Partitions Numériques de What Can I Say pour Ensemble de Trombones

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What Can I Say
Non classifié 80

Piano & claviers
Piano seul 46
Piano, Voix et Guitare 34
Piano, Voix 26
1 Piano, 4 mains 2
Piano Facile 2

Instruments en Do 2
Orgue 1

+ 2 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 8
Guitare notes et tablatures 6
Basse electrique 4
Guitare 2
Mandoline 1

Voix
Chorale SATB 16
Chorale 2 parties 5
Chorale Unison 2
Voix haute 2
Chorale SSATTB 1

Voix Soprano, Piano 1
Chorale TTBB 1
Voix seule 1
Chorale 3 parties 1

+ 4 instrumentations

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Vents
2 Flûtes traversières (duo) 13
Hautbois (partie séparée) 13
Clarinette 10
Quatuor de Saxophones: 4 saxophones 9
Quintette de Saxophone: 5 saxophones 6

Saxophone Tenor et Piano 5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3
Flûte traversière 3
Ensemble de Clarinettes 3
Quintette de Flûte : 5 flûtes 2
Saxophone et Orgue 1
Flûte, Hautbois, Clarinette, Basson 1
Flûte traversière et Piano 1

+ 8 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 8
Cor 4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3
Ensemble de Trombones 3

Trombone 2

Ensemble de Trompettes 2
Trompette 2
Quatuor de cuivres: 4 trompettes 1
Trompette, Trombone (duo) 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
2 Trombones (duo) 1
2 Tubas (duo) 1
2 Trompettes (duo) 1
Trombone et Piano 1

+ 9 instrumentations

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Cordes
2 Violons (duo) 6
Violon, Guitare (duo) 3
Violon 3
2 Violoncelles (duo) 2
Ensemble de Violons 2

Quatuor à cordes: 2 violons, alto, violoncelle 2
Trio à Cordes: violon, alto, violoncelle 1
Contre Basse 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Alto seul 1
Alto, Piano 1

+ 6 instrumentations

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Percussions & orchestre
Orchestre 9
Orchestre d'harmonie 8
Orchestre à Cordes 3
Ensemble Jazz 3
Orchestre de chambre 1

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What Can I Say

Ensemble de Trombones

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3 partitions trouvées

Largo (from "Symphony No. 9") ("From the New World") (Db) (Trombone Quintet)

Largo (from "Symphony No. 9") ("From the New World") (Db) (Trombone Quintet) #Ensemble de Trombones #INTERMÉDIAIRE #Classique #Musique Sacrée #Antonin Dvorak #Regis Bookshar #Largo #Regis Bookshar #SheetMusicPlus

Brass Ensemble Trombone - Level 3 - SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Sta...(+)

Brass Ensemble Trombone - Level 3 - SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533945. Published by Regis Bookshar (A0.813838). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Trombone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:â€ƒâ€ƒâ€ƒâ€ƒI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:â€ƒâ€ƒI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Trombone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instru.

$15.00 ≈ $20.81

The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir

The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir #Ensemble de Trombones #AVANCÉ #Contemporain #Charles Ives #Ross Holcombe #The Alcotts - from Sonata No. #Cherry Classics Music #SheetMusicPlus

Trombone Choir Ensemble - Advanced - Composed by Charles Ives (1874-1954). Arranged by Ross Holcombe. 20th Century, Americana. Score, Set of Parts. ...(+)

Trombone Choir Ensemble - Advanced - Composed by Charles Ives (1874-1954). Arranged by Ross Holcombe. 20th Century, Americana. Score, Set of Parts. 44 pages. Published by Cherry Classics Music
Here is what the arranger, Ross Holcombe says about his great scoring of this wonderful and unique work by Ives.

Ives finished the majority of his Concord Sonata, from which this movement is excerpted, in 1915. According to Ives, the piece reflects on the old Alcott house in Concord, MA, but I feel a greater struggle in this work than a mere journal about a piece of architecture. The fact that Ives quotes Beethoven?s 5th Symphony so extensively makes me wonder about his views on destiny, fate, the future, and the creative process.

The piece starts serenely but quickly devolves into uncertainty, doubt, and anger. A floating interlude brings us back to distant memories where we remember that we are shaped by our past, but have control of the direction of our future. Building on that realization and quickly gaining steam, the piece ends with a powerful and joyful climax. The angry Beethoven theme is transformed into one of power, hope, and light. A feeling of calm and contentment ends the piece, finally coming to rest on one simple C major chord.

This work is scored for 10 trombones: 1 alto, 7 tenor, and 2 bass trombones and is appropriate for advanced performers.

$37.50 ≈ $52.04

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