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Vous avez sélectionné:
Ravel
CHORALE - CHANT
Orchestre
Partitions à imprimer
77 partitions trouvées
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Jeux d'eau for Orchestra - Maurice Ravel
Jeux d'eau for Orchestra - Maurice Ravel
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Orchestre
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AVANCÉ
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Contemporain
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Maurice Ravel
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Tiziano de Felice
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Jeux d'eau for Orchestra - Mau
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Tiziano de Felice
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.898029 Composed by Maurice Ravel. Arranged by Tiziano de Felice. 20th Century. 48 pages. Tiziano de Felice #6533943. ...
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Full Orchestra - Level 5 - SKU: A0.898029 Composed by Maurice Ravel. Arranged by Tiziano de Felice. 20th Century. 48 pages. Tiziano de Felice #6533943. Published by Tiziano de Felice (A0.898029). Orchestration of the famous piece by Maurice Ravel for solo piano.Instrumentation: 2 flutes + piccolo, 2 oboes + English horn, 2 clarinets + bass clarinet, 2 bassoons4 horns, 3 trumpetscelesta, harp, timpani, tambourine, triangle & stringsThe original piece was inspired by Franz Liszt's piece Les jeux d'eau à la Villa d'Este. Ravel explained its origins in this way: Jeux d'eau, appearing in 1901, is at the origin of the pianistic novelties which one would notice in my work. This piece, inspired by the noise of water and by the musical sounds which make one hear the sprays of water, the cascades, and the brooks [...]
$36.00 ≈
33.15€
Ravel - Noctuelles (orchestra) - Score Only
Ravel - Noctuelles (orchestra) - Score Only
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Orchestre
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AVANCÉ
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Contemporain
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Tiziano de Felice
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Tiziano de Felice
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Ravel - Noctuelles
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Tiziano de Felice
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1114946 By Tiziano de Felice. By Maurice Ravel. Arranged by Tiziano de Felice. 20th Century,Classical. 42 pages. Tizi...
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Full Orchestra - Level 5 - SKU: A0.1114946 By Tiziano de Felice. By Maurice Ravel. Arranged by Tiziano de Felice. 20th Century,Classical. 42 pages. Tiziano de Felice #716784. Published by Tiziano de Felice (A0.1114946). Orchestration of Ravel's piano piece Noctuelles' from the piano suite Miroirs. Noctuelles is a highly chromatic work, maintaining a dark, nocturnal mood throughout. The middle section is calm with rich, chordal melodies, and the recapitulation takes place a fifth below the first entry. Scored for large orchestra: picc. / 2 fl. / 2 ob. / eng. h. / 2 Bb cl. / bass cl. / 2 bsn. / 4 horns / 3 tr. / 3 trbn. / b. tuba / 2 harps / celesta / glockenspiel / timpani / b. drum, triangle, tamtam, cymbals & strings.
$28.50 ≈
26.24€
M. Ravel - "Frontispice", Full orchestra, Orchestrated by A. Leytush - Score Only
M. Ravel - "Frontispice", Full orchestra, Orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Maurice Ravel
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A
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M. Ravel - "Frontispice&q
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1456968 Composed by Maurice Ravel. Arranged by A. Leytush. 20th Century. 12 pages. Arkady Leytush #1036053. Published...
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Full Orchestra - Level 4 - SKU: A0.1456968 Composed by Maurice Ravel. Arranged by A. Leytush. 20th Century. 12 pages. Arkady Leytush #1036053. Published by Arkady Leytush (A0.1456968).
$25.00 ≈
23.02€
Ravel:Bolero
Ravel:Bolero
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Orchestre
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Contemporain
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Maurice Ravel
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Ravel:Bolero
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SheetmusicLAB
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SheetMusicPlus
Orchestra (Fl,Ob,Cl,Bn,Hn,Tpt,Tbn,Timp,S .D,Vn,Vn,Va,Vc,Cb) - Primer Level - Short version. Composed by Maurice Ravel (1875-1937). Romantic Period. S...
