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Vous avez sélectionné:
The Plan Opera
CHORALE - CHANT
Partitions à imprimer
9 partitions trouvées
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1
How heavy lies the heart
How heavy lies the heart
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Chorale SATB
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INTERMÉDIAIRE
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David Rain
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David Rain
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How heavy lies the heart
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David Rain, Choral Composer
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1094371 Composed by David Rain. Arranged by David Rain. A Cappella,Classical,Contemporary,Renaissa...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1094371 Composed by David Rain. Arranged by David Rain. A Cappella,Classical,Contemporary,Renaissance. 6 pages. David Rain, Choral Composer #698441. Published by David Rain, Choral Composer (A0.1094371). “How heavy lies the heart†has drawn inspiration from the traditional French Christmas carol, “Quelle est cette odeur agréableâ€, which John Gay also set as a boisterous drinking song in the Beggar’s Opera, “Fill every glass, for wine inspires us!†The song also draws inspiration from Josquin’s Missa Pange Lingua. I dedicate this piece to my friends in the composer/singer collective, the Ad hoc Chorale, who tested out this piece in one of our informal workshops and offered valuable comments. Optional endings. Note that choirs have been given the option to choose which of the 3 endings they would like to sing, depending on how they feel the “story line†in the song should best reach its conclusion: (1) The “happy†ending appears to indicate that the narrator has been reunited with the friend or lover who departed. (2) The “less happy†ending plants a seed of doubt that no such reunion has happened; it may be in the narrator’s head. (3) The “even less happy†ending leaves listeners in even more doubt. NB: One day I woke up to the realization that I had independently written four choral works, each of which had evoked a different season, and so it seemed natural to group them together into a choral suite that I have called The Ottawa Four Seasons Suite. “How heavy lies the heart†seemed to work perfectly as the musical representative of an autumnal spirit.
$2.00 ≈
¥14.54
Hänsel und Gretel
Hänsel und Gretel
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Voix duo, Piano
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INTERMÉDIAIRE
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the way, the ‘cock-a-doo
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
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SheetMusicPlus
2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel vers...
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2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99 ≈
¥174.40
King Priam
King Priam
Opera
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Opera
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Sir Michael Tippett
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King Priam
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q6264 Opera in three acts. Composed by Sir Michael Tippett. This edition: study score. Downloadable, Study score. Duration 125' 0. Schott...
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SKU: S9.Q6264 Opera in three acts. Composed by Sir Michael Tippett. This edition: study score. Downloadable, Study score. Duration 125' 0. Schott Music - Digital #Q6264. Published by Schott Music - Digital (S9.Q6264). English â?¢ German.Music of iron and bronze, appropriate to its Trojan War settingâ??of fanfares and percussion tattoos, but with plangent windows of orchestral and vocal beautyâ??Tippettâ??s second opera is unlike his first in every respect except that of the immediacy and fullness with which it portrays the feelings and predicaments of a variety of characters. We understand the warmth and anxiety of Andromache, the majestic command of Hecuba and the erotic charge that runs through Helenâ??the Trojan women who come together at the start of the third act, and who double as the goddesses among whom Paris has to choose at the end of the first. We understand, too, the varieties of blindness and determination inside the male characters who dominate the central act, set on the Trojan plain. Chief among them are Achilles, singing with the vehemence but also the tenderness of a hero, and the troubled Priam, whose tragedy this essentially is, a tragedy multiplied many times over, because it brings about those of so many others.That central, determining tragedy results from Priamâ??s decision to sacrifice his young son Paris and thereby go against his instincts, a decision he takes to forestall a prophesy that Paris will bring about his death. Everything that takes place thereafter unfolds on this battleground between necessity and desire, a battleground on which there can be no conquerors, only casualties.(Paul Griffiths)2 Flutes (doubling 2 piccolos), Oboe, Cor Anglais, Clarinet, Clarinet in Eb, Bass Clarinet, Bassoon, Contrabassoon, 4 Horns in F, 4 Trumpets, 2 Trombones, Tuba, Timpani, Percussion (3 players): Snare Drum, Bass Drum, Cymbal, Wood Block, Tambourine, Triangle, Tam-tam, Xylophone; Harp, PIano (doubling Celesta), Guitar, Strings (6.0.4.4.2 minimum).
$83.99 ≈
¥610.57
ATON part 12-Was passiert - 2 tenor voices, 1 bass voice, bassoon, strings
ATON part 12-Was passiert - 2 tenor voices, 1 bass voice, bassoon, strings
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Voix duo
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INTERMÉDIAIRE
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David Warin Solomons
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ATON part 12-Was passiert - 2
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David Warin Solomons
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SheetMusicPlus
Voice Duet Voice - Level 3 - SKU: A0.576190 Composed by David Warin Solomons. Contemporary,Opera,World. 14 pages. David Warin Solomons #4579. Published ...
