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Mimi's Suite
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Vous avez sélectionné:
Mimi's Suite
Partitions à imprimer
15 partitions trouvées
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1
Mimi's Suite
Mimi's Suite
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Guitare
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INTERMÉDIAIRE
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Mark Houghton
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Mimi's Suite
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Les Productions d'OZ - Digital
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SheetMusicPlus
By Mark Houghton. For solo guitar. Level 3. Published by Les Productions d'OZ - Digital ...
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By Mark Houghton. For solo guitar. Level 3. Published by Les Productions d'OZ - Digital
$8.95 ≈
$12.06
Ravel: Ma Mère L'Oye (Mother Goose Suite) 4 mvts - symphonic wind dectet/bass
Ravel: Ma Mère L'Oye (Mother Goose Suite) 4 mvts - symphonic wind dectet/bass
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Contemporain
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Maurice Ravel
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Ray Thompson Music
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Ravel: Ma Mère L'Oye
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.516588 Composed by Maurice Ravel. Arranged by Ray Thompson Music. 20th Century,Classica...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.516588 Composed by Maurice Ravel. Arranged by Ray Thompson Music. 20th Century,Classical. 56 pages. RayThompsonMusic #127305. Published by RayThompsonMusic (A0.516588). Ravel originally wrote Ma Mère l'Oye as a piano duet for the Godebski children, Mimi and Jean, ages 6 and 7. Ravel dedicated this work for four hands to the children (just as he had dedicated an earlier work, Sonatine, to their parents). Jeanne Leleu and Geneviève Durony. It bears the subtitle cinq pièces enfantines (five children's pieces). Ravel later orchestrated the piece. This arrangement contains 4 of the 5 movements. IT does NOT include mvt.3 Laideronnette, impératrice des pagodes: Mouvt de marche (Little Ugly Girl, Empress of the Pagodas) Mvts included are: I.Pavane de la Belle au bois dormant: Lent (Pavane of Sleeping Beauty) II.Petit Poucet: Très modéré (Little Tom Thumb / Hop-o'-My-Thumb) IV.Les entretiens de la belle et de la bête: Mouvt de valse très modéré (Conversation of Beauty and the Beast) V.Le jardin féerique: Lent et grave (The Fairy Garden) It is arranged for double wind quintet/bass.
$24.95 ≈
$33.62
Ravel: Ma Mère L'Oye (Mother Goose Suite) II Petite Poucet (Tom Thumb) - wind quintet
Ravel: Ma Mère L'Oye (Mother Goose Suite) II Petite Poucet (Tom Thumb) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Maurice Ravel
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Ray Thompson
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Ravel: Ma Mère L'Oye
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553214 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553214 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th Century,Children,Holiday,Wedding. 8 pages. RayThompsonMusic #14671. Published by RayThompsonMusic (A0.553214). Ravel originally wrote Ma mère l'Oye as a piano duet for the Godebski children, Mimi and Jean, ages 6 and 7. Ravel dedicated this work for four hands to the children (just as he had dedicated an earlier work, Sonatine, to their parents). Jeanne Leleu and Geneviève Durony. It bears the subtitle cinq pièces enfantines (five children's pieces). Ravel later orchestrated the piece.This is the second movement. I have arranged it for wind quintet. Looks easy to play, but requires accurate methodical playing by all 5 musicians.Other movements are available
$11.95 ≈
$16.10
Carillon from "L'Arlesienne Suite No. 1" for Flute Quartet
Carillon from "L'Arlesienne Suite No. 1" for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Classique
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Georges Bizet
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Diego Marani
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Carillon from "L'Arlesien
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528062 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Concert,Instructional...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528062 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 18 pages. Diego Marani #4634583. Published by Diego Marani (A0.528062). Georges Bizet composed L'Arlésienne as incidental music to Alphonse Daudet's play of the same name, usually translated as The Girl from Arles. Bizet arranged his work into a suite of four movements. Now known as L'Arlésienne Suite No. 1, the suite used a full symphony orchestra but without the chorus.In this arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) we have Carillon, the last movement of the suite. It features a repeating bell-tone pattern, mimicking a peal of church bells.
