revolting wit of Roald Dahl is now an exciting school production!

On Trial for her crimes, Goldilocks looks like the sweet little innocent who'd give us her last sweetie. Could she really be the brazen crookwho stole the porridge from under the snouts of the self-respecting, harmless Bears? The Jury will decide, but who will have the last laugh? Let the trial commence!

Produced in association with the Roald Dahl Foundation,this complete performance pack features full rehearsal and performance backing tracks on CD. Also included is a CD-ROM of acting games and curriculum links with literacy.

SKU: LO.MC007CD

Applause! Applause! And wasn’t it easy? Even teachers with no formal musical training will love this simple musical play. Children will bring the Three Bears story to life through drama, music, art, language, science, and gross motor activities. The Listening/Accompaniment CD comes loaded with songs and music for classroom use or performance.

SKU: SU.47000351

Paul and Elizabeth inhabit a magic house, visited by dancing bears and prophetic strangers. But Elizabeth complains that her husband spends all his time at work on a magic radio. So, to be closer to his wife, Paul moves his laboratory into their home. Visiting scientists judge his radio worthless, and only their beautiful female assistant encourages Paul. But when he discovers she only hopes to seduce him, he angrily smashes his radio. To his surprise, its music continues, and he realizes it has been the music of his wife's love all along. With this understanding, his pure child self appears before his eyes and blesses the reconciliation of Paul and Elizabeth. —Richard Foreman CAST Paul, a scientist (Baritone) Dr. Alfred, a scientist (Tenor) Dr. Fred, a scientist (Baritone) Young Paul, Paul as a young boy (Boy Soprano) Elizabeth, Paul's wife (Soprano) Anna, a strange visitor (Mezzo-Soprano) Marie, an assistant to the scientists (Soprano) Two Bears, dancers (non-singing) Piano, Celeste/Organ, Percussion & String Quartet Composed: 1991 Published by: Ben Rena Music Performance materials available on rental only:.

SKU: SU.47000355

Paul and Elizabeth inhabit a magic house, visited by dancing bears and prophetic strangers. But Elizabeth complains that her husband spends all his time at work on a magic radio. So, to be closer to his wife, Paul moves his laboratory into their home. Visiting scientists judge his radio worthless, and only their beautiful female assistant encourages Paul. But when he discovers she only hopes to seduce him, he angrily smashes his radio. To his surprise, its music continues, and he realizes it has been the music of his wife's love all along. With this understanding, his pure child self appears before his eyes and blesses the reconciliation of Paul and Elizabeth. —Richard Foreman CAST Paul, a scientist (Baritone) Dr. Alfred, a scientist (Tenor) Dr. Fred, a scientist (Baritone) Young Paul, Paul as a young boy (Boy Soprano) Elizabeth, Paul's wife (Soprano) Anna, a strange visitor (Mezzo-Soprano) Marie, an assistant to the scientists (Soprano) Two Bears, dancers (non-singing)Piano, Celeste/Organ, Percussion & String Quartet Duration: ' Composed: 1991 Published by: Ben Rena Music Performance materials available on rental only:.

SKU: FH.FLR00

ISBN 978-1-55440-288-5.

