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Vous avez sélectionné:
Studies
ORCHESTRE
Partitions à imprimer
153 partitions trouvées
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8 Small Studies
8 Small Studies
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Orchestre à Cordes
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FACILE
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Harald Genzmer
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8 Small Studies
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Schott Music - Digital
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SheetMusicPlus
Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy - SKU: S9.Q21101 Composed by Harald Genzmer. This edition: score. Concertino. Downloadable, Score. Durati...
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Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy - SKU: S9.Q21101 Composed by Harald Genzmer. This edition: score. Concertino. Downloadable, Score. Duration 19' 15. Schott Music - Digital #Q21101. Published by Schott Music - Digital (S9.Q21101). Harald Genzmer (1909–2007) did a lot for young up-and-coming musicians, and there certainly is many a string instrument player who remembers school orchestra times in which the 'Sinfonietta' was programmed. But the probably most prominent Hindemith pupil wrote much more valuable educational music: In the years 1960 to 1996 he created '8 Little Studies for String Orchestra' which are brilliant miniatures of medium difficulty dealing with special musical issues, such as dotted rhythm or change of time. The pieces can either be played separately or be formed into little suites. They are perfect for the work in school, hobby and amateur orchestras. And in spite of all educational intentions: This is enjoyable music which is fun to play!
$21.99
8 Small Studies
8 Small Studies
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Orchestre à Cordes
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FACILE
#
Harald Genzmer
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8 Small Studies
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Schott Music - Digital
#
SheetMusicPlus
Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy - SKU: S9.Q21623 Composed by Harald Genzmer. This edition: set of parts. Concertino. Downloadable, Set of...
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Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy - SKU: S9.Q21623 Composed by Harald Genzmer. This edition: set of parts. Concertino. Downloadable, Set of parts. Duration 19' 15. Schott Music - Digital #Q21623. Published by Schott Music - Digital (S9.Q21623). Harald Genzmer (1909–2007) did a lot for young up-and-coming musicians, and there certainly is many a string instrument player who remembers school orchestra times in which the 'Sinfonietta' was programmed. But the probably most prominent Hindemith pupil wrote much more valuable educational music: In the years 1960 to 1996 he created '8 Little Studies for String Orchestra' which are brilliant miniatures of medium difficulty dealing with special musical issues, such as dotted rhythm or change of time. The pieces can either be played separately or be formed into little suites. They are perfect for the work in school, hobby and amateur orchestras. And in spite of all educational intentions: This is enjoyable music which is fun to play!
$67.99
Donut Etudes: Coordination Studies in 12 Keys for 4-Part Trombone Ensemble, Volume 1
Donut Etudes: Coordination Studies in 12 Keys for 4-Part Trombone Ensemble, Volume 1
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Quatuor de cuivres: 4 trombones
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J
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Donut Etudes: Coordination Stu
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Cimarron Music Press
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SheetMusicPlus
By J. Hauser. For trombone quartet. Quartet music. Score and parts. Published by Cimarron Music Press ...
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By J. Hauser. For trombone quartet. Quartet music. Score and parts. Published by Cimarron Music Press
$17.00
Donut Etudes: Coordination Studies in 12 Keys for 4-Part Trombone Ensemble, Volume 2
Donut Etudes: Coordination Studies in 12 Keys for 4-Part Trombone Ensemble, Volume 2
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Quatuor de cuivres: 4 trombones
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J
#
Donut Etudes: Coordination Stu
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Cimarron Music Press
#
SheetMusicPlus
By J. Hauser. For trombone quartet. Quartet music. Score and parts. Published by Cimarron Music Press ...
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By J. Hauser. For trombone quartet. Quartet music. Score and parts. Published by Cimarron Music Press
$17.00
10 Intonation Studies and Chorales: Score
10 Intonation Studies and Chorales: Score
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Orchestre à Cordes
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Brian Balmages
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10 Intonation Studies and Chor
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.98-DST6429S Composed by Brian Balmages. Score. 9 pages. Alfred Music - Digital Sheet Music #98-DST6429S. Published by Alfred ...
