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Come And Get It Classical
CLARINETTE
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Christmas Duets for Clarinet and Bassoon or Clarinet & Cello - Complete Set - Music for Two
Christmas Duets for Clarinet and Bassoon or Clarinet & Cello - Complete Set - Music for Two
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Clarinette, Basson (duo)
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Various, Tschaikovsky, Hande
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Daniel Kelley
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Christmas Duets for Clarinet a
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SheetMusicPlus
Clarinet, Bassoon, Cello - Advanced Intermediate - Composed by Various, Tschaikovsky, Handel, Corelli, Mozart. Arranged by Daniel Kelley. Classical ...
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Clarinet, Bassoon, Cello - Advanced Intermediate - Composed by Various, Tschaikovsky, Handel, Corelli, Mozart. Arranged by Daniel Kelley. Classical Period, Baroque Period, Sacred, Christmas, Hanukkah. Score. 130 pages. Published by Last Resort Music Publishing
This complete set of Music for Two Clarinets, Christmas features 61 selections, including favorites like Jingle Bells, music from the Nutcracker, and more! Includes Sets 1 through 6 all together Each duet book is published in score form (both parts on the same page) so that the players can play from the same part.
TABLE OF CONTENTS
A Caroling We Go (Johnny Marks)
A Holly Jolly Christmas (Johnny Marks)
A La Nanita Nana (Spanish Traditional)
Angels From The Realm Of Glory (J. Montgomery and H. Smart)
Angels We Have Heard on High (Traditional)
Away in a Manger (Traditional)
The Boar's Head Carol (English Traditional)
Break Forth, O Beauteous, Heavenly Light from the Christmas Oratorio (J.S. Bach)
Bring Your Torch, Jeanette Isabella (French Traditional)
Christ-Child is Born, The Der Heiland is Geboren (German Traditional)
Third Movement from Christmas Concerto (Corelli)
Fourth Movement from Christmas Concerto (Corelli)
Christmas Day in the Morning (Old English Carol)
Coventry Carol (Traditional)
Deck the Halls (Welsh Traditional)
Ding Dong Merrily on High (Traditional)
The First Noel (Traditional)
Fum, Fum, Fum (Catalan Carol)
Gesu Bambino (Pietro A. Yon)
God Rest Ye, Merry Gentlemen (Traditional)
Good Christian Men, Rejoice (Traditional)
Good King Wenceslas (Piae Cantiones)
Greensleeves (Traditional)
Hanukkah Medley Hanukkah, S'Vivon, My Dreidel, Rock of Ages (Traditional Jewish)
Hark! The Herald Angels Sing (Mendelssohn)
He Is Born, The Divine Christ Child Il est ne, Le Divin Enfant (French Traditional)
The Holly and the Ivy (Traditional)
I Heard the Bells on Christmas Day (John Calkin & Longfellow)
I Saw Three Ships (Traditional)
It Came Upon a Midnight Clear (Richard S. Willis)
Jingle Bells (J. Pierpont)
Jolly Old Saint Nicholas (Traditional)
Joy To The World (Handel)
Lo, How a Rose E'er Bloooming (Traditional)
The For Unto Us a Child Is Born from The Messiah (Handel)
The Hallejah Chorus from The Messiah (Handel)
He Shall Feed His Flock Like A Shepherd from The Messiah (Handel)
The Pastoral Symphony "Pifa" from The Messiah (Handel)
The Chinese Dance from The Nutcracker (Tschaikovsky)
The Dance of the Reed Flutes from The Nutcracker (Tschaikovsky)
The Dance of the Sugar-Plum Fairy from The Nutcracker(Tschaikovsky)
The Overture from The Nutcracker (Tschaikovsky)
The Trepak from The Nutcracker (Tschaikovsky)
O Christmas Tree (Traditional)
O Come, All Ye Faithful Adeste Fideles (Traditional)
O Come, O Come, Emmanuel (Traditional)
O Holy Night Cantique de Noel (Adolphe Adam)
O Little Town of Bethlehem (Lewis H. Redner)
Pat-a-Pan (Traditional)
Rockin' Around The Christmas Tree (Johnny Marks)
Rudolph The Red-Nosed Reindeer (Johnny Marks)
Silent Night (Franz Gruber and Rev. Joseph Mohr)
Sing We Now of Christmas Noel Nouvelet (French Traditional)
Sleigh Ride from German Dance, K. 605 # 3 (Mozart)
The Twelve Days of Christmas (Traditional)
Up On The Housetop (Traditional)
Wassail Song (Traditional)
We Three Kings of Orient Are (John Henry Hopkins)
We Wish You a Merry Christmas (Traditional)
Wexford Carol (Irish Traditional)
While Shepherds Watched Their Flocks By Night (Handel).
