Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
GUITARE
PARTITIONS GRATUITES
PARTITIONS LIVRES
PARTITIONS NUMÉRIQUES
MATÉRIEL DE MUSIQUE
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bach Opera
Piano & claviers
Guitares
Guitare
14
Guitare notes et tablatures
14
3 Guitares (trio)
2
2 Guitares (duo)
2
Voix
Vents
Flûte et Guitare
2
Cuivres
Cordes
Percussions & orchestre
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
Top artistes
Top artistes
POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman
Artistes :
• Schickele, Peter (P.D.Q Bach)
PARTITIONS GRATUITES
POUR GUITARE
BOUTIQUE PARTITIONS
POUR GUITARE
PARTITIONS NUMÉRIQUES
POUR GUITARE
MATERIEL DE MUSIQUE
POUR GUITARE
INSTRUMENTS :
Autres Guitares
Guitares Acoustiques Folk
Guitares Classiques
Guitares Classiques Electro [Nylon]
Guitares Electriques
Guitares Electro Acoustiques
Guitares Flamencos
Guitares Jazz Manouches
Guitares pour enfants
CORDES :
Cordes pour Guitare Acoustique
Cordes pour Guitare Classique
Cordes pour Guitare Electrique
Cordes pour Guitare Flamenco
Cordes pour Guitare Manouche
ACCESSSOIRES :
Accessoires Divers
Accordeurs
Amplis
Bancs - Sieges - Tabourets
Câbles Instrument / Jacks
Caisses - Sacs - Housses
Capodastres
Mécaniques
Médiators
Micros Guitare Acoustique
Micros Guitare Electrique
Pedalboards d'effets
Pedales d'effets pour Guitare
Pieces détachées
Produits d'entretiens
Sangles - Cordons - Harnais
Sans Fil pour guitare
Slides - Bottlenecks
Supports - Stands - Pieds
CADEAUX :
Cadeaux pour Guitaristes
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Bach Opera
GUITARE
Partitions à imprimer
33 partitions trouvées
<
1
26
Bach for Guitar You Are With Me BWV 508 guitar solo
Bach for Guitar You Are With Me BWV 508 guitar solo
#
Guitare notes et tablatures
#
Classique
#
Johann Sebastian Bach
#
PianoSheetNow
#
Bach for Guitar You Are With M
#
PianoSheetNow
#
SheetMusicPlus
Guitar - SKU: A0.556749 Composed by Johann Sebastian Bach. Arranged by PianoSheetNow. Baroque,Classical,Romantic Period. Guitar Tab. 2 pages. PianoSheet...
(+)
Guitar - SKU: A0.556749 Composed by Johann Sebastian Bach. Arranged by PianoSheetNow. Baroque,Classical,Romantic Period. Guitar Tab. 2 pages. PianoSheetNow #5297953. Published by PianoSheetNow (A0.556749). Bist du bei mir, geh ich mit Freuden (If you are with me, I go with joy) is an aria from Gottfried Heinrich Stölzel's opera Diomedes. The aria is best known as Bist du bei mir, BWV 508, a version for voice and continuo found as No. 25 in the 1725 Notebook for Anna Magdalena Bach.Guitar solo. With downloadable mp3 for audio help.Early intermediate. With standard notation and tablature (TAB).Pages: Two pages (2).
$1.99
Can Can by Jacques Offenbach (Galop Infernal from Orpheus in the Underworld) (Solo Fingerstyle Guitar Tab)
Can Can by Jacques Offenbach (Galop Infernal from Orpheus in the Underworld) (Solo Fingerstyle Guitar Tab)
#
Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Classique
#
Jacques Offenbach
#
Chris Richter
#
Can Can by Jacques Offenbach
#
Chris Richter
#
SheetMusicPlus
Composed by Jacques Offenbach (1819-1880). Arranged by Chris Richter. Romantic Period, Classical Period, Opera, Old-time. Tablature. 8 pages. Publishe...
