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Vous avez sélectionné:
Conversations
CLARINETTE
Partitions à imprimer
34 partitions trouvées
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26
3 Conversations
3 Conversations
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Clarinette et Alto
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DÉBUTANT
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Bela Bartok
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Nick Michael Lacanski
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3 Conversations
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theupperstaff
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SheetMusicPlus
Instrumental Duet B-Flat Clarinet,Instrumental Duet,Viola - Level 1 - SKU: A0.1038008 Composed by Bela Bartok. Arranged by Nick Michael Lacanski. 20th C...
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Instrumental Duet B-Flat Clarinet,Instrumental Duet,Viola - Level 1 - SKU: A0.1038008 Composed by Bela Bartok. Arranged by Nick Michael Lacanski. 20th Century,Instructional. Score and parts. 6 pages. Theupperstaff #642928. Published by theupperstaff (A0.1038008).
$1.99 ≈
¥14.48
3 Conversations
3 Conversations
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2 Clarinettes (duo)
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DÉBUTANT
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Bela Bartok
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Nick Michael Lacanski
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3 Conversations
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theupperstaff
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SheetMusicPlus
Clarinet Duet Clarinet - Level 1 - SKU: A0.1037490 Composed by Bela Bartok. Arranged by Nick Michael Lacanski. 20th Century,Instructional. 2 scores. 6 p...
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Clarinet Duet Clarinet - Level 1 - SKU: A0.1037490 Composed by Bela Bartok. Arranged by Nick Michael Lacanski. 20th Century,Instructional. 2 scores. 6 pages. Theupperstaff #642444. Published by theupperstaff (A0.1037490).
$1.99 ≈
¥14.48
Conversations
Conversations
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Classique
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Liz Sharma
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Conversations
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Forton Music - Digital
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SheetMusicPlus
Composed by Liz Sharma. 3 movement intermediate clarinet quartet. Score and Parts. 14 pages. Forton Music - Digital #FM739. Published by Forton Music ...
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Composed by Liz Sharma. 3 movement intermediate clarinet quartet. Score and Parts. 14 pages. Forton Music - Digital #FM739. Published by Forton Music - Digital
$12.95 ≈
¥94.21
Monologues
Monologues
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Clarinette et Piano
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AVANCÉ
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Gary D
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Monologues
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DR GARY D BELSHAW
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SheetMusicPlus
Clarinet,Piano - Level 5 - SKU: A0.796660 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score and part. 21 pages. DR GARY D BELSHAW #3...
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Clarinet,Piano - Level 5 - SKU: A0.796660 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score and part. 21 pages. DR GARY D BELSHAW #3361819. Published by DR GARY D BELSHAW (A0.796660). The title of a Paul Simon song from the 60's inspired this three-movement work for solo clarinet and piano. The music of Monologues represents three kinds of social conversations.I. Desultory - A desultory monologue is marked by a disconnected jumping or passing from one thing to another, especially things not connected with the main subject. A twelve-tone row seems to lend itself naturally to this kind of disconnected expression.II. Epigrammatic - The term might be applied to monologues in which the speaker uses few words to make important observations or statements. The clarinet’s motives seem to be interrupted by figures in the piano which are the result of the completion of the twelve-tone rows begun by the clarinet.III. Philippic - It is nearly impossible to be a part of social conversation that does not lead at some point to verbal harangues against individuals, entities, or ideologies in politics. Demosthenes titled each of his orations against King Philip of Macedon a Philippic, as did Cicero his speeches against Mark Antony, and thus began a time-honored tradition. The music of this movement includes frequent changes of both regular and irregular meters and repetitions of musical motives and figures. Rondo form enhances the representation of a speaker driving home one principal subject.
$5.99 ≈
¥43.58
Mozart away with melancholy easy Clarinet and Cello sheet music
Mozart away with melancholy easy Clarinet and Cello sheet music
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Clarinette, Violoncelle (duo)
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DÉBUTANT
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Wolfgang Amadeus Mozart
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Arezzo Music
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Mozart away with melancholy ea
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Arezzo Music
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SheetMusicPlus
B-Flat Clarinet,Cello,Instrumental Duet - Level 1 - SKU: A0.1471111 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Arezzo Music. Ch...