$54.00 ≈
£40.29
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violon, Clarinette, Piano (trio)
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AVANCÉ
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Adam Lenhart
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Two Scenes from The Rubá
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenha...
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B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99 ≈
£11.19
Largo from 'Xerxes' (Handel) - clarinet and piano with FREE BACKING TRACK
Largo from 'Xerxes' (Handel) - clarinet and piano with FREE BACKING TRACK
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Austin Ralphson
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Largo from 'Xerxes'
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Austin Ralphson
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1169107 Composed by George Frideric Handel. Arranged by Austin Ralphson. Baroque,Classical,Wedding. Score and ...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1169107 Composed by George Frideric Handel. Arranged by Austin Ralphson. Baroque,Classical,Wedding. Score and part. 5 pages. Austin Ralphson #769455. Published by Austin Ralphson (A0.1169107). Handel wrote this aria as the opening to the 1738 opera 'Serse'. Initially, the opera was a commercial failure, before it was later rediscovered and going on to become one of Handel's best-loved works. It is presented here as an intermediate-level solo with piano.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/8eEuo2GnK7s and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/Ek1qx
$3.99 ≈
£2.98
Sonatina For Clarinet And Bass Clarinet (Originally for clarinet and bassoon)
Sonatina For Clarinet And Bass Clarinet (Originally for clarinet and bassoon)
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2 Clarinettes (duo)
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AVANCÉ
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Geraldine Green
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Sonatina For Clarinet And Bass
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Geraldine
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SheetMusicPlus
B-Flat Clarinet,Bass Clarinet,Instrumental Duet - Level 5 - SKU: A0.1313715 Composed by Geraldine Green. 21st Century,Chamber,Classical,Contemporary. 46...
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B-Flat Clarinet,Bass Clarinet,Instrumental Duet - Level 5 - SKU: A0.1313715 Composed by Geraldine Green. 21st Century,Chamber,Classical,Contemporary. 46 pages. Geraldine (Denny) Green at Oakmountmusic #902441. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1313715). ALL PURCHASES COME WITH SCORE AND PARTSPlease note: This is the arrangement for clarinet and bass clarinet!The Sonatina For Bflat Clarinet And Bassoon was written between March and June 2018 and is dedicated to my good bassoonist friend Jane Thompson and her family. It was her husband, Astley Jones, who asked me to write the piece as a way of showing her how much we all loved her! I thought that was the sweetest thing and the rest is history!We hoped to give this piece its world premiere at some point in 2018 or 2019, with Jane herself playing the bassoon and myself on clarinet. However, the first major hurdle was Jane having an operation on each hand to cure her Carpal Tunnel Syndrome, and the second big hurdle was Covid-19! Due to life’s normal pressures, the work still awaits its long awaited for premiere.It has three movements, fast, slow, fast, and a total duration of approximately 15 minutes.I have also transcribed the bassoon part for bass clarinet so the piece can be played by either combination. It could even be played by two bass clarinets, which would be hilarious!I feel, as a player myself, that its main challenge is in sheer breathing and playing stamina as it certainly gets you working up a sweat by the end, but its comical, quirky character will hopefully make it great fun for players and audience alike.
$24.00 ≈
£17.91
Sonatina For Clarinet And Bassoon
Sonatina For Clarinet And Bassoon
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Clarinette, Basson (duo)
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AVANCÉ
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Geraldine Green
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Sonatina For Clarinet And Bass
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Geraldine
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SheetMusicPlus
B-Flat Clarinet,Bassoon,Instrumental Duet - Level 5 - SKU: A0.1313712 Composed by Geraldine Green. 21st Century,Chamber,Classical,Contemporary. 47 pages...