(+)
Composed by Jacques Offenbach (1819-1880). Arranged by Chris Richter. Romantic Period, Classical Period, Opera, Old-time. Tablature. 8 pages. Published by Chris Richter
$5.99
Chorus and Aria from Ariadne auf Naxos
Chorus and Aria from Ariadne auf Naxos
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne a
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
'A golden time ...' from Ariadne auf Naxos
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariad
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
Excerpt from the Last Part of Ariadne Auf Naxos
#
Guitare
#
INTERMÉDIAIRE
#
Classique
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
Overture from Ariadne auf Naxos
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxo
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Gorgeous Melodies for Fingerpicking Guitar
Gorgeous Melodies for Fingerpicking Guitar
#
Guitare
#
INTERMÉDIAIRE
#
Folklorique/Traditionel
#
Gorgeous Melodies for Fingerpi
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Guitar - Intermediate - SKU: M0.31129MEB World. Folk. Ebook and online audio. 57 pages. Mel Bay Publications - Digital Sheet Music #31129MEB. Published ...
(+)
Guitar - Intermediate - SKU: M0.31129MEB World. Folk. Ebook and online audio. 57 pages. Mel Bay Publications - Digital Sheet Music #31129MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31129MEB). ISBN 9781513476896. 8.75X11.75 inches.The name of this book is no exaggeration. It includes some of the most gorgeous music that the authors El McMeen and Sandy Shalk know. To make things even more interesting, none of the music was originally written for guitar.In addition to Celtic favorites, El includes his arrangements of two of the most beautiful arias in all of opera: Che Gelida Manina from Puccinis La Boheme and My Heart at Thy Sweet Voice ôMon Coeur Souvre ? ta Voixö from Samson and Delilah by Camille Saint-Sa?ns. Sandys contributions range from Celtic to French love songs to Stephen Foster, manifesting Sandys gift for chordal subtleties and innovation.Each piece is in either standard tuning EADGBE or Drop D tuning DADGBE .Written in standard notation and tablature with computer generated audio files of each arrangement.
Song List
: Once to Every Man and Nation (Thomas J. Williams) Castle Of Dromore Jesu, Joy of Man's Desiring (J S Bach) Hector the Hero (J Scott Skinner) Niel Gow's Lament for the Death of His Second Wife Che Gelida Manina (Giacomo Puccini) Plaisir D'Amour (Jean-Paul-Egide Martini) El Noi De La Mare Beautiful Dreamer (Stephen Foster) My Heart at Thy Sweet Voice (Camille Saint-Saens) Pavane, Op No 50 (Gabriel Faure) The Fairy Queen (Turlough O'Carolan)
$17.99
10 CLASSICAL PIECES FOR ELECTRIC GUITAR
10 CLASSICAL PIECES FOR ELECTRIC GUITAR
#
Guitare notes et tablatures
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Edvard Grieg, Gioachino Rossin
#
Damien Roy
#
10 CLASSICAL PIECES FOR ELECTR
#
42 Fingers Publishing
#
SheetMusicPlus
Guitar - Level 4 - SKU: A0.974540 Composed by Edvard Grieg, Gioachino Rossini, Jacques Offenbach, Johann Sebastian Bach, Johannes Brahms, Nicolai Rimski...
(+)
Guitar - Level 4 - SKU: A0.974540 Composed by Edvard Grieg, Gioachino Rossini, Jacques Offenbach, Johann Sebastian Bach, Johannes Brahms, Nicolai Rimski Korsakov, and Wolfgang Amadeus Mozart. Arranged by Damien Roy. Standards. Guitar Tab. 47 pages. 42 Fingers Publishing #6795045. Published by 42 Fingers Publishing (A0.974540). 10 CLASSICAL PIECES FOR ELECTRIC GUITAR is a collection of famous baroque, classical, romantic, opera compositions by famous and great composers as Johann Sebastian Bach, Wolfgang Amadeus Mozart, Gioachino Rossini, Edvard Grieg, Jacques Offenbach, Johannes Brahms and Nicolai Rimski Korsakov, transcribed and arranged by Damien Roy with music notation and guitar tablature. The level of difficulty goes crescendo from easy to advanced.Rondo Alla Turca and Prelude No 2 in Cm are arranged for lead and rhythm guitar.
$12.99
Deuxiéme Sonata by Benjamin Godard (1849-1895)
Deuxiéme Sonata by Benjamin Godard (1849-1895)
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Benjamin Godard
#
Eric J Roth
#
Deuxiéme Sonata by Benj
#
Eric J Roth
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eri...