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Orchestra (Fl,Ob,Cl,Bn,Hn,Tpt,Tbn,Timp,S .D,Vn,Vn,Va,Vc,Cb) - Primer Level - Short version. Composed by Maurice Ravel (1875-1937). Romantic Period. Score and Parts. 51 pages. SheetmusicLAB #CL-ROM-20114. Published by SheetmusicLAB
$83.33 ≈
76.73€
M. Ravel - Sérénade grotesque, Orchestrated by A. Leytush
M. Ravel - Sérénade grotesque, Orchestrated by A. Leytush
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Orchestre
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Contemporain
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Maurice Ravel
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A
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M. Ravel - Sérén
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008397 Composed by Maurice Ravel. Arranged by A. Leytush. 20th Century. Score and parts. 40 pages. Arkady Leytush #6222007. Pu...
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Full Orchestra - SKU: A0.1008397 Composed by Maurice Ravel. Arranged by A. Leytush. 20th Century. Score and parts. 40 pages. Arkady Leytush #6222007. Published by Arkady Leytush (A0.1008397).
$30.00 ≈
27.62€
A Well-Traveled Road
A Well-Traveled Road
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Orchestre
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AVANCÉ
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Contemporain
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Daniel Burwasser
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A Well-Traveled Road
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Head and Stem
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Ste...
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Full Orchestra - Level 5 - SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Stem #694597. Published by Head and Stem (A0.1090419). A Well-Traveled Road was first sketched in the summer of 1989. It was revised and orchestrated in 1992 for a recording on MMC (now defunct) by the Slovak Radio and Television Orchestra under the direction of Robert Stankovsky. This video represents a revised version from the original 1992 score and 1995 recording. NOTES from 1995: I have always been intrigued with the transformational potentiality of themes. A Well-Traveled Road explores the diverse possibilities of the development of a single motive. I have incorporated certain principles of sonata form, although this music is more episodic in nature than three-part. It is foremost mono-thematic (the theme is first announced in the horns and trumpets). The idea then undergoes several permutations in the form of episodes, including a fleeting waltz, a form of which I am quite fond. The title of the piece itself is a metaphorical allusion to this process. The harmonic language in the work is predominantly tonal. By contemporary music standards, about one-half consonant and one-half dissonant. I do not prescribe to any type of harmonic system or any other such rationale in this work (or seldom in any of my recent work). I prefer using a more intuitive approach to harmony, reserving dissonance for spice and for enhancing the dramatic element of the music. Daniel BurwasserFor more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$70.00 ≈
64.46€
Song for a Movie about Time Travel
Song for a Movie about Time Travel
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Luis Alexander Lopez Barriento
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Song for a Movie about Time Tr
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Luis Alexander Lopez Barrientos
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1029876 Composed by Luis Alexander Lopez Barrientos. Arranged by Luis Alexander Lopez Barrientos. Contemporary. Score...
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Full Orchestra - Level 3 - SKU: A0.1029876 Composed by Luis Alexander Lopez Barrientos. Arranged by Luis Alexander Lopez Barrientos. Contemporary. Score and parts. 31 pages. Luis Alexander Lopez Barrientos #5791741. Published by Luis Alexander Lopez Barrientos (A0.1029876). The sound of this song, evoque me the sensation of watching a time travel movie.
