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Clarinet Solo Part Romantic
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Vous avez sélectionné:
Clarinet Solo Part Romantic
VIOLONCELLE
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6 partitions trouvées
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Swan Lake Theme, for Solo Cello and Piano
Swan Lake Theme, for Solo Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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David McKeown
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Swan Lake Theme, for Solo Cell
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.587690 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,S...
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Cello,Piano - Level 3 - SKU: A0.587690 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. David McKeown #4737767. Published by David McKeown (A0.587690). Swan Lake, is the first ballet of three composed by Pyotr Tchaikovsky. Here, the famous main theme is arranged for Solo Cello and Piano, directly from the orchestral score. The first performance of the ballet in Moscow in 1877 was not well received. The production was fraught with disagreements between choreographer and composer; the Russian audience were suspicious of the story’s Germanic origins and the music was regarded as too complex for ballet. Tchaikovsky did not live to see a triumphant revival production in 1895 that confirmed Swan Lake as one of the greatest ballet scores of all. Included in the single download are six pages of piano score and a separate two-page part for the solo instrument. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts, with tremolos and rich chords. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around two and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
¥32.74
Wedding March by Mendelssohn, for Solo Cello and Piano
Wedding March by Mendelssohn, for Solo Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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David McKeown
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Wedding March by Mendelssohn,
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.587613 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,W...
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Cello,Piano - Level 3 - SKU: A0.587613 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,Wedding. Score and part. 9 pages. David McKeown #4403670. Published by David McKeown (A0.587613). Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.This version is arranged for Solo Cello and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate player.Both will find this ideal for formal and informal performances, with both parts enjoying melodic interest.Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
¥32.74
Bridal March, "Here Comes The Bride", for Solo Cello and Piano
Bridal March, "Here Comes The Bride", for Solo Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Richard Wagner
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David McKeown
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Bridal March, "Here Comes
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.587586 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding. S...
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Cello,Piano - Level 3 - SKU: A0.587586 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4365498. Published by David McKeown (A0.587586). The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since. This version is arranged as a solo for Cello and Piano.Musicians at an intermediate level and above will find this ideal for formal and informal performances, especially at weddings. The melody is mainly in the solo part. The performance time is a little more than one minute. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are unexpected accidentals in the middle section which might pose a challenge for finger coordination and reading. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
¥32.74
Sonata in d minor, op. 108
Sonata in d minor, op. 108
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Violoncelle (partie séparée)
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AVANCÉ
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Classique
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Johannes Brahms
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Branimir Pusticki
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Sonata in d minor, op. 108
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Branimir Pusticki
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SheetMusicPlus
Cello Solo - Level 5 - SKU: A0.552888 Composed by Johannes Brahms. Arranged by Branimir Pusticki. Romantic Period. Individual part. 28 pages. Branimir P...
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Cello Solo - Level 5 - SKU: A0.552888 Composed by Johannes Brahms. Arranged by Branimir Pusticki. Romantic Period. Individual part. 28 pages. Branimir Pusticki #162473. Published by Branimir Pusticki (A0.552888). Transcriptions and arrangements were quite popular and effective means for a romantic composer to promote new works, reach a wider playing audience or boost sales of sheet music. Brahms was certainly not a stranger to this practice: the composer himself produced many transcriptions for piano or piano duo, but also versions of clarinet sonatas and the cello e-minor sonata for viola. The beautiful first violin sonata exists in a version for cello by one of Brahms’ most prolific and favourite arranger Paul Klengel - but perhaps it is unfair to ask a pianist to re-learn that piece in the new key of D-major. In comparison to the boisterous and vigorous Op. 99 cello sonata, the d-minor violin sonata offers an introspective drama of a restless composer, well suited to the darker voice of the cello. With the constant advancements in playing technique and modern cello strings, the balance is less of a problem. Thus, the piano part remains unchanged, and subtle changes in cello register can be implemented to utilize the whole range and character of the instrument, while keeping the integrity of the original ideas and musical material.
$12.00 ≈
¥85.41
Sullivan: The Lost Chord for Cello & Piano
Sullivan: The Lost Chord for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for C
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95 ≈
¥191.81
Invitation to the journey (Diepenbrock) for cello and guitar
Invitation to the journey (Diepenbrock) for cello and guitar
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Violoncelle , Guitare (duo)
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INTERMÉDIAIRE/AVANCÉ
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Alphons Diepenbrock
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David Warin Solomons
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Invitation to the journey
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Cello,Guitar,Instrumental Duet - Level 4 - SKU: A0.576217 Composed by Alphons Diepenbrock. Arranged by David Warin Solomons. 20th Cent...
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Instrumental Duet Cello,Guitar,Instrumental Duet - Level 4 - SKU: A0.576217 Composed by Alphons Diepenbrock. Arranged by David Warin Solomons. 20th Century,Romantic Period. Score and parts. 16 pages. David Warin Solomons #10435. Published by David Warin Solomons (A0.576217). Based on a poem by Baudelaire, this is an arrangement from the Diepenbrock setting. Original settings by David Warin Solomons (alto and guitar and alto and piano) are also available This arrangement of the setting by Diepenbrock is available for Voice and guitar, clarinet and guitar, cello and guitar and flute and guitar The vocal version is for low alto or high tenor (the pdf contains scores for both versions).
$7.00 ≈
¥49.82
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Clarinet Solo Part Romantic