(+)
Solo Guitar - Level 4 - SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eric J Roth #5867073. Published by Eric J Roth (A0.914747). Benjamin Godard (1849-1895) was a French violinist and composer of Jewish heritage. He wrote hundreds of works, including symphonies, operas, concertos, chamber and solo pieces, and songs. Today he is most remembered for his five symphonies and the Berceuse from his opera, Jocelyn. In style, Godard's music is reminiscent of the early Romantic period rather than the more grandiose style of Wagner. Godard wrote two sonatas for solo violin. The first dates from the 1870s. The second was composed in the 1890s and published after his death. Both sonatas contain four movements and employ baroque dance forms. The Deuxiéme (second) Sonata, arranged here for guitar solo, opens with a Sarabande in A minor, marked molto moderato e pompasamente (very moderately and pompously). The following Rigodon in C major is quick and convivial, although a contrasting section in C minor tempers the mood. The third movement, Adagio non ma troppo, begins in a tranquil F major. The texture soon thickens and makes striking use of the instrument’s lower register. A sudden modulation to F minor provides the sonata's most introspective moment. The piece returns to A minor and ends in a dramatic cliffhanger on the dominant. The rhythmic Bourrée serves as a true finale and includes a frenetic contrapuntal section recalling the violin sonatas of J. S. Bach.
$9.99
Jesus, Joy of Man's Desiring
Jesus, Joy of Man's Desiring
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Richard Hirsch
#
Jesus, Joy of Man's Desiring
#
Richard Hirsch
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individ...
(+)
Solo Guitar - Level 4 - SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individual part. 7 pages. Richard Hirsch #829813. Published by Richard Hirsch (A0.1234273). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring for solo acoustic or classical guitar. I have arranged the piece in 4/4 time in a folk-fingerpicking style giving it something of an American folk-country character, perhaps verging on a gospel. The arrangement follows the original as faithfully as possible with the melody and choral sections interwoven. I think the piece survives the time-change operation beautifully, retaining the joyful and praiseful character of Bach’s original. The piece is a joy to play and to listen to.The arrangement is accessible to intermediate to advanced students of acoustic or classical guitar. Any student of guitar who has mastered the basics of thumb-index-middle fingerpicking  (thumb, thumb, index, middle, thumb, index) will have fun with the piece.I give extensive left hand fingering accompanied by tabs as a guide to the intermediate students of guitar. Right hand fingering is given for the first playing of the repetitive passages and in passages where it might be difficult for the performer to find appropriate  fingering. Otherwise I expect the fingering to be more or less self-evident, leaving it to the individual taste and style of the interpreting guitarist.I have set the tempo to Presto for the arrangement to keep close to lively nature of the original, but the arrangement can also be played much slower, somewhere around Metronome 130. This results in a shift in mood towards a ragtime blues, verging on a spiritual. This great music is a never-ending source of inspiration.The piece is a nice follow-up to my folk-fingerpicking arrangements for Freight Train and The Entertainer.
$4.99
Galop infernal Can-Can guitar fingerstyle with tab
Galop infernal Can-Can guitar fingerstyle with tab
#
Guitare notes et tablatures
#
FACILE
#
Opera
#
Classique
#
Jacques Offenbach
#
PianoSheetNow
#
Galop infernal Can-Can guitar
#
PianoSheetNow
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.556876 Composed by Jacques Offenbach. Arranged by PianoSheetNow. Classical,Opera,Romantic Period. Guitar Tab. 3 pages. PianoS...
(+)
Guitar - Level 2 - SKU: A0.556876 Composed by Jacques Offenbach. Arranged by PianoSheetNow. Classical,Opera,Romantic Period. Guitar Tab. 3 pages. PianoSheetNow #6099589. Published by PianoSheetNow (A0.556876). Galop infernal from Orphee aux enfers - Act II (1858) by Jacques Offenbach (20 June 1819 - 5 October 1880). Fifteen years or so after Offenbach's death the galop from Act II (or Act IV in the 1874 version) became one of the world's most famous pieces of music, when the Moulin Rouge and the Folies Bergere adopted it as the regular music for their can-can.For Guitar solo. Early Intermediate.
