A Book of Waltzes

Par DIVERS AUTEURS / KOEPPEN GABRIEL (ARR.). This collection is for classical Cellists and presents a broad selection of well-known pieces from the repertoire of classical music, opera, musicals, jazz and tunes from all over the world for all occasions, from solemn ceremonies to happy celebrations. This includes performances as part of public or private ceremonies to mark birthdays, weddings, funerals, anniversaries and jubilee celebrations as well as concerts in schools. The selection ranges from popular classical works such as Bach's 'Air', Mozart's 'Little Night Music' or Schumann's 'Reverie' and well-known operatic melodies through to medleys featuring waltzes, Dixieland or folk songs through to tangos and a few jazz standards. As the second cello part includes symbols for harmonies, it can also be played at will on keyboard, guitar and/or bass. Enjoy your gig!/ Recueil / Violoncelle

Since the 1960's here has been an extraordinary revival of old-time string band music in California and indeed throughout the American West. Despite being born blind Kenny Hall has been a mainstay of many fiddle festivals and ofthe Western fiddle and string band revival in general. Kenny's musical style is passionate and energetic. This book is a helpful guide to his vast repertoire learned through years of careful listening. It is also a wonderfuladdition to the fiddler's bookshelf and a fitting tribute to a man who for many an aspiring fiddler has been a friend guide exemplar and patron. Many of the tunes includes nonsense lyrics that Kenny used to help him rememberthe melody and each tune is accompanied by Kenny's comments. The book is divided into five chapters: fiddle- based tunes (Fiddle Faddle) mandolin-based tunes (Rags Tags and Wags) Waltzes tunes from an origin other than theUnited States or the British Isles (Kenny's Rambles); and vocal-based pieces including lyrics (Songs Ballads Ditties). Some of the transcriptions are written primarily for fiddle or mandolin but most tunes can be performed oneither instrument. This deluxe guide to Kenny Hall's vast repertoire offers fans of old-time music a great way to get to know Kenny and his music.

There are 50 well known waltzes fully notated in the book and played on the CD with a full backing band. (play-a-long tracks including melody line played by another instrument). These pieces are all easy to learn. If you do not read music well (or at all) you can pick up the melody from the CD.The book can be used to build a repertoire of waltz music. At live engagements especially weddings the audience will always ask for a few waltzes. The material in this book covers a wide range of tempos and styles not just slow waltzes.The melodies of these pieces are easily recognizable although you may not remember the name of a specific tune.Many of the tunes are verywell known such as: Daisy Home On The Range Anniversary Waltz After The Ball Ash Grove Greensleeves Laredo Scarborough Fair Star Of The County Down The Black Velvet Band The Greenwood Tree Southwind The Four Marys Barbara Allen Flowers Of The Thorn Beautiful Brown Eyes Give Me Your Hand and many more.

The books in the Five-Star Solos series give students and teachers a wide variety of pieces at graded levels. Different styles, colors, tempos, and moods are included in each book. Ballads, waltzes, Latin tunes, contemporary sounds, and 'showstoppers' all combine to make teaching both fun and exciting. Students will be rewarded with music that clearly sets them apart from the crowd. / Piano

Over 150 contemporary tunes written by 100 female composers from Britain and Ireland. Par TICKELL KATHRYN (Arr.). Folk Tunes from the Women, is a tune book like no other! This is a bumper book of over 150 contemporary tunes from 100 composers from Britain and Ireland, all from different areas, traditions and backgrounds and has been curated by the Northumbrian piper and fiddle player Kathryn Tickell. There?s a wide selection of Jigs, Hornpipes, Reels, Airs, Marches, Polkas, Waltzes, Mazurkas and a heap of tunes which don?t fall into a natural category. All tunes are presented as melody lines with chord symbols, making it the most useful book for teachers and players alike. / Date parution : 2023-08-12/ Recueil / Mélodie, Paroles et Accords

With this volume the reader is pleasantly surprised with two books in one- Section One by Alec Slater and Section Two by Lisa Schmitz. Alec's portion is intended as a guide for the clawhammer or frailing banjo player with someprevious experience in this style. He stresses the fact that this style of music can be fully learned only from within the oral tradition in which it grew. The instruction included here is meant to provide a review and not totake the place of qualified teacher. Alec recommends that '...anyone wanting to get this playing right should find someone in your area who plays and have him/her teach you. Listen to it watch it and make it your own.' InSection Two Lisa Schmits presents an extensive collection of 163 jigs reels polkas hornpipes strathspeys waltzes and songs from Ireland Scotland the Shetland Islands Cape Breton New England and Southern Appalachia forbanjo solo. The national origin of each tune is indicated. Lisa offers personal authoritative settings of a great variety of tunes at an intermediate level. Written in tablature only.

