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Vous avez sélectionné:
Music Opera
MANDOLINE
Partitions à imprimer
5 partitions trouvées
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La donna è mobile. (Rigoletto - Main Theme) Mandolin sheet music and tablature.
La donna è mobile. (Rigoletto - Main Theme) Mandolin sheet music and tablature.
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Mandoline
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FACILE
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Comédie Musicale
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Giuseppe Verdi
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Ioannis Kalpakis www
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La donna è mobile.
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Ioannis Kalpakis
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SheetMusicPlus
Mandolin - Level 2 - SKU: A0.877176 Composed by Giuseppe Verdi. Arranged by Ioannis Kalpakis www.mandolin.gr. Musical/Show,Opera,Romantic Period,Traditi...
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Mandolin - Level 2 - SKU: A0.877176 Composed by Giuseppe Verdi. Arranged by Ioannis Kalpakis www.mandolin.gr. Musical/Show,Opera,Romantic Period,Traditional,World. Score. 2 pages. Ioannis Kalpakis #6253535. Published by Ioannis Kalpakis (A0.877176). La donna è mobile is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). The canzone is famous as a showcase for tenors. This is an arrangement for Mandolin. Tablature included.Mandolin tuning: E5 A4 D4 G3Mandolin fingerings, pick direction symbols are included.Also this arrangement can be played by many instruments which play music using the treble clef.Enjoy it. For students who would like to take advantage of internet technology, lessons are now available over the internet via Skype. Contact:giannismusic@gmail.comSkype username: mathimata
$5.99 ≈
$8.08
’O sole mio. Mandolin. Sheet music and tablature
’O sole mio. Mandolin. Sheet music and tablature
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Mandoline
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FACILE
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Eduardo Di Capua
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Ioannis Kalpakis www
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’O sole mio. Mandolin. S
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Ioannis Kalpakis
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SheetMusicPlus
Mandolin - Level 2 - SKU: A0.877172 Composed by Eduardo Di Capua. Arranged by Ioannis Kalpakis www.mandolino.blogspot.gr. Opera,Traditional,World. Score...
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Mandolin - Level 2 - SKU: A0.877172 Composed by Eduardo Di Capua. Arranged by Ioannis Kalpakis www.mandolino.blogspot.gr. Opera,Traditional,World. Score. 2 pages. Ioannis Kalpakis #4890191. Published by Ioannis Kalpakis (A0.877172). ’O sole mio is a globally known Neapolitan song written in 1898. This is an arrangement for Mandolin. Mandolin tuning: E5 A4 D4 G3Mandolin fingerings, and pick direction symbols are included.Also this arrangement can be played by instruments which play music using the treble clef.Enjoy it.For students who would like to take advantage of internet technology, lessons are now available over the internet via Skype. Contact:giannismusic@gmail.comSkype id: mathimata
$4.50 ≈
$6.07
Neapolitan Tarantella for Mandolin and Guitar
Neapolitan Tarantella for Mandolin and Guitar
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Mandoline
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INTERMÉDIAIRE
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FERNANDO LUIZ NEVES
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FERNANDO LUIZ NEVES
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Neapolitan Tarantella for Mand
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Fernando Neves
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SheetMusicPlus
Mandolin - Level 3 - SKU: A0.1290630 By FERNANDO LUIZ NEVES. By Luigi Ricci, 1852. Arranged by FERNANDO LUIZ NEVES. 19th Century,Broadway,Historic,Music...
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Mandolin - Level 3 - SKU: A0.1290630 By FERNANDO LUIZ NEVES. By Luigi Ricci, 1852. Arranged by FERNANDO LUIZ NEVES. 19th Century,Broadway,Historic,Musical/Show,Opera,Traditional. Score. 8 pages. Fernando Neves #881353. Published by Fernando Neves (A0.1290630). Neapolitan Tarantella also known as Tarantella de Piedigrotta was composed by Luigi Ricci for the comic opera La festa de Piedigrotta. The song was arranged for mandolin and Guitar by Fernando Neves. Key of A minor and time signature 6/8. 8 pages PDF including complete score with tablatures and chords and also individual parts for Mandolin and Acoustic Guitar.
$17.97 ≈
$24.25
Planxty Irwin
Planxty Irwin
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Mandoline, Guitare (duo)
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Turlough Ó Carolan
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Gordon Jackson
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Planxty Irwin
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Gordon Jackson
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Mandolin - SKU: A0.1017673 Composed by Turlough Ó Carolan. Arranged by Gordon Jackson. Baroque,Celtic,Cla...
