Partitions Numériques de Give It All pour Clarinette Basse

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Give It All
Non classifié 881

Piano & claviers
Piano seul 369
Piano, Voix 142
Piano Facile 103
Piano, Voix et Guitare 70
Orgue 36

Instruments en Do 22
Accompagnement Piano 12
Piano Quatuor: piano, violon, alto, violoncelle 7
Piano Trio: piano, violon, violoncelle 6
1 Piano, 4 mains 6
2 Pianos, 4 mains 5
Accordéon 4
Clavecin 3
Piano (partie séparée) 3
Piano Quatuor: piano, 2 violons, violoncelle 1
Orgue, Piano (duo) 1
1 Piano, 6 mains 1

+ 12 instrumentations

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Guitares
Guitare 76
Guitare notes et tablatures 27
Ligne De Mélodie, (Paroles) et Accords 12
4 Guitares (Quatuor) 9
Guitare (partie séparée) 6

Basse electrique 6
Ukulele 6
Banjo 4
2 Guitares (duo) 4
Ensemble de guitares 3
3 Guitares (trio) 2
Mandoline 2
Basse électrique (partie séparée) 1
2 Dulcimers (duo) 1
Paroles et Accords 1
Ensemble de Ukulélés 1

+ 11 instrumentations

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Voix
Chorale Unison 357
Chorale SATB 237
Chorale 3 parties 62
Chorale 2 parties 35
Chorale TTBB 28

Chorale SSAA 18
Voix Soprano, Piano 8
Voix Alto, Piano 8
Voix duo, Piano 4
Voix haute 3
Chorale SSATTB 3
Voix seule 3
Voix Tenor, Piano 2
Voix Tenor 1
Voix basse, Piano 1
Voix moyenne, Piano 1
Voix duo 1
Voix Baryton, Piano 1
Chorale SSAATTBB 1
Chorale 1

+ 15 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 63
Quatuor de Saxophones: 4 saxophones 52
Ensemble de saxophones 44
Flûte traversière et Piano 32
Quintette de Saxophone: 5 saxophones 31

Flûte, Hautbois, Clarinette, Basson 27
Quatuor de Clarinettes: 4 clarinettes 26
Saxophone (partie séparée) 23
Clarinette et Piano 22
Saxophone Alto et Piano 21
2 Flûtes traversières (duo) 19
Ensemble de Flûtes 17
Ensemble de Clarinettes 16
Hautbois, Piano (duo) 16
2 Saxophones (duo) 15
3 Saxophones (trio) 14
Flûte traversière 13
Saxophone Tenor et Piano 11
Quintette de Clarinettes: 5 clarinettes 11
Quatuor de Flûtes : 4 flûtes 10
3 Clarinettes (trio) 8
2 Clarinettes (duo) 7
Trio de Flûtes: 3 flûtes 6
Quintette de Flûte : 5 flûtes 6
Saxophone Soprano et Piano 6
Saxophone Alto 5
Clarinette (partie séparée) 5
Saxophone Tenor 4
Hautbois (partie séparée) 4
Clarinette 4
Clarinette, Basson (duo) 4
2 Flûte à bec (duo) 4
Flûte, Clarinette (duo) 4
Flûte, Hautbois, Clarinette (trio) 3
Flute (partie séparée) 3
Saxophone, Clarinette (duo) 3
Saxophone Baryton, Piano 3
Hautbois, Clarinette, Basson (trio d'anches) 3
Flûte et Guitare 2
Quatuor de Flûtes à bec 2
Flûte, Hautbois, Basson 2
Flûte, Hautbois (duo) 2
Cor anglais, Piano 2
5 Flûtes à bec 2
Clarinette Basse, Piano 2
Hautbois, Guitare (duo) 2
Clarinette, Violoncelle (duo) 1
Flûte, Violon, Piano 1
Flûte à Bec 1
Saxophone et Orgue 1
Clarinette Basse 1

Flûte à bec Alto, Piano 1
Flûte à bec Soprano 1
Flûte, Clarinette et Basson 1
Flûte, Violoncelle, Piano (trio) 1
Flûte à bec Alto 1
3 Flûtes à bec (trio) 1
Flûte, Violon et Violoncelle 1
2 Hautbois (duo) 1
Ensemble de Hautbois 1
Flûte à bec Tenor 1
Saxophone et Harpe 1
Clarinette, Violon (duo) 1
Flûte, Clarinette, Piano (trio) 1
Saxophone 1
Clarinette, Harpe (duo) 1

