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Vous avez sélectionné:
Studies
BASSON
Partitions à imprimer
23 partitions trouvées
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1
Two Melodic Studies
Two Melodic Studies
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Basson, Piano (duo)
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AVANCÉ
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Domenico Nocentini
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Reno Fusani
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Two Melodic Studies
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Reno Fusani
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SheetMusicPlus
Bassoon,Piano - Level 5 - SKU: A0.1092569 Composed by Domenico Nocentini. Arranged by Reno Fusani. Contest,Festival,Instructional,Romantic Period. Score...
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Bassoon,Piano - Level 5 - SKU: A0.1092569 Composed by Domenico Nocentini. Arranged by Reno Fusani. Contest,Festival,Instructional,Romantic Period. Score and part. 12 pages. Reno Fusani #696662. Published by Reno Fusani (A0.1092569). These two studies cried out for accompaniment. These studies together make a great recital piece.
$14.99 ≈
13.52€
modern studies for bassoon - paul marshall
modern studies for bassoon - paul marshall
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Basson
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INTERMÉDIAIRE
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Paul Marshall
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modern studies for bassoon - p
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Sindel-Marshall Music Studio
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SheetMusicPlus
Bassoon Solo - Level 3 - SKU: A0.962185 Composed by Paul Marshall. 20th Century,Contemporary,Jazz. Individual part. 43 pages. Sindel-Marshall Music Stud...
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Bassoon Solo - Level 3 - SKU: A0.962185 Composed by Paul Marshall. 20th Century,Contemporary,Jazz. Individual part. 43 pages. Sindel-Marshall Music Studio #5336831. Published by Sindel-Marshall Music Studio (A0.962185). 42 studies for bassoon, ranging from novice to advanced student level, covering many different styles and requiring control of dynamics and articulation - whilst maintaining fun and interest.
$19.99 ≈
18.03€
Bach BWV 860 Well Tempered Clavier Prelude #15 In G Bassoon Studies
Bach BWV 860 Well Tempered Clavier Prelude #15 In G Bassoon Studies
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Basson
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AVANCÉ
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Classique
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Rainer's Rainbow
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R G Roth
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Bach BWV 860 Well Tempered Cla
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Rainer's Rainbow
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SheetMusicPlus
Bassoon Solo - Level 5 - SKU: A0.902123 By Rainer's Rainbow. By Johann Sebastian Bach. Arranged by R G Roth. Classical,Instructional,Romantic Period. In...
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Bassoon Solo - Level 5 - SKU: A0.902123 By Rainer's Rainbow. By Johann Sebastian Bach. Arranged by R G Roth. Classical,Instructional,Romantic Period. Individual part. 6 pages. Rainer's Rainbow #6384415. Published by Rainer's Rainbow (A0.902123). In 1722 Bach composed this Prelude #15 in G for piano. It is included in Book 1 of the Well Tempered Clavier. Here it is arranged for a solo unaccompanied Bassoon as either a performance piece or as a technical exercise.
$4.99 ≈
4.50€
Technical and Rhythmical Studies
Technical and Rhythmical Studies
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Basson
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Technical and Rhythmical Studi
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Schott Music - Digital
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SheetMusicPlus
Bassoon - SKU: S9.Q41697 Scales and Chords in Minor. This edition: Sheet music. Downloadable. Schott Music - Digital #Q41697. Published by Schott...
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Bassoon - SKU: S9.Q41697 Scales and Chords in Minor. This edition: Sheet music. Downloadable. Schott Music - Digital #Q41697. Published by Schott Music - Digital (S9.Q41697). Diese Studien sind zur Erinnerung und Ehrung des hervorragenden Pädagogen und Komponisten von instruktiver Literatur für Fagott, des Professors des Prager Konservatoriums L. Milde. Der Lehrer von Pivonka, Prof. Josef Füger, war sein Schüler, und deshalb können diese technischen Studien eigentlich als Fortsetzung der Tradition der Prager Fagott-Schule und als Ergänzung der 25 Technischen Studien von L. Milde angesehen werden. Sie werden für die technische Entwicklung jedes Fagottisten von Vorteil sein. Die Etüden übe man mit dem Metronom, damit bei der technischen Beherrschung auch der strenge Rhythmus beibehalten wird.
$17.99 ≈
16.23€
Studies
Studies
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Basson
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Karel Pivonka
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Studies
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Schott Music - Digital
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SheetMusicPlus
Bassoon - SKU: S9.Q41699 Composed by Karel Pivonka. This edition: Sheet music. Downloadable. Schott Music - Digital #Q41699. Published by Schott Music -...
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Bassoon - SKU: S9.Q41699 Composed by Karel Pivonka. This edition: Sheet music. Downloadable. Schott Music - Digital #Q41699. Published by Schott Music - Digital (S9.Q41699).
$19.99 ≈
18.03€
15 Studies
15 Studies
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Basson
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AVANCÉ
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Methodes Etudes
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Alfred Uhl
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15 Studies
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Schott Music - Digital
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SheetMusicPlus
Composed by Alfred Uhl (1909- 1992). This edition: Sheet music. Bassoon Library. Downloadable. Schott Music - Digital #Q15886. Published by Schott Musi...