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B-Flat Clarinet,Bassoon,Instrumental Duet - Level 5 - SKU: A0.1313712 Composed by Geraldine Green. 21st Century,Chamber,Classical,Contemporary. 47 pages. Geraldine (Denny) Green at Oakmountmusic #902438. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1313712). ALL PURCHASES COME WITH SCORE AND PARTSThe Sonatina For Clarinet And Bassoon was written between March and June 2018 and is dedicated to my good bassoonist friend Jane Thompson and her family. It was her husband, Astley Jones, who asked me to write the piece as a way of showing her how much we all loved her! I thought that was the sweetest thing and the rest is history!We hoped to give this piece its world premiere at some point in 2018 or 2019, with Jane herself playing the bassoon and myself on clarinet. However, the first major hurdle was Jane having an operation on each hand to cure her Carpal Tunnel Syndrome, and the second big hurdle was Covid-19! Due to life’s normal pressures, the work still awaits its long awaited for premiere.It has three movements, fast, slow, fast, and a total duration of approximately 15 minutes. The clarinet part is for Bflat clarinet.I have also transcribed the bassoon part for bass clarinet so the piece can be played by either combination. It could even be played by two bass clarinets, which would be hilarious!I feel, as a player myself, that its main challenge is in sheer breathing and playing stamina as it certainly gets you working up a sweat by the end, but its comical, quirky character will hopefully make it great fun for players and audience alike.
$24.00 ≈
£17.91
Turkish March by Beethoven for Clarinet and Bassoon
Turkish March by Beethoven for Clarinet and Bassoon
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Clarinette, Basson (duo)
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Bassoon,Clarinet,Instrumental Duet - Level 2 - SKU: A0.1150431 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic ...
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Bassoon,Clarinet,Instrumental Duet - Level 2 - SKU: A0.1150431 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 6 pages. Woods Only, Arrangements #750608. Published by Woods Only, Arrangements (A0.1150431). This arrangement adapted for clarinet and bassoon duet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$3.99 ≈
£2.98
Carolan's Welcome - Clarinet and Cello
Carolan's Welcome - Clarinet and Cello
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Clarinette, Violoncelle (duo)
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FACILE
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Turlough O'carolan
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Arezzo Music
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Carolan's Welcome - Clarinet a
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Arezzo Music
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SheetMusicPlus
B-Flat Clarinet,Cello,Instrumental Duet - Level 2 - SKU: A0.1209404 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celt...
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B-Flat Clarinet,Cello,Instrumental Duet - Level 2 - SKU: A0.1209404 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Classical,Folk,Irish,Traditional. 3 pages. Arezzo Music #807528. Published by Arezzo Music (A0.1209404). In this beautiful arrangement for clarinet and Cello, the traditional Irish tune Carolan's Welcome is given new life with a rich and complex interplay between the two instruments. From the first notes, the listener is transported to a peaceful and serene world of rolling hills and green fields.The clarinet and Cello work together in perfect harmony, with each instrument playing off the other to create a tapestry of sound that is both intricate and inviting. The piece features a gentle and lilting melody that is supported by a simple yet effective accompaniment, providing a sense of balance and harmony throughout.As the piece progresses, the roles of the instruments shift, with the Cello taking on a more prominent role and the clarinet providing a delicate counterpoint. This interplay between the instruments adds depth and interest to the piece, keeping the listener engaged and captivated.Overall, Carolan's Welcome arranged for clarinet and Cello is a beautiful and enchanting piece that showcases the talents of both musicians. Its rich harmonies and intricate interplay make it a joy to listen to, and its traditional Irish roots give it a timeless quality that is sure to delight audiences for years to come. So sit back, relax, and enjoy this delightful performance by two skilled musicians.
$3.99 ≈
£2.98
Carolan's Welcome - Clarinet and Cello
Carolan's Welcome - Clarinet and Cello
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Clarinette, Basson (duo)
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FACILE
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Turlough O'carolan
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Arezzo Music
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Carolan's Welcome - Clarinet a
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Arezzo Music
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SheetMusicPlus
B-Flat Clarinet,Bassoon,Instrumental Duet - Level 2 - SKU: A0.1209413 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Ce...
