Partitions Numériques de by chopin advanced pour Trompette, Piano

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by chopin advanced
Non classifié 17

Piano & claviers
Piano seul 155
Piano Facile 5
Clavier 3
Instruments en Do 2
Piano Quintette: piano, 2 violons, alto, violoncelle 1

2 Pianos, 4 mains 1
1 Piano, 4 mains 1

+ 2 instrumentations

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Guitares
Guitare notes et tablatures 10
Guitare 8
2 Guitares (duo) 2
Ukulele 2

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Chorale SATB 4
Voix duo 1

Vents
Flûte traversière et Piano 8
Flûte traversière 5
Hautbois, Piano (duo) 4
Clarinette et Piano 3
Saxophone Tenor et Piano 2

Flûte et Guitare 2
Saxophone Tenor 2
2 Saxophones (duo) 2
2 Clarinettes, Piano 2
Clarinette Basse, Piano 2
2 Flûtes traversières (duo) 2
Saxophone Alto et Piano 2
Saxophone Baryton, Piano 2
Saxophone Alto 2
Harmonica 2
Saxophone Soprano et Piano 2
Quatuor de Clarinettes: 4 clarinettes 1
Clarinette 1
2 Clarinettes (duo) 1
Cor anglais, Piano 1
2 Flûte à bec (duo) 1
2 Flûtes traversières, Piano 1
Flûte à bec Tenor 1
Flûte à Bec, Piano 1
Quatuor de Saxophones: 4 saxophones 1
Ensemble de saxophones 1

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3
Euphonium, Piano (duo) 2
Trombone et Piano 2
Trompette, Piano 2

Cor anglais, Piano 1

Cor et Piano 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Tuba et Piano 1

+ 3 instrumentations

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Cordes
Violon et Piano 13
Quatuor à cordes: 2 violons, alto, violoncelle 8
Violon 6
Violoncelle, Piano 4
Alto, Piano 3

Harpe 3
Trio à Cordes: violon, alto, violoncelle 2
4 Violoncelles 1
Contre Basse 1
2 Violoncelles (duo) 1
2 Violons (duo) 1
Trio à Cordes: 2 violons, violoncelle 1
Violoncelle 1

+ 8 instrumentations

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Orchestre à Cordes 4
Batterie 4
Cloches 2

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by chopin advanced

Trompette, Piano

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2 partitions trouvées

Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano

Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano #Trompette, Piano #INTERMÉDIAIRE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...(+)

B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ $27.37

24 Lyric Preludes for Trumpet and Piano

24 Lyric Preludes for Trumpet and Piano #Trompette, Piano #AVANCÉ #David Evan Thomas #24 Lyric Preludes for Trumpet #Gordon Cherry #SheetMusicPlus

Piano,Trumpet - Level 5 - SKU: A0.792802 Composed by David Evan Thomas. 20th Century,Contemporary. Score and part. 124 pages. Gordon Cherry #6591121. Pu...(+)

Piano,Trumpet - Level 5 - SKU: A0.792802 Composed by David Evan Thomas. 20th Century,Contemporary. Score and part. 124 pages. Gordon Cherry #6591121. Published by Gordon Cherry (A0.792802). Here is an excellent description of the 24 Lyric Preludes for Trumpet and Piano by the composer, David Evan Thomas:24 Lyric Preludes for Trumpet and Piano is a unified cycle of 24 contrasting pieces in all major and minor keys and may be played in sequence, by book, or excerpted in any order that makes musical sense. As in Chopin's 24 PrÃ©ludes for piano, each major key is paired with its relative minor. But the 24 Lyric Preludes move softly down a descending ladder of thirds and flat-wise around the circle of fifths. Many aspects of the trumpeter's stock-in-trade are explored-double-tonguing, lip slurs, extremes of range and volume-as well as references to rhythms, patterns, and problems encountered by the orchestral player. The tonal spectrum may be widened further through judicious use of cornet and flugelhorn and creative choice of mutes. While there are a few notable links between movements (e.g., the Improvisation to the Nocturne; the return of the Prelude tune in the Finale), each piece deals with a characteristic style or musical idea, and most stand on their own. The piano is an equal partner throughout.Here is a testimonial of this very fine work:This is one of the most significant major works for trumpet and piano that I have seen in many years. It is a rare combination of great variety of nuance and challenges with a very broad audience appeal. I can recommend it highly and enthusiastically.David Baldwin, Professor Emeritus of Trumpet, University of Minnesota School of MusicThe complete work is about 36-40 minutes in length and is appropriate for advanced performers.

$32.50 ≈ $44.58

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