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Can Gregorian
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Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19 ≈
$3.01
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Matthew Alan Edwards
#
Matthew Alan Edwards
#
Op. 7 Canzona alla terza "
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Matthew Alan Edwards
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19 ≈
$3.01
Op. 7 Canzona alla terza "Verbum supernum prodiens" (Organ solo)
Op. 7 Canzona alla terza "Verbum supernum prodiens" (Organ solo)
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Orgue
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INTERMÉDIAIRE
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
#
SheetMusicPlus
Organ - Level 3 - SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Score...
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Organ - Level 3 - SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Score. 6 pages. Matthew Alan Edwards #4266213. Published by Matthew Alan Edwards (A0.898551). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. It may be performed in alternatum with one of the choral versions (SATB English, SATB Latin, SSA/TTB Latin, or SSA/TTB English) or with a soloist(s) on the chant or as an organ solo. I have provided the first line of chant below and all six verses in Latin with translations on the next page. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristi Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. Either the two-staff or single-staff version may be performed by solo organ. In the single-staff version, stem direction decisions were made primarily for readability, not to show voice leading. Refer to the four-part, two-staff version for voice leading questions.Also available as SSA/TTB in Latin or English. SATB Latin/English versions coming soon!
$5.99 ≈
$8.22
Cantate Domino
Cantate Domino
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Bertold Hummel
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Cantate Domino
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Schott Music - Digital
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SheetMusicPlus
Men's choir (TTTBBB) a cappella - intermediate - SKU: S9.Q7078 Motet. Composed by Bertold Hummel. This edition: choral score. Schott Choral Music...
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Men's choir (TTTBBB) a cappella - intermediate - SKU: S9.Q7078 Motet. Composed by Bertold Hummel. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Op. 97c. Duration 3 minutes. Schott Music - Digital #Q7078. Published by Schott Music - Digital (S9.Q7078). Latin.This 'utility music' in the best sense of the word is warmly recommended for all male-voice choirs. Bertold Hummel wrote a-cappella choral music mainly for use in church services. He composed Cantate Domino for the longstanding director of the Academy for Catholic Church Music in Regensburg, Hubert Velten, and his vocal ensemble cantARTE. As text he chose those sections of Psalm 98 which, though slightly modified, had already been put to a Gregorian melody around 800.
$4.99 ≈
$6.85
Missa "Cantabo Domino"
Missa "Cantabo Domino"
#
Chorale SATB
#
INTERMÉDIAIRE
#
Bertold Hummel
#
Missa "Cantabo Domino&quo
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Schott Music - Digital
#
SheetMusicPlus
Mixed choir (SATB) - intermediate - SKU: S9.Q6924 Composed by Bertold Hummel. This edition: choral score. Chormusik. Downloadable, Choral score. Op. 16....
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Mixed choir (SATB) - intermediate - SKU: S9.Q6924 Composed by Bertold Hummel. This edition: choral score. Chormusik. Downloadable, Choral score. Op. 16. Duration 14 minutes. Schott Music - Digital #Q6924. Published by Schott Music - Digital (S9.Q6924). Latin.Bertold Hummel's a-cappella choral music was mainly written for being used in services. The missa 'Cantabo Domino' was composed in 1958 for the liturgical festival of a Catholic student community in Freiburg im Breisgau. The piece can be performed by an amateur choir without great effort. Of modern harmony, the mass is exemplarily short and concise, with the comprehensibility of the text being to the fore. Hummel deliberately adjusted the melodic phrasing to the Gregorian chants to form a stylistic unity. This 'utility music' in the best sense of the word is ideal for any choir!
$6.99 ≈
$9.60
"GREGORIAN CANON" in gm for Trombone & Piano
"GREGORIAN CANON" in gm for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Lazaros Delidemos
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"GREGORIAN CANON" in
#
Lazaros Delidemos
#
SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.931494 Composed by Lazaros Delidemos. Romantic Period,Standards,World. Score and part. 2 pages. Lazaros Delidemos #53...
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Piano,Trombone - Level 4 - SKU: A0.931494 Composed by Lazaros Delidemos. Romantic Period,Standards,World. Score and part. 2 pages. Lazaros Delidemos #5302867. Published by Lazaros Delidemos (A0.931494). I wrote this short canon for the graduation recital of one of my students whose name is Gregory. So I named the piece (which is a 2part canon with a free accompaniment) GREGORIAN CANON.