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.
Polly Wolly Doodle Traditional American, arr. Akiko and Forrest Kinney
The Birch Tree Traditional Russian, arr. Akiko and Forrest Kinney
Royal Ceremony Alan Bullard
The Cuckoo Traditional
Chinese Flute Tea Paul Harris
Petite souris (Little Mouse) Thierry Masson
Valse des trois petits ours (Waltz of the Three Little Bears) Thierry Masson
Edinburgh Castle Richard Peat
Tete-a-tete (Head-to-head) Marine Perez
Menuet (Rondeau) Francois Philidor, arr. Kathleen Wood
a la claire fontaine (At the Clear Fountain) Traditional French Canadian, arr. Akiko and Forrest Kinney
Huron Carol 16th-century French, arr. Akiko and Forrest Kinney
Syrian Love Song Traditional Syrian, arr. Judith Pearce and Christopher Gunning
Graceful Waltz Alan Bullard
Seesaw Christopher Norton
Labyrinth Susan Piltch
What Is a Day? Philip Rosseter, arr. Akiko and Forrest Kinney
Kojo no Tsuki (The Moon Over the Ruined Castle) Rentaro Taki, arr. Mark Mrozinski
Polly Wolly Doodle Traditional American, arr. Akiko and Forrest Kinney
The Birch Tree Traditional Russian, arr. Akiko and Forrest Kinney
Royal Ceremony Alan Bullard
The Cuckoo Traditional
Chinese Flute Tea Paul Harris
Petite souris (Little Mouse) Thierry Masson
Valse des trois petits ours (Waltz of the Three Little Bears) Thierry Masson
Edinburgh Castle Richard Peat
Tete-a-tete (Head-to-head) Marine Perez
Menuet (Rondeau) Francois Philidor, arr. Kathleen Wood
a la claire fontaine (At the Clear Fountain) Traditional French Canadian, arr. Akiko and Forrest Kinney
Huron Carol 16th-century French, arr. Akiko and Forrest Kinney
Syrian Love Song Traditional Syrian, arr. Judith Pearce and Christopher Gunning
Graceful Waltz Alan Bullard
Seesaw Christopher Norton
Labyrinth Susan Piltch
What Is a Day? Philip Rosseter, arr. Akiko and Forrest Kinney
Kojo no Tsuki (The Moon Over the Ruined Castle) Rentaro Taki, arr. Mark Mrozinski.

About Overtones

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.

SKU: CA.3910512

ISBN 9790007055233. Language: German/English.

The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann's sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 (therefore during the same period as the first performance of Bach's Christmas Oratorio). Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of the choir, and the tenor recitative can be sung by the soprano soloist. This work is now available in carus music, the choir app! Score and part available separately - see item CA.3910500.

SKU: AP.36-60710009

ISBN 9798888521786. UPC: 676737764432. English.

Unlike Bach and Chopin, Claude Debussy (1862-1918) wrote his twenty-four Préludes for solo piano without a clearly organized pattern of key relationships. They were written from December 1909 to April 1913, in two sets, with twelve preludes to each volume. Jane Mortier delivered the premiere of the first volume on May 3, 1911, at the Salle Pleyel in Paris. Walter Morse Rummel gave the first complete performance of the second volume on June 12, 1913, at the Aeolian Hall in London. Prelude No. 5 from Book 2, subtitled Bruyéres, bears similarity to another of his works for piano, La Fille aux cheveux de lin (The Girl with the Flaxen Hair). The pianist Marguerite Long, a friend of the composer, suggested that it sounded reminiscent of the mingling scent of sea mist and pines. French composer and arranger Lucien Garban completed this transcription of No. 5 from Book 2 (Bruyères) for violin and piano in 1926. Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: CA.3910549

ISBN 9790007244279. Language: German/English.

The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann's sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 (therefore during the same period as the first performance of Bach's Christmas Oratorio). Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of the choir, and the tenor recitative can be sung by the soprano soloist. This work is now available in carus music, the choir app! Score and part available separately - see item CA.3910500.

SKU: BT.AMP-342-020

9x12 inches. English-German-French-Dut ch.

Five States of Change was commissioned by Kunstfactor for the 4th section of the Dutch National Brass Band Championships (NBK) 2011. It is dedicated to Jappie Dijkstra and the Music Information Centre (MUI), Arnhem, Holland, in acknowledgement of their outstanding work in developing band repertoire.The composer writes: The idea for the piece came when I was reading an article about a branch of Chinese philosophy which is abbreviated as Wu Xing*, which has no exact translation but can mean, for example, five elements, five phases or five states of change. It is central to all elements of Chinese thought, including science, philosophy, medicine andastrology, and in simple terms tries to create various cyclic relationships between five elements in all walks of life.An example is: Earth - Metal - Water - Wood - Fire - (Earth) etc. where (in one cycle) earth bears metal, metal changes to liquid (water) when heated, water helps trees grow, wood burns to create fire, fire produces ash (earth) and the cycle continues.I was particularly interested in the cycle of emotions:- Meditation - Sorrow - Fear - Anger - Joy - (Meditation) etc. and thought this cyclic principle would provide an effective emotional journey for a piece of music. So Five States of Change has five equal sections which loosely characterise this emotional cycle. I have tried to make the music grow organically, with minimal repetition, and each movement evolves from the musical elements at the end of the previous one, with the opening material appearing, transformed, at the end of the piece to complete the cycle. *in full Wu zhong liu xing zhi chi or the five types of chi dominating at different times

