Blue Monk

Retrouvez dans ce recueil plus de trente morceaux arrangés pour Piano Solo. Cette magnifique collection de blues rassemble les standards, les airs connus, et les oeuvres contemporaines où vous pourrez appréhender des accords riches, des mélodies tranquilles et des sons et des ryhtmes funky. A vos claviers!

Par GORDON ANDREW D.. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt. Andrew's idea for thisbook is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they havelearnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. / Niveau : 3 / Recueil / Piano

Soixante-sept numéros de blues record spécialement adaptés pour clarinette par Jack Long, complet avec les symboles de la corde de concert pitch. Touches faciles et varie en fonction de débutants à la norme intermédiaire. Comprend 'Café noir', 'dans la chaleur de la nuit', ' Moonlight devient vous ' et ' Someone To Watch Over Me '. / Clarinette / 96 pages / Partition

Thelonious Monk ? Omnibook for Piano
Transcribed Exactly from His Recorded Solos
All Alone
April In Paris
Ask Me Now
Ba-Lue Bolivar Ba-Lues-Are (Bolivar Blues)
Bemsha Swing
Between The Devil And The Deep Blue Sea
Blue Monk
Body And Soul
Bright Mississippi
Bye-Ya
Darn That Dream
Dinah
Don't Blame Me
Everything Happens To Me
Functional
Hackensack
Honeysuckle Rose
I Mean You
I Surrender, Dear
It Don't Mean A Thing (If It Ain't Got That Swing)
Just A Gigolo
Little Rootie Tootie
Liza (All The Clouds'll Roll Away)
Memories Of You
Misterioso
Monk's Mood
Mood Indigo
My Melancholy Baby
Nice Work If You Can Get It
Nutty
Off Minor
Played Twice
Reflections
'Round Midnight
Ruby, My Dear
Straight No Chaser
Sweet And Lovely
We See
Work
You Are Too Beautiful
/ Partitions jazzandblues / Piano - claviers / Piano / HAL LEONARD

Piano Playbook: Blues and Soul includes superb new Piano arrangements of 45 blues and soul classics, complete with Vocal line and Guitar chords. Chosen to reflect a variety of moods, this selection has been produced to the highest standards and comes in a handy 6 x 9 in. format that combines convenience with durability. The spiral binding ensures that the Piano Playbook sits flat on a Piano or other music stand, while the crisp engraving is a pleasure to read. / Piano/Vocal/Guitare (PVG)

The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they havelearnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs./ Recueil / Flûte Traversière

The Bluesier Side of Jazz for Tenor Saxophone and Bb instruments by Andrew D. Gordon and Frank Villafranca was inspired by the piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvisedsolo from the phrases they have learnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The package includes: Book or PDF file 30 audio tracks to play on your CD player or computer Over 200 mp3 files Over 200 MIDI files/ Recueil / Saxophone Ténor

Piano / Les titres de ce recueil sont issus du grand répertoire des Standards de Blues. Chaque titre est présenté sous deux formes. La première version est un arrangement pour piano entièrement doigté et chiffré de l'?uvre. La seconde version représente le thème simple accompagné de son chiffrage harmonique d'origine, en quelque sorte 'la matière première' à partir de laquelle toute forme d'arrangement peut être élaboré. / Monk, Theolonius : Blue Monk Williams, Spencer : Blue Train Blues Morton, Jelly Roll : Buddy Bolden's Blues Oliver, King : Canal Street Blues Frankie And Johnny Williams, Hank : Low Down Blues Handy, W. C. : Menphis Blues Harvey, Alex : Shake That Thing Crudup, Arthur : She Ain't Nothing But Trouble Handy, W. C. : St. Louis Blues Williams, Clarence : Sugar Blues Koffman, Moe : Swingin' Shepherd Blues Rollins, Sonny : Tenor Madness Coltrane, John : Trane's Blues Weary Blues

Tim Richards présente - pour la première fois en français ! - les différents aspects harmoniques, rythmiques et mélodiques du blues. L'album se compose de plus de 30 pièces et contient les très célèbres 'Blueberry Hill', 'C-Jam Blues', 'Back in the Alley' et 'See See Rider', auxquels s'ajoutent les compositions à but pédagogique de l'auteur :- d'authentiques patterns et lignes de basse pour la main gauche- voicings professionnels, gammes blues, licks et riffs- exercices de coordination pour les deux mains- suggestions d'écouteChaque chapitre est classé par ordre de difficulté et contient quelques pièces plus difficiles vers la fin du volume. L'improvisation y joue tout le long un rôle important, avec des exercices et des conseils. Tim Richards a enregistré toutes les pièces sur le CD d'accompagnement qui contient aussi une piste play along pour les deux volumes. / Piano

Avec plus de 120 pages et trente-sept des favoris record de blues et jazz connu, c'est le livre parfait pour le pianiste de jazz désireux d'apprendre les normes. Spécialement adaptés pour les intermédiaires Piano Solo, avec des symboles de la corde inclus, permettant le potentiel pour des joueurs plus avancés d'improviser sur les changements et les progressions. Inclut Ain't Misbehavine, prendre cinq, donc ce que / Piano