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String Orchestra - SKU: AX.98-DST6429S Composed by Brian Balmages. Score. 9 pages. Alfred Music - Digital Sheet Music #98-DST6429S. Published by Alfred Music - Digital Sheet Music (AX.98-DST6429S). UPC: 241444377994.
$5.00
10 Studies
10 Studies
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Orchestre à Cordes
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Helmut W
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10 Studies
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Schott Music - Digital
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SheetMusicPlus
String orchestra - SKU: S9.Q2594 Composed by Helmut W. May. This edition: score. Orchestra pieces for schools. Downloadable, Score. Schott Music - Digit...
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String orchestra - SKU: S9.Q2594 Composed by Helmut W. May. This edition: score. Orchestra pieces for schools. Downloadable, Score. Schott Music - Digital #Q2594. Published by Schott Music - Digital (S9.Q2594).
$15.99
30 Progressive Studies for Full Band or Individual Study (beginner to very easy)
30 Progressive Studies for Full Band or Individual Study (beginner to very easy)
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Orchestre d'harmonie
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DÉBUTANT
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Methodes
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Methodes Etudes
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John McAllister
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30 Progressive Studies for Ful
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SheetMusicPlus
Composed by John McAllister. Classical, Contemporary, Contest, Festival, Instructional. Score and parts. 110 pages. John McAllister #719162. Published...
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Composed by John McAllister. Classical, Contemporary, Contest, Festival, Instructional. Score and parts. 110 pages. John McAllister #719162. Published by John McAllister
$30.00
Advanced Orchestral Studies
Advanced Orchestral Studies
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Methodes
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Mark Hillegass Jr
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Advanced Orchestral Studies
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Mark Hillegass Jr.
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SheetMusicPlus
String Orchestra - Level 4 - Composed by Mark Hillegass Jr. Classical. Score and parts. 43 pages. Mark Hillegass Jr. #692693. Published by Mark Hill...
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String Orchestra - Level 4 - Composed by Mark Hillegass Jr. Classical. Score and parts. 43 pages. Mark Hillegass Jr. #692693. Published by Mark Hillegass Jr.
$50.00
Two Studies
Two Studies
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Quatuor de cuivres: 4 trombones
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Fernando Sor
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Two Studies
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Cimarron Music Press
#
SheetMusicPlus
By Fernando Sor (1778-1839). For Trombone Quartet. Quartet music. Score and parts. Published by Cimarron Music Press ...
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By Fernando Sor (1778-1839). For Trombone Quartet. Quartet music. Score and parts. Published by Cimarron Music Press
$17.00
2 Studies (1 and 10)
2 Studies (1 and 10)
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Quatuor de cuivres: 4 trombones
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Fernando Sor
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F
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2 Studies
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Cimarron Music Press
#
SheetMusicPlus
By Fernando Sor (1778-1839). Arranged by F. Darmiento. For trombone quartet. Quartet music. Score and parts. Published by Cimarron Music Press ...
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By Fernando Sor (1778-1839). Arranged by F. Darmiento. For trombone quartet. Quartet music. Score and parts. Published by Cimarron Music Press
$17.00
Three Studies
Three Studies
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Orchestre d'harmonie
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Patrick Riley
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Three Studies
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ASCAP-PDR Music-0075567
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SheetMusicPlus
Concert Band - SKU: A0.503566 Composed by Patrick Riley. Classical,Contemporary,Contest,Festival,Multicultural,Traditional,World. Score and parts. 37 pa...
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Concert Band - SKU: A0.503566 Composed by Patrick Riley. Classical,Contemporary,Contest,Festival,Multicultural,Traditional,World. Score and parts. 37 pages. Published by ASCAP-PDR Music-0075567 (A0.503566). Instrumental (3 movements) with alto flute, english horn, and electric bass guitar. One merged pdf file download includes the full score and all parts. Performance time 00:06:38.
$69.99
Orchestraining No. 6 [String Orchestra]
Orchestraining No. 6 [String Orchestra]
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Juan Maria Solare
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Orchestraining No. 6 [String O
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Juan Maria Solare
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1432036 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 8 p...