$3.99
Barcarola
Barcarola
#
2 Guitares (duo)
#
FACILE
#
Jacques Offenbach
#
Santiago Lucero
#
Barcarola
#
Santiago
#
SheetMusicPlus
Guitar,Instrumental Duet - Level 2 - SKU: A0.1281255 Composed by Jacques Offenbach. Arranged by Santiago Lucero. Broadway,Classical,Film/TV,Multicultura...
(+)
Guitar,Instrumental Duet - Level 2 - SKU: A0.1281255 Composed by Jacques Offenbach. Arranged by Santiago Lucero. Broadway,Classical,Film/TV,Multicultural,Musical/Show,Opera,World. 2 pages. Santiago #872599. Published by Santiago (A0.1281255). Arreglo para dúo de guitarras de Barcarola opera de Los cuentos de Hoffmann.
$3.00
Tales Of Hoffmann - Barcarolle
Tales Of Hoffmann - Barcarolle
#
Guitare notes et tablatures
#
DÉBUTANT
#
Parry Library
#
Danny Crocome
#
Tales Of Hoffmann - Barcarolle
#
Danny Crocome Music
#
SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1453246 By Parry Library. By Jaques Offenbach. Arranged by Danny Crocome. 19th Century,Baroque,Classical,Earl...
(+)
Easy Guitar (with TAB) - Level 1 - SKU: A0.1453246 By Parry Library. By Jaques Offenbach. Arranged by Danny Crocome. 19th Century,Baroque,Classical,Early Music,Opera. Tablature. 3 pages. Danny Crocome Music #1032469. Published by Danny Crocome Music (A0.1453246). A simple easy guitar arrangement of this timeless Offenbach composition. Suitable for beginner guitarists. Chords and chord diagrams provided for accompaniment purposes.
$4.99
Cancan
Cancan
#
Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Jacques Offenbach
#
Damien Roy
#
Cancan
#
42 Fingers Publishing
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.974509 Composed by Jacques Offenbach. Arranged by Damien Roy. Instructional,Opera. Guitar Tab. 5 pages. 42 Fingers Publishing...
(+)
Guitar - Level 3 - SKU: A0.974509 Composed by Jacques Offenbach. Arranged by Damien Roy. Instructional,Opera. Guitar Tab. 5 pages. 42 Fingers Publishing #6099099. Published by 42 Fingers Publishing (A0.974509). Arrangement for electric guitar by Damien Roy of the famous Cancan , Orphée aux Enfers by Jacques Offenbach.
$2.99
La Chaconne
La Chaconne
#
Guitare notes et tablatures
#
FACILE
#
Opera
#
Classique
#
Jacques Offenbach
#
Mark Phillips
#
La Chaconne
#
A. J. Cornell Publications
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.692235 Composed by Jacques Offenbach. Arranged by Mark Phillips. Opera,Romantic Period. Guitar Tab. 2 pages. A. J. Cornell Pu...
(+)
Guitar - Level 2 - SKU: A0.692235 Composed by Jacques Offenbach. Arranged by Mark Phillips. Opera,Romantic Period. Guitar Tab. 2 pages. A. J. Cornell Publications #6340599. Published by A. J. Cornell Publications (A0.692235). Offenbach’s La Chaconne (from Monsieur et Madame Denis) for easy classical guitar solo
$1.99
Badinerie (suite No. 2)
Badinerie (suite No. 2)
#
Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Enea Acco
#
Badinerie
#
Enea Acco
#
SheetMusicPlus
Guitar,Voice - Level 3 - SKU: A0.1088000 Composed by Johann Sebastian Bach. Arranged by Enea Acco. Baroque,Instructional,Opera,Renaissance,Rock. Guitar ...
(+)
Guitar,Voice - Level 3 - SKU: A0.1088000 Composed by Johann Sebastian Bach. Arranged by Enea Acco. Baroque,Instructional,Opera,Renaissance,Rock. Guitar Tab with Voice. 2 pages. Enea Acco #692234. Published by Enea Acco (A0.1088000). Transcribed and arranged for guitar with chords and TAB.
$4.99
Brandenburg Concerto No.2
Brandenburg Concerto No.2
#
Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Enea A
#
Brandenburg Concerto No.2
#
Enea Acco
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.900499 Composed by Johann Sebastian Bach. Arranged by Enea A. Baroque,Opera,Renaissance. Guitar Tab. 2 pages. Enea Acco #3875...
