Blues You Can Use: Guitar Solo: Instrumental Tutor

The Ultimate Guitar Lesson Book-With the Play Like series you'll study the trademark styles of some of the world's greatest artists so that you can learn to replicate their unique sound. This volume focuses on blues Guitar royal Freddie King. Play Like Freddie King is a book/audio teaching method that provides a detailed analysis of King's gear tone techniques styles songs licks riffs and much more. You'll learn everything you need to know about King's legendary Guitar playing from his early '60s Guitar instrumental hits to his '70s blues-funk excursions and beyond. The book includes access to audio tracks online for download orstreaming using the unique code inside the book. It also includes Playback+ a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys pan left or right. Songs include: Going Down I'm Tore Down Remington Ride San-Ho-Zay The Stumble and more.

Bien qu'initialement considéré comme un instrument de rythme, la guitare a développé une voix solo tous ses propres au monde de Bluegrass - une voix qui est révélé par Scott Nygaard dans ce didacticiel de DVD. Tunes et solos traditionnellement exécutées sur le violon ont été adaptés par une génération de guitaristes comme base pour leurs propres solos dans le son de la musique Bluegrass. Le style est un mélange organique des airs de violon, banjo techniques tels que crosspicking et le Blues. Dans ce DVD, célèbre guitariste Scott Nygaard guides vous par le biais du violon Old-Time tune Little Billy Wilson, un arrangement de cueillette à la Croix de Home Sweet Home, un solo mélodique sur la chanson de blues Trouble dans l'esprit et vous montre comment combiner ces influences lors de la création d'un solo sur une musique bluegrass tune comme East Virginia Blues. Techniques Crosspick, violon et blues sont rigoureusement examinées et expliqués, vous donner la meilleure base possible pour développer votre propre Bluegrass solo sonore. / Guitare

Contient des solos qui mettront au défi les guitaristes fingerstyle intermédiaire et avancé. Ces arrangements montrent les textures musicales larges, fingerstyle techniques et styles disponibles aux guitaristes fingerstyle. Main droite rythmiques, lignes de contrepoint, single-chaîne s'exécute et alternance techniques bass sont utilisées dans les arrangements. Bon nombre des airs compositions originales de Stefan, toutefois, les arrangements de musique par Big Bill Broonzy, Reverend Gary Davis et autres gourous de guitare fingerstyle sont présentés. Tous ces arrangements sont présentés dans l'onglet et notation standard. Une explication approfondie sur la façon de lire l'onglet est incluse dans ce texte. Un essai de Dale Miller en rôle colossal de Stefan Grossman dans le monde de la guitare fingerstyle est inclus dans ce texte. Cet ouvrage est livré avec trois CD qui contiennent des représentations de ces arrangements. Les guitaristes fingerstyle profiteront jouer et écouter ces difficiles, mais réalisables, arrangements. / Guitare (Fingerpick) / 72 pages / niveau : Débutant/Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles'the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won't kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, 'One man's remorse is another man's reminiscence.' Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bes

Une méthode claire de blues slide guitar. Contient 25 transcriptions d'authentiques morceaux de bottleneck composés par Son House, Robert Johnson, Charlie Patton, Tampa Red et bien d'autres. Texte en anglais / Guitare

Solo Pieces For Electric Guitar. Par FINN JON. Une grande partie de la guitare électrique de d'aujourd'hui se concentre sur jouer dans un groupe. Nous apprenons les accords, the licks, les solos et parfois quelques paroles. Rarement recevons-nous une chance de jouer une chanson par nous-mêmes, du début à la fin sans compagnons de bande ou de chanter. Ce nouveau livre de Berklee faculté et célèbre artiste Jon Finn est une collection de pièces dans une variété de styles musicaux, écrite pour guitare solo non accompagné. Techniques couverts comprennent pick-et-doigts (qui rappelle Chet Atkins), classique (adapté à l'electric guitar), jazz, blues, pop, à deux mains taraudage (comme Jennifer Batten ou Stanley Jordan) et plus encore. La musique est transcrit avec précision et minutieusement pour faire correspondre les enregistrements inclus. Le livre comprend également des images et des informations détaillées sur la joue chaque morceau, tant d'un point de vue technique et artistique. Si vous voulez élargir vos horizons musicaux tout en établissant des répertoire que vous pouvez effectuer vous-même, ce livre est pour vous. / Niveau : Intermédiaire à Avancé / All Styles - Solos / Recueil / Guitare Electrique

Transform Your Leaden Licks into Improvisational Gold 2-DVD Set-As anyone who squeaked through 10th grade history knows the alchemists were a semi-scientific posse of medieval individuals utterly hung up on the notion of transforming lead into gold. Of course their efforts did not lead to economic good times but Blues Alchemy addresses a much more useful and likely kind of transformation: turning those leaden everyday blues licks and chord progressions into tasty and intriguing improvisational gold.Blues Alchemy are about learning to play the changes but not in the sense that jazz musicians do - it isn't about learning every arpeggio and mode under the sun. Instead on ten diverse chord progressions master blues alchemistDavid Hamburger will teach you how to transform your blues bag into gold by learning how to target tones and 'play the changes.'This hands-on playing course guides the student through 10 distinct blues rhythm patterns and variations 10 distinct solos and variations plus dozens of extra blues licks and tricks of the trade.