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B-Flat Clarinet,Bassoon,Instrumental Duet - Level 2 - SKU: A0.1209413 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Classical,Folk,Irish,Traditional. 3 pages. Arezzo Music #807537. Published by Arezzo Music (A0.1209413). In this beautiful arrangement for clarinet and Cello, the traditional Irish tune Carolan's Welcome is given new life with a rich and complex interplay between the two instruments. From the first notes, the listener is transported to a peaceful and serene world of rolling hills and green fields.The clarinet and Cello work together in perfect harmony, with each instrument playing off the other to create a tapestry of sound that is both intricate and inviting. The piece features a gentle and lilting melody that is supported by a simple yet effective accompaniment, providing a sense of balance and harmony throughout.Overall, Carolan's Welcome arranged for clarinet and Cello is a beautiful and enchanting piece that showcases the talents of both musicians. Its rich harmonies and intricate interplay make it a joy to listen to, and its traditional Irish roots give it a timeless quality that is sure to delight audiences for years to come. So sit back, relax, and enjoy this delightful performance by two skilled musicians.
$3.99 ≈
£2.98
Clarinet and piano duets book 1
Clarinet and piano duets book 1
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2 Clarinettes (duo)
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FACILE
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Contemporain
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Sandra Schlink
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Sandra Schlink
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Clarinet and piano duets book
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sandra schlink
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SheetMusicPlus
Clarinet Duet Clarinet - Level 2 - SKU: A0.1037546 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Classical,Contemporary. 2 scores. 2...
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Clarinet Duet Clarinet - Level 2 - SKU: A0.1037546 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Classical,Contemporary. 2 scores. 21 pages. Sandra schlink #642472. Published by sandra schlink (A0.1037546). Clarinet and piano duets book 1 Please also look at my Jazz Clarinet Duet book 3, jazz Clarinet duets book 2, jazz Clarinet duets book 1, Jazz and classical Clarinet duets, jazz Clarinet duets book. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Here is a recording of part of one of the duets from Jazz trumpet book 1. https://youtu.be/tSyeLB1E8wc We also have theory books to help with musicianship and sight reading. Theory book 1 counting. This series of books have been written to help musicians improve rhythm and sight reading skills. They start simply and become progressively more difficult. This book was created to help you improve your musicianship by focusing on learning to read the notes with greater speed.. It is a companion book to the Theory Book 1 Sight Singing and Theory Book 1 Note Names. With these books you will be able to sight read with greater ease and speed. Thank you so much.
$14.99 ≈
£11.19
Kommos (Lamentation) / "When the World Moved On" - Clarinet 1 in Bb
Kommos (Lamentation) / "When the World Moved On" - Clarinet 1 in Bb
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.1018946 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078675. ...
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Clarinet Solo - Level 4 - SKU: A0.1018946 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078675. Published by Benjamin Sajo (A0.1018946). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
£2.61
Intermezzo from "Cavalleria rusticana" (Mascagni) - Clarinet Quartet
Intermezzo from "Cavalleria rusticana" (Mascagni) - Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Clas...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 15 pages. RBMusic #913462. Published by RBMusic (A0.1325229). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for clarinet in E-flat and alto clarinet in E-flat. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99 ≈
£11.93
Turkish March by Beethoven for Clarinet
Turkish March by Beethoven for Clarinet
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Clarinette et Piano
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.1155640 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.1155640 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755944. Published by Woods Only, Arrangements (A0.1155640). This arrangement adapted for clarinet and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99 ≈
£1.48
Leopold Mozart: Sinfonia Burlesca Mvt. II.Hanswurst - clarinet quintet
Leopold Mozart: Sinfonia Burlesca Mvt. II.Hanswurst - clarinet quintet
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Quintette de Clarinettes: 5 clarinettes
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FACILE
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Classique
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Leopold Mozart
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Ray Thompson
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Leopold Mozart: Sinfonia Burle
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RayThompsonMusic
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SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.506388 Composed by Leopold Mozart. Arranged by Ray Thompson. Classical. 10 pages. R...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.506388 Composed by Leopold Mozart. Arranged by Ray Thompson. Classical. 10 pages. RayThompsonMusic #117905. Published by RayThompsonMusic (A0.506388). Original written for a string orchestra of 2 viola, 2 celli and bass/bassoon, I have arranged it for clarinet quintet (4 Bbs and one bass) and transposed it from G to Bb so clarinets are playing in C The “Sinfonia Burlesca†is a vehicle for the presentation of comedic characters. It demonstrates Leopold Mozart’s predilection for laconic musical genre-painting: he dedicates a minuet to “Hanswurst†(literally “John-Sausageâ€) familiar from traditional Salzburg street theatre; “Signor Pantaloneâ€, the commedia dell’arte’s wealthy, aged and vainglorious womanizer gets his own conceited Andante. Harlequin, the mercurial and mischievous trickster in the chequered costume, gets the last word, mocking and bamboozling his upper-class audience. THis is Mvt 2.
