Benedictus, Op. 37 No. 3

SKU: HL.14003914

8.25x11.75x0.058 inches.

Benedictus is a work of depth and feeling that some listeners claim 'out-Elgars Elgar.'Composer, conductor and educator Alexander MacKenzie is perhaps best known for his Choral works and his works inspired by Scottish melodies and themes, as in this well-known work Benedictus . Benedictus is extracted from Benedictus is a work of depth and feeling that some listeners claim 'out-Elgars Elgar.'Composer, conductor and educator Alexander MacKenzie is perhaps best known for his Choral works and his works inspired by Scottish melodies and themes, as in this well-known work Benedictus . Benedictus is extracted from Six Pieces for Violin and is dedicated to Lady Halle. During hislifetime - 1847 to 1935 - MacKenzie's programmatic Scottish-inflected work was extremely popular, and he is regarded as one of those who set the scene for the British musical renaissance of the late 19th century. and is dedicated to Lady Halle. During his lifetime - 1847 to 1935 - MacKenzie's programmatic Scottish-inflected work was extremely popular, and he is regarded as one of those who set the scene for the British musical renaissance of the late 19th century.

SKU: HL.14032959

ISBN 9780711994850. 6.5x9.75x0.11 inches.

Howells 'Te Deum, Benedictus And Jubilate' for mixed voice choir SATB with Organ accompaniment. Edited by James Eggleston.

SKU: HL.14012337

ISBN 9788759858042. 7.0x10.25x0.097 inches. International (more than one language).

This album includes two sets of pieces. The first is Niels W. Gade: Benedictus And Amen (for choir and organ), and the second is J.P.E. Hartman: 6 Sange (for a capella choir).

SKU: BT.DHP-1145564-050

English-German-French- Dutch.

The Gospel Mass—a mass for mixed choir, combo and concert band—is based on the gospel music that has spread throughout the world since its creation in America. After Missa Brevis and Missa Katharina this is the third mass fromthe pen of Jacob de Haan.
The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including thecharacteristic clapping and swing rhythms), but also freer gospel styles that have developed over the course of time. The Credo, for example, is a ballad with rock and funk influences. The Agnus Dei is heard as a slow blues—a genreclosely linked to gospel music. The unique feature of this work, of course, is in the combination of all these pop and gospel elements with the Latin liturgy of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei, which results in abeautiful, cohesive whole. As far as we know, The Gospel Mass is the only true gospel mass.

The Gospel Mass – een mis voor gemengd koor, combo en blaasorkest – is gebaseerd op de gospelmuziek zoals die zich sinds haar ontstaan in Amerika overal in de wereld heeft verspreid en ontwikkeld. Het werk is na Missa Brevisen Missa Katharina de derde mis van componist Jacob de Haan.
De ordinariumdelenzoals we die kennen van een mis, zijn hier gecomponeerd in diverse popstijlen die hun oorsprong vinden in de gospelmuziek. Zo horen we niet alleen deklassiekeAmerikaanse gospelstijl (inclusief hand-clapping en swing), maar ook de vrijere gospelstijlen die zich in de loop der tijd hebben ontwikkeld. Het Credo is bijvoorbeeld gecomponeerd als een ballad, terwijl in andere delen rock- en funkinvloeden zijnverwerkt. Het Agnus Dei klinkt in een slow blues, een genre dat nauw verbonden is met de gospelmuziek. De unieke factor is de combinatie van al deze pop- en gospelelementen met de Latijnse misteksten van het Kyrie, Gloria, Credo, Sanctus, Benedictusen Agnus Dei – daarmee ontstaat een fraai, samenhangend geheel. Voor zover bekend is The Gospel Mass de enige echte gospelmis.

The Gospel Mass eine Messe für gemischten Chor, Combo und Blasorchester basiert auf der Gospelmusik, wie sie sich seit ihrer Entstehung in Amerika überall auf der Welt verbreitet hat. Das Werk ist nach Missa Brevis und MissaKatharina die dritte Messe aus der Feder von Jacob de Haan.
Die Ordinariumsteile, wie man sie aus einer Messe kennt, sind hier in diversen Popstilen komponiert, die ihren Ursprung in der Gospelmusik haben. So hören wir nicht nur den klassischen amerikanischen Gospelstil (inklusive Händeklatschen und Swing),sondern auch freiere Gospelstile, die sich im Laufe der Zeit entwickelt haben. Das Credo ist beispielsweise eine Ballade, in der Rock- und Funk-Einflüsse verarbeitet wurden. Das Agnus Dei erklingt als langsamer Blues ein Genre, daseng mit der Gospelmusik verknüpft ist. Der einzigartige Faktor dieses Werkes besteht natürlich in der Kombination all dieser Pop- und Gospelelemente mit den lateinischen Messetexten der Ordinariumsteile Kyrie, Gloria, Sanctus, Benedictusund Agnus Dei, die ein schönes, zusammenhängendes Ganzes ergibt. Soweit bekannt, ist The Gospel Mass die einzige echte Gospelmesse.

Th e Gospel Mass messe pour chœur mixte, combo et orchestre d’harmonie, fut composée partir du style gospel, qui, depuis ses origines en Amérique, s’est peu peu étendu dans le monde entier. Après Missa Brevis et MissaKatharina, voici la troisième messe signée par le compositeur Jacob de Haan.
Les différents mouvements de la composition de Jacob de Haan s’articulent selon le déroulement d’une célébration liturgique ordinaire. La Gospel Mass comporte divers styles pop qui trouvent leur origine dans la musique gospel. Nous entendonsalors, non seulement le style classique américain des gospels songs (y compris les applaudissements caractéristiques et rythmes swinguant), mais aussi une plus grande liberté d’usage des styles de gospel qui se sont développés au fil du temps. LeCredo, par exemple, est une ballade aux influences rock et funk. LAgnus Dei résonne comme un slow blues - un genre lent étroitement lié la musique gospel. La particularité de cette œuvre réside dans une belle et cohérente combinaisonde tous ces éléments pop et gospel avec le Kyrie, Gloria, Sanctus, Benedictus et Agnus Dei de la liturgie latine. Pour autant que nous sachions, The Gospel Mass est la seule véritable messe gospel.

