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Solo Guitar - Level 5 - SKU: A0.1018431 By Franco Bolognesi. By Uberto Pieroni. Arranged by Uberto Pieroni. Baroque,Classical,Multicultural,World. Indiv...
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Solo Guitar - Level 5 - SKU: A0.1018431 By Franco Bolognesi. By Uberto Pieroni. Arranged by Uberto Pieroni. Baroque,Classical,Multicultural,World. Individual part. 5 pages. Editori vari #623972. Published by Editori vari (A0.1018431). Composizione classica per chitarra solista.
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Solo Guitar - Level 3 - SKU: A0.745705 By Uberto Pieroni. By Uberto Pieroni. Arranged by Uberto Pieroni. 20th Century,Latin,Multicultural,New Age,Standa...
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Solo Guitar - Level 3 - SKU: A0.745705 By Uberto Pieroni. By Uberto Pieroni. Arranged by Uberto Pieroni. 20th Century,Latin,Multicultural,New Age,Standards,World. Individual part. 3 pages. Editori vari #353626. Published by Editori vari (A0.745705). Brano strumentale latino.
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Nel sogno
Nel sogno
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Solo Guitar - Level 3 - SKU: A0.965706 By Franco Bolognesi. By Uberto Pieroni. Arranged by Uberto Pieroni. 20th Century,Classical,Film/TV,Multicultural,...
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Solo Guitar - Level 3 - SKU: A0.965706 By Franco Bolognesi. By Uberto Pieroni. Arranged by Uberto Pieroni. 20th Century,Classical,Film/TV,Multicultural,World. Individual part. 2 pages. Editori vari #571406. Published by Editori vari (A0.965706). Composizione classica per chitarra.
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Uberto Pieroni
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Solo Guitar - Level 3 - SKU: A0.1042718 By Uberto Pieroni. By Uberto Pieroni. Arranged by Uberto Pieroni. 20th Century,Film/TV,Multicultural,Rock,World....
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Solo Guitar - Level 3 - SKU: A0.1042718 By Uberto Pieroni. By Uberto Pieroni. Arranged by Uberto Pieroni. 20th Century,Film/TV,Multicultural,Rock,World. Individual part. 3 pages. Editori vari #647499. Published by Editori vari (A0.1042718). Brano strumentale Rock.
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Amor de guitarra
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Solo Guitar - Level 4 - SKU: A0.745702 By Uberto Pieroni. By Uberto Pieroni. Arranged by Franco Bolognesi. 20th Century,Classical,Latin,Multicultural,Wo...
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Solo Guitar - Level 4 - SKU: A0.745702 By Uberto Pieroni. By Uberto Pieroni. Arranged by Franco Bolognesi. 20th Century,Classical,Latin,Multicultural,World. Individual part. 4 pages. Editori vari #353623. Published by Editori vari (A0.745702). Brano strumentale latino per chitarra.
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Solo Guitar - Level 3 - SKU: A0.978723 By Franco Bolognesi. By Uberto Pieroni. Arranged by Uberto Pieroni. 20th Century,Film/TV,Multicultural,New Age,World. Individual part. 2 pages. Editori vari #584417. Published by Editori vari (A0.978723). Brano New Age per chitarra.
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Mauro Giuliani: Dodici Monferrine opera 12 (Composte e Dedicate a Madamigella Vicenziana de Rainer)
Mauro Giuliani: Dodici Monferrine opera 12 (Composte e Dedicate a Madamigella Vicenziana de Rainer)
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Dodici Monferr
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1254575 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 34 pages. ...
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Solo Guitar - Level 2 - SKU: A0.1254575 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 34 pages. Socrates Arvanitakis #848175. Published by Socrates Arvanitakis (A0.1254575). PREFACE & Editorial NotesThe Dodici Monferrine op.12  by Mauro Giuliani are in general of a lower moderate difficulty and are written as twelve small entertaining pieces in 6/8 rhythm all following the same uniform structure consisting of four phrases: A1, A2 – [B1, A2]*2 which is used extensively  by Giuliani as the basic structure for many of his more elaborate variation sets. Due consideration is also given to a carefully thought out tonal scheme for all twelve pieces as follows: E, A, D, G, C, F, Dm, D, A, D, G, C.For these given structural reasons op. 12 may be considered as a very good introduction to Giuliani’s later output of more complex and difficult works. Notes1 Dynamics have all been copied from the first “Artaria†edition of Vienna.2 Metronome marks are editorial suggestions and should not be taken too literally.3 This volume is offered  with decorated and undecorated pages (as two books in one) so that the user can chose which version he prefers and construct his printed or digital book accordingly. Blank pages have been added to be used or omitted for the arrangement of left and right hand pages.4 A live performance of all twelve pieces selected at random in YoutubeNavigating the Thematic Index1 click on the photo of the theme: Go to undecorated page2 click header of any titled  page: Return to the index3 click on the title of any piece: Interchange between decorated/undecorated pages.