$12.90 ≈
$17.38
Carillon from "L'Arlesienne Suite No. 1" for Brass Quartet
Carillon from "L'Arlesienne Suite No. 1" for Brass Quartet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
#
Classique
#
Georges Bizet
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Diego Marani
#
Carillon from "L'Arlesien
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Diego Marani
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528063 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Concert,Instructiona...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528063 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 18 pages. Diego Marani #4635199. Published by Diego Marani (A0.528063). Georges Bizet composed L'Arlésienne as incidental music to Alphonse Daudet's play of the same name, usually translated as The Girl from Arles. Bizet arranged his work into a suite of four movements. Now known as L'Arlésienne Suite No. 1, the suite used a full symphony orchestra but without the chorus.In this arrangement for brass quartet (Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba) we have Carillon, the last movement of the suite. It features a repeating bell-tone pattern, mimicking a peal of church bells.
$12.90 ≈
$17.38
Carillon from "L'Arlesienne Suite No. 1" for Saxophone Quartet
Carillon from "L'Arlesienne Suite No. 1" for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
#
Classique
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Georges Bizet
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Diego Marani
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Carillon from "L'Arlesien
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Diego Marani
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528059 Composed by Georges Bi...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528059 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 16 pages. Diego Marani #4633309. Published by Diego Marani (A0.528059). Georges Bizet composed L'Arlésienne as incidental music to Alphonse Daudet's play of the same name, usually translated as The Girl from Arles. Bizet arranged his work into a suite of four movements. Now known as L'Arlésienne Suite No. 1, the suite used a full symphony orchestra but without the chorus.In this arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) we have Carillon, the last movement of the suite. It features a repeating bell-tone pattern, mimicking a peal of church bells.
$12.90 ≈
$17.38
Carillon from "L'Arlesienne Suite No. 1" for Saxophone Ensemble
Carillon from "L'Arlesienne Suite No. 1" for Saxophone Ensemble
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Ensemble de saxophones
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INTERMÉDIAIRE
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Classique
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Georges Bizet
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Diego Marani
#
Carillon from "L'Arlesien
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Diego Marani
#
SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528065 Composed by Georges Bizet. Arranged by ...
(+)
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528065 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 43 pages. Diego Marani #4639501. Published by Diego Marani (A0.528065). Georges Bizet composed L'Arlésienne as incidental music to Alphonse Daudet's play of the same name, usually translated as The Girl from Arles. Bizet arranged his work into a suite of four movements. Now known as L'Arlésienne Suite No. 1, the suite used a full symphony orchestra but without the chorus.In this arrangement for sax choir (Eb Sopranino, Bb Soprano 1-2, Eb Alto 1-2-3, Bb Tenor 1-2-3, Eb Baritone 1-2, Bb Bass) we have Carillon, the last movement of the suite. It features a repeating bell-tone pattern, mimicking a peal of church bells.
$19.90 ≈
$26.82
Carillon from "L'Arlesienne Suite No. 1" for Brass Quintet
Carillon from "L'Arlesienne Suite No. 1" for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Georges Bizet
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Diego Marani
#
Carillon from "L'Arlesien
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Diego Marani
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528064 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Concert,Instructiona...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528064 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 21 pages. Diego Marani #4638301. Published by Diego Marani (A0.528064). Georges Bizet composed L'Arlésienne as incidental music to Alphonse Daudet's play of the same name, usually translated as The Girl from Arles. Bizet arranged his work into a suite of four movements. Now known as L'Arlésienne Suite No. 1, the suite used a full symphony orchestra but without the chorus.In this arrangement for brass quintet (Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba) we have Carillon, the last movement of the suite. It features a repeating bell-tone pattern, mimicking a peal of church bells.
$14.90 ≈
$20.08
Carillon from "L'Arlesienne Suite No. 1" for String Quartet
Carillon from "L'Arlesienne Suite No. 1" for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Georges Bizet
#
Diego Marani
#
Carillon from "L'Arlesien
#
Diego Marani
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.528061 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Concert,Instr...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.528061 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 16 pages. Diego Marani #4634099. Published by Diego Marani (A0.528061). Georges Bizet composed L'Arlésienne as incidental music to Alphonse Daudet's play of the same name, usually translated as The Girl from Arles. Bizet arranged his work into a suite of four movements. Now known as L'Arlésienne Suite No. 1, the suite used a full symphony orchestra but without the chorus.In this arrangement for string quartet (Violin I, Violin II, Viola, Cello) we have Carillon, the last movement of the suite. It features a repeating bell-tone pattern, mimicking a peal of church bells.