$4.99 ≈
4.59€
Maurice Ravel: Ravel Suite for Strings (COMPLETE) - orchestra
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Orchestre
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INTERMÉDIAIRE
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Classique
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Maurice Ravel
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Virtualsheetmusic
Instantly printable sheet music by Maurice Ravel for orchestra of MEDIUM skill level. / classical,french
Instantly printable sheet music by Maurice Ravel for orchestra of MEDIUM skill level. / classical,french
$54.99 ≈
50.64€
Maurice Ravel: Empress Of The Pagodas (Mother Goose Suite, Mvt. 3) (COMPLETE) - orchestra
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Orchestre
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INTERMÉDIAIRE
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Maurice Ravel
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Virtualsheetmusic
Instantly printable sheet music by Maurice Ravel for orchestra of MEDIUM skill level. / concert,french
Instantly printable sheet music by Maurice Ravel for orchestra of MEDIUM skill level. / concert,french
$59.99 ≈
55.24€
Gypsy Travelers Dub [from ?curb your enthusiasm?] (full score and set of parts)
Gypsy Travelers Dub [from ?curb your enthusiasm?] (full score and set of parts)
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Orchestre
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AVANCÉ
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Gilles Tinayre
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Patrick Sheehan
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Gypsy Travelers Dub [from ?cur
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Patrick Sheehan
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SheetMusicPlus
Studio Ensemble - Advanced - By Gilles Tinayre. Arranged by Patrick Sheehan. Score, Set of Parts. 62 pages. Published by Patrick Sheehan (...
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Studio Ensemble - Advanced - By Gilles Tinayre. Arranged by Patrick Sheehan. Score, Set of Parts. 62 pages. Published by Patrick Sheehan (
$15.00 ≈
13.81€
Ma Mère L'Oye
Ma Mère L'Oye
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Orchestre
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Maurice Ravel
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Ma Mère L'Oye
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q18779 Cinq Pièces Enfantines. Composed by Maurice Ravel. This edition: study score. Ernst Eulenburg - Orchestra - Score. ...
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Orchestra - SKU: S9.Q18779 Cinq Pièces Enfantines. Composed by Maurice Ravel. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q18779. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q18779). German • English • French.Ravel's Ma Mère L’Oye carries its listeners into the mysterious realm of fairy tales. Enchanting soundscapes unfold and open the door to another world in which Sleeping Beauty or Beauty and the Beast can be found among other enchanting tales. Ravel originally composed the piece for piano duet but later scored it for orchestra and extended it to a ballet. Ma Mère L’Oye is now published as an urtext edition in the easy-to-read format 19x26. .
$21.99 ≈
20.25€
Pavanne Pour Une Infante Defunte
Pavanne Pour Une Infante Defunte
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Orchestre
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AVANCÉ
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Maurice Ravel
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Kevin Riley
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Pavanne Pour Une Infante Defun
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1374404 Composed by Maurice Ravel. Arranged by Kevin Riley. 20th Century,Classical. 48 pages. Kevin Riley #959008. Pu...
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Full Orchestra - Level 5 - SKU: A0.1374404 Composed by Maurice Ravel. Arranged by Kevin Riley. 20th Century,Classical. 48 pages. Kevin Riley #959008. Published by Kevin Riley (A0.1374404). Pavane pour une infante défunte (Pavane for a Dead Princess) is a work for solo piano by Maurice Ravel, written in 1899 while the French composer was studying at the Conservatoire de Paris under Gabriel Fauré. Ravel published an orchestral version in 1910 using two flutes, an oboe, two clarinets (in Bâ™), two bassoons, two horns, harp, and strings.This version has been expanded for use by community orchestras to include saxophones.
$70.00 ≈
64.46€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
23.02€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00 ≈
23.02€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
23.02€
Take Five
Take Five
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Paul Desmond
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Andrew Middleton
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Take Five
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Andrew Middleton
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1452336 By Paul Desmond. By Paul Desmond. Arranged by Andrew Middleton. 20th Century,21st Century,Contemporary,Jazz. ...