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String Orchestra - Level 4 - SKU: A0.1432036 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 8 pages. Juan Maria Solare #1012516. Published by Juan Maria Solare (A0.1432036). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The sixth etude focuses on the difficult subject of harmonics in the strings. In the classical repertorire, harmonics are not so present as other orchestral colors. There fore, it is particularly difficult to find repertory to train them.
$5.00
Orchestraining No. 3 [String Orchestra]
Orchestraining No. 3 [String Orchestra]
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Juan Maria Solare
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Orchestraining No. 3 [String O
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Juan Maria Solare
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1432024 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 15 ...
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String Orchestra - Level 4 - SKU: A0.1432024 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 15 pages. Juan Maria Solare #1012503. Published by Juan Maria Solare (A0.1432024). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The third Etude focuses on Spiccato and is therefore only for strings.
$5.00
Orchestraining No. 5b [Orchestra]
Orchestraining No. 5b [Orchestra]
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Orchestre
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INTERMÉDIAIRE
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Juan Maria Solare
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Orchestraining No. 5b [Orchest
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Juan Maria Solare
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1432030 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 20 pa...
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Full Orchestra - Level 3 - SKU: A0.1432030 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 20 pages. Juan Maria Solare #1012510. Published by Juan Maria Solare (A0.1432030). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fifth etude focuses again on tuning and intonantion and comes in two versions: for wind ensemble and for the full orchestra.
$5.00
Orchestraining No. 01 [Orchestra]
Orchestraining No. 01 [Orchestra]
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Orchestre
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FACILE
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Juan MarÃa Solare
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Orchestraining No. 01 [Orchest
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Juan Maria Solare
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and P...
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Full Orchestra - Level 2 - SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and Parts. 20 pages. Juan Maria Solare #820190. Published by Juan Maria Solare (A0.1224099). Orchestraining is a cycle of orchestral studies, each of which focuses on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The particular study Orchestraining Nr. 01 focuses on the subject of simultaneous attacks, presenting a series of staccato chords in different parts of the bar. The piece will be played twice, with different dynamics and (partly) different performing techniques (particularly in the strings: pizzicato vs. arco).Orchestraining No. 01 - simultaneous attacks*Orchestraining es un ciclo de estudios orquestales, cada uno de los cuales tematiza diferentes aspectos de la ejecución. Estos estudios están concebidos especÃficamente para orquestas no profesionales; sin embargo, cualquier orquesta mejorará si toca alguna de estas piezas durante los ensayos. Siempre es necesario cuidar la afinación y muchos otros aspectos de la ejecución orquestal.Adicionalmente, estos estudios son también útiles para estudiantes de dirección orquestal. Por ejemplo, es imprescindible saber cómo dirigir un ataque simultáneo de un acorde que no comienza en el uno, sino una corchea después del tercer tiempo.Comencé a escribir estos estudios hacia 2013, cuando asumà la dirección de la Bremer Orchestergemeinschaft y noté la ausencia total de repertorio de este tipo. Como pianista estoy acostumbrado a los estudios de Carl Czerny o a tocar escalas. Cada instrumentista, individualmente, conoce sobradamente estudios de técnica para su instrumento. Sin embargo no existen, o no conozco, estudios similares para la técnica de ejecución orquestal y las dificultades especÃficas de ensamblaje que ésta requiere. El ciclo Orchestraining intenta cubrir esta laguna.El estudio Orchestraining Nr. 01 en particular trata el tema de los ataques simultáneos, presentando una serie de acordes staccato en distintas partes del compás. La obra se tocará dos veces, con distintas dinámicas y (en parte) con distintas técnicas de ejecución (particularmente en las cuerdas: pizzicato vs. arco).
$11.00
If I Could I Would
If I Could I Would
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Apostolos Paraskevas
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If I Could I Would
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Silver Sickle Publications
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.942083 Composed by Apostolos Paraskevas. 20th Century,Contemporary. Score and parts. 12 pages. Silver Sickle Public...