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B-Flat Clarinet,Cello,Instrumental Duet - Level 1 - SKU: A0.1471111 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Arezzo Music. Chamber,Children,Classical,Traditional. 3 pages. Arezzo Music #1048754. Published by Arezzo Music (A0.1471111). Mozart away with melancholy easy Clarinet and Cello sheet musicMozart's 'Away with Melancholy' arranged for Clarinet and cello is a delightful duet that captures the charm and elegance of the Classical period. This arrangement allows both instruments to engage in a conversation-like interplay, with the Clarinet often taking the lead on the expressive melody while the cello provides a rich, harmonic foundation. The piece is structured to be accessible for intermediate players, offering a balance of technical challenge and musical enjoyment. This duet is perfect for performers looking to explore Mozart's lighthearted and graceful compositional style in a chamber music setting.Mozart away with melancholy easy Clarinet and Cello sheet music
$3.99 ≈
¥29.03
Sunshine. Original Jazz Waltz for Clarinet and Piano
Sunshine. Original Jazz Waltz for Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Grant Horsley
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Sunshine. Original Jazz Waltz
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Grant Horsley
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1459924 Composed by Grant Horsley. Instructional,Jazz,Standards,Wedding. Score and part. 20 pages. Grant Horsl...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1459924 Composed by Grant Horsley. Instructional,Jazz,Standards,Wedding. Score and part. 20 pages. Grant Horsley #1038880. Published by Grant Horsley (A0.1459924). Sunshine is a happy bright jazz waltz for Clarinet and Piano. The Piano Accompaniment Track is also available here on Sheet Music Plus as well as duet versions, and versions for other instruments. It is in concert F major and in ternary form. Its a great introduction to the jazz waltz style featuring swung quavers/eighth notes and there is a conversational type written out improvisation section in the middle- between the players.The Clarinet part has a range of 2 octaves and the whole score is on the youtube link for you to assess suitability. It is 3 minutes 30 in length. Upper end intermediate level.It would work well in a number of situations- concerts, weddings, productions, recitals, graduations etc.
$5.50 ≈
¥40.01
Just As I Am, Gospel Hymn for Clarinet and Piano
Just As I Am, Gospel Hymn for Clarinet and Piano
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Clarinette et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Charlotte Elliott
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David McKeown
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Just As I Am, Gospel Hymn for
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David McKeown
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SheetMusicPlus
Clarinet,Piano - Level 2 - SKU: A0.592913 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. ...
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Clarinet,Piano - Level 2 - SKU: A0.592913 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413411. Published by David McKeown (A0.592913). Just as I Am is a beautiful hymn arranged here for Solo Clarinet and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
$2.49 ≈
¥18.11
Handel: Largo from Xerxes for Bass Clarinet & Piano
Handel: Largo from Xerxes for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95 ≈
¥239.70
Liebe, (German for Love), Clarinet and Trumpet Duet
Liebe, (German for Love), Clarinet and Trumpet Duet
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Clarinette, Trompette (duo)
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INTERMÉDIAIRE
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David McKeown
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Liebe,
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - SKU: A0.590447 Composed by David McKeown. Holiday,Love,Wedding,World. Score and parts. ...
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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - SKU: A0.590447 Composed by David McKeown. Holiday,Love,Wedding,World. Score and parts. 4 pages. David McKeown #6211941. Published by David McKeown (A0.590447). Liebe, (German for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Clarinet and one Trumpet.This duet is inspired by the German Baroque style, particularly the slow compound-time compositions of JS Bach and the canonic sonatas written by GP Telemann. Both composers filled their works with deep emotion, transcending the strict musical rules of the period. Liebe is a Canon, with the first part following the second throughout, one bar behind, like lovers in intimate conversation.Liebe is written for players at an intermediate standard and upwards. The melody should always carry momentum and adding plenty of expression will help convey the style. Liebe has a performance time of around three minutes. Click the link above to hear a full performance the Clarinet version of Liebe on Youtube.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
¥29.03
Just As I Am, Gospel Hymn for Alto Clarinet and Piano
Just As I Am, Gospel Hymn for Alto Clarinet and Piano
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Clarinette et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Charlotte Elliott
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David McKeown
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Just As I Am, Gospel Hymn for
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David McKeown
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.592912 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spir...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.592912 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413409. Published by David McKeown (A0.592912). Just as I Am is a beautiful hymn arranged here for Solo Alto Clarinet and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
$2.49 ≈
¥18.11
Handel: Largo from Xerxes for Alto Clarinet & Piano
Handel: Largo from Xerxes for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549379 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddi...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549379 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492251. Published by jmsgu3 (A0.549379). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95 ≈
¥239.70
David Warin Solomons: Nocturne for Bb clarinet and piano
David Warin Solomons: Nocturne for Bb clarinet and piano
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Clarinette
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David Warin Solomons
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David Warin Solomons: Nocturne
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clarinet,Piano - SKU: A0.533945 Composed by David Warin Solomons. Concert,Contemporary,Standards. Score and part. 13 pages. Musik Fabrik Music Publishin...