$3.99 ≈
$5.48
GREGORIAN CANON N.2 for Unusual Brass Quartet
GREGORIAN CANON N.2 for Unusual Brass Quartet
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Lazaros Delidemos
#
GREGORIAN CANON N.2 for Unusua
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Lazaros Delidemos
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Tuba - Level 5 - SKU: A0.931500 Composed by Lazaros Delidemos. 20th Century,Concert,Romantic Period,World. Score ...
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Brass Ensemble Euphonium,Horn,Trombone,Tuba - Level 5 - SKU: A0.931500 Composed by Lazaros Delidemos. 20th Century,Concert,Romantic Period,World. Score and parts. 4 pages. Lazaros Delidemos #5987659. Published by Lazaros Delidemos (A0.931500). This is a two-part canon between Trombone & Tuba with harmonic and contrapuntal fillings by the two Horns (just like the first GREGORIAN CANON), but this is more difficult for the two main instruments and so I propose that the Trombone partcould be played by Euphonium.
$5.99 ≈
$8.22
Salve Regina (Gregorian Chant with contemporary chord progression)
Salve Regina (Gregorian Chant with contemporary chord progression)
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Chorale SATB
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FACILE
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Traditional Gregorian Chant
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Bonnie Wong
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Salve Regina
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Maranatha Contemplative Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.798466 Composed by Traditional Gregorian Chant. Arranged by Bonnie Wong. Christian,Sacred,Spiritual. Octavo. 1 ...
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Choral Choir (Mixed) - Level 2 - SKU: A0.798466 Composed by Traditional Gregorian Chant. Arranged by Bonnie Wong. Christian,Sacred,Spiritual. Octavo. 1 pages. Maranatha Contemplative Music #6065563. Published by Maranatha Contemplative Music (A0.798466). Salve Regina, a Marian Hymn based on traditional a Gregorian Chant tune. Traditional sung at Compline, or as the final prayer of the Rosary. This music sheet provides re-arrangement of contemporary chord progression, and here is my YouTube to illustrate how it can be nicely arranged with Clair de Lune: https://youtu.be/pcKvdNYuGB8.
$4.99 ≈
$6.85
Confitemini Domino (Psalm 117-118) - Gregorian Chant
Confitemini Domino (Psalm 117-118) - Gregorian Chant
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Chorale Unison
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Musique Sacrée
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Duarte Domingues
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Duarte Domingues
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Confitemini Domino
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S. Caeciliae Publisher
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SheetMusicPlus
Choral Choir (Unison) - SKU: A0.492593 By Duarte Domingues. By Duarte Domingues. Arranged by Duarte Domingues. A Cappella,Sacred,Spiritual. Octavo. 2 pa...
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Choral Choir (Unison) - SKU: A0.492593 By Duarte Domingues. By Duarte Domingues. Arranged by Duarte Domingues. A Cappella,Sacred,Spiritual. Octavo. 2 pages. S. Caeciliae Publisher #107862. Published by S. Caeciliae Publisher (A0.492593). A little modern gregorian chant of the Psalm 117(118) - Confitemini Domino (Give Glory to the Lord). Can be easily accompanied with the Organ. To be sung by one singer, or a choir in unison.
$1.99 ≈
$2.73
Omnes Gentes Plaudite - Sequenza domenicana per l'Ascensione
Omnes Gentes Plaudite - Sequenza domenicana per l'Ascensione
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Piano, Voix
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Gregorian
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Guido Menestrina
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Omnes Gentes Plaudite - Sequen
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Guido Menestrina
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.828745 Composed by Gregorian. Arranged by Guido Menestrina. Classical,Sacred. Score. 4 pages. Guido Menestrina #2054233. Pub...
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Piano,Vocal,Voice - SKU: A0.828745 Composed by Gregorian. Arranged by Guido Menestrina. Classical,Sacred. Score. 4 pages. Guido Menestrina #2054233. Published by Guido Menestrina (A0.828745). Transcription by Guido Menestrina. Gregorian sequentia from the 13th century, Attributed to Albert the Great, but is apparently the work of another German Dominican called Peregrinus of Cologne, also known as William of Cologne. The text begins with a joyous invitation to celebrate the Ascension in song: Be glad, all ye people, and sing our festive songs, for it is the triumph of Christ! He returns to heaven, leading thither the trophies he has won; and as he ascends, the jubilant sound of the trumpet is heard. 7 is the main rhythmic pattern of the sequence, starting from the incipit of Psalm 46 (O-mnes gen-tes, plau-di-te), but then the poet freeealy weaves among different schemes, from 4 to 8 syllables, and the composer moves it forth to rhythms which would be nowadays considered 4/4 to 11/8. Follow the videoscore on youtube: https://youtu.be/4DwZhl33Ldc.