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String Orchestra - Level 4 - SKU: A0.942083 Composed by Apostolos Paraskevas. 20th Century,Contemporary. Score and parts. 12 pages. Silver Sickle Publications #4897941. Published by Silver Sickle Publications (A0.942083). If I Could I Would Chamber Concerto for StringsIn this experimental work for Strings every letter of the title is been represented by a block of music. The score is being performed by creating sentences based on the first two pages of the proportional score notation. The conductor determines the entrances and fade outs of the instruments as well the repetition of blocks of music. Dynamics are provided for specific movements and different other sentences could be also created. Could I? Would I? If I Would? Etc… Duration: approx. 7-10 minutes Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammy's). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas Tsougras
$14.99
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slid...
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String Orchestra - Level 3 - SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.
$15.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ri...
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Concert Band - Level 3 - SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ride (A0.784346). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$45.00
The Glastry Pearl. Tone Poem Elegy For My Mum.
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestre
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AVANCÉ
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldin...
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Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
Vienna Jazz Club, flute/violin/C instruments
Vienna Jazz Club, flute/violin/C instruments
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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George Arvola, Virginia Mathew
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Vienna Jazz Club, flute/violin
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George Arvola and Virginia Mathews
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.947518 Composed by George Arvola, Virginia Mathews. Concert,Holiday,Instructional,Jazz,Love,Standards. Score and parts. 8...
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Jazz Combo - Level 4 - SKU: A0.947518 Composed by George Arvola, Virginia Mathews. Concert,Holiday,Instructional,Jazz,Love,Standards. Score and parts. 8 pages. George Arvola and Virginia Mathews #512613. Published by George Arvola and Virginia Mathews (A0.947518). New Release in late 2015, this arpeggio study runs 2:55 in length. arpeggioartistry.com hosts the full recordings and complete list of titles of INSPIRING and worthwhile arpeggio studies from our book Delicious Licorice. These fun studies are also arranged for other instruments. Vienna Jazz Club abounds with arpeggios in this jazz waltz with a quasi-classical flair. More fun will be had when you play this in an ensemble setting because it makes for a long blow for any one horn. Maybe this would be too sophisticated for a beer drinking crowd, but in a jazz club, it would suit the venue. The Vienna part is the fact that a jazz waltz and a Viennese Waltz are kissing cousins.
$5.99
Durham Concerto
Durham Concerto
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Jon Lord
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Durham Concerto
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Schott Music - Digital
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SheetMusicPlus
Violin, cello, Northumbrian pipes, Hammond-organ and orchestra - SKU: S9.Q52424 For violin, cello, Northumbrian pipes, hammond organ and orchestra
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Violin, cello, Northumbrian pipes, Hammond-organ and orchestra - SKU: S9.Q52424 For violin, cello, Northumbrian pipes, hammond organ and orchestra. Composed by Jon Lord. This edition: study score. Evening - architecture - dawn - architecture - cathedral - bagpipes - Durham - England - Great Britain - cathedral - Church - concerto - morning - afternoon - nocturne - Northumbrian pipes - program music - program music - students - Studies - Studies. Music Of Our Time. Downloadable, Study score. Duration 57' 0. Schott Music - Digital #Q52424. Published by Schott Music - Digital (S9.Q52424). The general inspiration for the music was an idea of Durham, garnered from two or three short visits and a reading of a short history – so a sort of “Durham of the mindâ€, a stylized Durham; ‘my’ Durham, if you will, imagined into music. However, the defining inspiration for the piece was the Cathedral. My first visit to Durham in 2001 saw me standing open-mouthed on Palace Green, and then in silent awe as I walked into that formidable magnificence inside. Most of the themes came from the days immediately following my first experience of this extraordinary, inspiring building. The feeling that the very stones and pillars themselves are imbued with centuries of prayer, with people’s joy, grief, despair, even anger; gratitude and hope. As the tunes and chords and sounds started to organize themselves in my mind and onto manuscript paper, I realized that I was writing a sort of “day in the life of Durhamâ€, and that the Cathedral would be its beginning, would be in its middle, and would be at its ending. The piece consists of six ‘pictures’ arranged into three parts – the morning, afternoon and evening of this imaginary Durham city. Jon Lord, 20173 (3. auch Picc.) · 2 · Engl. Hr. · Es-Klar. · 2 · Bassklar. · 2 · Kfg. - 4 · 3 (1. auch Flhr. ad lib., 3. auch Piccolotr.) · 3 · 1 - P. S. (Glsp. · Xyl. · Marimb. · Röhrengl. · Trgl. · Schlittengl. · häng. Beck. · Beckenpaar · Tamt. · Schellentr. · Tomt. · kl. Tr. · gr. Tr. · Woodbl.) (5 Spieler) - Cel. · Hfe. (ad lib.2) - Str. (16 · 14 · 12 · 10 · 8 - Minimum: 14 · 12 · 10 · 8 · 6).
