SKU: MN.56-0076
UPC: 688670220791. Latin.
This mass setting was commissioned by the Friends of Christ Church Cathedral, Oxford and first performed on Ascension Sunday, 1994. Suitable for both church and concert use, the music is both lyrical and dramatic. The ââ¬ÅBenedictus ¢â¬Â is for SATB divisi and begins with a short 6/8 declamation, then moves into a section where the rhythmic idea is set in a sort of off-the-beat fashion, with all parts divisi playing against each other. A unison section with the off-the-beat motif follows. A majestic ââ¬ÅHosannaâ â¬Â follows. The ââ¬ÅAgnus Deiââ¬Â is set in a rubato triple meter in a homophonic style with close chords (also divisi.) At the ââ¬Åmiserere,à ¢â¬Â the choir 1/choir 2 call and response motif from the ââ¬ÅGloria⠬ returns. That same motif continues into the ââ¬Ådona nobis pacem,ââ¬Â as the movement (and the entire Mass) ends with a long decrescendo into a quiet call, ââ¬ÅPacem.⠬ Duration 7:33.
SKU: BP.1644B
SATB choir - Although this majestic anthem is appropriate for Palm Sunday, its text, based on the Sanctus and Benedictus, makes it suitable for services and celebrations throughout the year. Optional children's choir, handbells, brass and percussion lend adaptability for all types of settings.
SKU: BP.1644A
SKU: BP.BP1644
Although this majestic anthem is appropriate for Palm Sunday, its text, based on the Sanctus and Benedictus, makes it suitable for services and celebrations throughout the year. Optional children's choir, handbells, brass and percussion lend adaptability for all types of settings. Full score and parts (BP1644A) and the 3-5 octave handbell parts (BP1644B) are available.
SKU: M7.DOHR-17625
ISBN 9790202036259. Latin.
Das Requiem besteht aus:Grande Messa di Requiem c-Moll (1850/1851) - Libera me, Domine f-Moll (1856) - Die Partitur enthält ein ausführliches Nachwort, das über Leben und Schaffen des Komponisten sowie die hier vorgelegte Requiem-Komposition informiert, sowie einen umfangreichen kritischen Bericht. Der Klavierauszug enthält beide Teile des Requiems. Das Aufführungsmaterial erscheint für beide Teile separat und enthält jeweils eine Digigier-Partitur im Format DIN A3.2 Flöten - 2 Oboen / 1 Englischhorn (nur Nr. 3) - 2 Klarinetten - Bassklarinette (nur Libera me) - 2 Fagotte (4 Fagotte im Libera me) - 4 Hörner - 2 Trompeten (4 Trompeten im Libera me) - 3 Posaunen - 1 Ophikleide (oder Basstuba) - 4 Pauken (2 Musiker) - Tam-tam (nur Libera me) - Soli (SATB / TTBB) - Chor SATB - Streicher.
SKU: BA.BA11310-90
ISBN 9790006569267. 27 x 19 cm inches. Text Language: Latin.
This publication offers a source-critical edition of Mozartâ??s fragmentary â??Requiemâ? as well as an alternative to the traditional SüÃ?mayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozartâ??s idiom taking into account historical additions by SüÃ?mayr and Eybler.When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozartâ??s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the â??Requiemâ? fragment, is taken into account in those sections requiring completion or fresh composition.At two points readers may choose between alternative movements (or sections), since proceeding from SüÃ?mayrâ??s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozartâ??s intentions: the â??Lacrimosaâ? may end with or without â??Amenâ? fugue, and the â??Sanctusâ? may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major â??Hosannaâ? from SüÃ?mayrâ??s autograph, a movement which, until now, has not been appreciated as compositionally flawless.â?¢ Scholarly-critical edition of the â??Requiemâ? fragmentâ?¢ With performance material for presentation of1) the fragment,2) a version with completions of the authentic Mozart sections or3) a full completion consistent with Mozartâ??s musical idiomâ?¢ Missing sections were completed by drawing from other fragmentary sacred works by Mozartâ?¢ Added or completed sections incorporate influences from Bach and Handel already detectable in the fragmentâ?¢ Alternative performance options for the â??Lacrimosaâ?, â??Sanctusâ? and â??Benedictusâ?â ?¢ Easy-to-play piano reductionâ?¢ Extensive foreword (Ger/Eng) on the workâ??s history, reception and modern completions, with analytical stylistic critiqueâ?¢ Detailed Critical Commentary (Eng), partly available on the Bärenreiter websiteâ?¢ Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (â??Le Disque classique du jourâ? from francemusique.fr and three nominations for Opus Klassik 2021 in the categories â??Ensembleâ?, â??Choral Recordingâ? and â??Editorial Achievementâ?) You will find a detailed brochure on the new completion of Mozart's Requiem here.