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Composed by Alfred Uhl (1909- 1992). This edition: Sheet music. Bassoon Library. Downloadable. Schott Music - Digital #Q15886. Published by Schott Music - Digital
$15.99 ≈
14.42€
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
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Basson
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Bassoon Solo - Level 3 - SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Rid...
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Bassoon Solo - Level 3 - SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Ride (A0.784331). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.51€
Adagio-BSN/PN
Adagio-BSN/PN
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Basson, Piano (duo)
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Alberto Orefici
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Alberto Orefici
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Adagio-BSN/PN
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Imagine Music - Digital
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SheetMusicPlus
Bassoon & piano - SKU: IZ.PDP018 Composed by Alberto Orefici. Score and Parts. 10 pages. Imagine Music - Digital #PDP018. Published by Imagine Music - D...
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Bassoon & piano - SKU: IZ.PDP018 Composed by Alberto Orefici. Score and Parts. 10 pages. Imagine Music - Digital #PDP018. Published by Imagine Music - Digital (IZ.PDP018). 9 x 12 in inches.For Bassoon and PianoBy Alberto Orefici. For Bassoon and Piano. Orefici was a student of Jancourt at the Paris Conservatory. He followed his teacher?s example by composing the well-known Melodic Studies and Bravura Studies for bassoon. It is not widely known that Orefici composed several pieces for solo bassoon and piano. This Adagio was originally published in Paris in the first decade of the twentieth century.
$7.00 ≈
6.31€
Kommos (Lamentation) / "When the World Moved On" - Bassoon 2
Kommos (Lamentation) / "When the World Moved On" - Bassoon 2
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Basson
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 4 - SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. P...
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Bassoon Solo - Level 4 - SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. Published by Benjamin Sajo (A0.1018949). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.16€
Kommos (Lamentation) / "When the World Moved On" - Bassoon 1
Kommos (Lamentation) / "When the World Moved On" - Bassoon 1
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Basson
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 4 - SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078681. P...
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Bassoon Solo - Level 4 - SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078681. Published by Benjamin Sajo (A0.1018948). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.16€
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Bassoon 2
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Bassoon 2
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Basson
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 5 - SKU: A0.1018881 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056091. P...
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Bassoon Solo - Level 5 - SKU: A0.1018881 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056091. Published by Benjamin Sajo (A0.1018881). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.16€
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
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Basson
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. P...
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Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.16€
Aubade: A Pairing with Beethoven's Symphony #1 - Bassoon 2
Aubade: A Pairing with Beethoven's Symphony #1 - Bassoon 2
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Basson
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 4 - SKU: A0.1018909 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064765. P...
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Bassoon Solo - Level 4 - SKU: A0.1018909 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064765. Published by Benjamin Sajo (A0.1018909). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.16€
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Bassoon 1
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Bassoon 1
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Basson
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 5 - SKU: A0.1018880 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056089. P...
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Bassoon Solo - Level 5 - SKU: A0.1018880 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056089. Published by Benjamin Sajo (A0.1018880). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.16€
Aubade: A Pairing with Beethoven's Symphony #1 - Bassoon 1
Aubade: A Pairing with Beethoven's Symphony #1 - Bassoon 1
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Basson
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 4 - SKU: A0.1018908 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064763. P...
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Bassoon Solo - Level 4 - SKU: A0.1018908 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064763. Published by Benjamin Sajo (A0.1018908). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.16€
Bach BWV 856 Well-Tempered Clavier Book 1 Prelude 11 In F Bassoon Study
Bach BWV 856 Well-Tempered Clavier Book 1 Prelude 11 In F Bassoon Study
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Basson
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Rainer's Rainbow
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R G Roth
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Bach BWV 856 Well-Tempered Cla
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Rainer's Rainbow
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SheetMusicPlus
Bassoon Solo - Level 4 - SKU: A0.902120 By Rainer's Rainbow. By Johann Sebastian Bach. Arranged by R G Roth. Baroque,Classical,Instructional. Individual...
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Bassoon Solo - Level 4 - SKU: A0.902120 By Rainer's Rainbow. By Johann Sebastian Bach. Arranged by R G Roth. Baroque,Classical,Instructional. Individual part. 6 pages. Rainer's Rainbow #6384157. Published by Rainer's Rainbow (A0.902120). In 1722 Bach wrote this prelude No 11 as part of his technical studies Book # 1 The Well Tempered Clavier. It is arranged here as a solo uinaccompanied piece for Bassoon in 3 different key signatures. Meant to be an enjoyable technical exercise.
$4.99 ≈
4.50€
Paul Wehage: Ryoanji for contrabassoon and piano
Paul Wehage: Ryoanji for contrabassoon and piano
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Basson, Piano (duo)
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AVANCÉ
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Paul Wehage
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Paul Wehage: Ryoanji for contr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bassoon,Piano - Level 5 - SKU: A0.533523 Composed by Paul Wehage. Concert,Contemporary,Standards,World. Score and part. 27 pages. Musik Fabrik Music Pub...
