Camille Saint-Saens

A bumper collection of fantastic classical pieces-This mixed folio has a wonderful variety of fantastic pieces from some of the top Classical works of all time all arranged for intermediate solo piano. Containing 44 piano solos this bumper collection offers agreat selection of classical favourites from choral works concertos ballets operas and symphonies. You'll be playing and enjoying all your favourites in no time!

Klavierauszug-The A-Minor Concerto is a true gem in the repertoire of great Cello music. David Geringas provided the fingerings for this Urtext edition for which editor Peter Jost supplied a detailed preface. JohannesUmbreit has revised the composer's highly playable Piano reduction to suit the needs of today's performers.

Camille Saint-Saens' Elephant is a delightful miniature from The Carnival Of The Animals and is one of the few works that are attractive to learners and accomplished players alike. Its many musical and technicalchallenges have earned it a permanent place in the teaching repertoire yet it offers soloists a welcome opportunity to demonstrate their prowess and espirit even in the low register.The ease with which a greatcomposer accurately and skilfully probes the idiosyncracies of this largest of string instruments for expressive purposes - a combination of features seldom encountered in the double bass repertoire - is truly impressive. All themore astonishing therefore that the Elephant although widely known is relatively rarely heard in the concert hall.This Urtext edition of the score has been edited with critical commentaries as well as fingeringand bowing of the double bass part by Tobias Glockler. The accompaniment is notated in E flat and F and so the double bass can perform using either solo tuning or orchestra tuning.

Saint-Saëns' Oratorio De Noel Op.12 for SATB and Piano accompaniment.Camille Saint-Saëns wrote his Christmas Oratorio (Oratorio de Noël) in just 12 days. In its first version the work was premiered on Christmas in 1858. The vocal parts and the Piano version were printed in 1863.Even before the full score appeared in the press Saint-Saëns made some changes in the manuscript which led to contradictions errors and omissions between the different readings. Now for the first time this work is presented as Saint-Saëns intended.

Comme le montrent notamment aussi ses trois sonates tardives respectivement pour hautbois, clarinette et basson (HN 964, 965, 966), Camille Saint-Saëns a toujours été soucieux d?élargir le répertoire plutôt maigre de musique de chambre pour vents.

Même le trombone n?est pas oublié avec la Cavatine, composée en 1915.

L?instrument se montre ici plutôt sous son jour lyrique et romantique. Morceau faisant tout son effet, la Cavatine est aujourd?hui encore bien ancrée dans le répertoire pour trombonistes avancés.

Notre édition Urtext est la première à tenir également compte de l?autographe conservé à Paris. / [Cavatine pour Trombone et Piano op. 144] / Classique / Partition / Agrafé /

pour violoncelle et piano-Ce volume présente une sélection de pièces originales et de transcriptions pour violoncelle et piano à partir du répertoire le plus célèbre par Camille Saint-Saëns.La variété d?inspiration de Saint-Saëns violoncelliste s?épanouit tout au long des pages de ce recueil où l?on trouve la façon l?inspiration mélodique le pittoresque de bon aloi et la sûreté de goût de ce maître de la musique française.Transcriptions enthousiasmantes habiles et très musicales au point de sembler avoir été nativement composées pour l?instrument pièces originales pleines de vie et de sensibilité. Niveau avancé

The French composer Camille Saint-Saëns endowed the music world with a multitude of masterpieces for violoncello including concertos sonatas and miniatures such as The Swan and the Allegro appassionato Op.43.This first publication of the Sonata in D major is based on Bärenreiter?s Camille Saint-Saëns ?uvres instrumentales complètes. Although we know from correspondence that two complete autographs existed only an incomplete autograph source containing the 1st movement and part of the 2nd movement which breaks off have come down to us. In his final work for violoncello Saint-Saëns juxtaposes highly rhythmical episodes with more poetic ones. These contrasts arereinforced by bold shifts of harmonic colouring and a highly inventive thematic development.These movements are destined to become standards for cellists.First ever Urtext edition of this incomplete work based on Camille Saint-Saëns ?uvres instrumentales complètesInformative Introduction (Fr/Eng/Ger)

Relax with this tranquil compilation of eighteen pieces by master composers from the Classical period to the present day. Featuring easy to read simplified arrangements for Piano these soothing pieces from theClassical Romantic and Contemporary eras will give you the perfect opportunity to unwind at the Piano. Includes: Hoppipolla the theme from the Planet Earth TV series Into The West by HowardShore and Weather Storm by Craig Armstrong both in simple arrangements for the first time. From the mesmerising beauty of Adagio for Strings to the peaceful meandering Six Feet Under theme there willbe something to relax and induce calm even in the most stressed.

extrait du Carnaval des animaux-A flowing gliding piece in which Saint-Saens perfectly evokes the elegant and dignified movements of a Swan. Perhaps the best known of his outstanding suite of tone poems Carnival of Animals. This transcription for Cello and Piano accompaniment.

Charles-Joseph Lebouc organised the première of this work and also played the cello part. With the composer's permission he then adapted this sonorous romance accompanied by two pianos in the original for Violoncello and onePiano.Henle are presenting the first ever Urtext edition of this popular cello work. The second Piano part is reproduced in small print thus permitting a comparison of the two versions. Two Cello parts are provided onewith markings and one without.

From Samon and Delilah-MusicWorks ? Grade 4 Exotic and exciting certainly describe this familiar work from Samson and Delilah by Saint-Saëns. This masterful transcription for band by Jay Bocook presents challenging (yetcertainly attainable) parts for the woodwinds as well as dynamic writing for the brass and percussion sections. The vivace section to the end is simply hard to beat for full-throttle power and excitement. (4:20)