$12.99 ≈
$17.50
Prelude (from Suite No. 1 for Solo Cello) (BWV 1007) by JS Bach - arr for Solo Guitar in C major
Prelude (from Suite No. 1 for Solo Cello) (BWV 1007) by JS Bach - arr for Solo Guitar in C major
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Pietro Prugna
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Prelude
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Pietro Prugna
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1077358 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. Indivi...
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Solo Guitar - Level 3 - SKU: A0.1077358 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. Individual part. 2 pages. Pietro Prugna #681538. Published by Pietro Prugna (A0.1077358). This is a very popular Solo Cello piece by JS Bach. It was written in G major. In this arrangement for Solo Guitar, it is transposed to C major to allow the lowest note to be F. This arrangement does not require the guitar to have an alternate tuning. Some right hand fingerings are added to help the guitarist mimic the cello's bowing (bars 33-36).
$1.99 ≈
$2.68
Christ Child's Lullaby for Clarinet Choir
Christ Child's Lullaby for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Traditional from the Hebrides
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Cheryl Bray Jackson
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Christ Child's Lullaby for Cla
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Cheryl Bray Jackson
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.971163 Composed by Traditional from the Hebrides Islands. Arranged by Cheryl Bray Jackson. Christian,Chri...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.971163 Composed by Traditional from the Hebrides Islands. Arranged by Cheryl Bray Jackson. Christian,Christmas. 17 pages. Cheryl Bray Jackson #6096977. Published by Cheryl Bray Jackson (A0.971163). The instruments mimic the sound of bagpipes. Breath control is necessary to perform the piece successfully. Suited to intermediate level. .
$12.99 ≈
$17.50
I Had Much Grief
I Had Much Grief
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,C...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94 ≈
$10.70
Ring-Tailed Lemur
Ring-Tailed Lemur
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Piano Facile
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FACILE
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Lorna Paterson
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Ring-Tailed Lemur
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Lorna E. Paterson
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1096294 Composed by Lorna Paterson. 20th Century,Children,Contemporary,Contest,Festival,Instructional. Score. 2 pages. Lo...
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Easy Piano - Level 2 - SKU: A0.1096294 Composed by Lorna Paterson. 20th Century,Children,Contemporary,Contest,Festival,Instructional. Score. 2 pages. Lorna E. Paterson #700258. Published by Lorna E. Paterson (A0.1096294). This lively piece in B-flat major has 16th note patterns that can develop technical facility. The playful quality mimics the social nature of the ring-tailed lemur. This early intermediate level piece is one of a number of animal themed children's pieces in collections called Safari Suite and Pianimals by Lorna Paterson. www.lornapaterson.com.
$1.99 ≈
$2.68
Bach to Africa
Bach to Africa
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Guitare
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard Hirsch
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. ...
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Solo Guitar - Level 5 - SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99 ≈
$6.72
Chopin Etude Op. 10 No. 11 transcribed for solo violin
Chopin Etude Op. 10 No. 11 transcribed for solo violin
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Violon
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AVANCÉ
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Classique
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Frederic Chopin
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Jacob Niederhoffer
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Chopin Etude Op. 10 No. 11 tra
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Jacob Niederhoffer
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1203946 Composed by Frederic Chopin. Arranged by Jacob Niederhoffer. 19th Century,Classical,Romantic Period. 4 pages. Ja...
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Violin Solo - Level 5 - SKU: A0.1203946 Composed by Frederic Chopin. Arranged by Jacob Niederhoffer. 19th Century,Classical,Romantic Period. 4 pages. Jacob Niederhoffer #802511. Published by Jacob Niederhoffer (A0.1203946). Frederic Chopin's Arpeggio or Guitar Etude from the Op. 10 set , transcribed in a virtuosic arrangement for solo violin. The violin is well-suited to mimic the Etude's strumming texture, illustrating Chopin's florid harmonic writing while maintaining the continuity of the melodic line throughout.
$12.99 ≈
$17.50
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Mimi's Suite
