SKU: BT.EMBZ1720
German-Hungarian.
SKU: HL.48020886
UPC: 884088530822. 9.0x12.0x0.204 inches.
SKU: CA.1642000
ISBN 9790007099985. Language: all languages.
SKU: CA.2914200
ISBN 9790007110758. Language: all languages.
SKU: CA.2914221
Language: all languages.
Score available separately - see item CA.2914200.
SKU: CA.2914224
SKU: HL.49033140
ISBN 9790001133319. UPC: 884088674595. 8.25x11.75x0.315 inches. German - English.
Orchester: Klavierquintett: Fl. (auch Picc.) * Klar. (auch Es-Klar. u. Bassklar.) * Vl. (auch Vl. mit Kontaktmikrophon u. Va.) * Vc. (auch Vc. mit Kontaktmikr.) * Klav.Blaserquintett: Hr. * 2 Trp. * Pos. * Tenor-Tb.Jazzensemble: Bassklar. (auch Fl., Okar., Vibr. u. kl. Drumset) * Sax. in versch. Stimmungen (auch Klar. in versch. Stimmungen) * Pos. * Kb. * Hammondorg. * P. * Flex. * Tonband (kleine Verstarker fur einige Instrumente) * Lautsprecher, evtl. Mikrophon und kleiner Verstarker fur die OkarinaOrchester: Klavierquintett: Fl. (auch Picc.) * Klar. (auch Es-Klar. u. Bassklar.) * Vl. (auch Vl. mit Kontaktmikrophon u. Va.) * Vc. (auch Vc. mit Kontaktmikr.) * Klav.Blaserquintett: Hr. * 2 Trp. * Pos. * Tenor-Tb.Jazzense mble: Bassklar. (auch Fl., Okar., Vibr. u. kl. Drumset) * Sax. in versch. Stimmungen (auch Klar. in versch. Stimmungen) * Pos. * Kb. * Hammondorg. * P. * Flex. * Tonband (kleine Verstarker fur einige Instrumente) * Lautsprecher, evtl. Mikrophon und kleiner Verstarker fur die Okarina.
SKU: CA.2914231
SKU: CA.2914223
SKU: CA.2914209
ISBN 9790007203528. Language: all languages.
SKU: CA.2914222
SKU: HF.FH-3340
ISBN 9790203433408. 8.3 x 11.7 inches.
SKU: HL.48009142
UPC: 073999481235. 5.5x7.5x0.113 inches.
Study Scores.
SKU: FG.706309-99-6
ISBN 979-0-706309-99-6.
Eine kleine Figurenlehre was commissioned by the Stuttgarter Blaserquintett and premiered in Jyvaskyla, Finland in 1991. The work is a playful application in a 20th century context of a set of baroque musical figures, originally presented in the writings of the 17th century German theorists Joachim Burmeister, Caspar Printz and Christoph Bernhard.
SKU: HL.50488590
ISBN 9790080061602. A/5 (14,2x20) inches.
SKU: CA.1632800
ISBN 9790007112745. Language: all languages.
E texts of the French author Anne-Marie Albiach have long been the point of departure for my works. Following the viola concerto << monstrueuse vecut dans le cadre >> la memoire, which is based on her << H II>> lineaires, the three texts entitled << une geometrie >> have generated a new cycle. As in the other two works of the cycle, << figurations de memoire >> is predicated on two different readings of the text: on the one hand a (private) reading by Anne-Marie Albiach in which time is measured [demarcated] out; while on the other hand the graphic text is measured millimeter by millimeter. The latter serves as the basis - the genetic code - for the temporal, horizontal structure of the quintet, whereas the reading of the author appears in rhythmic surfaces which interrupt the horizontal plane. In << figurations de memoire >> two clearly recognizable elements are repeated: the tone b (which plays a central roll in most of my works) and a chord of fifths built around the tone b - a piece of memory (memoire) from viola concerto. In contrast, the extended chords of the reading consist of five tones which in their frequencies are equidistant from each other (like an overtone chord). For the generation of tone materials the chords of both levels are compressed and stretched within the ranges (frames) of tones from which the horizontal positions of the text fragments are derived: lower, borderline tones on the left margin, and higher borderline tones on the right margin. Thus the disposition on the page, essential for Anne-Marie Albiach (and first introduced in poetry by Mallarme in Un coup de des jamais n'abolire le hasard), is rendered in sound. Naturally each element of the text serves to mold structure and dynamic, to include typography: fragments within quotation marks, in italics, etc., yield different sonorous images [sonorities] and movements. Each word from the typographical reading is orchestrated [instrumentated] differently, which is important for the whole cycle (however, the chords of the spoken reading are always played by five instruments; here only speech and pauses in speech [[interruptions of speech]are distinguished from each other). Thus a tight network of instrumental combinations is created in which, word for word, the text is made audible. The most important element in the process: the vertical, synchronized playing together of the individual instruments (Synchorniestudie), ranging from solo to quintet.