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Full Orchestra - Level 4 - SKU: A0.1452336 By Paul Desmond. By Paul Desmond. Arranged by Andrew Middleton. 20th Century,21st Century,Contemporary,Jazz. 192 pages. Andrew Middleton #1031659. Published by Andrew Middleton (A0.1452336). Take Five Maurice, is a tongue and cheek arrangement that combines the orchestral forces and the gradual increasing instrument forces of Ravel’s Bolero, with the melodies and chordal pattern of Take Five by Paul Desmond. Following the instrumental structure of Bolero, the piece begins with softer timbres of the woodwinds in the same manner Ravel uses the orchestra, gradually becoming much more raucous. The finally of the piece follows a similar key change to heighten the climax of the music as well as a similar trombone glissando motif found in Bolero as well the jazz styles Paul Desmond would have played.The piece is scored for: Piccolo, 2 flute, 2 oboes, cor anglais, 2 clarinets in B flat, Bass Clarinet in B flat, 2 bassoons, contrabassoon, soprano saxophone, alto saxophone, tenor saxophone 4 horns in F, 3 trumpets in B flat, 2 Trombones, Bass Trombone, Tuba Timpani, Cymbals, Tam-tam, drum kit, harp, celesta and strings.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.
$69.99 ≈
64.45€
Bolero
Bolero
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Orchestre
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AVANCÉ
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Contemporain
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Maurice Ravel
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NMK Music
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Bolero
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NMK Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.977881 Composed by Maurice Ravel. Arranged by NMK Music. Contemporary. Score and parts. 129 pages. NMK Music #6100649...
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Full Orchestra - Level 5 - SKU: A0.977881 Composed by Maurice Ravel. Arranged by NMK Music. Contemporary. Score and parts. 129 pages. NMK Music #6100649. Published by NMK Music (A0.977881). The music is composed by Maurice Ravel and the score reduction and analysis is by Nathaniel Kuhns.Be sure to subscribe to my YouTube channel: NMK Music (231 subscribers)Like and follow my Facebook page for updates: https://www.facebook.com/NMK-Music-36
$50.00 ≈
46.04€
Oiseaux Tristes (Orch.)
Oiseaux Tristes (Orch.)
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Maurice Ravel
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Maurice Ravel
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Ric Flauding
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Oiseaux Tristes
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Denise Lea Flauding
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.867948 Composed by Maurice Ravel. Arranged by Ric Flauding. 20th Century. Score and parts. 49 pages. Denise Lea Flaud...
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Full Orchestra - Level 3 - SKU: A0.867948 Composed by Maurice Ravel. Arranged by Ric Flauding. 20th Century. Score and parts. 49 pages. Denise Lea Flauding #3237241. Published by Denise Lea Flauding (A0.867948). By Maurice Ravel (Miroirs No. 2), orchestrated by Ric Flauding. flaudingmusic.com
$45.00 ≈
41.44€
M. Mussorgsky: Pictures at the Exhibition "Promenade" For Orchestra
M. Mussorgsky: Pictures at the Exhibition "Promenade" For Orchestra
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Orchestre
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INTERMÉDIAIRE
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M
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Clara Obsidian, Decamonto
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M. Mussorgsky: Pictures at the
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Clara Obsidian
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.871413 Composed by M. Mussorgsky, M. Ravel. Arranged by Clara Obsidian, Decamonto. 20th Century,Concert,Patriotic,Rom...
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Full Orchestra - Level 3 - SKU: A0.871413 Composed by M. Mussorgsky, M. Ravel. Arranged by Clara Obsidian, Decamonto. 20th Century,Concert,Patriotic,Romantic Period. Score and parts. 23 pages. Clara Obsidian #6328647. Published by Clara Obsidian (A0.871413). Pictures at an Exhibition (A Remembrance of Viktor Hartmann, Tableaux d'une exposition) is a suite of ten pieces originally composed for piano by Modest Mussorgsky in 1874.Promenade With simple, strong rhythms in asymmetrical meter, Mussorgsky depicts himself roving through the exhibition, now leisurely, now briskly in order to come close to a picture that had attracted his attention, and at times sadly, thinking of his departed friend.This arrangement of Promenade is adapted from Maurice Ravel's 1922 version for full symphony orchestra. ------------------------------------------------------OrchestrationOrgan Piano Strings (Vln1 Vln2 Vla Vlc Db)Winds (2Bb Cls, 2Fls, 2Obs, 2Bsns, 4 Hns)Brass (2Bb Tpts, Tbn 1, Tbn3, Tba)Glockenspiel---------------------------------------------
$24.00 ≈
22.10€
Maurice Ravel: Ravel Suite for Strings (COMPLETE) for orchestra
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Orchestre
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INTERMÉDIAIRE
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Maurice Ravel
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Virtualsheetmusic
Instantly downloadable sheet music by Maurice Ravel for orchestra of MEDIUM skill level.
