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Vous avez sélectionné:
Liszt Romantic
COR
Partitions à imprimer
8 partitions trouvées
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1
Liszt - Consolation no. 2 in E; arranged for Horn in F, and Piano
Liszt - Consolation no. 2 in E; - Horn in F, and Piano
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Cor et Piano
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AVANCÉ
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Classique
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Franz Liszt
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Len Rhodes
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Liszt - Consolation no. 2 in E
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Len Rhodes Music
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.739905 Composed by Franz Liszt. Arranged by Len Rhodes. Concert,Graduation,Holiday,Romantic Period,Wedding. Score ...
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French Horn,Piano - Level 5 - SKU: A0.739905 Composed by Franz Liszt. Arranged by Len Rhodes. Concert,Graduation,Holiday,Romantic Period,Wedding. Score and part. 5 pages. Len Rhodes Music #3079091. Published by Len Rhodes Music (A0.739905). Consolation in E major - a new arrangement for French Horn and Piano. This is the second of six of the Franz Liszt Consolations, composed for piano solo in 1850. The download includes separate French Horn part, and score.
$6.99 ≈
¥50.69
Ave Maria
Ave Maria
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Quatuor de cuivres: 4 cors
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FACILE
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Classique
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Franz Liszt
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Edition Maulwurf
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Ave Maria
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Edition Maulwurf
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SheetMusicPlus
French Horn Quartet Horn - Level 2 - SKU: A0.1274319 Composed by Franz Liszt. Arranged by Edition Maulwurf. 19th Century,Religious,Romantic Period. 6 pa...
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French Horn Quartet Horn - Level 2 - SKU: A0.1274319 Composed by Franz Liszt. Arranged by Edition Maulwurf. 19th Century,Religious,Romantic Period. 6 pages. Edition Maulwurf #866457. Published by Edition Maulwurf (A0.1274319). Franz LisztAve Mariaarrangement for horn quartetduration: ca 1m 45sscore + partshttps://www.edition-maulwurf.deEdition Maulwurf is a publisher of digital sheet music. For more information and other pieces please visit our web site.
$6.99 ≈
¥50.69
Christmas Tune
Christmas Tune
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Quatuor de cuivres: 4 cors
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INTERMÉDIAIRE
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Noël
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Franz Liszt
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Edition Maulwurf
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Christmas Tune
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Edition Maulwurf
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SheetMusicPlus
French Horn Quartet Horn - Level 3 - SKU: A0.1274320 Composed by Franz Liszt. Arranged by Edition Maulwurf. 19th Century,Christmas,Romantic Period. 8 pa...
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French Horn Quartet Horn - Level 3 - SKU: A0.1274320 Composed by Franz Liszt. Arranged by Edition Maulwurf. 19th Century,Christmas,Romantic Period. 8 pages. Edition Maulwurf #866459. Published by Edition Maulwurf (A0.1274320). Franz LisztAltes provenzialisches Weihnachtslied(Old Provençal Christmas Tune)arrangement for horn quartetduration: ca 1m 30sscore + partshttps://www.edition-maulwurf.deEdition Maulwurf is a publisher of digital sheet music. For more information and other pieces please visit our web site.
$6.99 ≈
¥50.69
Saint-Saëns: The Swan for French Horn & Piano
Saint-Saëns: The Swan for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
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French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
¥238.93
Liebestraume
Liebestraume
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Cor et Piano
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Classique
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Franz Liszt
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Kenneth D
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Liebestraume
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KFS Publishing
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SheetMusicPlus
Composed by Franz Liszt (1811-1886). Arranged by Kenneth D. Friedrich. Romantic Period, European, Recital. Score, Solo Part. 9 pages. Published by KFS Publishin...
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Composed by Franz Liszt (1811-1886). Arranged by Kenneth D. Friedrich. Romantic Period, European, Recital. Score, Solo Part. 9 pages. Published by KFS Publishing (S0.191799). - Score,Solo Part - Romantic Period,European,Recital - KFS Publishing
$15.00 ≈
¥108.77
Erlkönig
Erlkönig
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Schumbert
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Layne Anspach
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Erlkönig
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Songburd Music
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Musi...
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French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Music #997866. Published by Songburd Music (A0.1416182). FRANZ SCHUBERT was an Austrian composer native to the cosmopolitan city of Vienna, colorfully called the “City of Music†as so many other non-native musicians composed or performed there, while others such as Mozart and Beethoven called it home.  While only 20 years of age in the year of 1814 Schubert composed a remarkable number of lieder (songs), drawing upon the works of many different poets of the period, which eventually connected him with the poems of Johann Goethe.  This lead Schubert in the year of 1815 to compose the well-known Erlkönig, op. 1 D. 328, based upon Goethe’s poem Der Erlköning, which was taken and revised from a widely told Scandinavian folk tale about a sinister daughter of a forest-dwelling Elf King. Johann Wolfgang von Goethe was a poet, playwright and novelist who is thought to have been influenced by the Sturm und Drang literary movement, becoming perhaps one of the greatest authors in the German language whose works have had a lasting impression on Western literature to this day.  Notably, it ought to be mentioned that many of his poems were set to music by the likes of Mozart, Liszt, Wagner, Mahler, Berlioz, Beethoven and of course Schubert, who used Goethe’s poem, Der Erlkönig, to produce one of his more fanciful art songs that depicts the death of a child who is attacked by the “king of the elves,†a mystical being who lingers in the woods only to stalk little children and kill them with a touch of his hand. The story of the Erlkönig is considered by some to have come from the Danish folk ballad Elveskud, and that Goethe’s variant was inspired by a work written by the philosopher, Johann Gottfried von Herder.  It tells the story of a boy who is being carried home by his father during the night, and the child hears noises and seems to see things in the woods, while the father attempts to comfort the son by explaining away the things that scare him, all the while riding ever faster on horseback, only in the end to discover that his son has died. (The Erlkönig translates literally from the German as “Alder King†rather than the commonly used “Elf King.â€)For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$14.99 ≈
¥108.70
Sullivan: The Lost Chord for French Horn & Piano
Sullivan: The Lost Chord for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for F
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period...
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French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
¥195.42
Liebestraum for horn and piano (easy)
Liebestraum for horn and piano (easy)
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Cor et Piano
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FACILE
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Classique
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Franz Liszt
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Daniel C
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Liebestraum for horn and piano
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Daniel C. M.
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.810166 Composed by Franz Liszt. Arranged by Daniel C. M. Concert,Romantic Period,Standards,Wedding. Score and part...
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French Horn,Piano - Level 2 - SKU: A0.810166 Composed by Franz Liszt. Arranged by Daniel C. M. Concert,Romantic Period,Standards,Wedding. Score and part. 4 pages. Daniel C. M. #5313381. Published by Daniel C. M. (A0.810166). Also known as Love Dream. This an easy arrangement for horn and piano. Perfect for early intermediate to intermediate students. The fast passages have been eliminated and the broken chords changed as a simple accompaniment for the melody. The structure of the whole piece has been shortened.
$4.49 ≈
¥32.56
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Liszt Romantic