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Clarinet,Piano - SKU: A0.533945 Composed by David Warin Solomons. Concert,Contemporary,Standards. Score and part. 13 pages. Musik Fabrik Music Publishing #3088403. Published by Musik Fabrik Music Publishing (A0.533945). A lyric, yet tonally ambiguous piece based on the composer's song The Imagined Conversation.
$10.35 ≈
¥75.29
Liebe, (German for Love), Clarinet and Violin Duet
Liebe, (German for Love), Clarinet and Violin Duet
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Clarinette, Violon (duo)
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INTERMÉDIAIRE
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David McKeown
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Liebe,
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - SKU: A0.590448 Composed by David McKeown. Holiday,Love,Wedding,World. Score and parts. 4...
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Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - SKU: A0.590448 Composed by David McKeown. Holiday,Love,Wedding,World. Score and parts. 4 pages. David McKeown #6211945. Published by David McKeown (A0.590448). Liebe, (German for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Clarinet and one Violin.This duet is inspired by the German Baroque style, particularly the slow compound-time compositions of JS Bach and the canonic sonatas written by GP Telemann. Both composers filled their works with deep emotion, transcending the strict musical rules of the period. Liebe is a Canon, with the first part following the second throughout, one bar behind, like lovers in intimate conversation.Liebe is written for players at an intermediate standard and upwards. The melody should always carry momentum and adding plenty of expression will help convey the style. Liebe has a performance time of around three minutes. Click the link above to hear a full performance the Clarinet version of Liebe on Youtube.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
¥29.03
Liebe, (German for Love), Clarinet and Viola Duet
Liebe, (German for Love), Clarinet and Viola Duet
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Clarinette et Alto
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INTERMÉDIAIRE
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David McKeown
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Liebe,
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - SKU: A0.590507 Composed by David McKeown. Holiday,Love,Wedding,World. Score and parts. 4 ...
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Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - SKU: A0.590507 Composed by David McKeown. Holiday,Love,Wedding,World. Score and parts. 4 pages. David McKeown #6211943. Published by David McKeown (A0.590507). Liebe, (German for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Clarinet and one Viola.This duet is inspired by the German Baroque style, particularly the slow compound-time compositions of JS Bach and the canonic sonatas written by GP Telemann. Both composers filled their works with deep emotion, transcending the strict musical rules of the period. Liebe is a Canon, with the first part following the second throughout, one bar behind, like lovers in intimate conversation.Liebe is written for players at an intermediate standard and upwards. The melody should always carry momentum and adding plenty of expression will help convey the style. Liebe has a performance time of around three minutes. Click the link above to hear a full performance the Clarinet version of Liebe on Youtube.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
¥29.03
Mozart Andante from Piano Concerto No 21 for Clarinet Choir
Mozart Andante from Piano Concerto No 21 for Clarinet Choir
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Ensemble de Clarinettes
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Stephanie Daige
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Mozart Andante from Piano Conc
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Stephanie Daige
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - SKU: A0.796852 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert,Wedding. 53 pa...
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Woodwind Ensemble Clarinet - Level 5 - SKU: A0.796852 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert,Wedding. 53 pages. Stephanie Daige #3218753. Published by Stephanie Daige (A0.796852). One of Mozart’s most beautiful melodies, the second movement of his iconic Piano Concerto No. 21, K.467, re-imagined for clarinet choir. The melody moves around between the different clarinets as if they are having a conversation. The instrumentation is flexible, with the foundation parts written for 3 Bb clarinets, alto clarinet,and bass clarinet. The alto clarinet is doubled in the optional 4th clarinet part in case you do not have an alto clarinet available. There are optional contra-alto and contrabass clarinet parts to add depth, but the ensemble works fine without them. This is a challenging and enjoyable arrangement,suitable for advanced students or professionals. The beauty and romance of this piece would make it great as wedding music. It would also be suitable fora chamber music concert, or in a school or church. I hope you will enjoy playing this piece as much as I have enjoyed arranging it!
