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Vous avez sélectionné:
Opera
FLUTE A BEC
Partitions à imprimer
137 partitions trouvées
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Georges Bizet - Les Toréadors - Prelude to Act I from Opera "Carmen" - for recorder quintet
Georges Bizet - Les Toréadors - Prelude to Act I from Opera "Carmen" - for recorder quintet
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5 Flûtes à bec
#
Georges Bizet
#
Orlan Charles
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Georges Bizet - Les Toré
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ORLAN CHARLES MARCHIORI PRADO
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SheetMusicPlus
Recorder - SKU: A0.814603 Composed by Georges Bizet. Arranged by Orlan Charles. Broadway,Musical/Show,Opera,Romantic Period,Standards. Recorder Ensemble...
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Recorder - SKU: A0.814603 Composed by Georges Bizet. Arranged by Orlan Charles. Broadway,Musical/Show,Opera,Romantic Period,Standards. Recorder Ensemble. 17 pages. ORLAN CHARLES MARCHIORI PRADO #4756739. Published by ORLAN CHARLES MARCHIORI PRADO (A0.814603). Perhaps the most famous opera - CARMEN by Bizet - its opening prelude in an arrangement for recorder quintet (sopranino, soprano, alto, tenor and bass) by Orlan Charles!If you like recorder arrangements , do not forget to watch my youtube channelhttps://www.youtube.com/user/orlancharles
$10.99 ≈
9.90€
Real slow rag from the opera "Treemonisha" (arrangement for 5 recorders (SATTB))
Real slow rag from the opera "Treemonisha" (arrangement for 5 recorders (SATTB))
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5 Flûtes à bec
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Scott Joplin
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Gil Garty
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Real slow rag from the opera &
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Gil Garty
#
SheetMusicPlus
Alto Recorder,Bass Recorder,Descant Recorder,Tenor Recorder - SKU: A0.1116559 By Scott Joplin. By Scott Joplin. Arranged by Gil Garty. 20th Century,Oper...
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Alto Recorder,Bass Recorder,Descant Recorder,Tenor Recorder - SKU: A0.1116559 By Scott Joplin. By Scott Joplin. Arranged by Gil Garty. 20th Century,Opera,Ragtime. Recorder Ensemble. 16 pages. Gil Garty #718212. Published by Gil Garty (A0.1116559). Originally from the opera Treemonisha for voices and piano (later orchestrated). Arranged also by Joplin for piano. Arranged for 5 recorders (SATTB).
$5.00 ≈
4.51€
Georges Bizet - Aragonaise - Prelude from Opera "Carmen" - for recorder quintet
Georges Bizet - Aragonaise - Prelude from Opera "Carmen" - for recorder quintet
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5 Flûtes à bec
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INTERMÉDIAIRE
#
Classique
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Georges Bizet
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Orlan Charles
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Georges Bizet - Aragonaise - P
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ORLAN CHARLES MARCHIORI PRADO
#
SheetMusicPlus
Small Ensemble Alto Recorder,Baritone Recorder,Soprano Recorder,Tenor Recorder - Level 3 - SKU: A0.814606 Composed by Georges Bizet. Arranged by Orlan C...
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Small Ensemble Alto Recorder,Baritone Recorder,Soprano Recorder,Tenor Recorder - Level 3 - SKU: A0.814606 Composed by Georges Bizet. Arranged by Orlan Charles. Concert,Instructional,Opera,Romantic Period,Standards. Score and parts. 13 pages. ORLAN CHARLES MARCHIORI PRADO #4767203. Published by ORLAN CHARLES MARCHIORI PRADO (A0.814606). An Arrangement of Aragonaise, from Opera Carmen, by Bizet - for recorder Quintet (sopranino, soprano, alto, tenor and bass) by Orlan Charlesany doubts, write me on orlandagaita@gmail.com.
$10.99 ≈
9.90€
Lascia Ch'io Pianga (Let me Weep) from the Opera Rinaldo
Lascia Ch'io Pianga (Let me Weep) from the Opera Rinaldo
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Flûte à Bec
#
G
#
Gerson Arrais
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Lascia Ch'io Pianga
#
Gerson Arrais
#
SheetMusicPlus
Recorder Solo - SKU: A0.504270 Composed by G. F. Handel. Arranged by Gerson Arrais. Baroque,Instructional,Opera,Traditional. Individual part. 5 pages. P...
