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Vous avez sélectionné:
Excited Classical
FLUTE TRAVERSIERE
Partitions à imprimer
2 partitions trouvées
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Saint-Saëns: The Swan for Flute & Piano
Saint-Saëns: The Swan for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,His...
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Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
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Voi Che Sapete, W A Mozart. Duet for Flute and Clarinet.
Voi Che Sapete, W A Mozart. Duet for Flute and Clarinet.
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Flûte, Clarinette (duo)
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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David McKeown
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Voi Che Sapete, W A Mozart. Du
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - SKU: A0.587136 Composed by Wolfgang Amadeus Mozart. Arranged by David McKeown. Classical,...
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Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - SKU: A0.587136 Composed by Wolfgang Amadeus Mozart. Arranged by David McKeown. Classical,Concert,Instructional,Standards. Score and parts. 4 pages. David McKeown #3069153. Published by David McKeown (A0.587136). Voi Che Sapete is an aria from the second act of W A Mozart’s comic opera, The Marriage of Figaro. It has become one of Mozart’s best loved melodies and features the servant Cherubino singing excitedly about his experience of first love. This version is arranged as a duet for one Flute and one Clarinet. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both parts enjoying melodic interest. The duet format gives solo instrumentalists an opportunity to play music written for the voice. The overall performance time is a little over two minutes. The short audio sample is from the Clarinet and Alto Saxophone version while the full youtube performance is the Clarinet Duet. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There is detailed articulation and a wide range of dynamics. The sample recording is from the Clarinet and Alto Saxophone version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
$4.60 ≈
£3.44
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Excited Classical