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Voice Duet Voice - Level 3 - SKU: A0.576190 Composed by David Warin Solomons. Contemporary,Opera,World. 14 pages. David Warin Solomons #4579. Published by David Warin Solomons (A0.576190). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00 ≈
¥36.35
ATON part 13-Denken und Bedenken - 2 tenor voices, 1 bass voice, flute, classical guitar
ATON part 13-Denken und Bedenken - 2 tenor voices, 1 bass voice, flute, classical guitar
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Voix duo
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INTERMÉDIAIRE
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David Warin Solomons
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ATON part 13-Denken und Bedenk
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David Warin Solomons
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SheetMusicPlus
Voice Duet Voice - Level 3 - SKU: A0.576191 Composed by David Warin Solomons. Contemporary,Opera,World. 7 pages. David Warin Solomons #4581. Published b...
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Voice Duet Voice - Level 3 - SKU: A0.576191 Composed by David Warin Solomons. Contemporary,Opera,World. 7 pages. David Warin Solomons #4581. Published by David Warin Solomons (A0.576191). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00 ≈
¥36.35
ATON part 2-Kinder kinder! - choir, strings, piano, timpani
ATON part 2-Kinder kinder! - choir, strings, piano, timpani
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Chorale SATB
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INTERMÉDIAIRE
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David Warin Solomons
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ATON part 2-Kinder kinder! - c
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David Warin Solomons
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.576180 Composed by David Warin Solomons. Contemporary,Opera,World. Octavo. 21 pages. David Warin Solomons #4555....
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Choral Choir (SATB) - Level 3 - SKU: A0.576180 Composed by David Warin Solomons. Contemporary,Opera,World. Octavo. 21 pages. David Warin Solomons #4555. Published by David Warin Solomons (A0.576180). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00 ≈
¥36.35
Uma for SATB and string quartet, with optional charango and sikus
Uma for SATB and string quartet, with optional charango and sikus
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Chorale SATB
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FACILE
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Adrienne Inglis
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Uma for SATB and string quarte
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1311809 Composed by Adrienne Inglis (ASCAP). 21st Century,Folk,Latin,Multicultural,World. 38 pages. Adrie...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1311809 Composed by Adrienne Inglis (ASCAP). 21st Century,Folk,Latin,Multicultural,World. 38 pages. Adrienne Inglis (ASCAP) #900744. Published by Adrienne Inglis (ASCAP) (A0.1311809). Sing in the ancient Andean language of Aymara! Pronunciation guide included!Uma (2023)SATB and string quartet with optional charango and sikus, composed in the style of a Bolivian huayñoText — excerpts from the Aymara poem Uma (2002) by Pedro Humire Loredo (1935-2020) — used with permissionDuration — about 2’Difficulty 2 (High school)World premiere:21 Oct 2023 at 7 PMJester King — Brewery, Kitchen, Farm & Event Hall — 13187 Fitzhugh Rd, Austin, TX 78736Panoramic Voices presents “Folk Yeah†with Invoke that includes two world premieres, Wari and Uma, both Andean folk settings in Aymara.Commissioned by Panoramic Voices for its “Folk Yeah!†concert October, 21, 2023, Uma for SATB and string quartet with optional charango and sikus is written as a dance in the style of a Bolivian huayño. The text in the indigenous language of Aymara comes from the poem “Uma†written by Chilean poet Pedro Humire Loredo. In the high Andean plateau called the altiplano or puna, the scarcity of water calls on the local people to share the precious and essential resource. Humire’s poetry reassures us that there is enough uma (water) for all. The popular indigenous huayño dance predates the Spanish conquest. This choral setting celebrates cooperation and sharing of water with embellished instrumental sections and optional panpipes (sikus or zampoñas) played in hocket (trenzado) and charango. Occasional shouts (gritos) may add to the excitement.
$1.99 ≈
¥14.47
ATON Part 20-Schwach fühlen sich meine Glieder an (2 voices, harp, cello, oboe, flute)
ATON Part 20-Schwach fühlen sich meine Glieder an (2 voices, harp, cello, oboe, flute)
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Voix duo
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INTERMÉDIAIRE
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David Warin Solomons
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ATON Part 20-Schwach fühl
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David Warin Solomons
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SheetMusicPlus
Voice Duet Voice - Level 3 - SKU: A0.576207 Composed by David Warin Solomons. Contemporary,Opera. 13 pages. David Warin Solomons #7577. Published by Dav...
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Voice Duet Voice - Level 3 - SKU: A0.576207 Composed by David Warin Solomons. Contemporary,Opera. 13 pages. David Warin Solomons #7577. Published by David Warin Solomons (A0.576207). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write, 21 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015.
$5.00 ≈
¥36.35
Die Walkure
Die Walkure
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Piano, Voix
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Opera
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Richard Wagner
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Die Walkure
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Schott Music - Digital
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SheetMusicPlus
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Festspiel, Oper. Wagner Urte...
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Festspiel, Oper. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q25919. Published by Schott Music - Digital
German.
An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.
The score corresponds to the performance materials from the Complete Edition.
For practical use in rehearsal cues and bar numbers throughout.
The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.
The forewords are given in three languages(German, English, French).
Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.
DIE WALKURE
In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.
The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.
(Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)
$53.99 ≈
¥392.48
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The Plan Opera
