Partitions Numériques de Koechlin pour Flûte traversière et Piano

Koechlin

Koechlin

#Charles Koechlin

Le Portrait de Daisy Hamilton
Le Portrait de Daisy Hamilton #Flûte traversière et Piano #AVANCÉ #Contemporain #Charles Koechlin #Robert Orledge #Le Portrait de Daisy Hamilton #Schott Music - Digital #SheetMusicPlus

Flute and piano - advanced - Eight Pieces for Flute and Piano. Composed by Charles Koechlin (1867-1950). Arranged by Robert Orledge. This edition: s...(+)

Flute and piano - advanced - Eight Pieces for Flute and Piano. Composed by Charles Koechlin (1867-1950). Arranged by Robert Orledge. This edition: score and parts. Filmmusik, Geheimtipp, Flute. Il Flauto traverso. Downloadable. Op. 140, Op. Heft 4. Schott Music - Digital #Q6598. Published by Schott Music - Digital
Finally, the music of Charles Koechlin is no longer an insider tip, but is being discovered for both the concert hall and the CD! With our edition we are now presenting a largely unknown facet of his work. Because hardly anyone knows that Koechlin turned to film at an advanced age. Although Koechlin was aware that there was no prospect of a cinematic implementation, he even designed a film scenario in 20 scenes in which he himself should appear in a double role! At the age of 66 he saw the actress Lilian Harvey as Princess Marie-Christine in Princesse a vos ordres in a Parisian movie theater . He was so enchanted that he made the little pieces Le Portrait de Daisy Hamilton for her composed - captivating miniatures that were not written as film music, but drawn from film experiences.
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Three volumes of the unfinished compositions Le Portrait de Daisy Hamilton , notated on two to four lines, have already been published by Schott, now we are publishing two volumes of eight pieces each for flute and piano and for clarinet and piano. Two more books (11 pieces for piano and string quartet and 10 pieces for string sextet) will follow. With the total of seven planned issues, Charles Koechlin's last as yet unpublished works from the field of film will finally be accessible to posterity.

Gabriel Fauré : Fantaisie for Flute and Piano op. 79 , Arranged for Flute and string Orchestra
Gabriel Fauré : Fantaisie for Flute and Piano op. 79 , Arranged for Flute and string Orchestra #Flûte traversière et Piano #INTERMÉDIAIRE/AVANCÉ #Classique #Gabriel Faure #Amir Awad #Gabriel Fauré : Fantais #Amir Awad #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.772375 Composed by Gabriel Faure. Arranged by Amir Awad. Concert,Romantic Period,Standards. Score and parts. 49 pa...(+)

Chamber Orchestra - Level 4 - SKU: A0.772375 Composed by Gabriel Faure. Arranged by Amir Awad. Concert,Romantic Period,Standards. Score and parts. 49 pages. Amir Awad #3506351. Published by Amir Awad (A0.772375). This piece is originally composed by Gabriel FaurÃ© for Flute and piano , and it is arranged for Flute and String OrchestraThis elegant solo has some beautiful melodic lines and is Impressionistic in form and harmony. An excellent teaching piece to emphasize phrasing and musicality, or a great programming choice when a lovely lyrical moment is needed!This famous work is dedicated to Paul Taffanel, often called the father of the modern French school of the flute. He was a busy man, active at the OpÃ©ra de Paris, in the Conservatoire concerts, as the leader of the Orchestre de la SociÃ©tÃ© des Instruments Ã Vent, and, from 1893, as a professor at the Conservatoire. FaurÃ© was appointed professor of composition there in 1896, and it was almost inevitable that Taffanel should ask him, in the spring of 1898, to write a sight-reading piece (the Morceau de lecture) and a concours composition for the July examinations. FaurÃ© decided to pass the orchestration of his incidental music for Maeterlinck's play PellÃ©as et MÃ©lisande, on which he had been feverishly working, to his pupil Charles Koechlin, so he could get to grips with the concours piece. The Fantaisie for flute and piano occupied him from the beginning of June until at least mid-July.The piece opens with an E-minor sicilienne of great charm, but soon gets to a C-major Allegro filled with lightning-fast pyrotechnics. Writing to Koechlin, FaurÃ© complained:I am drowned in the Taffanel and plunged up to my neck in scales, arpeggios, and staccati! I have already perpetrated 104 bars of this irksome torture The first performance of the Fantaisie was given by the concours winner, Gaston Blanquart, on July 28, 1898.