$7.95 ≈
£5.93
Leopold Mozart : Sinfonia Burlesca Mvt.1 Allegro - clarinet quintet
Leopold Mozart : Sinfonia Burlesca Mvt.1 Allegro - clarinet quintet
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Classique
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Ray Thompson Music
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Ray Thompson
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Leopold Mozart : Sinfonia Burl
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RayThompsonMusic
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SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.505902 By Ray Thompson Music. By Leopold Mozart. Arranged by Ray Thompson. Classica...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.505902 By Ray Thompson Music. By Leopold Mozart. Arranged by Ray Thompson. Classical. 8 pages. RayThompsonMusic #117544. Published by RayThompsonMusic (A0.505902). The “Sinfonia Burlesca†is a vehicle for the presentation of comedic characters.It demonstrates Leopold Mozart’s predilection for laconic musical genre-painting: he dedicates a minuet to:“Hanswurst†(literally “John-Sausageâ€) familiar from traditional Salzburg street theatre; “Signor Pantaloneâ€, the commedia dell’arte’s wealthy, aged and vainglorious womanizer gets his own conceited Andante. Harlequin, the mercurial and mischievous trickster in the chequered costume, gets the last word, mocking and bamboozling his upper-class audience. This is the 1st movement: Sinfonia or ouverture which  was originally written for a string orchestra of 2 viola, 2 celli and bass/bassoon.I have arranged it for clarinet quintet (4 Bbs and one bass) and transposed it from G to Eb so clarinets are playing in F.
$9.95 ≈
£7.42
Allegretto
Allegretto
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Muzio Clementi
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Nick M Lacanski
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Allegretto
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theupperstaff
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.1045417 Composed by Muzio Clementi. Arranged by Nick M Lacanski. Classical. Score and part. 8 pages. Theupperstaff #6...
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Clarinet,Piano - Level 3 - SKU: A0.1045417 Composed by Muzio Clementi. Arranged by Nick M Lacanski. Classical. Score and part. 8 pages. Theupperstaff #649997. Published by theupperstaff (A0.1045417). This arrangement comes from the piano repertoire. It is the second movement of the second sonatina from a set of six listed as Op. 36 dated from 1797. It was originally in G major and is transposed to A flat major to facilitate performance for the advancing clarinetist. I have named this series of publications – Just the Notes, simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to write over the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one.
$2.99 ≈
£2.23
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Clarinet 1 in Bb
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Clarinet 1 in Bb
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Clarinette
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018879 Composed by Benjamin Harry Sajo. Contemporary. Individual part. 3 pages. Benjamin Sajo #6056077. Published by ...
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Clarinet Solo - Level 5 - SKU: A0.1018879 Composed by Benjamin Harry Sajo. Contemporary. Individual part. 3 pages. Benjamin Sajo #6056077. Published by Benjamin Sajo (A0.1018879). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
£2.61
Harmony Music No.1
Harmony Music No.1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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E Elgar
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Philip Le Bas
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Harmony Music No.1
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Philip Le Bas
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,Chamber,Classical. 26 pages. Philip Le Bas #728449. Published by Philip Le Bas (A0.1127840). An arrangement by Philip Le Bas of a very early wind quintet written by Edward Elgar while still based in Worcester in 1878-9, entitled Harmony Music No.1, after the German Harmoniemusik, meaning music for wind instruments. His quintet group (in which he played the bassoon) consisted of two flutes, an oboe, a clarinet and a bassoon, which by modern standards is rather unusual (omitting the usual French horn). He agreed to write a quintet for the group once a week, and he claimed to have written most of them during the 25-minute sermons at St. George's R.C. Church, where he had taken over the organ-playing from his father (and where the arranger ministered for three years in the 1990s!) It is a wonderful, cheerful, tuneful short piece (4-5 minutes long), but the original version is rarely performed, perhaps because of its difficulty on several fronts. First it is very fast, challenging performers' ability to tongue rapidly. Secondly, it repeatedly leaves no time to breathe, especially for the flautists (meaning that it has to be performed even faster, in order to get through it.) Thirdly, Elgar's oboist must have been extremely versatile, as its part is very low indeed in places (several low B's played pp at speed.) Finally, published copies seem to have rather a lot of editorial errors... This arrangement was therefore created in the hope that the piece might become more accessible and be more frequently performed. Although the bassoon part remains Elgar's, the other four players are used imaginatively to overcome many of the difficulties of the original. For example, the original low oboe parts are here played by one of the clarinets instead, and the severe breathing problems are solved by sharing repeated quavers between the four higher instruments.