Instantly downloadable sheet music by Maurice Ravel for orchestra of MEDIUM skill level.
$62.99 ≈
58.00€
Maurice Ravel: Ravel Suite for Strings, Full Score for orchestra
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Orchestre
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INTERMÉDIAIRE
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Maurice Ravel
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Virtualsheetmusic
Instantly downloadable sheet music by Maurice Ravel for orchestra of MEDIUM skill level.
Instantly downloadable sheet music by Maurice Ravel for orchestra of MEDIUM skill level.
$13.99 ≈
12.88€
Bolero
Bolero
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Andre Rieu
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The Fluffy Hat Music Co
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Bolero
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The Fluffy Hat Music Co.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1466253 By Andre Rieu. By Maurice Ravel. Arranged by The Fluffy Hat Music Co. Ltd. Classical. 4 pages. The Fluffy Hat...
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Full Orchestra - Level 4 - SKU: A0.1466253 By Andre Rieu. By Maurice Ravel. Arranged by The Fluffy Hat Music Co. Ltd. Classical. 4 pages. The Fluffy Hat Music Co. #1044864. Published by The Fluffy Hat Music Co. (A0.1466253).
$75.00 ≈
69.06€
Pictures at an Exhibition
Pictures at an Exhibition
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Orchestre
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Classique
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Modest Petrovich Mussorgsky
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Pictures at an Exhibition
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Schott Music - Digital
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SheetMusicPlus
Instrumentation by Maurice Ravel. Composed by Modest Petrovich Mussorgsky (1839- 1881). This edition: study score. Ernst Eulenburg - Orchester - Gedenk...
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Instrumentation by Maurice Ravel. Composed by Modest Petrovich Mussorgsky (1839- 1881). This edition: study score. Ernst Eulenburg - Orchester - Gedenkausstellung. Eulenburg Miniature Scores. Downloadable, study score. Op Nr. 1551. Duration 33' 0. Schott Music - Digital #Q42380. Published by Schott Music - Digital
$13.99 ≈
12.88€
La Tombeau de Couperin Menuet
La Tombeau de Couperin Menuet
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Orchestre
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AVANCÉ
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Maurice Ravel
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Jordan Grigg
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La Tombeau de Couperin Menuet
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Jordan Grigg
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.864256 Composed by Maurice Ravel. Arranged by Jordan Grigg. 20th Century,Concert,Contemporary,Instructional,Standards...
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Full Orchestra - Level 5 - SKU: A0.864256 Composed by Maurice Ravel. Arranged by Jordan Grigg. 20th Century,Concert,Contemporary,Instructional,Standards. Score and parts. 40 pages. Jordan Grigg #6447133. Published by Jordan Grigg (A0.864256).
$34.95 ≈
32.18€
Concerto No. 4 for Piano and Orchestra "The Bells" Full Score and Parts
Concerto No. 4 for Piano and Orchestra "The Bells" Full Score and Parts
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Orchestre
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Concerto No. 4 for Piano and O
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730521 Composed by James Nathaniel Holland. Contemporary. Score and parts. 224 pages. James Nathaniel Holland #619885...
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Full Orchestra - Level 5 - SKU: A0.730521 Composed by James Nathaniel Holland. Contemporary. Score and parts. 224 pages. James Nathaniel Holland #6198859. Published by James Nathaniel Holland (A0.730521). Full Score (in concert pitch) and individual parts including the solo piano part. American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire. YouTube video demo: https://youtu.be/WbK8Mc7N-sc.
$25.95 ≈
23.90€
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