$4.99 ≈
$6.85
Cantate Domino
Cantate Domino
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Chorale SSAA
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AVANCÉ
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Pascal Martine
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Cantate Domino
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Schott Music - Digital
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SheetMusicPlus
Female choir (SSAA) a cappella - advanced - SKU: S9.Q46578 Composed by Pascal Martine. This edition: choral score. Church service. Schott Choral Music. ...
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Female choir (SSAA) a cappella - advanced - SKU: S9.Q46578 Composed by Pascal Martine. This edition: choral score. Church service. Schott Choral Music. Downloadable, Choral score. Duration 3:30. Schott Music - Digital #Q46578. Published by Schott Music - Digital (S9.Q46578). Latin.Anyone who likes refined rhythms, razor-sharp articulation, lively melismata, and high soprano notes will certainly be in for a treat with the sacred choral composition Cantate Domino by Pascal Martiné. The Latin choral work for four-part a cappella women's choir is almost bubbling over with syncopes and tongue-twisting syllables on the one hand, and melismatic melody lines on the other hand. This a cappella setting for women's choir (SSAA) with verses 1-4 from Psalm 96 lives on the play of musical contrasts, with solemn unison passages that are reminiscent of Gregorian chant alternating with four-part melismatic sections and thus adequately following the work's textual content. A really 'groovy' piece of music!Anyone who likes refined rhythms, razor-sharp articulation, lively melismata, and high soprano notes will certainly be in for a treat with the sacred choral composition Cantate Domino by Pascal Martiné. The Latin choral work for four-part a cappella women's choir is almost bubbling over with syncopes and tongue-twisting syllables on the one hand, and melismatic melody lines on the other hand. This setting with verses 1-4 from Psalm 96 lives on the play of musical contrasts.
$4.99 ≈
$6.85
Meditation on Cantate Domino, Op. 260 (Organ Solo) by Vidas Pinkevicius
Meditation on Cantate Domino, Op. 260 (Organ Solo) by Vidas Pinkevicius
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Orgue
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FACILE
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Vidas Pinkevicius
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Meditation on Cantate Domino,
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Secrets of Organ Playing
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1416505 Composed by Vidas Pinkevicius. Christian,Classical,Contemporary,Easter,Sacred. Score. 4 pages. Secrets of Organ Playin...
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Organ - Level 2 - SKU: A0.1416505 Composed by Vidas Pinkevicius. Christian,Classical,Contemporary,Easter,Sacred. Score. 4 pages. Secrets of Organ Playing #998185. Published by Secrets of Organ Playing (A0.1416505). This meditation is based on the Gregorian chant Introit Cantate Domino for Easter time. The tune is heard in the right hand part on the solo registration while the left hand and pedals play colourful ostinato patterns around it. This composition will be very effective in liturgical organ playing and concert programs whenever gentle and calm music is appropriate. Dedicated to Philippe Le Gargean.
$4.99 ≈
$6.85
Jean-Thierry Boisseau: Incanations 1 on Ave Maris Stella for soprano, Bb clarinet and organ
Jean-Thierry Boisseau: Incanations 1 on Ave Maris Stella for soprano, Bb clarinet and organ
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Jean-Thierry Boisseau
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Jean-Thierry Boisseau: Incanat
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Clarinet,High Voice,Instrumental Duet - Level 4 - SKU: A0.534725 Composed by Jean-Thierry Boisseau. 20th Century,Sacred. Score and par...
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Instrumental Duet Clarinet,High Voice,Instrumental Duet - Level 4 - SKU: A0.534725 Composed by Jean-Thierry Boisseau. 20th Century,Sacred. Score and parts. 19 pages. Musik Fabrik Music Publishing #6360477. Published by Musik Fabrik Music Publishing (A0.534725). A fantasy based on the Gregorian theme Ave Maris Stella by the noted French composer.
$19.95 ≈
$27.39
Jean-Thierry Boisseau: Incanations 1 on Ave Maris Stella for soprano, english horn in F and organ
Jean-Thierry Boisseau: Incanations 1 on Ave Maris Stella for soprano, english horn in F and organ
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Jean-Thierry Boisseau
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Jean-Thierry Boisseau: Incanat
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble English Horn,High Voice,Organ - Level 3 - SKU: A0.534726 Composed by Jean-Thierry Boisseau. 20th Century,Sacred. Score and parts. 19 page...