+ 61 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 64
Quatuor de Cuivres : 2 trompettes, trombone, tuba 32
Trombone (partie séparée) 23
Trompette (partie séparée) 18
Trompette 16

Trompette, Piano 14
Quatuor de Cuivres 13
Cor et Piano 11
Ensemble de Trombones 11
Trombone 11
Trombone et Piano 9
Tuba et Piano 9
Ensemble de Trompettes 7
Quatuor de Cuivres: 2 trompettes, Cor, trombone 7
Ensemble de Cors 6
Cor (partie séparée) 6
Tuba 6
Trompette, Trombone (duo) 5
2 Trompettes (duo) 5
Cor 5
Tuba (partie séparée) 4
Trio de Cuivres 4
2 Cors (duo) 3
2 Trombones (duo) 3
3 Trombones (trio) 2
Quatuor de cuivres: 4 trombones 2
Cor anglais, Piano 2
3 Trompettes (trio) 2
Euphonium, Piano (duo) 2
2 Euphoniums (duo) 1
Cor et Harpe 1
Trombone basse 1
2 Tubas (duo) 1
2 Euphoniums et 2 Tubas 1
Quatuor de cuivres: 4 cors 1
Trombone, Orgue 1
4 Tubas 1
Trompette, Harpe 1
Cor et Orgue 1
Euphonium 1
Trompette, Euphonium (duo) 1
Quatuor de cuivres: 4 trompettes 1

+ 37 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 286
Violon, Violoncelle (duo) 160
Trio à Cordes: violon, alto, violoncelle 140
Violon 131
Violon et Piano 38

Harpe 35
Quintette à cordes: 2 violons, alto, violoncelle, basse 27
Alto, Piano 15
2 Violons (duo) 13
2 Violoncelles (duo) 13
Violoncelle, Piano 13
Violon, Alto (duo) 13
Trio à Cordes: 2 violons, violoncelle 11
Violoncelle 9
2 Altos (duo) 9
4 Violoncelles 7
Violon (partie séparée) 6
Contrebasse (partie séparée) 5
Alto seul 5
Alto (partie séparée) 4
Quintette à cordes: 2 violons, 2 altos, violoncelle 4
Trio à Cordes: 3 violoncelles 4
2 Harpes (duo) 3
Violoncelle , Guitare (duo) 3
Ensemble de Violons 2
Trio à cordes: 3 violins 2
Trio à Cordes: 2 violons, alto 2
Contrebasse, Piano (duo) 2
Quatuor à cordes : 4 altos 2
Ensemble d'Altos 2
4 Contrebasses 2
Quatuor à cordes: 4 violons 2
Harpe, Voix 2
Violoncelle (partie séparée) 1
Harpe, Flûte (duo) 1
Trio à cordes: 3 altos 1
Violoncelle, Orchestre 1
Alto et Harpe 1
Contre Basse 1
Violoncelle, Contrebasse (duo) 1
Violon, Guitare (duo) 1
Alto, Violoncelle (duo) 1
4 Harpes 1

+ 38 instrumentations

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Percussions & orchestre
Orchestre à Cordes 162
Orchestre d'harmonie 152
Orchestre 79
Cloches 74
Ensemble de cuivres 47

Ensemble Jazz 36
Orchestre de chambre 28
Fanfare 17
Batterie 12
Ensemble de Percussions 12
Jazz combo 8
Batterie (partie séparée) 7
Marimba 4
Percussion (partie séparée) 4
Vibraphone 3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier 1
Piano et Orchestre 1
Orchestre, Violon 1
Xylophone, Piano 1

+ 14 instrumentations

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Give It All

Clarinette Basse

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Saint-Saëns: The Swan for Bass Clarinet & Piano

Saint-Saëns: The Swan for Bass Clarinet & Piano #Clarinette Basse #INTERMÉDIAIRE #Classique #Camille Saint-Saens #James M #Saint-Saëns: The Swan for #jmsgu3 #SheetMusicPlus

Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...(+)

Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

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