$14.99 ≈
¥109.05
Light Showers
Light Showers
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Ensemble de Clarinettes
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FACILE
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Contemporain
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Brian Henderson-Sellers
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Light Showers
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Brian Henderson-Sellers
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - SKU: A0.980294 Composed by Brian Henderson-Sellers. Contemporary. 30 pages. Brian Henderson-Sellers #3473439. Pub...
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Woodwind Ensemble Clarinet - Level 2 - SKU: A0.980294 Composed by Brian Henderson-Sellers. Contemporary. 30 pages. Brian Henderson-Sellers #3473439. Published by Brian Henderson-Sellers (A0.980294). This is a reworking of Sydney Showers. As in Sydney Showers, the five clarinet conversation depicts showers and intervening quiet, sunny periods as observed in cities like Sydney. The reworking was to avoid too advanced harmonies and replace these with more traditional chord structures so that it has been used for teaching less advanced clarinet choir participants to listen to each other and identify the underpinning harmonic structure. It is also a good teaching tool for scalework.2018 Chamber Music Contest Entry
$10.99 ≈
¥79.95
Liebe, (German for Love), Violin and Clarinet Duet
Liebe, (German for Love), Violin and Clarinet Duet
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Clarinette, Violon (duo)
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INTERMÉDIAIRE
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David McKeown
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Liebe,
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - SKU: A0.590478 Composed by David McKeown. Holiday,Love,Wedding,World. Score and parts. 4...
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Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - SKU: A0.590478 Composed by David McKeown. Holiday,Love,Wedding,World. Score and parts. 4 pages. David McKeown #6212003. Published by David McKeown (A0.590478). Liebe, (German for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Violin and one Clarinet.This duet is inspired by the German Baroque style, particularly the slow compound-time compositions of JS Bach and the canonic sonatas written by GP Telemann. Both composers filled their works with deep emotion, transcending the strict musical rules of the period. Liebe is a Canon, with the first part following the second throughout, one bar behind, like lovers in intimate conversation.Liebe is written for players at an intermediate standard and upwards. The melody should always carry momentum and adding plenty of expression will help convey the style. Liebe has a performance time of around three minutes. Click the link above to hear a full performance the Clarinet version of Liebe on Youtube.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
¥29.03
Liebe, (German for Love), Clarinet Duet
Liebe, (German for Love), Clarinet Duet
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2 Clarinettes (duo)
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FACILE
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David McKeown
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Liebe,
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David McKeown
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SheetMusicPlus
Clarinet Duet Clarinet - Level 2 - SKU: A0.590449 Composed by David McKeown. Holiday,Love,Wedding,World. 2 scores. 4 pages. David McKeown #6211947. Publ...
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Clarinet Duet Clarinet - Level 2 - SKU: A0.590449 Composed by David McKeown. Holiday,Love,Wedding,World. 2 scores. 4 pages. David McKeown #6211947. Published by David McKeown (A0.590449). Liebe, (German for Love), is a beautiful original composition by David McKeown, arranged as a duet for two Clarinets.This duet is inspired by the German Baroque style, particularly the slow compound-time compositions of JS Bach and the canonic sonatas written by GP Telemann. Both composers filled their works with deep emotion, transcending the strict musical rules of the period. Liebe is a Canon, with the first part following the second throughout, one bar behind, like lovers in intimate conversation.Liebe is written for players at an intermediate standard and upwards. The melody should always carry momentum and adding plenty of expression will help convey the style. Liebe has a performance time of around three minutes. Click the link above to hear a full performance the Clarinet version of Liebe on Youtube.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
¥29.03
Liebe, (German for Love), Clarinet and Bass Clarinet Duet
Liebe, (German for Love), Clarinet and Bass Clarinet Duet
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2 Clarinettes (duo)
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INTERMÉDIAIRE
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David McKeown
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Liebe,
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David McKeown
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SheetMusicPlus
Instrumental Duet Bass Clarinet,Instrumental Duet - Level 3 - SKU: A0.590443 Composed by David McKeown. Holiday,Multicultural,Wedding,World. Score and p...