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Small Ensemble English Horn,High Voice,Organ - Level 3 - SKU: A0.534726 Composed by Jean-Thierry Boisseau. 20th Century,Sacred. Score and parts. 19 pages. Musik Fabrik Music Publishing #6360481. Published by Musik Fabrik Music Publishing (A0.534726). A fantasy based on the Gregorian theme Ave Maris Stella by the noted French composer.
$19.95 ≈
$27.39
Jean-Thierry Boisseau: Incanations 1 on Ave Maris Stella for soprano, alto saxophone and organ
Jean-Thierry Boisseau: Incanations 1 on Ave Maris Stella for soprano, alto saxophone and organ
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Musique Sacrée
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Jean-Thierry Boisseau
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Jean-Thierry Boisseau: Incanat
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Alto Saxophone,High Voice,Organ - Level 4 - SKU: A0.534724 Composed by Jean-Thierry Boisseau. Sacred. Score and parts. 19 pages. Musik Fa...
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Small Ensemble Alto Saxophone,High Voice,Organ - Level 4 - SKU: A0.534724 Composed by Jean-Thierry Boisseau. Sacred. Score and parts. 19 pages. Musik Fabrik Music Publishing #6360473. Published by Musik Fabrik Music Publishing (A0.534724). A fantasy based on the Gregorian theme Ave Maris Stella by the noted French composer.
$19.95 ≈
$27.39
Cantiones Gregorianae pro organo
Cantiones Gregorianae pro organo
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Orgue
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Joseph Ahrens
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Cantiones Gregorianae pro orga
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Schott Music - Digital
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SheetMusicPlus
Organ - SKU: S9.Q2341 Composed by Joseph Ahrens. This edition: Sheet music. Downloadable. Op. 1. Schott Music - Digital #Q2341. Published by Schott Musi...
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Organ - SKU: S9.Q2341 Composed by Joseph Ahrens. This edition: Sheet music. Downloadable. Op. 1. Schott Music - Digital #Q2341. Published by Schott Music - Digital (S9.Q2341).
$18.99 ≈
$26.07
Cantiones Gregorianae pro organo
Cantiones Gregorianae pro organo
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Orgue
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Joseph Ahrens
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Cantiones Gregorianae pro orga
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Schott Music - Digital
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SheetMusicPlus
Organ - SKU: S9.Q23894 Composed by Joseph Ahrens. This edition: Sheet music. Downloadable. Op. 3. Schott Music - Digital #Q23894. Published by Schott Mu...
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Organ - SKU: S9.Q23894 Composed by Joseph Ahrens. This edition: Sheet music. Downloadable. Op. 3. Schott Music - Digital #Q23894. Published by Schott Music - Digital (S9.Q23894).
$23.99 ≈
$32.94
Canto Gregoriano
Canto Gregoriano
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Orchestre à Cordes
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INTERMÉDIAIRE
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Cristhian FermÃn
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Canto Gregoriano
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Cristhian FermÃn
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1029109 Composed by Cristhian FermÃn. Concert,Contemporary,Spiritual,World. Score and parts. 2 pages. Cristhian ...
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String Orchestra - Level 3 - SKU: A0.1029109 Composed by Cristhian FermÃn. Concert,Contemporary,Spiritual,World. Score and parts. 2 pages. Cristhian FermÃn #4629417. Published by Cristhian FermÃn (A0.1029109). String quartet with explosive and peaceful vibes.
$5.00 ≈
$6.87
Gloria in excelsis Deo
Gloria in excelsis Deo
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Piano seul
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FACILE
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Various
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Sérgio Matias da Cunha
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Gloria in excelsis Deo
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Sérgio Matias da Cunha
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1292774 By Various. By Canto gregoriano - Tradicional Francês. Arranged by Sérgio Matias da Cunha. Christian,Christ...
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Piano Solo - Level 2 - SKU: A0.1292774 By Various. By Canto gregoriano - Tradicional Francês. Arranged by Sérgio Matias da Cunha. Christian,Christmas,Religious,Traditional. Score. 1 pages. Sérgio Matias da Cunha #883340. Published by Sérgio Matias da Cunha (A0.1292774). Arranjo claro, objetivo, conciso e acessÃvel apresentando marcações de cifra, células rÃtmicas envolvendo quartos de tempo, sinais de intensidade, sinais de expressão e ornamentos, buscando a maior fidelidade com a versão original através das notas mais marcantes e caracterÃsticas, visando o melhor resultado com simplicidade e harmonia. Acompanhamento diversificado, valorizando cada parte da melodia através de movimentos que melhor se integram com os diferentes momentos rÃtmicos e demais intensões. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$4.99 ≈
$6.85
TE DEUM - Score Only
TE DEUM - Score Only
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Orchestre
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Musique Sacrée
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LORENZO ONDARRA QUINTANA
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TE DEUM - Score Only
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OE OFICINA
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SheetMusicPlus
Full Orchestra - SKU: A0.1112762 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #714754. Published ...
