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Vous avez sélectionné:
Day Method
VIOLONCELLE
Partitions à imprimer
15 partitions trouvées
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1
Double Stop Shifting Challenges for the Cello
Double Stop Shifting Challenges for the Cello
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Methodes
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Methodes Etudes
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Cassia Harvey
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Double Stop Shifting Challenge
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SheetMusicPlus
Cello - Advanced Intermediate - Composed by Cassia Harvey. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 34 p...
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Cello - Advanced Intermediate - Composed by Cassia Harvey. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 34 pages. Published by Cassia Harvey
Are you an intermediate or early-advanced cellist who wants to take their technique to the next level?
These intensive cello double stop shifting exercises will help improve your intonation and help build your left-hand strength. At the same time, they will raise the intensity level of your practice, making the time you spend on exercises as efficient as possible.
Moving through the first seven cello positions, these exercises use double stop sixths, thirds, and occasionally fifths and fourths to build your cello technique.
Who this book can help: Cellists who can shift between the first seven positions and want to improve their shifting and finger strength.
How to use this book: Work on one exercise each day, after warming up with finger exercises, scales, and shifting exercises.
by Cassia Harvey
29 pages
Level: Late-Intermediate or Early-Advanced. Uses first through seventh positions on the cello.
$8.95 ≈
£6.87
First Position Workouts for the Cello
First Position Workouts for the Cello
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Violoncelle
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DÉBUTANT
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Methodes
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Cassia Harvey
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First Position Workouts for th
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Cassia Harvey
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SheetMusicPlus
Cello - Easy/Beginner - Composed by Cassia Harvey. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. Individual P...
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Cello - Easy/Beginner - Composed by Cassia Harvey. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. Individual Part. 24 pages. Published by Cassia Harvey
Ready to build your cello technique? These workouts will help your left-hand fingers get stronger, move faster, and play more in tune. The right hand works on detache, spiccato, staccato, string crossing, and more!
Four pages in each key help you focus on learning the finger patterns and extensions in that key. This book gives you exercises in the keys of C, G, F, D, and B-flat major.
Adding one or more pages of this book to the beginning of your practice can help your cello practice be both more efficient andmore effective.
Who this book can help: Beginning cellists who know most of the notes in first position. A prior knowledge of extended first position is helpful.
How to use this book: This book could be the very first thing you play after you sit down to practice! Play 1-4 pages a day, as time allows. Play slowly at first, focusing on good form, clear tone, and good intonation.
by Cassia Harvey
21 pages
Level: Late-Beginning or Early-Intermediate. Extended first position is included.
$6.95 ≈
£5.33
Finger Agility for the Cello, Book One
Finger Agility for the Cello, Book One
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Violoncelle
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DÉBUTANT
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Methodes
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Cassia Harvey
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Finger Agility for the Cello,
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Cassia Harvey
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SheetMusicPlus
Cello - Easy/Beginner - Composed by Cassia Harvey. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. Individual P...
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Cello - Easy/Beginner - Composed by Cassia Harvey. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. Individual Part. 53 pages. Published by Cassia Harvey
This cello study book is a counterpart to Finger Exercises for the Cello, Book One, giving you an all-new set of finger exercises inclosed first position that will help your fingers move faster!
These exercises can help you move around the cello better with your left hand. Sixteenth-note studies help your fingers build muscle memory in first position and double stop exercises near the end of the book help you work on a correct left-hand playing position and playing on the tips of your fingers.
Who this book can help: Beginning and intermediate cellists who want faster fingers on the cello.
How to use this book: Play one exercise a day as the first part of your practice session. Start the exercise slowly, listening to your notes and focusing on form. As your intonation improves, start increasing your speed.
by Cassia Harvey
48 pages
Level: Beginning or Early-Intermediate. Uses only closed first position on the cello.