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Bassoon,Piano - Level 5 - SKU: A0.533523 Composed by Paul Wehage. Concert,Contemporary,Standards,World. Score and part. 27 pages. Musik Fabrik Music Publishing #3010457. Published by Musik Fabrik Music Publishing (A0.533523). This piece is named for the Japanese Zen Rock Garden in Kyoto, which uses 15 stones, but only 14 of them can ever been seen at one time. The work is in three large sections, played without pause: Prelude, Recitativo and Dance. Composer, conductor and saxophonist, Paul Wehage is a complete musican. After his studies at the University of Texas and at the Paris Conservatory (1st prize in Saxophone in 1990), he began his career as a concertiste, performing throughout Europe, Asia, and North America. Several generations of composers have wirtten pieces specially for him, from Jean Françaix to Carson Cooman. His own catalog of nearly a hundred works includes chamber works, works for solo instruments, vocal works, choral works and orchestral music. Since 1997, he has directed Music Fabrik Music Publishing where he has amassed a catalog of over a thousand titles; 
$19.95 ≈
17.99€
Andersen Viana: Quartet for flute, oboe, Bb clarinet and bassoon
Andersen Viana: Quartet for flute, oboe, Bb clarinet and bassoon
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Flûte, Hautbois, Clarinette, Basson
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AVANCÉ
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Andersen Viana
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Andersen Viana: Quartet for fl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.533546 Composed by Andersen Viana. 20th Century,Concert,Contemporary,...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.533546 Composed by Andersen Viana. 20th Century,Concert,Contemporary,Standards. 42 pages. Musik Fabrik Music Publishing #3017639. Published by Musik Fabrik Music Publishing (A0.533546). This seven minute modernist work uses both structured and aleatoric elements. Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, Radamés Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the Clóvis Salgado Foundation, Palácio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, Sebastião Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of Billère (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem Próximo do Mal (Next Evil), Jogando para o Amanhã, O Próximo Passo, Gun’s Speech, Trem Fantasma, 3:00:AM, Corações Ardentes, Filhos de Adão, Perdidos em Abbey Road, Vivalma, Manuelzão e Bananeira, Ofélia, Opostos, Minas Portuguesa, O Homem da Cabeça de Papelão, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo França Júnior.
$19.95 ≈
17.99€
Gymnopedies 3,1 set for woodwind quartet
Gymnopedies 3,1 set for woodwind quartet
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Claude Debussy / John Gibson
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Gymnopedies 3,1 set for woodwi
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JB Linear
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.582016 Composed by Erik Satie. Arranged by Claude Debussy / John Gibs...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.582016 Composed by Erik Satie. Arranged by Claude Debussy / John Gibson. 20th Century. 16 pages. JB Linear #4290893. Published by JB Linear (A0.582016). Erik Satie's Gymnopedies are unique studies in how music can be beautiful, yet uncomplicated. They were originally for piano, however Satie's friend, Claude Debussy set two of them for orchestra. Debussy added just a very little while arranging, but what he did add makes a big difference in how well these two pieces work for a woodwind quartet. The 3,1 in the title refer to Debussy's reversing the order deliberately to make the music flow better when using only two of the pieces. John Gibson used this setting for his woodwind quartet that includes flute, oboe, Bb clarinet, and bassoon.
$14.25 ≈
12.85€
Julius Weissenborn: Bassoon Studies for Beginners, Op. 8 (COMPLETE) - bassoon
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Basson
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INTERMÉDIAIRE
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Classique
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Julius Weissenborn
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Virtualsheetmusic
Instantly printable sheet music by Julius Weissenborn for bassoon of MEDIUM skill level. Contents: etude, etudes, study, exercises / classical,instructional...
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Instantly printable sheet music by Julius Weissenborn for bassoon of MEDIUM skill level. Contents: etude, etudes, study, exercises / classical,instructional
$11.99 ≈
10.81€
Ludwig Milde: Twenty-five Studies, Op. 24 (COMPLETE) - bassoon
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Basson
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INTERMÉDIAIRE
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Classique
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Ludwig Milde
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Virtualsheetmusic
Instantly printable sheet music by Ludwig Milde for bassoon of MEDIUM skill level. Contents: etude, etudes, study, exercises / classical,instructional
Instantly printable sheet music by Ludwig Milde for bassoon of MEDIUM skill level. Contents: etude, etudes, study, exercises / classical,instructional
$9.99 ≈
9.01€
Ludwig Milde: Fifty Concert Studies, Op. 26 (COMPLETE) - bassoon
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Basson
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INTERMÉDIAIRE
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Classique
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Ludwig Milde
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Virtualsheetmusic
Instantly printable sheet music by Ludwig Milde for bassoon of MEDIUM skill level. Contents: etude, etudes, study, exercises / classical,instructional
Instantly printable sheet music by Ludwig Milde for bassoon of MEDIUM skill level. Contents: etude, etudes, study, exercises / classical,instructional
$13.99 ≈
12.62€
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