SKU: ST.D100
ISBN 9790220223365.
Alth ough the musical archives of the world have yielded up their fair share of 'lost' or forgotten early works by the great composers, few might be regarded with more surprise and excitement than A Cambridge Mass by Ralph Vaughan Williams. It was completed in 1899 shortly before his 27th birthday and was successfully submitted for the Cambridge degree of Doctor of Music, but remained unperformed and unpublished till now. The work that has emerged from more than a century of obscurity is indeed a remarkable achievement, lasting 45 minutes and written for full orchestra, double chorus and SATB soloists. A setting of the Credo, Sanctus, Hosanna and Benedictus of the Mass, with an orchestral Offertorium as its second movement, this richly prescient musical outpouring shows the young composer's mastery of complex counterpoint no less than of bold melodic writing and striking orchestral gestures. By far the largest of VW's works predating A Sea Symphony of 1909, A Cambridge Mass already exhibits a command of large choral forces, inspired in part by the example of Verdi's Requiem, which the composer had recently encountered, and which influenced him profoundly. While there are also echoes of Bach, the Viennese classical masters and of Brahms and Dvorak, the current and pulse of the music, and the grand conception, are unmistakably those of Vaughan Williams himself. Orchestral material available for rental (Ref. HL399).
SKU: CA.206100
ISBN 9790007097882.
SKU: BA.BA09188
ISBN 9790006565092. 31 x 24.3 cm inches. Key: C minor. Text Language: Latin. Preface: Ulrich Leisinger.
Mozartâ €™s magnificent unfinished “Great Mass in C minor K. 427†is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performers for decades.Working together with the International Mozarteum Foundation in Salzburg, Barenreiter now presents a new edition of this work, reflecting the cutting edge of scholarship while doing justice to the needs of performers.High scholarly standards, the completion and reconstruction of movements: this pioneering publication incorporates all this in order to come as close as possible to the work itself:- The “Kyrie†and “Gloriaâ€, both of which survive complete in Mozart’s hand, are edited in accordance with scholarly standards.- The first two sections of the “Credo†have been meticulously completed by the editor Ulrich Leisinger, drawing on original Mozart compositions e.g. the aria “Deh vieni non tardar†from “The Marriage of Figaro†and paying attention to a stylistically appropriate and transparent sound.- The “Sanctus†and “Benedictus†(with the “Hosannaâ€), which are either incomplete or survive only in secondary sources, have been reconstructed by the editor.Sections without any known sources are left out in this edition. Rounding off the publication is an extensive Foreword (Ger/Eng).The first performance of Ulrich Leisinger’s new edition was given in April 2019 in the Elbphilharmonie Hamburg by the Hamburg State Philharmonic Orchestra and the ChorWerk Ruhr under the baton of Kent Nagano. The first Austrian premiere took place in Salzburg on August 2019 in the Great Hall of the Mozarteum, with Andrew Manze conducting the Salzburg Camerata to rousing applause from audience and critics alike.The C-minor Mass reconstruction by Helmut Eder on the basis of the New Mozart Edition (BA 4846) is still available: the score and performance material are on hire, the vocal score is on sale.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA09188-91
ISBN 9790006565139. 27 x 19 cm inches. Key: C minor. Text Language: Latin.
Mozart's magnificent unfinishedGreat Mass in C minor K. 427is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performers for decades.Working together with the International Mozarteum Foundation in Salzburg, Barenreiter now presents a new edition of this work, reflecting the cutting edge of scholarship while doing justice to the needs of performers.High scholarly standards, the completion and reconstruction of movements: this pioneering publication incorporates all this in order to come as close as possible to the work itself:- TheKyrieandGloria, both of which survive complete in Mozart's hand, are edited in accordance with scholarly standards.- The first two sections of theCredohave been meticulously completed by the editor Ulrich Leisinger, drawing on original Mozart compositions e.g. the ariaDeh vieni non tardarfromThe Marriage of Figaroand paying attention to a stylistically appropriate and transparent sound.- TheSanctusandBenedictus(w ith theHosanna), which are either incomplete or survive only in secondary sources, have been reconstructed by the editor.Sections without any known sources are left out in this edition. Rounding off the publication is an extensive Foreword (Ger/Eng).The first performance of Ulrich Leisinger's new edition was given in April 2019 in the Elbphilharmonie Hamburg by the Hamburg State Philharmonic Orchestra and the ChorWerk Ruhr under the baton of Kent Nagano. The first Austrian premiere took place in Salzburg on August 2019 in the Great Hall of the Mozarteum, with Andrew Manze conducting the Salzburg Camerata to rousing applause from audience and critics alike.The C-minor Mass reconstruction by Helmut Eder on the basis of the New Mozart Edition (BA 4846) is still available: the score and performance material are on hire, the vocal score is on sale.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composerâ€℠s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