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Baroque Anthology 2 - 20 easy Pieces for Guitar (from String Instrument Sources)
Baroque Anthology 2 - 20 easy Pieces for Guitar (from String Instrument Sources)
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DÉBUTANT
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Various
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Socrates Arvanitakis
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Baroque Anthology 2 - 20 easy
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1476094 Composed by Various. Arranged by Socrates Arvanitakis. Baroque. Individual part. 79 pages. Socrates Arvanitakis ...
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Solo Guitar - Level 1 - SKU: A0.1476094 Composed by Various. Arranged by Socrates Arvanitakis. Baroque. Individual part. 79 pages. Socrates Arvanitakis #1053626. Published by Socrates Arvanitakis (A0.1476094). PrefaceThese 20+ Baroque pieces are selected from the repertoires of various string instruments like Lute, Baroque Guitar, Viola da Gamba, etc. Some of the pieces are much better known than others, but they all are of a high musical standard very rewarding for the beginner guitarist. I have tried to keep the level of technical difficulty within the first three grades (1-3) of the classification observed in the annual syllabuses of British musical academies such as the Royal Schools of Music, Trinity College, Guildhall College, etc, of prescribed examination pieces for these grades.The Metronome markings are only editorial suggestions provided as general guidance but should not be taken too literally. This volume is divided into two sections. In the first section the pieces are given in ordinary notation and in decorated pages such as this one, without any fingerings or other technical help, but only for the pleasure of users who prefer a Baroque decorated appearance of books containing Baroque music. In the second section the same pieces are presented in undecorated pages and in double systems of notation pentagrams and tablature hexagrams in which the fingerings for every piece become obvious by the tablature and without further need for more left hand guidance. Therefore this book can be printed on paper either in its complete given form, or in any other page arrangement the user may prefer. Blank pages are provided for insertion at correct places for the management of left and right sides of a two-side view, but the volume has been designed with a paperless environment in mind where a tablet and a score reading application would be used.The thematic index is provided for general navigation withinthis electronic book.1 Clicking on any image in the index takes the user to the relevant decorated page of music, or clicking within the square frame number beside each image links the user to the corresponding tablature pages.2 Clicking on the title of any piece takes the user back to the index.3 Clicking on the header of the page is used for interchanging between decorated and undecorated pages.Socrates ArvanitakisLondon 2024.
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Mauro Giuliani: Sonatina in C op.71 no.1
Mauro Giuliani: Sonatina in C op.71 no.1
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Guitare
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INTERMÉDIAIRE
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Mauro Giuliani
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Mauro Giuliani: Sonatina in C
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Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. ...
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Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
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La Philippine by CPE Bach
La Philippine by CPE Bach
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Guitare
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Classique
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Carl Philipp Emanuel Bach
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Eric J Roth
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La Philippine by CPE Bach
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Eric J Roth
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SheetMusicPlus
Solo Guitar - SKU: A0.914749 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 1 pages. Er...
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Solo Guitar - SKU: A0.914749 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 1 pages. Eric J Roth #6017141. Published by Eric J Roth (A0.914749). La Philippine, H. 96 (Wq. 117/34) is one of dozens of short character pieces of great charm written by the Carl Philipp Emanuel Bach (1714-1788), oldest son of Johann Sebastian Bach. As a composer, CPE Bach occupied an interesting transitional space between baroque and classical music and certainly helped to usher in the stylistic traits of the latter into general popular usage. The piece here is arranged for classical guitar solo at an intermediate level. It is more a transcription than a true arrangement, and every attempt has been made to keep the music as close to the original as possible. All fingerings are editorial, and ornaments kept simple. However, many expert pianists embellish these ornaments (sometimes very lavishly), particularly on repeats, and expert guitarists will likely want to do the same. Since the original music was written an octave higher, and to be played on the delicate-sounding keyboard instruments of the 18th century, some guitarists may want to experiment with using a capo to better create a more period-appropriate sound.Bach marks the style as Arioso (between an aria and recitative). In terms of tempo, various keyboardists interpret it very differently. Some play it quick and light while others opt for a slower, more lyrical approach. Guitarists should feel free to experiment with what sounds best on their instrument.
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