Five States of Change is geschreven in opdracht van Kunstfactor voor de 4e divisie van de NBK (Nederlandse Brassband Kampioenschappen) 2011. Het werk is opgedragen aan Jappie Dijkstra en het MUI (Muziekuitleen- en Informatiecentrum)te Arnhem,als waardering voor hun inspanningen met betrekking tot de ontwikkeling van het repertoire voor blaasorkesten.De componist schrijft: Het idee voor het werk kwam in mij op toen ik een artikel las over een takbinnen de Chinese filosofie waarvan denaam wordt afgekort tot Wu Xing* - waar geen exacte vertaling voor is, maar wat zoveel betekent als vijf elementen, vijf fasen of vijf stadia van verandering. Het gaat om eenwezenlijk onderdeel van alle componenten binnen hetChinese gedachtegoed, inclusief de wetenschap, filosofie, geneeskunst en astrologie. Simpel gezegd draait het om het creëren van diverse cyclische verbanden tussen vijf elementendie in ieders leven een rol spelen.Een voorbeeld: Aarde - Metaal - Water- Hout - Vuur - (Aarde) enz. In deze cyclus bevat aarde metaal, metaal verandert in vloeistof (water) door verhitting, water helpt bomen te groeien, houtdat brandt creëert vuur, en vuur produceert as (aarde). Zo blijft de cyclus voortgaan. Zelf wasik vooral ge nteresseerd in de cyclus van emoties: Meditatie - Verdriet - Angst - Boosheid - Vreugde - (Meditatie) enz. De gedachte aandit cyclische principe leverde een reis door een muzikale wereld van emoties op. Five States of Changebestaat uit vijf delen die betrekking hebben op de emotionele cyclus. Ik heb geprobeerd de muziek op natuurlijke wijzete laten ontstaan, met zo weinig mogelijk herhalingen. Elk deel vloeit voort uit de muzikale elementen uit het slot van hetvoorgaande deel. Het openingsmateriaal komt, in getransformeerde gedaante, terug aan het einde van het werk.

Five States of Change wurde von Kunstfactor für die vierte Abteilung der Holländischen Nationalen Brass-Band-Meisterschaft (NBK) 2011 in Auftrag gegeben. Die Widmung gilt Jappie Dijkstra und dem Musik-Informationszentrum (MUI) in Arnhem(Holland), in Anerkennung derer außerordentlichen Bemühungen um die Entwicklung des Blasorchester-Repertoires . Der Komponist über sein Werk: Die Idee zu diesem Stück kam mir beim Lesen eines Artikels über eine Richtung derchinesischen Philosophie, die abgekürzt Wu Xing* heißt, was nicht wörtlich übersetzt werden kann, aber so viel wie fünf Elemente, fünf Phasen oder fünf Stadien der Verwandlung bedeutet. DiesesPrinzip nimmt eine zentrale Position im gesamten chinesischen Gedankengut ein, sei es in der Wissenschaft, Medizin oder Astrologie. Einfach ausgedrückt, werden damit in allen Lebensbereichen verschiedene zyklische Beziehungen zwischenfünf Elementen hergestellt.Zum Beispiel: Erde - Metall - Wasser - Holz - Feuer - (Erde) - usw. In diesem Zyklus enthält die Erde Metall, das sich bei Erhitzung verflüssigt (Wasser); Wasser lässt Bäume wachsen, deren Holz verbrennt (Feuer)und zu Asche wird (Erde), womit der Kreislauf von neuem beginnt.Mich interessierte besonders der Kreislauf von Gefühlen:Meditation - Trauer - Angst - Ärger - Freude - (Meditation) usw.Ich dachte mir, dass dieser Kreislauf eine wirkungsvolleemotionale Reise“ durch ein Musikstück darstellen könnte. Folglich besteht Five States of Change aus fünf gleichen Abschnitten, die diesen Kreislauf der Gefühle grob nachzeichnen. Ich habe versucht, die Musik organischwachsen zu lassen mit möglichst wenig Wiederholungen. Jeder Satz entwickelt sich aus den Elementen vom Ende des vorhergehenden Satzes und das Material der Eröffnung vollendet am Schluss des Werkes den Kreis. *Abkürzung für Wu zhongliu xing zhi chi oder Die fünf Arten von Chi, die zu unterschiedlichen Zeiten dominieren