$9.95 ≈
£7.64
Advanced Technique Duets for Two Cellos, Book One
Advanced Technique Duets for Two Cellos, Book One
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2 Violoncelles (duo)
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AVANCÉ
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Methodes
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Cassia Harvey
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Advanced Technique Duets for T
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Cassia Harvey
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SheetMusicPlus
Cello, String Duet - Advanced - Composed by Cassia Harvey. Baroque Period, Method, Etudes and Exercises, Repertoire, Technique Training. Score. 44 p...
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Cello, String Duet - Advanced - Composed by Cassia Harvey. Baroque Period, Method, Etudes and Exercises, Repertoire, Technique Training. Score. 44 pages. Published by Cassia Harvey
Are you a late-intermediate or an early-advanced cellist who wants to get better at shifting? Do you want an exciting new way to warm up in lessons or practice sessions? This book can help!
Each exercise duet is followed by a repertoire duet in the same key. Cello positions one through eight, bass and tenor clef, and the keys of C, G, D, A, and E major are used in the duets.
Improve your shifting while playing these energetic exercisesand enjoyable baroque and classical pieces today!
by Cassia Harvey
41 pages
Level: Early advanced with a focus on first through eighth positions.
$8.95 ≈
£6.87
Hark! The Herald Angels Sing! for Cello Quartet
Hark! The Herald Angels Sing! for Cello Quartet
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4 Violoncelles
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FACILE
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Classique
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Felix Bartholdy Mendelssohn, S
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Michele Galvagno
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Hark! The Herald Angels Sing!
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galv...
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Choral Choir (SATB) - Level 2 - SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galvagno. Christian,Christmas,Praise & Worship,Sacred. Octavo. 18 pages. Artistic Score Engraving di Galvagno Michele #6098157. Published by Artistic Score Engraving di Galvagno Michele (A0.841364). This year's Christmas publication choice fell on a song very dear to me: Hark! The herald angels sing. The text, inspired by Luke’s Gospel (2:14), appears for the first time in a collection of Christmas carols called Hymns and Sacred Poems in 1739, jointly written by Charles Wesley (1707-1788 ) and George Whitefield (1714-1770), two of the founding members of the Methodist movement.The version we know today is the one adapted by William H. Cummings (1831-1915) from the section Vaterland, in deinen Gauen of the Festgesang zum Gutenbergfest, WoO 9, by Felix Mendelssohn-Bartholdy (1809-1847). The story, however, is more complex and articulated than that.The original version of the text, written by Wesley, bearing the title Hymn for Christmas-Day, had received only slow and solemn music for its verses, music now almost completely discarded. Also, his original opening lines were Hark! How all the welkin rings / Glory to the King of Kings .The version that has been passed to us is the result of alterations made by different hands, especially those of Whitefield, who changed the initial couplet into the one we know today.In 1840-one hundred years after the publication of Hymns and sacred Poems-Mendelssohn composed a cantata commemorating Johann Gutenberg’s invention of movable-type printing. The English musician William H. Cummings finally adapted Mendelssohn’s music around 1855 in order to fit the music to the verses and give it its present look.In this edition we propose the version that every listener expects to hear when reading the title on the programme and, immediately after, one of the few original versions that have reached us in their entirety, that is the one set to music by Samuel Arnold (1740-1802) and available today in The British Minstrel, and Musical and Literary Miscellany, vol. 3, published in 1843.The proposed instrumentations are those of the classical string quartet and the cello quartet. Both variants are very simple to perform and are certainly suitable for small string ensembles formed in musical schools. In the cello quartet version, the only relatively complex part is that of the first cello, which should be left to the teacher or to a student able to play up to the 7th position without excessive troubles.I hope this music can bring you the serenity that made me prepare it.
$4.95 ≈
£3.80
Cello - "And Can It Be?" Theme and Variations
Cello - "And Can It Be?" Theme and Variations
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?&q
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Dan Cutchen Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
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Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00 ≈
£4.60
Arioso by Bach for Cello Trio
Arioso by Bach for Cello Trio
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Trio à Cordes: 3 violoncelles
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Arioso by Bach for Cello Trio
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Woods Only, Arrangements
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SheetMusicPlus
String Trio Cello - Level 1 - SKU: A0.1114103 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 6 pages. Wo...