$46.99
In the Outhouse Blues for alto sax.
In the Outhouse Blues for alto sax.
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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George Arvola, Virginia Mathew
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In the Outhouse Blues for alto
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George Arvola and Virginia Mathews
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.947496 Composed by George Arvola, Virginia Mathews. Blues,Concert,Holiday,Instructional,Standards. Score and parts. 7 pag...
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Jazz Combo - Level 4 - SKU: A0.947496 Composed by George Arvola, Virginia Mathews. Blues,Concert,Holiday,Instructional,Standards. Score and parts. 7 pages. George Arvola and Virginia Mathews #496613. Published by George Arvola and Virginia Mathews (A0.947496). New release in 2015, filling the need for INSPIRING arpeggio studies. Includes piano accompaniment and bass part. arpeggioartistry.com hosts the full recordings and complete list of fun arpeggio studies from our book, Delicious Licorice. In the Outhouse Blues is a relaxed 12 bar blues which explores the outer fringes of the standard chords. Each verse is slightly farther removed from the basic 7th chords. Roll up the newspaper and take careful aim at the flies. 2:30 in length.
$5.99
Take it All But the Lazy-boy, TV and the Remote. Flute and/or violin
Take it All But the Lazy-boy, TV and the Remote. Flute and/or violin
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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George Arvola, Virginia Mathew
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Take it All But the Lazy-boy,
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George Arvola and Virginia Mathews
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.947510 Composed by George Arvola, Virginia Mathews. Holiday,Instructional,Jazz,Standards,Wedding. Score and parts. 9 page...
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Jazz Combo - Level 4 - SKU: A0.947510 Composed by George Arvola, Virginia Mathews. Holiday,Instructional,Jazz,Standards,Wedding. Score and parts. 9 pages. George Arvola and Virginia Mathews #511105. Published by George Arvola and Virginia Mathews (A0.947510). New Release, November 2015, this runs 3:10 in length. Take it All is one of twelve INSPIRING arpeggio studies from our book, Delicious Licorice, meeting the demand for fun, worthwhile arpeggio studies. Includes piano accompaniment and bass parts. arpeggioartistry.com hosts the full recordings and complete list of etudes, with arrangements for other instruments available. Dance combos could play this extended, syncopated and twisted fun for all arpeggio exercise as an end of the night cuddle your dance partner closing tune, as long as the title is shortened to the first three words. Little will your audience know that you are practising your arpeggio skills.
$5.99
Stray Cats Rut, guitar.
Stray Cats Rut, guitar.
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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George Arvola, Virginia Mathew
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Stray Cats Rut, guitar.
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George Arvola and Virginia Mathews
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.947508 Composed by George Arvola, Virginia Mathews. Blues,Concert,Instructional,Jazz,Standards. Score and parts. 9 pages....
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Jazz Combo - Level 4 - SKU: A0.947508 Composed by George Arvola, Virginia Mathews. Blues,Concert,Instructional,Jazz,Standards. Score and parts. 9 pages. George Arvola and Virginia Mathews #506835. Published by George Arvola and Virginia Mathews (A0.947508). New release in 2015, meeting the demand for INSPIRING arpeggio studies, this piece from the book Delicious Licorice is 4:05 in length. Piano accompaniment and bass parts included. arpeggioartistry.com hosts full recordings and the complete list of fun arpeggio studies. The composers had fun with the title, and musicians can have fun with this arpeggio study disguised as a mysterious jazz-blues in a minor key. Get a playing partner or several to practise your feral cat arpeggio skills. Unless you advise your audience, they will never know that it is an arpeggio study.
$5.99
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