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Recorder Solo - SKU: A0.504270 Composed by G. F. Handel. Arranged by Gerson Arrais. Baroque,Instructional,Opera,Traditional. Individual part. 5 pages. Published by Gerson Arrais (A0.504270). One of the most famous arias of G. F. Handel adapted for recorder and piano.
$6.98 ≈
6.29€
The Fairy-Queen
The Fairy-Queen
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2 Flûte à bec (duo)
#
Henry Purcell
#
The Fairy-Queen
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
2 treble recorders. 2 oboes - 2trumpets - timpani / kettle drums - strings (violin 1, violin 2, viola, bass [violoncello / double bass / lute etc.]) - SKU: ...
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2 treble recorders. 2 oboes - 2trumpets - timpani / kettle drums - strings (violin 1, violin 2, viola, bass [violoncello / double bass / lute etc.]) - SKU: S9.Q48712 Opera. Composed by Henry Purcell. This edition: study score. Ernst Eulenburg - Opera - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q48712. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q48712). English.A London theatre-goer, attending the first performance of Purcell's opera in May 1692, may have expected to see a new and exciting production, in which he was promised that the composer, 'Mr Purcell [...] joyns Delicacy and Beauty of the Italian way [with] the Graces and Gayety of the French'. Not only would there have been music to attract the ear, but the eye too would have been entertained as each successive scene unfolds with a brilliant theatrical transformation. The present edition of Purcell's operatic masterpiece offers the first ever complete and ordered publication of any of Purcell's operas, with the inclusion of the complete and performable musical and spoken text in sequential order. The editor, Michael Burden, is Fellow and Dean of New College, Oxford, University Reader in Opera Studies and Director of New Chamber Opera. His other publications include Performing the Music of Henry Purcell (OUP 1996) and Henry Purcell's Operas: The Complete Texts (OUP 2000).
$59.99 ≈
54.06€
Nessun Dorma - recorder quartet
Nessun Dorma - recorder quartet
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Quatuor de Flûtes à bec
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Giacomo Puccini
#
Austin Ralphson
#
Nessun Dorma - recorder quarte
#
SheetMusicPlus
Composed by Giacomo Puccini (1858-1924). Arranged by Austin Ralphson. 20th Century, Opera, Birthday, Wedding, Recital. Score, Set of Parts. 8 pages. P...
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Composed by Giacomo Puccini (1858-1924). Arranged by Austin Ralphson. 20th Century, Opera, Birthday, Wedding, Recital. Score, Set of Parts. 8 pages. Published by Austin Ralphson
This aria from Puccini's opera 'Turandot' was made famous beyond the world of opera by Luciano Pavarotti when he recorded it for the 1990 World Cup. It is a firm favourite to play at any performance, from weddings to recitals to parties and beyond!
This arrangement is simple enough to sight read by competent players and will be a strong addition to your repertoire.
$7.99 ≈
7.20€
Andrew Lloyd Webber : Le fantôme de l'Opéra (niveau facile/intermédiaire, flûte à bec soprano)
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Flûte à Bec
#
FACILE
#
Film/TV
#
Andrew Lloyd Webber
#
Le fantôme de l'Opéra
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Tomplay
Telechargez la partition Flûte à bec Le fantôme de l'Opera (niveau facile/intermediaire, flûte à bec soprano) de Webber. Pa...
(+)
Telechargez la partition Flûte à bec Le fantôme de l'Opera (niveau facile/intermediaire, flûte à bec soprano) de Webber. Partition pour Avec accompagnement orchestre -- Musique de film
5.99€
Andrew Lloyd Webber : Le fantôme de l'Opéra (niveau très facile, flûte à bec soprano)
#
Flûte à Bec
#
DÉBUTANT
#
Film/TV
#
Andrew Lloyd Webber
#
Le fantôme de l'Opéra
#
Tomplay
Telechargez la partition Flûte à bec Le fantôme de l'Opera (niveau très facile, flûte à bec soprano) de Webber. Part...
(+)
Telechargez la partition Flûte à bec Le fantôme de l'Opera (niveau très facile, flûte à bec soprano) de Webber. Partition pour Avec accompagnement orchestre -- Musique de film
5.99€
Andrew Lloyd Webber : Le fantôme de l'Opéra (niveau facile/intermédiaire, flûte à bec alto)
#
Flûte à Bec
#
FACILE
#
Film/TV
#
Andrew Lloyd Webber
#
Le fantôme de l'Opéra
#
Tomplay
Telechargez la partition Flûte à bec Le fantôme de l'Opera (niveau facile/intermediaire, flûte à bec alto) de Webber. Parti...