The Gospel Mass-a mass for mixed choir, combo and concert band-is based on the gospel music that has spread throughout the world since its creation in America. After Missa Brevis and Missa Katharina this is the third mass fromthe pen of Jacob de Haan.
The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including thecharacteristic clapping and swing rhythms), but also freer gospel styles that have developed over the course of time. The Credo, for example, is a ballad with rock and funk influences. The Agnus Dei is heard as a slow blues-a genreclosely linked to gospel music. The unique feature of this work, of course, is in the combination of all these pop and gospel elements with the Latin liturgy of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei, which results in abeautiful, cohesive whole. As far as we know, The Gospel Mass is the only true gospel mass.

SKU: MN.80-779

UPC: 688670807794.

Full English text of canticle interspersed with Latin wordsSanctus andBenedictus. Useful independently or in combination with composer's similar settings of Ordinary of the Liturgy. See Kyrie (80-303), Gloria (80-101), and Agnus Dei (80-830).

SKU: HL.232725

ISBN 9788759880968.

Prog ramme Note BENT SORENSEN - BENEDICTUS (c. 7' ) Benedictus makes the listener listen to the world through a veil of voices wrapped tightly around the listener. Listening to the world is listening inwardly - Think before you listen! Eighteen months ago I was on Gotland wandering among walls in the small streets, in the church, and I thought that it was actually a Benedictus place - the old Catholicism seen and heard through new Nordic eyes and ears. Benedictus can of course be performed in the church in Visby or in other similar places, but it does not need to be a church. I would suggest having it on a programme with spatial music rather than a traditional choralprogramme. EA, vocal, instrumental works where the sound comes from everywhere around. Bent Sorensen 2008.

SKU: HL.48188441

Mouton Agnel Duos Trios Renaissance Pj458 Benedictus 2 Part.

SKU: HL.14019865

6.75x9.75x0.061 inches.

Martin Shaw's Te Deum And Benedictus is scored for SATB Choir with Organ Accompaniment. The music is in the key of Eb.

SKU: CA.4004419

ISBN 9790007134426. Key: C major. Language: Latin.

Score and parts available separately - see item CA.4004400.

SKU: CA.4004405

ISBN 9790007058517. Key: C major. Language: Latin.

Score available separately - see item CA.4004400.

SKU: CA.4004415

ISBN 9790007058579. Key: C major. Language: Latin.

Score available separately - see item CA.4004400.

SKU: CA.4004411

ISBN 9790007058531. Key: C major. Language: Latin.

Score available separately - see item CA.4004400.

SKU: MN.56-0076

UPC: 688670220791. Latin.

This mass setting was commissioned by the Friends of Christ Church Cathedral, Oxford and first performed on Ascension Sunday, 1994. Suitable for both church and concert use, the music is both lyrical and dramatic. The “Benedictus� �¢â‚¬Â is for SATB divisi and begins with a short 6/8 declamation, then moves into a section where the rhythmic idea is set in a sort of off-the-beat fashion, with all parts divisi playing against each other. A unison section with the off-the-beat motif follows. A majestic “Hosannaâ € follows. The “Agnus Dei” is set in a rubato triple meter in a homophonic style with close chords (also divisi.) At the “miserere,à ¢â‚¬Â the choir 1/choir 2 call and response motif from the “Gloriaâ� �‚¬Â returns. That same motif continues into the “dona nobis pacem,” as the movement (and the entire Mass) ends with a long decrescendo into a quiet call, “Pacem.â� �‚¬Â Duration 7:33.

SKU: CA.7004219

ISBN 9790007145651. Key: C major. Language: Latin.

Score and parts available separately - see item CA.7004200.

SKU: CL.013-0289-00

Contains two titles: Benedictus and Adeste Fideles Note: This is a reprint from a vintage publication of 1903. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Due to the era of this work, saxophone parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

SKU: CA.7004209

ISBN 9790007227661. Key: C major. Language: Latin.

Score available separately - see item CA.7004200.

SKU: BT.MUSPS10545

English.

SKU: CA.9195800

ISBN 9790007117771. Key: B flat major. Language: Latin.

SKU: CA.7004212

ISBN 9790007227685. Key: C major. Language: Latin.

Score available separately - see item CA.7004200.

SKU: CA.7004211

ISBN 9790007227678. Key: C major. Language: Latin.

Score available separately - see item CA.7004200.

SKU: HL.117718

UPC: 884088890100. 6.75x10.5 inches.

“Bles sed is he that comes in the name of the Lord.” Set in an expressive 3/4 meter, the Latin text and carefully crafted vocal textures create a wonderful harmonic work. Ideal concert/festival use, it may be performed with keyboard only or with the optional strings and brass of the chamber orchestration. Available separately: SATB, 3-Part Mixed, SSA. Instrument parts available as a digital download (tpt 1, tpt 2, euph, tbn 1, tbn 2, vln 1, vln 2, vla, vc, db). Duration: ca. 2:15.

SKU: CA.4004403

ISBN 9790007088576. Key: C major. Language: Latin.

Score available separately - see item CA.4004400.