Bluegrass Jamming On Fiddle: Violin: Study

Description Bluegrass Jamming on Fiddle is Wayne's newest instruction book and the second in a 4-part series of fun books that will teach the tools, tricks and tunes to jam in bluegrass style. It covers: 31 bluegrass jam standards, how to jam with others, how to improvise and make up your own tasteful licks and fills, almost painless music theory, how to play harmony, how to transpose and play in different keys, and pretty much everything you'll need to march fearlessly into your next jam or picking session! This FUN book is fully illustrated with almost 200 vintage photos. Coming soon: Bluegrass Jamming on Banjo (available Winter, 2012) and Bluegrass Jamming on Guitar (available Spring, 2013). All the books in the series will teach the same 31 tunes and will be 96 pages, 9 x 12 and will include an audio instructional CD. Price: $22.95 (a steal!) You WILL learn how to play and jam on: All the Good Times Are Past & Gone, Back Up and Push, Black-Eyed Susie, Cherokee Shuffle, Columbus Stockade, Colleen Malone, Dark Hollow, Deep Elem Blues, East Virginia, Footprints in the Snow, Katie Dear, Hand Me Down My Walking Cane, High on a Mountain, I Am a Pilgrim, I've Just Seen the Rock of Ages, John Henry, Just Over in the Gloryland, Little Birdie, Lonesome Road Blues, Love of the Mountains, Mama Don't Allow, Man of Constant Sorrow, More Pretty Girls Than One, Pig in a Pen, Pretty Polly, Red Rocking Chair, Rocky Road Blues, Roll on Buddy, Run and Hide, Sittin' on Top of the World, Working on a Building.

Media Type : Book Level : Beginning Musical Genre : Bluegrass and Country Series : American Fiddle Method Number of pages : 56 Private studio teachers, school string programs and Suzuki teachers preparing for recitals will welcome these tasteful piano accompaniments for the violin, viola and cello editions of Volume 1of Brian Wicklund's American Fiddle Method. Acknowledged as the most widely used fiddle method in the country, Wicklund became aware of the increasing demand for a parallel piano accompaniment series and engaged his friend Bob Walser to take on the task of writing it. Collaborating closely with Wicklund, Walser was encouraged to adhere to the chord progressions suggested in the original books, but given leeway to add interesting variations in rhythm and harmony. The result is a book of arrangements that welcomes pianists to the jamming circle. Piano playing teachers, parents and siblings can now join in the fun, and fiddle tunes can be featured in concerts and recitals with the support of an accompanist. In addition, principals of accompaniment learned by playing these arrangements can be applied to accompanying other tunes, the voice or other instruments. The American Fiddle Method itself provides the beginner with the elements needed to become a proficient fiddler. Based on many years of teaching experience, the author introduces concepts and techniques that yield solid results. This method encourages creativity in the student by including variations of the tunes to illustrate how they can serve as a basis for improvisation.