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String Trio Cello - Level 1 - SKU: A0.1114103 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 6 pages. Woods Only, Arrangements #716023. Published by Woods Only, Arrangements (A0.1114103). This easy arrangement for violoncello trio was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$5.99 ≈
£4.60
21 Exercises
21 Exercises
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Violoncelle
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Jean-Louis Duport
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21 Exercises
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Schott Music - Digital
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SheetMusicPlus
Cello - intermediate to advanced - SKU: S9.Q7105 Composed by Jean-Louis Duport. This edition: Sheet music. Les exercices de Duport, très appréciÃ...
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Cello - intermediate to advanced - SKU: S9.Q7105 Composed by Jean-Louis Duport. This edition: Sheet music. Les exercices de Duport, très appréciées pour leur musicalité, sont précieuses pour l'étude de l'intonation et de l'expression. Une édition qui devrait figurer dans la bibliothèque de tous les élèves de violoncelle. Downloadable. Schott Music - Digital #Q7105. Published by Schott Music - Digital (S9.Q7105). The French cello virtuoso Jean-Louis Duport (1749-1819) was one of the most important cellists of his time and worked as a solo cellist at the Paris Opera and professor at the Paris Conservatoire among others. His cello method 'Essai sur le doigter du violoncelle et la conduite de l'archet' (1770) contained an appendix with the present 21 studies which spread very quickly because of their completely new fingering (thumb position). Today, Duport's studies form part of the standard repertoire of the training as a cellist, not only because of the clearly structured technical tasks covering all aspects of advanced cello playing (double stops, velocity, triads, playing on several strings, thumb position, intonation in lesser known keys, etc.). They are also very popular because of their appealing musical layout and useful to train tone and expression. This edition is a must-have for every cello student.
$19.99 ≈
£15.34
Concertino G major
Concertino G major
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Violoncelle (partie séparée)
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DÉBUTANT
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Ferdinand Kuechler
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Concertino G major
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Schott Music - Digital
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SheetMusicPlus
Cello - very easy - SKU: S9.Q45316 Composed by Ferdinand Kuechler. This edition: separate part. Schott Student Edition - Repertoire. Downloadable, Indiv...
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Cello - very easy - SKU: S9.Q45316 Composed by Ferdinand Kuechler. This edition: separate part. Schott Student Edition - Repertoire. Downloadable, Individual part. Op. 11. Schott Music - Digital #Q45316. Published by Schott Music - Digital (S9.Q45316). Key: G major. German • English • French.Ferdinand Küchler is regarded as one of the great violin teachers of the 20th century, not least because of his violin method. His Concertino in G major Op. 11 still is a popular entry-level piece of concert literature even in today's violin lessons. Apart from the edition in the original instrumentation for violin and piano (SE 1001), this arrangement follows the title 'Concertino' and allows for early playing with string accompaniment – with string quartet and double-bass ad libitum or scored for multiple parts with string orchestra. Further individual orchestral parts are available for download at www.notafina.de. As an alternative to the viola part, a part for a third violin is notated as well. This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
$3.99 ≈
£3.06
Studies for Beginning Cello Students
Studies for Beginning Cello Students
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Violoncelle
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DÉBUTANT
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Anton Hegner, Carl Schroeder,
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Aaron Sinnett
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Studies for Beginning Cello St
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Aaron Sinnett
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SheetMusicPlus
Cello Solo - Level 1 - SKU: A0.1208369 Composed by Anton Hegner, Carl Schroeder, Folk Songs, Hermann Heberlein, Hugo Schlemueller, and Sebastian Lee. Ar...
