Eric Whitacre

For Flexible Wind Band. A new arrangement of the Whitacre classic created during the COVID-19 pandemic as part of The Creative Repertoire Initiative. Arranged with maximum flexibility in mind, the work can be performed by any of the following ensembles: concert band (with as few as six wind players), brass ensemble, clarinet choir, saxophone choir, woodwind choir.

“Sleep My Child” comes from Eric Whitacre's work for musical theater Paradise Lost: Shadows and Wings. Originally written for two sopranos and mezzo (portrayed as three angels) it was adapted for band in 2012by Jeffrey Gershman at the request of the composer and is the latest title in a growing catalog of Whitacre's compositions (October Sleep Lux Aurumque and The Seal Lullaby) that illustrate his sincere commitment tocreating lush beautiful music for winds.

Now available for men's voices Eric Whitacre's elegant setting of the Latin translation of an Edward Esch poem will captivate choir and audience alike. Moderately difficult for an advanced high school choir. Already a great success for mixed choir!As performed by Eric Whitacre's Virtual Choir

The continuing popularity of Eric Whitacre's dramatic and evocative music is evident in concert programming everywhere with his symphonic choral and operatic works. October is arguably his most notable symphonic work now adapted in this stunning version for wind/concert band.

Arranged for Soprano voice Violin and Piano.Violin part available separately: CH75240-01.Note from the composer:In the spring of 1996 my great friend and brilliant violinistFriedemann Eichhorn invited me and my girlfriend-at-the-time Hila Plitmann (a soprano) to give a concert with him in his home city of Speyer Germany. We had all met that year as students at the Juilliard School and wereinseparable. Because we were appearing as a band of travelling musicians 'Friedy' asked me to write a set of troubadour songs for Piano Violin and Soprano. I asked Hila (who was born and raised in Jerusalem) to write me a few'postcards' in her native tongue and a few days later she presented me with these exquisite and delicate Hebrew poems. I set them while we vacationed in a small skiing village in the Swiss Alps and we performed them for thefirst time a week later in Speyer.In 2001 the University of Miami commissioned me to adapt the songs for SATB chorus and string quartet and the Efroni Choir in Israel commissioned me to adapt them for SA Violin andPiano leaving me now with five(!) different versions of the same work: SATB and String Quartet; SATB Violin and Piano; SA and String Quartet; SA Violin and Piano; and the original Soprano Violin and Piano.Eachof the songs captures a moment that Hila and I shared together. 'Kalá kallá' (which means 'light bride') was a pun I came up with while she was first teaching me Hebrew. The bells at the beginning of 'Éyzeshélleg' are the exact pitches that awakened us each morning in Germany as they rang from a nearby cathedral.These songs are profoundly personal for me born entirely out of my new love for this soprano poetand now my beautiful wife Hila Plitmann.Eric Whitacre

This loving and dreamlike work now available in multiple voicings including SA TB & SAB captures the undulating rhythm of a mother rocking her child to sleep. The text is a classic by Rudyard Kipling: ?Oh! Hush thee my baby the night is behind us and black are the waters that sparkled so green. The moon o'er the combers looks downward to find us at rest in the hollows that rustle between.? Magical! New voicings adapted by Emily Crocker.

This disco classic has is an evergreen favourite and has featured in movies advertisments and remixes time and time again. This arrangement for 3-part choir is guaranteed to add a touch of funk to your repertoire.

In this suite - inspired by a trip to Switzerland - each song is a postcard capturing lush romantic moments in full. The songs are dedicated to Jerusalem born Hila Plitmann - poet of the beautiful text and the composer's wife. The suite is scored for SATB chorus with either string quartet accompaniment or piano and violin.

The Eric Whitacre Virtual Choir #6 had more than 17,000 singers. As a response to COVID-19 and the isolation and division the pandemic was creating, Eric wrote the words and music with the hope that ?Sing Gently? might give some small measure of comfort for those who need it, and that it might suggest a way of living with one another that is compassionate, gentle, and kind.

With the characteristic clusters broken into arpeggios for this movement this playful work features delightful wordplay and simple fun! Duration: ca. 1:40.