(+)
Guitar - Level 3 - SKU: A0.900499 Composed by Johann Sebastian Bach. Arranged by Enea A. Baroque,Opera,Renaissance. Guitar Tab. 2 pages. Enea Acco #3875755. Published by Enea Acco (A0.900499). This is from the First Movement.
$1.99
"CanCan" aus der Oper "Hoffmann's Erzählungen" für Requinto in A und Gitarre (GRD) oder 2 Gitarren (
"CanCan" aus der Oper "Hoffmann's Erzählungen" für Requinto in A und Gitarre (GRD) oder 2 Gitarren (
#
2 Guitares (duo)
#
INTERMÉDIAIRE
#
G#zupft und g'strich'n
#
Josef Peter Traun
#
"CanCan" aus der Ope
#
Traun
#
SheetMusicPlus
Guitar,Instrumental Duet - Level 3 - SKU: A0.1473961 By G#zupft und g'strich'n. By Jacques Offenbach (1819-1880). Arranged by Josef Peter Traun. Classic...
(+)
Guitar,Instrumental Duet - Level 3 - SKU: A0.1473961 By G#zupft und g'strich'n. By Jacques Offenbach (1819-1880). Arranged by Josef Peter Traun. Classical,Opera. 22 pages. Traun #1051656. Published by Traun (A0.1473961). An arrangement for requinto in A and guitar (GRD) or 2 guitars (GD).Take also a look at the version for guitar quartet (GQA) or guitar quintet (GQI) with additional parts for requinto in A (guitar 1), bass (guitar 5) and percussion. These parts can be added ad libitum.
$6.00
Barcarole auf Hoffmanns Erzählungen
Barcarole auf Hoffmanns Erzählungen
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Jacques Offenbach
#
Bettina Schipp
#
Barcarole auf Hoffmanns Erz&au
#
songbooks.info
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1315309 Composed by Jacques Offenbach. Arranged by Bettina Schipp. Chamber,Classical,Early Music,Opera. Individual part....
(+)
Solo Guitar - Level 4 - SKU: A0.1315309 Composed by Jacques Offenbach. Arranged by Bettina Schipp. Chamber,Classical,Early Music,Opera. Individual part. 4 pages. Songbooks.info #904055. Published by songbooks.info (A0.1315309). These themes from classical music come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
Can Can
Can Can
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Jacques Offenbach
#
Bettina Schipp
#
Can Can
#
songbooks.info
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1315312 Composed by Jacques Offenbach. Arranged by Bettina Schipp. Chamber,Classical,Early Music,Opera. Individual part....
(+)
Solo Guitar - Level 4 - SKU: A0.1315312 Composed by Jacques Offenbach. Arranged by Bettina Schipp. Chamber,Classical,Early Music,Opera. Individual part. 2 pages. Songbooks.info #904058. Published by songbooks.info (A0.1315312). These themes from classical music come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
BARCAROLLE
BARCAROLLE
#
Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Opera
#
Classique
#
Jacques Offenbach
#
Enea A
#
BARCAROLLE
#
Enea Acco
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.900710 Composed by Jacques Offenbach. Arranged by Enea A. Classical,Musical/Show,Opera,Romantic Period. Guitar Tab. 4 pages. ...
(+)
Guitar - Level 3 - SKU: A0.900710 Composed by Jacques Offenbach. Arranged by Enea A. Classical,Musical/Show,Opera,Romantic Period. Guitar Tab. 4 pages. Enea Acco #4836525. Published by Enea Acco (A0.900710).
$1.99
Can-Can
Can-Can
#
Guitare notes et tablatures
#
FACILE
#
Classique
#
Jacques Offenbach
#
Suzan Beyazit
#
Can-Can
#
Suzan Beyazit
#
SheetMusicPlus
Composed by Jacques Offenbach (1819-1880). Arranged by Suzan Beyazit. Classical, Opera. Tablature. 1 pages. Suzan Beyazit #320261. Published by Suzan ...
(+)
Composed by Jacques Offenbach (1819-1880). Arranged by Suzan Beyazit. Classical, Opera. Tablature. 1 pages. Suzan Beyazit #320261. Published by Suzan Beyazit
$1.99
<
1
26