(+)
Telechargez la partition Flûte à bec Le fantôme de l'Opera (niveau facile/intermediaire, flûte à bec alto) de Webber. Partition pour Avec accompagnement orchestre -- Musique de film
5.99€
Andrew Lloyd Webber : Le fantôme de l'Opéra (niveau très facile, flûte à bec alto)
#
Flûte à Bec
#
DÉBUTANT
#
Film/TV
#
Andrew Lloyd Webber
#
Le fantôme de l'Opéra
#
Tomplay
Telechargez la partition Flûte à bec Le fantôme de l'Opera (niveau très facile, flûte à bec alto) de Webber. Partiti...
(+)
Telechargez la partition Flûte à bec Le fantôme de l'Opera (niveau très facile, flûte à bec alto) de Webber. Partition pour Avec accompagnement orchestre -- Musique de film
5.99€
Wolfgang Amadeus Mozart: Das klinget so herrlich / Konnte jeder brave Mann, from the opera "The Magic Flute" - recorder quartet
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Quatuor de Flûtes à bec
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Virtualsheetmusic
Instantly printable sheet music by Wolfgang Amadeus Mozart for recorder quartet of EASY skill level. Contents: From Beethoven to Bernstein / classical,children,opera...
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Instantly printable sheet music by Wolfgang Amadeus Mozart for recorder quartet of EASY skill level. Contents: From Beethoven to Bernstein / classical,children,opera
$4.99 ≈
4.50€
Largo (from 'Xerxes' Opera) for Recorder Descant Duet
Largo (from 'Xerxes' Opera) for Recorder Descant Duet
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2 Flûte à bec (duo)
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DÉBUTANT
#
G
#
David Burndrett
#
Largo
#
David Burndrett
#
SheetMusicPlus
Recorder Duet Recorder - Level 1 - SKU: A0.1396398 Composed by G. F Handel. Arranged by David Burndrett. Baroque. Score. 4 pages. David Burndrett #97976...
(+)
Recorder Duet Recorder - Level 1 - SKU: A0.1396398 Composed by G. F Handel. Arranged by David Burndrett. Baroque. Score. 4 pages. David Burndrett #979769. Published by David Burndrett (A0.1396398). This is about grade 2-3 standard upwards. Both instruments get part of the tune.Download includes the score and both of the parts.
$4.95 ≈
4.46€
The Music Of The Night (from The Phantom Of The Opera)
The Music Of The Night (from The Phantom Of The Opera)
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Comédie Musicale
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The Music Of The Night
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Hal Leonard - Digital
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SheetMusicPlus
Recorder Solo (Recorder) - Interactive Download SKU: HX.1035998 This edition: Interactive Download,scorch. Broadway,Musical/Show,Standards. Individual pa...
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Recorder Solo (Recorder) - Interactive Download SKU: HX.1035998 This edition: Interactive Download,scorch. Broadway,Musical/Show,Standards. Individual part. 1 pages. Hal Leonard - Digital #567135. Published by Hal Leonard - Digital (HX.1035998).
$2.99 ≈
2.69€
Largo (from Handel's Opera Xerxes) for Recorder Quartet
Largo (from Handel's Opera Xerxes) for Recorder Quartet
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Quatuor de Flûtes à bec
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FACILE
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Classique
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G
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David Burndrett
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Largo
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David Burndrett
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SheetMusicPlus
Composed by G. Handel. Arranged by David Burndrett. Baroque. Recorder Ensemble. 7 pages. David Burndrett #780378. Published by David Burndrett...
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Composed by G. Handel. Arranged by David Burndrett. Baroque. Recorder Ensemble. 7 pages. David Burndrett #780378. Published by David Burndrett
$6.95 ≈
6.26€
Chaconne for 2 flutes and guitar (Z.627)
Chaconne for 2 flutes and guitar (Z.627)
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2 Flûtes à bec, Guitare
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FACILE
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Classique
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Henry Purcell
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Joshua S
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Chaconne for 2 flutes and guit
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Joshua S. Kim
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SheetMusicPlus
Composed by Henry Purcell (1659-1695). Arranged by Joshua S. Kim. Baroque, Opera, World. Score and parts. 7 pages. Joshua S. Kim #4575101. Published b...