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Instrumental Duet Guitar,Instrumental Duet,Mandolin - SKU: A0.1017673 Composed by Turlough Ó Carolan. Arranged by Gordon Jackson. Baroque,Celtic,Classical,Folk,World. Score and parts. 1 pages. Gordon Jackson #6434557. Published by Gordon Jackson (A0.1017673). Planxty IrwinTurlough Ó Carolan (1670-1738) was an Irish harper and composer. Carolan’s music does not sit comfortably in any one particular musical tradition. He was the product of a long line of Irish harpers dating from medieval times or before. He was also aware of Irish folk music, with many of his tunes having a ‘trad’ quality, particularly in his jig-like compositions. Finally, Carolan was influenced by the music of Italian Baroque composers that he would have heard played at the great houses he visited. Carolan’s Draught is an example of the latter.This pleasant little tune is actually titled ‘Colonel John Irwin’ (Carolan’s modus operandi was to compose tunes, often with lyrics, in honour of his wealthy patrons and their various family members). However, this one has become much more widely known as ‘Planxty Irwin’. A planxty is a tune, usually lively, composed in honour of a patron, although the actual etymology of the word is unknown, and may even have been coined by Carolan himself.For my arrangement of the tune I have written a counterpoint, which comes in second time around. Whilst the basic melody is mostly ‘swung’, i.e. with beats comprising dotted quaver-semiquaver-quaver (dotted 16th-32nd-16th), the counterpoint is ‘straight’, i.e. a quaver-quaver-quaver beat (16th-16th-16th). This creates a pleasant (I hope!) syncopation throughout.
$4.99 ≈
$6.73
Concerto in Sol Maggiore
Concerto in Sol Maggiore
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Orchestre à Plectres
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AVANCÉ
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Classique
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J
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Vincent Beer-Demander
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Concerto in Sol Maggiore
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Les Productions d'OZ - Digital
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SheetMusicPlus
Plectrum orchestra - Advanced - SKU: ZZ.DZ-4247 Composed by J.A. Hasse. Arranged by Vincent Beer-Demander. Score and parts. 65 pages. Les Productions d'OZ - D...
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Plectrum orchestra - Advanced - SKU: ZZ.DZ-4247 Composed by J.A. Hasse. Arranged by Vincent Beer-Demander. Score and parts. 65 pages. Les Productions d'OZ - Digital #DZ 4247. Published by Les Productions d'OZ - Digital
Né à Hamburg en 1699, Johann Adolf Hasse, surnommé « il Sassone » étudie auprès de son père, organiste de Bergedorf, puis à Naples auprès de Porpora et se lie d?amitié avec Alessandro Scarlatti, Farinelli, Galuppi, Jommelli, Haydn et même Jean Sebastien Bach, qu?il rencontre en 1731. Dès son premier opéra, Antigonus, Hasse connait le succès et commence alors une carrière de compositeur, musicien et chef d?orchestre qui le fera voyager dans toute l?Europe avant de s?installer à Venise. Auteur de 58 opéras, oratorios, cantates, concertos et sonates en toute genre, la quasi totalité de son ?uvre est détruite par l?incendie du siège de Dresde par les Prussiens en 1760. Malgré la stabilité de ses principaux traits, le style de Hasse, nettement préclassique, connait de légères évolutions au cours de sa carrière mais il reste un compositeur au goût prononcé pour le lyrisme, y compris dans son écriture instrumentale, comme le démontre le largo de son Concerto in sol Maggiore per Mandolino e cordi. De facture Vivaldienne, cette oeuvre date très certainement de la période napolitaine de Hasse et il y développe une écriture fluide et virtuose pour le petit luth, alors très en vogue dans les cours et les salons princiers de ce XVIIIe siècle florissant. Le choix de la tonalité, le discours rythmique et l?orchestration légère, constitue la preuve que le compositeur connaissait parfaitement les possibilités de la mandoline pour lequel il a sans doute composé d?autres oeuvres, malheureusement disparues aujourd?hui. Born in Hamburg in 1699, Johann Adolf Hasse, nicknamed "il Sassone", studied with his father, organist from Bergedorf, then in Naples with Porpora and became friends with Alessandro Scarlatti, Farinelli, Galuppi, Jommelli, Haydn and even Jean Sebastian Bach, whom he met in 1731. From his first opera, Antigonus, Hasse enjoyed success and began a career as a composer, musician and conductor which would take him throughout Europe before settling in Venice. Author of 58 operas, oratorios, cantatas, concertos and sonatas of all kinds, almost all of his work was destroyed by the fire of the siege of Dresden by the Prussians in 1760. Despite the stability of its main features, Hasse's style, clearly preclassical, underwent slight evolutions during his career but he remained a composer with a pronounced taste for lyricism, including in his instrumental writing, as demonstrated by the largo of his Concerto in sol Maggiore per Mandolino e cordi. Vivaldian in style, this work most certainly dates from Hasse's Neapolitan period and he developed a fluid and virtuoso writing for the small lute, then very fashionable in the courts and princely salons of this flourishing 18th century. The choice of tonality, the rhythmic discourse and the light orchestration constitute proof that the composer perfectly knew the possibilities of the mandolin for which he undoubtedly composed other works, unfortunately lost today.
$19.95 ≈
$26.92
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Music Opera