This amazing Big Book features over 75 German songs: folk songs waltzes holiday tunes polkas art songs arias drinking songs and more! Favourites include: Ach Du Lieber Augustin • Ave Maria • Bist Du Bei Mir • O Tannenbaum • Pizzicato Polka • Ständchen • Vilja Lied and dozens more! All arranged for Piano Voice and Guitar with English translations included alongside the original German lyrics to help understanding and give the performers a choice. The arrangements are simple so anyone can learn them quickly or even sight-read them as performance requests. With so many good songs inside The Big Book Of German Songs is sure to contain something for you whatever the occasion!

Romantic piano music is particulary suitable for awakening and encouraging the pupil's desire to play with expression. In Volumes 2 and 3 of The European Piano Method (ED 7931, 7932, 7933) this expressive, cantabile playing is particularly encouraged. The two romantic supplementary books are specifically intended to further these qualities.
All the great masters of the Romantic era, from Schubert to Reger, are represented by small yet typical pieces. There are no pieces from Schumann's 'Album for the Young' as the complete album is essential teaching material. / Partition /

Par NEWTON DAN. Original and traditional tunes in the continental style for accordion including: Say I Do - April Waltz - Eiffel Tower - Spanish Jenny - Two French Waltzes - Valiakainen-Merimes - Nuevo Brazil - Halloween - and more. The song Che Lia Lia is featured only on the CD. / Niveau : Intermédiaire / European - Transcribed Solos / Recueil / Accordéon ou Clavier

Description Twenty-Three favourite Pieces in Piano arrangements. Fun-to-play, pedagogically sound arrangements include the theme from the 'Raindrop' Prelude, 'Minute' Waltz, the charming 'Lullaby', and melodic highlights from the most familiar Preludes, Mazurkas, Waltzes, Impromptus and Etudes. Songlist A Late Nocturne (Op.55 No.1) An Early Nocture (Op.9 No.2) An Elegant Chopin Melody (Prelude Op.28 No.7) Ballade No.1 In G Minor Op.23 Ballade No.2 In F Op.38 Etude (Carcassi, Matteo) Etude Op.10 No.3 Fantasie-impromptu Op.66 'heroic' Polonaise Op.53 Lullaby (Berceuse Op.57) Marche Funebre From Op.35 Mazurka In C Op.33 No.3 Mazurka In F Op.68 No.3 Mazurka In G Minor Op.Post.67 No.2 Military Polonaise (Op.40 No.1) [Chopin, Frederic] Prelude In A Op.28 No.7 Prelude In C Minor Op.28 No.20 Prelude In D Flat 'Raindrop' Op.28 No.15 Scottish Dance Op.72 No.3 Troisieme Mazurka Waltz In A Flat Op.69 No.1 Waltz In A Minor Op.34 No.2 Waltz In D Flat (Minute Waltz) Op.64 No.1

Waltzes, Polkas, Tangos, Hornpipes, Two-Steps And More!. Par BOLLERUD BRUCE. Bienvenue au monde de la musique accordéon international. Cette collection contient un échantillonnage de musique folk ethnique de l'Europe et les Amériques et forme la base d'un répertoire accordéon folk base. Ces chansons sont de nombreuses nations. Ils sont foule plaire et ils sont amusants à jouer. J'ai joué la plupart de ces chansons dans les différentes bandes que j'ai joué au fil des ans. Ces mélodies ont résisté à l'épreuve du temps, jusqu'à ce que vous attendent ' Ouvrez le livre, sortez vos accordéon et Let's play some music ! Un mot au sujet de ces chansons : apprendre généralement une chanson et de jouer ensuite par coeur par la mémoire, par opposition à jouer par la lecture d'une feuille de musique. Je crois que cela permet une expression plus personnelle et interprétation qui peut être affectée par la réponse de l'auditoire ou la façon dont je me sens à l'époque. Vous remarquerez que sur la plupart des représentations sur le CD, je n'a pas joué des répétitions. En raison du temps limité disponible sur un disque nous avons constaté que nous ne pouvions pas apte toutes les mélodies si nous les a joué comme wr... / Niveau : Intermédiaire / All Styles - Solos / Recueil / Accordéon ou Clavier

On this compelling video lesson Steve Kaufman introduces essential Instrumentals for Flatpickers and teaches his arrangements to some of the most beautiful pieces in the guitar repertory. This lesson will delight lower intermediate to advanced players and will show you how to add the Flatpick style Waltz ‘feel’ and waltz phrases to your playing. Steve Kaufman is internationally known as a consummate bluegrass and waltz guitarist having won numerous Flatpicking contests and produced many tutorials and Guitar Methods. This 70 minute lesson includes a booklet that contains all the music from the DVD in tablature and standard notation.