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Composed by Henry Purcell (1659-1695). Arranged by Joshua S. Kim. Baroque, Opera, World. Score and parts. 7 pages. Joshua S. Kim #4575101. Published by Joshua S. Kim
Dioclesian, or, The History of Dioclesian is a semi-opera in five acts by Henry Purcell. Its libretto was written by Thomas Betterton based on the play The Prophetess, by John Fletcher and Philip Massinger. It was first performed in late May 1690 at the Queen\'s Theatre, Dorset Garden.
Known as one of the most beautiful and mysterious recorder songs Purcell had ever written, this Chaconne appears in act 3, after soft music and the Dance of Furies. Even though the song is in C minor, Purcell wrote it as if it were in G minor, which makes it look much easier for music lovers to read notes and play them.
This piece of music was originally written for Flutes and Bass Continuo; however, the arranger adapted it for 2 Alto Recorders (or, Flutes) & Classical Guitar.
$8.50 ≈
7.66€
Handel: Largo (from Xerxes) for soprano (descant) recorder and piano
Handel: Largo (from Xerxes) for soprano (descant) recorder and piano
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Flûte à bec Soprano
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FACILE
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Recorder Solo,Soprano Recorder - Level 2 - SKU: A0.1311260 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. ...
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Recorder Solo,Soprano Recorder - Level 2 - SKU: A0.1311260 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Individual part. 6 pages. Colin Kirkpatrick Publications #900258. Published by Colin Kirkpatrick Publications (A0.1311260). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for soprano (descant) recorder(s) and piano is in G major and uses the lower and middle register of the instrument.  It could be used with any number of descant recorders. The lowest note is the D just below the treble staff and the highest note is the G just above the top line. The piano part has been kept as simple as possible. Â
$3.95 ≈
3.56€
Nessun Dorma for Descant Recorder & Piano
Nessun Dorma for Descant Recorder & Piano
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Flûte à bec Soprano, Piano
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INTERMÉDIAIRE
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Giacomo Puccini
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Keith Terrett
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Piano
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Nessun Dorma for Descant Recor
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Keith Terrett
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SheetMusicPlus
Descant Recorder,Instrumental Duet,Piano - Level 3 - SKU: A0.746822 Composed by Giacomo Puccini. Arranged by Keith Terrett. 20th Century,Opera,Patriotic...
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Descant Recorder,Instrumental Duet,Piano - Level 3 - SKU: A0.746822 Composed by Giacomo Puccini. Arranged by Keith Terrett. 20th Century,Opera,Patriotic,World. 5 pages. Keith Terrett #3579853. Published by Keith Terrett (A0.746822). Nessun Dorma arranged for Descant Recorder & Piano. Nessun dorma (Italian: [nesˈsun ˈdɔrma]; English: None shall sleep) is an aria from the final act of Giacomo Puccini's opera Turandot and one of the best-known tenor arias in all opera. It is sung by Calaf, il principe ignoto (the unknown prince), who falls in love at first sight with the beautiful but cold Princess Turandot. However, any man who wishes to wed Turandot must first answer her three riddles; if he fails, he will be beheaded. In the aria, Calaf expresses his triumphant assurance that he will win the princess.Although Nessun dorma has long been a staple of operatic recitals, Luciano Pavarotti popularized the piece beyond the opera world in the 1990s following his performance of it for the 1990 World Cup. Both Pavarotti and Plácido Domingo released singles of the aria that topped charts in the United Kingdom, and it appeared on the best selling classical album of all time, The Three Tenors in Concert. Since that time, many crossover artists have performed and recorded it. The aria has been sung often in movies and on television.
$7.99 ≈
7.20€
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Tenor Recorder and Piano
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Tenor Recorder and Piano
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Flûte à bec Tenor
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
Recorder Solo,Tenor Recorder - Level 2 - SKU: A0.587924 Composed by G F Handel. Arranged by David McKeown. Baroque,Opera,Standards. Individual part. 4 p...
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Recorder Solo,Tenor Recorder - Level 2 - SKU: A0.587924 Composed by G F Handel. Arranged by David McKeown. Baroque,Opera,Standards. Individual part. 4 pages. David McKeown #5044835. Published by David McKeown (A0.587924). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Tenor Recorder and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above..Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.15€
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Soprano Recorder and Piano
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Soprano Recorder and Piano
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Flûte à bec Soprano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
Recorder Solo,Soprano Recorder - Level 2 - SKU: A0.587923 Composed by G F Handel. Arranged by David McKeown. Baroque,Opera,Standards. Individual part. 4...