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Instrumental Duet Bass Clarinet,Instrumental Duet - Level 3 - SKU: A0.590443 Composed by David McKeown. Holiday,Multicultural,Wedding,World. Score and parts. 4 pages. David McKeown #6211933. Published by David McKeown (A0.590443). Liebe, (German for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Clarinet and one Bass Clarinet.This duet is inspired by the German Baroque style, particularly the slow compound-time compositions of JS Bach and the canonic sonatas written by GP Telemann. Both composers filled their works with deep emotion, transcending the strict musical rules of the period. Liebe is a Canon, with the first part following the second throughout, one bar behind, like lovers in intimate conversation.Liebe is written for players at an intermediate standard and upwards. The melody should always carry momentum and adding plenty of expression will help convey the style. Liebe has a performance time of around three minutes. Click the link above to hear a full performance the Clarinet version of Liebe on Youtube.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
¥29.03
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violon, Clarinette, Piano (trio)
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AVANCÉ
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Adam Lenhart
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Two Scenes from The Rubá
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenha...
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B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99 ≈
¥109.05
The Nightingale and the Frog (for Clarinet Trio)
The Nightingale and the Frog (for Clarinet Trio)
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3 Clarinettes (trio)
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INTERMÉDIAIRE
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Adolphe Danhauser
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Andrew Lamb
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The Nightingale and the Frog
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Andrew Lamb
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 3 - SKU: A0.1280093 Composed by Adolphe Danhauser. Arranged by Andrew Lamb. 19th Century,Chamber. ...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 3 - SKU: A0.1280093 Composed by Adolphe Danhauser. Arranged by Andrew Lamb. 19th Century,Chamber. 19 pages. Andrew Lamb #871515. Published by Andrew Lamb (A0.1280093). Introducing The Nightingale and the Frog - a captivating clarinet trio arrangement that weaves together the enchanting melodies of Adolphe Danhauser, the renowned French composer. Originally composed as a secular chorus, this arrangement takes those mesmerizing notes and tailors them for a trio of clarinets, whether you have three Bb Clarinets or a combination of 2 Bb Clarinets and 1 Bass Clarinet.With an intermediate level of difficulty, this arrangement strikes a balance between engaging challenges and achievable playability. The interplay between the clarinets mimics the delicate conversation between the nightingale and the frog, creating a musical dialogue that's both entertaining and evocative.The Nightingale and the Frog is a versatile piece that finds its place in various settings. It's a perfect choice for concerts, adding a touch of charm to your repertoire. This arrangement also suits recitals, providing a unique and engaging performance opportunity for your clarinet ensemble. In an educational context, the piece offers valuable learning material that's enjoyable to practice and perform, enhancing both technical skills and musical understanding.As you bring this arrangement to life, you're not only delving into the captivating world of Adolphe Danhauser's music but also creating an auditory experience that's bound to resonate with audiences of all ages. Embrace the whimsy and beauty of The Nightingale and the Frog in your next musical endeavor.
$4.00 ≈
¥29.10
Deck The Halls Ye Merry Gentlemen!
Deck The Halls Ye Merry Gentlemen!
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3 Clarinettes (trio)
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FACILE
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Noël
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Catherine Quinlan
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Catherine Quinlan
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Deck The Halls Ye Merry Gentle
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Catherine Quinlan
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SheetMusicPlus
Clarinet Trio,Woodwind Ensemble Clarinet - Level 2 - SKU: A0.1301552 By Catherine Quinlan. By Catherine Quinlan. Arranged by Catherine Quinlan. Chamber,...
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Clarinet Trio,Woodwind Ensemble Clarinet - Level 2 - SKU: A0.1301552 By Catherine Quinlan. By Catherine Quinlan. Arranged by Catherine Quinlan. Chamber,Christmas,Folk,Traditional. 6 pages. Catherine Quinlan #891181. Published by Catherine Quinlan (A0.1301552). A bit of festive fun for 3 clarinets! Starting with a conversation between the instruments - shall we play fa la la? Jingle Bells? Silent Night? They agree on Deck the Halls, thich then merges into God Rest Ye Merry Gentlemen. I always try to give everyone something interesting to play and share the tune around. This should be fun to both play and listen to.
$1.99 ≈
¥14.48
Saint-Saëns: The Swan for Bass Clarinet & Piano
Saint-Saëns: The Swan for Bass Clarinet & Piano
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Clarinette Basse
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...
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Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
¥239.70
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