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Tanz mit mir
CHORALE - CHANT
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Hänsel und Gretel
Hänsel und Gretel
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Voix duo, Piano
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INTERMÉDIAIRE
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the way, the ‘cock-a-doo
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
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SheetMusicPlus
2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel vers...
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2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99 ≈
21.67€
Tanz mir nicht mit meiner Jungfer Käthen
Tanz mir nicht mit meiner Jungfer Käthen
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Chorale TTBB
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FACILE
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Jan Wilke
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Tanz mir nicht mit meiner Jung
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Schott Music - Digital
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SheetMusicPlus
TTBB chorus a cappella - easy to intermediate - SKU: S9.Q46804 Volksweise 17. Jh.. Arranged by Jan Wilke. This edition: choir book. Downloadable....
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TTBB chorus a cappella - easy to intermediate - SKU: S9.Q46804 Volksweise 17. Jh.. Arranged by Jan Wilke. This edition: choir book. Downloadable. Schott Music - Digital #Q46804. Published by Schott Music - Digital (S9.Q46804). German.
$1.99 ≈
1.80€
Tanz mir nicht mit meiner Jungfer Käthen
Tanz mir nicht mit meiner Jungfer Käthen
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Chorale TTBB
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Valentin Haussmann
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Tanz mir nicht mit meiner Jung
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Schott Music - Digital
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SheetMusicPlus
Men's choir (TTBB) - SKU: S9.Q14893 Aus: Schott's Chorbuch II. Composed by Valentin Haussmann. This edition: Sheet music. Downloadable. Schott Mu...
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Men's choir (TTBB) - SKU: S9.Q14893 Aus: Schott's Chorbuch II. Composed by Valentin Haussmann. This edition: Sheet music. Downloadable. Schott Music - Digital #Q14893. Published by Schott Music - Digital (S9.Q14893). German.
$2.99 ≈
2.70€
Two german Folk Songs
Two german Folk Songs
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Chorale 3 parties
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INTERMÉDIAIRE
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Kurt Hessenberg
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Two german Folk Songs
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SABar) - intermediate - SKU: S9.Q8362 1. Tanz mir nicht mit meiner Jungfer Käthen, 2. Ich fahr dahin. Composed by Kurt Hessenberg...
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Mixed choir (SABar) - intermediate - SKU: S9.Q8362 1. Tanz mir nicht mit meiner Jungfer Käthen, 2. Ich fahr dahin. Composed by Kurt Hessenberg. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q8362. Published by Schott Music - Digital (S9.Q8362). German.Hessenberg studied in Leipzig with Günther Raphael and was a singer in the Bach Choir under the direction of Karl Straube. Later he was professor of music theory and composition at the Frankfurt Musikhochschule. It was particularly in the field of sacred and secular choral music that he created important and frequently sung works, among them the well-known motet 'O Herr mache mich zum Werkzeug deines Friedens' (C 37176). The present two three-part folk-song settings (SABar) are composed in a polyphonic style and are suitable even for small choirs. They would fit in a mixed choral music programme with old and new masters. Content: Tanz mir nicht mit meiner Jungfer Käthen - Ich fahr dahin.
$2.99 ≈
2.70€
Ruth, tanze heut' mit mir kubanisch
Ruth, tanze heut' mit mir kubanisch
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Piano, Voix
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Willy Rosen, Will Meisel
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Ruth, tanze heut' mit mir
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Edition Meisel
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SheetMusicPlus
By Willy Rosen, Will Meisel. For piano/voice. Main key: C-Major. Schlager. Single. Language: German. 2 pages. Published by Edition Meisel ...
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By Willy Rosen, Will Meisel. For piano/voice. Main key: C-Major. Schlager. Single. Language: German. 2 pages. Published by Edition Meisel
$3.99 ≈
3.60€
Die Forelle
Die Forelle
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Chorale 2 parties
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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D
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Die Forelle
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Tully Road Music
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SheetMusicPlus
Choral Choir,Choral (TB) - Level 3 - SKU: A0.1346467 Composed by Franz Schubert. Arranged by D. Jason Bishop. 19th Century,Classical,Instructional,Roman...
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Choral Choir,Choral (TB) - Level 3 - SKU: A0.1346467 Composed by Franz Schubert. Arranged by D. Jason Bishop. 19th Century,Classical,Instructional,Romantic Period. 8 pages. Tully Road Music #931253. Published by Tully Road Music (A0.1346467). Die Forelle (D. 550, Op. 32) is among Schubert’s early contributions to the genre of the Lied, a 19th-century German art song for solo voice and piano. Schubert composed over 600 Lieder, and although many of them became popular, Die Forelle was – and still is – one of the most widely recognized and performed. Composed in 1817, Die Forelle takes its text from a 1783 poem of the same name by Christian Friedrich Daniel Schubart. In it, a casual observer stands on the banks of a tranquil stream, admiring the movements of a “frisky†fish as it darts below the surface. The tone of the music changes when, to the observer’s horror, a fisherman puts an end to both his and the trout’s merriment by snagging the fish on his hook and reeling him in. In a final stanza which Schubert omits from his setting, we learn that Schubart’s poem is actually a metaphorical story intended to warn young women against the trickery of their young male suitors. As in Gretchen am Spinnrade and many other Lieder, Schubert “characterizes†the piano accompaniment, in this case through both the upward-winding sixteenth-note triplets representing the wriggling movements of a fish, and the abrupt shift towards agitated rhythms in measure 33 when the fish is hooked. The song gained such swift popularity that only two years after its composition in 1817, Schubert was commissioned to write an instrumental chamber work incorporating music from Die Forelle. The result was his Trout Quintet of 1819 (Piano Quintet in A Major, D. 667), the fourth movement of which is a set of variations on the Die Forelle tune.This arrangement is also available for 3-part treble (SSA) voices published by Hal Leonard Corporation, 10500871.
$2.50 ≈
2.26€
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Tanz mit mir