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Recorder Solo,Soprano Recorder - Level 2 - SKU: A0.587923 Composed by G F Handel. Arranged by David McKeown. Baroque,Opera,Standards. Individual part. 4 pages. David McKeown #5044833. Published by David McKeown (A0.587923). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Soprano Recorder and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.15€
Turkish March by Beethoven for Low Recorder Trio
Turkish March by Beethoven for Low Recorder Trio
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3 Flûtes à bec (trio)
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Recorder Trio Alto Recorder,Bass Recorder,Tenor Recorder - Level 2 - SKU: A0.1146905 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk...
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Recorder Trio Alto Recorder,Bass Recorder,Tenor Recorder - Level 2 - SKU: A0.1146905 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Recorder Ensemble. 8 pages. Woods Only, Arrangements #747104. Published by Woods Only, Arrangements (A0.1146905). This arrangement adapted for low recorder trio was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$5.99 ≈
5.40€
Turkish March by Beethoven for Recorder Quartet
Turkish March by Beethoven for Recorder Quartet
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Quatuor de Flûtes à bec
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Recorder Quartet Recorder - Level 2 - SKU: A0.1143526 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. R...
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Recorder Quartet Recorder - Level 2 - SKU: A0.1143526 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Recorder Ensemble. 11 pages. Woods Only, Arrangements #743842. Published by Woods Only, Arrangements (A0.1143526). This arrangement adapted for recorder quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99 ≈
7.20€
Turkish March by Beethoven for Alto Recorder
Turkish March by Beethoven for Alto Recorder
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Flûte à bec Alto
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Alto Recorder,Recorder Solo - Level 2 - SKU: A0.1155644 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period....
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Alto Recorder,Recorder Solo - Level 2 - SKU: A0.1155644 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Individual part. 4 pages. Woods Only, Arrangements #755948. Published by Woods Only, Arrangements (A0.1155644). This arrangement adapted for alto recorder and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99 ≈
1.79€
Turkish March by Beethoven for Recorder Trio
Turkish March by Beethoven for Recorder Trio
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3 Flûtes à bec (trio)
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Recorder Trio Recorder - Level 2 - SKU: A0.1146903 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Reco...
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Recorder Trio Recorder - Level 2 - SKU: A0.1146903 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Recorder Ensemble. 8 pages. Woods Only, Arrangements #747102. Published by Woods Only, Arrangements (A0.1146903). This arrangement adapted for recorder trio was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$5.99 ≈
5.40€
Turkish March by Beethoven for Recorder Quintet
Turkish March by Beethoven for Recorder Quintet
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5 Flûtes à bec
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Recorder - Level 2 - SKU: A0.1128137 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Recorder Ensemble....
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Recorder - Level 2 - SKU: A0.1128137 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Recorder Ensemble. 16 pages. Woods Only, Arrangements #728752. Published by Woods Only, Arrangements (A0.1128137). This arrangement adapted for recorder quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99 ≈
9.00€
Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet
Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet
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Quatuor de Flûtes à bec
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INTERMÉDIAIRE
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Classique
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Keith Terrett
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Keith Terrett
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Duet from Cantata Number BWW 1
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Baroque,Classical,P...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Baroque,Classical,Praise & Worship. 15 pages. Keith Terrett #509473. Published by Keith Terrett (A0.903300). A transcription of J.S. Bach's Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet consisting of two Alto's, Tenor & Bass Recorder. The sixth movement, Mein Freund ist mein! (My Friend is mine!), is another duet for soprano and bass with obbligato oboe. This duet, like the third movement, is a love duet between the soprano Soul and the bass Jesus.Gardiner notes that Bach uses the means of contemporary operatic love-duets in his use of chains of suspensions and parallel thirds and sixths. Dürr describes it as giving expression to the joy of the united pair, showing a relaxed mood in artistic intensity. Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'),[1] BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas Wachet auf, ruft uns die Stimme (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7). An unknown author supplied additional poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second stanza in the central movement in the style of a chorale prelude, and the third stanza as a four-part chorale. He set the new texts as dramatic recitatives and love-duets, similar to contemporary opera. Bach scored the work for three vocal soloists (soprano, tenor and bass), a four-part choir and a Baroque instrumental ensemble consisting of a horn (to reinforce the soprano), two oboes, taille, violino piccolo, strings and basso continuo including bassoon. Bach used the central movement of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it a cantata without weaknesses, without a dull bar, technically, emotionally and spiritually of the highest order, its sheer perfection and its boundless imagination rouse one's wonder time and time again.
$10.00 ≈
9.01€
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