$5.99 ≈
£4.47
Turkish March by Beethoven for Clarinet Quartet
Turkish March by Beethoven for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.1143527 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.1143527 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743843. Published by Woods Only, Arrangements (A0.1143527). This arrangement adapted for clarinet quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99 ≈
£5.96
Turkish March by Beethoven for Clarinet Trio
Turkish March by Beethoven for Clarinet Trio
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3 Clarinettes (trio)
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FACILE
#
Classique
#
Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.1146906 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Rom...
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.1146906 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 8 pages. Woods Only, Arrangements #747105. Published by Woods Only, Arrangements (A0.1146906). This arrangement adapted for clarinet trio was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$5.99 ≈
£4.47
Turkish March by Beethoven for Clarinet Duet
Turkish March by Beethoven for Clarinet Duet
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2 Clarinettes (duo)
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Clarinet Duet Clarinet - Level 2 - SKU: A0.1150429 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 2 sc...
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Clarinet Duet Clarinet - Level 2 - SKU: A0.1150429 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 2 scores. 6 pages. Woods Only, Arrangements #750606. Published by Woods Only, Arrangements (A0.1150429). This arrangement adapted for clarinet duo was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$3.99 ≈
£2.98
Turkish March by Beethoven for Clarinet Quintet
Turkish March by Beethoven for Clarinet Quintet
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - SKU: A0.1128140 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,...
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - SKU: A0.1128140 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #728755. Published by Woods Only, Arrangements (A0.1128140). This arrangement adapted for clarinet quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99 ≈
£7.45
Telemensch for solo clarinet (mp3)
Telemensch for solo clarinet (mp3)
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Clarinette
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József Dávid
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Telemensch for solo clarinet
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David Warin Solomons
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SheetMusicPlus
Clarinet - SKU: A0.1103918 By József Dávid. By David Warin Solomons. Chamber,Classical,Jewish. Full Performance. Duration 256. David Warin Solomon...
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Clarinet - SKU: A0.1103918 By József Dávid. By David Warin Solomons. Chamber,Classical,Jewish. Full Performance. Duration 256. David Warin Solomons #707202. Published by David Warin Solomons (A0.1103918). This work is based on 4 melodies by Telemann but with many additional augmented-second twists, in Jewish music style, and various decorations. The original melodies are: Herr wie lange (Lord, how long) This is a canon for two voices based on the psalm text and forms the beginning and end of the work Herr, wie lange willst du mein so gar vergessen, wie lange verbirgest du dein Antlitz vor mir! Lord, how long you forget me how long will you hide your face from me The other pieces are based on Telemann's settings for voice and keyboard of poems by his contemporary Daniel Stoppe Glück - (Happiness) Das glücke kömmt selten per posta, zu pferde es geht zu fusse, schritt vor schritt; sein eigensinn ist nicht zu zwingen; Happiness seldom comes by post or on horseback It goes on foot step by step It does not demand compulsion Jeder sein eigener Richter (Each his own judge) Ich will vor meiner thüre kehren; ich habe gnug für mich zu thun; ich kenne mich, ich bin kein engel; ein jeder mensch hat seine mängel, wer diese tilgen will, darf lebenslang nicht ruhn. I will turn from my doors I have enough for myself to do I know myself, I am no angel Every person has his faults Anyone who wishes to wipe them out Can never be at at peace all his life Wind (Wind) Wind macht aus thoren kluge leute; durch wind verdient der narr sein brodt: The wind makes fools into clever folk The fool earns his bread by the wind.
$5.50 ≈
£4.10
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Come And Get It Classical