Five States of Change est une commande de l’institut Kunstfactor pour la 4e division des Championnats néerlandais de Brass Band en 2011. Cette œuvre est dédiée Jappie Dijkstra et au Music Information Centre (MUI) d’Arnhem, aux Pays-Bas, en hommage leur rôle exceptionnel dans le développement du répertoire pour Orchestre Vent.Le compositeur écrit : L’idée de cette composition m’est venue alors que je lisais un article sur un aspect de la philosophie chinoise, connu sous l’abréviation de Wu Xing*, qu’il est impossible de traduire littéralement mais qui peut signifier, par exemple, cinq éléments, cinq phases ou cinq états de changement. Toutechose dans l’univers est le fruit d’un cycle de création (ou d’engendrement) et de domination (ou contrôle). Ce concept est essentiel tous les éléments de la pensée chinoise, y compris les sciences, la philosophie, la médecine et l’astrologie et, en termes simples, il représente les multiples rapports cycliques qui existent entre cinq éléments liés l’univers et toute chose dans l’univers, donc l’homme.Évoquo ns le cycle de la création : Terre - Métal - Eau - Bois - Feu - (Terre) etc. La terre contient des minéraux, source de métal, le métal peut être fondu et se liquéfie, l’eau arrose et fait pousser les arbres, le bois br le et produit du feu, le feu produit des cendres, une sorte de terre, dans une dynamique cyclique perpétuelle.Parmi tous les cycles existants, celui des émotions éveilla particulièrement mon intérêt : Méditation - Chagrin - Peur - Colère - Joie - (Méditation) etc. et je me suis dit que ce principe cyclique pourrait être la source d’un puissant et émotionnel voyage musical. Five States of Change se compose donc de cinq parties égales qui reflètent assez librement ce cycle des émotions. J’ai essayé de faire en sorte que la musique se développe de manière fluide et naturelle, avec un minimum de répétitions. Chaque mouvement s’ouvre partir des éléments musicaux qui parachèvent le mouvement précédent, tandis que

L’idea di comporre questo brano è venuta a Philip Sparke leggendo un articolo sulla filosofi a cinese che si basa su cicli di cinque elementi, fasi e stadi di cambiamento. A Sparke interessavano in particolare il flusso dei sentimenti come la meditazione, il lutto, la paura, la rabbia e la gioia. A partire da questi elementi ha composto un impressionante “viaggio” musicale suddiviso in cinque sezioni, tematicamente intrecciate tra loro, quasi a voler formare un cerchio.

SKU: AP.47384S

UPC: 038081545615. English. Traditional English Carol.

This piece dates back to 19th-century Cornwall County in southwest England, and the lyrics most associated with this melody are similar to the text of The Holly and the Ivy. This arrangement of the beautiful carol gives beginning band students an opportunity to work on expressive playing while using limited technical demands. Fitting for both holiday and festival performances. (1:45).

SKU: YM.GXF01094670

Music notebook for children who start music lesson. 2 staves per one page.
Chu Xue Yin Le De Er Tong Yong Yin Le Bi Ji Ben ,Mei Ye 1Xing .