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Cello Solo - Level 1 - SKU: A0.1208369 Composed by Anton Hegner, Carl Schroeder, Folk Songs, Hermann Heberlein, Hugo Schlemueller, and Sebastian Lee. Arranged by Aaron Sinnett. 19th Century,20th Century,Baroque,Children,Classical. Individual part. 23 pages. Aaron Sinnett #806477. Published by Aaron Sinnett (A0.1208369). Studies for Beginning Cello Students Studies that build one’s skills from open strings to using all four fingers.This volume is a collection of studies from various cellists. Those names being: Hugo Schlemueller, Carl Schroeder, Sebastian Lee, Anton Hegner, and Hermann Heberlein. Also included are several Folk songs as well as the famous Ode To Joy by the great Beethoven.Sometimes a collection such as this are useful in that they focus the students attention on a particular set of skills. In this case, I have carefully chosen and arranged each study so as to build the skills from the open strings up to using all four fingers of the left hand. Students normally find mastering one or two fundamental skills at a time much more doable and more motivating. There are many methods available but few collections that are short, remain in the level of ability for beginners, and proceed in achievable steps. This volume was created after years of teaching and seeing how useful such an incrementally arranged set of studies can be for the student. Whether a student achieves the skill in question for a certain study in a day or a week, the usefulness of the exercise remains the same.
$4.99 ≈
£3.83
Nocturne A minor
Nocturne A minor
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Violoncelle, Piano
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INTERMÉDIAIRE
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George Goltermann
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Nocturne A minor
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate - SKU: S9.Q11673 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 115/3. Schott...
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Cello and piano - intermediate - SKU: S9.Q11673 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 115/3. Schott Music - Digital #Q11673. Published by Schott Music - Digital (S9.Q11673). Key: A minor.Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even today, these works have maintained their importance throughout the methodological progress in literature. Apart from the concertos, Goltermann also composed a large number of character pieces, including romances, reveries, nocturnes and serenades. Stylistically wholly rooted in the Romantic spirit of their time, the pieces are relatively short and of medium difficulty as regards the technical demands. It is not least due to their melodic and harmonic catchiness that they enjoy a lasting popularity both in music lessons and in domestic concerts.
$10.99 ≈
£8.43
Rêverie A minor
Rêverie A minor
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Violoncelle, Piano
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INTERMÉDIAIRE
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George Goltermann
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Rêverie A minor
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate - SKU: S9.Q11672 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 54/3. Schott ...
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Cello and piano - intermediate - SKU: S9.Q11672 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 54/3. Schott Music - Digital #Q11672. Published by Schott Music - Digital (S9.Q11672). Key: A minor.Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even today, these works have maintained their importance throughout the methodological progress in literature. Apart from the concertos, Goltermann also composed a large number of character pieces, including romances, reveries, nocturnes and serenades. Stylistically wholly rooted in the Romantic spirit of their time, the pieces are relatively short and of medium difficulty as regards the technical demands. It is not least due to their melodic and harmonic catchiness that they enjoy a lasting popularity both in music lessons and in domestic concerts.Stilistisch ganz dem romantischen Geist ihrer Zeit verhaftet, handelt es sich um relativ kurze Stücke. Nicht zuletzt aufgrund ihrer melodischen und harmonischen Eingängigkeit erfreuen sie sich nachhaltiger Beliebtheit sowohl im Unterricht wie im häuslichen Konzert.
$10.99 ≈
£8.43
Nocturne G major
Nocturne G major
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Violoncelle, Piano
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INTERMÉDIAIRE
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George Goltermann
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Nocturne G major
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate - SKU: S9.Q11674 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 125/1. Schott...
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Cello and piano - intermediate - SKU: S9.Q11674 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 125/1. Schott Music - Digital #Q11674. Published by Schott Music - Digital (S9.Q11674). Key: G major.Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even today, these works have maintained their importance throughout the methodological progress in literature. Apart from the concertos, Goltermann also composed a large number of character pieces, including romances, reveries, nocturnes and serenades. Stylistically wholly rooted in the Romantic spirit of their time, the pieces are relatively short and of medium difficulty as regards the technical demands. It is not least due to their melodic and harmonic catchiness that they enjoy a lasting popularity both in music lessons and in domestic concerts.
$10.99 ≈
£8.43
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