Partitions Numériques de Yellow pour Cor anglais, Piano

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Yellow
Non classifié 303

Piano & claviers
Piano seul 436
Piano, Voix et Guitare 180
Piano Facile 150
Piano, Voix 76
1 Piano, 4 mains 21

Piano grosses notes 20
Instruments en Do 19
Orgue 8
Accordéon 8
Piano Trio: piano, violon, violoncelle 3
Piano Quatuor: piano, violon, alto, violoncelle 2
Piano Quatuor: piano, 2 violons, violoncelle 2
2 Pianos, 4 mains 1

+ 8 instrumentations

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Guitares
Guitare notes et tablatures 97
Ukulele 62
Ligne De Mélodie, (Paroles) et Accords 53
Guitare 52
Paroles et Accords 43

Mandoline 12
Basse electrique 11
Banjo 9
Piano, Guitare (duo) 3
2 Guitares (duo) 3
Ensemble de guitares 3
Ensemble de Ukulélés 2
2 Ukuleles 2
Dulcimer 1
Ukulele Baryton 1
3 Guitares (trio) 1

+ 11 instrumentations

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Voix
Chorale SATB 61
Chorale 3 parties 47
Chorale 2 parties 36
Chorale TTBB 23
Chorale SSAA 17

Chorale 8
Voix duo 6
Voix seule 6
Chorale Unison 5
Voix Soprano, Piano 3
Voix Alto, Piano 2
Voix haute 2
Voix Tenor, Piano 1
Voix basse, Piano 1
Chorale SSAB a cappella 1
Voix Baryton, Piano 1

+ 11 instrumentations

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Vents
Flûte traversière 47
Saxophone 43
Clarinette 43
Quatuor de Saxophones: 4 saxophones 40
2 Saxophones (duo) 33

Saxophone Alto 28
Saxophone Tenor 26
Flûte, Hautbois, Clarinette, Basson 25
Ensemble De Flûte à bec 24
Saxophone (partie séparée) 23
2 Flûtes traversières (duo) 22
Flûte traversière et Piano 19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 18
2 Flûte à bec (duo) 17
Saxophone Alto et Piano 16
Saxophone Tenor et Piano 15
Quintette de Saxophone: 5 saxophones 14
Clarinette et Piano 13
3 Saxophones (trio) 12
2 Clarinettes (duo) 12
Hautbois, Piano (duo) 12
Quatuor de Clarinettes: 4 clarinettes 11
Flûte à bec Alto 10
Flûte à bec Soprano 10
Saxophone Soprano et Piano 10
Hautbois (partie séparée) 9
Flûte à Bec 8
Flûte à bec Tenor 8
Saxophone Baryton, Piano 8
Quatuor de Flûtes : 4 flûtes 7
2 Hautbois (duo) 7
Flûte, Clarinette (duo) 6
Trio de Flûtes: 3 flûtes 6
Saxophone, Clarinette (duo) 6
3 Clarinettes (trio) 5
Ocarina 4
Flûte, Hautbois, Clarinette (trio) 4
Hautbois, Clarinette, Basson (trio d'anches) 4
Quintette de Clarinettes: 5 clarinettes 4
Ensemble de Flûtes 3
Clarinette, Violon (duo) 3
Clarinette Basse, Piano 3
Harmonica 3
Flûte, Violon 3
Flûte, Saxophone (duo) 2
Hautbois, Basson (duo) 2
Cor anglais, Piano 2

Hautbois, Clarinette (duo) 2
Ensemble de Clarinettes 2
Flute (partie séparée) 2
Hautbois, Flûte 2
Clarinette, Trompette (duo) 2
Saxophone, Tuba (duo) 1
Flûte et Guitare 1
Clarinette et Alto 1
Flûte, Trompette (duo) 1
Saxophone Soprano 1
3 Hautbois 1
4 Hautbois 1
Hautbois 1
Hautbois, Guitare (duo) 1
Flûte, Hautbois, Basson 1
Ensemble de saxophones 1
Quintette de Flûte : 5 flûtes 1

+ 59 instrumentations

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Cuivres
Trompette 42
Trombone 37
Cor 21
Quatuor de Cuivres : 2 trompettes, trombone, tuba 18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 18

Trombone et Piano 15
Trompette, Piano 15
Quatuor de Cuivres: 2 trompettes, Cor, trombone 14
2 Trombones (duo) 9
Tuba et Piano 8
2 Trompettes (duo) 8
Tuba 7
Cor et Piano 7
Trompette (partie séparée) 6
Trombone (partie séparée) 5
Trompette, Trombone (duo) 5
Euphonium, Piano (duo) 5
Quatuor de Cuivres 5
2 Cors (duo) 4
Trompette, Saxophone (duo) 4
Euphonium 3
Quatuor de cuivres: 4 trombones 2
Cor anglais, Piano 2

2 Tubas (duo) 2
Trompette, Cor (duo) 2
3 Trompettes (trio) 1
4 Tubas 1
Cor (partie séparée) 1
2 Euphoniums et 2 Tubas 1
Quatuor de cuivres: 4 trompettes 1
Bass Clef Instruments 1

+ 26 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 104
4 Violoncelles 74
Violoncelle 48
2 Violoncelles (duo) 48
Violon 43

Violon et Piano 29
Alto seul 28
Violoncelle, Piano 22
Trio à Cordes: 3 violoncelles 21
2 Violons (duo) 18
Alto, Piano 18
Harpe 18
Violon, Violoncelle (duo) 18
Quintette à cordes: 2 violons, alto, violoncelle, basse 14
Trio à Cordes: violon, alto, violoncelle 13
Violon, Alto (duo) 8
2 Altos (duo) 8
Trio à cordes 7
Trio à cordes: 3 violins 6
Contrebasse, Piano (duo) 6
Contre Basse 6
Piano Trio: Violon, Alto, Piano 5
Violon (partie séparée) 4
Alto (partie séparée) 4
Trio à Cordes: 2 violons, violoncelle 3
Ensemble de Violoncelles 3
Alto, Violoncelle (duo) 3
Violoncelle (partie séparée) 2
2 Contrebasses (duo) 2
Violon, Contrebasse (duo) 2
Harpe, Voix 1
Trio à Cordes: 2 violons, alto 1
Violoncelle , Guitare (duo) 1
Quatuor à cordes : 4 altos 1
Violon, Guitare (duo) 1
Quatuor à cordes: 4 violons 1

+ 31 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 41
Ensemble Jazz 18
Orchestre 17
Batterie 14
Orchestre à Cordes 12

Ensemble de cuivres 10
Fanfare 7
Orchestre de chambre 6
Cloches 6
Xylophone 2
Marimba 2
Jazz combo 2
Timbales 1
Ensemble de Percussions 1
Vibraphone 1

+ 10 instrumentations

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Vous avez sélectionné:

Yellow

Cor anglais, Piano

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2 partitions trouvées

Goodbye Yellow Brick Road

Goodbye Yellow Brick Road #Cor anglais, Piano #INTERMÉDIAIRE #Rock #Elton John #James M #Goodbye Yellow Brick Road #jmsgu3 #SheetMusicPlus

English Horn,Piano - Level 3 - SKU: A0.547882 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and p...(+)

English Horn,Piano - Level 3 - SKU: A0.547882 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 14 pages. Jmsgu3 #3073405. Published by jmsgu3 (A0.547882). ENGLISH HORN & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. Length: 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda. These are just a few of the surprises to be found within.Â

$53.95 ≈ $72.91

Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano

Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano #Cor anglais, Piano #INTERMÉDIAIRE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...(+)

English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ $26.96

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