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Full Orchestra - SKU: A0.1112762 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #714754. Published by OE OFICINA (A0.1112762). Para 4 voces mixtas y orquesta sinfónica - I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$24.99 ≈
$34.31
TE DEUM Reducción para piano y 4 voces mixtas - Score Only
TE DEUM Reducción para piano y 4 voces mixtas - Score Only
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Orchestre
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Musique Sacrée
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LORENZO ONDARRA QUINTANA
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TE DEUM Reducción para
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OE OFICINA
#
SheetMusicPlus
Full Orchestra - SKU: A0.1112703 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published ...
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Full Orchestra - SKU: A0.1112703 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published by OE OFICINA (A0.1112703). Para 4 voces mixtas y orquesta sinfónica - REDUCCIÓN A 4 voces mixtas y piano In I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$14.90 ≈
$20.46
Jesu dulcis - Motet for SATB choir a cappella
Jesu dulcis - Motet for SATB choir a cappella
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Chorale SATB
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FACILE
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Santino Cara
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Jesu dulcis - Motet for SATB c
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Santino Cara
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.516720 Composed by Santino Cara. A Cappella,Christian,Sacred. Octavo. 3 pages. Santino Cara #550949. Published b...
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Choral Choir (SATB) - Level 2 - SKU: A0.516720 Composed by Santino Cara. A Cappella,Christian,Sacred. Octavo. 3 pages. Santino Cara #550949. Published by Santino Cara (A0.516720). Sacred Motet for SATB choir a cappella composed in Rome in 1983 by Santino Cara on an Anonymous text of the Gregorian Chant. == Mottetto sacro per coro SATB a cappella composto a Roma nel 1983 da Santino Cara sul testo di Anonimo del Canto Gregoriano.
$5.40 ≈
$7.41
Expectans expectavi
Expectans expectavi
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Kees Schoonenbeek
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Expectans expectavi
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SheetMusicPlus
SATB - Intermediate - Digital Download Composed by Kees Schoonenbeek. Contemporary Christian. 4 pages. Published by Canzona Music...
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SATB - Intermediate - Digital Download Composed by Kees Schoonenbeek. Contemporary Christian. 4 pages. Published by Canzona Music
?Expectans? is religious music, it's an Offertorium, originally part of the 'Proprium', Gregorian chant. You can sing it in the church, you can sing it as a part of a concert. The duration is 2 and a half minute. My Performing Rights Organization is BUMA, IP Base nummer: 1-001156705-6. I'm on FaceBook and LinkedIn.
$3.99 ≈
$5.48
Dextera Domini
Dextera Domini
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Kees Schoonenbeek
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Dextera Domini
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Canzona Music
#
SheetMusicPlus
SATB - Intermediate - Digital Download Composed by Kees Schoonenbeek. Contemporary Christian. Score. 4 pages. Published by Canzona Music ...
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SATB - Intermediate - Digital Download Composed by Kees Schoonenbeek. Contemporary Christian. Score. 4 pages. Published by Canzona Music
'Dextera Domini' is religious music, it's an Offertorium, originally part of the 'Proprium', Gregorian chant. You can sing it in the church, you can sing it as a part of a concert. The duration is 2 and a half minute. My Performing Rights Organization is BUMA, IP Base nummer: 1-001156705-6. I'm on FaceBook and LinkedIn.
$3.99 ≈
$5.48
GREGORIAN CANON for unusual brass quartet
GREGORIAN CANON for unusual brass quartet
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Lazaros Delidemos
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GREGORIAN CANON for unusual br
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Lazaros Delidemos
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.931498 Composed by Lazaros Delidemos. Romantic Period,Standards,World. Score and parts. 5 pages. Lazaros Delidemos #5...
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Brass Ensemble - Level 4 - SKU: A0.931498 Composed by Lazaros Delidemos. Romantic Period,Standards,World. Score and parts. 5 pages. Lazaros Delidemos #5754193. Published by Lazaros Delidemos (A0.931498). I wrote this piece for trombone and piano and sometime later I arranged it for a brass quartet of the unusual combination of two horns, trombone and bass tuba. I gave it the name of one of my students, for whose graduation recital I wrote it.
$5.99 ≈
$8.22
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