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Robert S
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THE BLACK CAT WALTZ (One Piano / Four Hands) By Robert Van Horne
THE BLACK CAT WALTZ (One Piano / Four Hands) By Robert Van Horne
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1 Piano, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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ROBERT VAN HORNE
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THE BLACK CAT WALTZ
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White Piano International Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 4 - SKU: A0.914984 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Children,Classical,Holiday,In...
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Instrumental Duet Instrumental Duet - Level 4 - SKU: A0.914984 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Children,Classical,Holiday,Instructional,Jazz. Score and parts. 7 pages. White Piano International Publishing #6720309. Published by White Piano International Publishing (A0.914984). THE BLACK CAT WALTZ (Piano Duet) One Piano / Four HandsAdvanced Intermediate Approx. Performance TIme: 2:306 PagesOriginally composed in 2002 as a piano solo, THE BLACK CAT WALTZ was arranged years later as a One Piano, Four Hands Duet in 2010.The sheet music is clearly notated with dynamic and articulation marks, phrasing, suggested fingerings and appropriate musical terms for playing.Both Primo and Secondo players each have numbered measures and sections with easy to locate corresponding bars.The piece is written in the key of D minor. It then changes to G minor at measure 76 giving a refreshing color to the melody.THE BLACK CAT WALTZ (Duet) makes a wonderful piano selection for two advanced intermediate students - great for teaching ensemble techniques. It is an appropriate piece for Halloween, recitals and school musical events...a delightful listening treat for audiences.The sample music is a March 13, 2011 premier live performance at the KPMF Piano Ensemble Club Spring Concert performed by Hiro Nakae and Ryota Watanabe, both students of Yoko Kurosawa. Here is their video: http://www.youtube.com/watch?v=8rDI5JwiLOYA Youtube video of Robert's original solo performance of THE BLACK CAT WALTZ in 2009 is available at: http://www.youtube.com/watch?v=qGtzxCdSlrQRobert's Official Website: www.robertvanhorne.comASCAP AffiliationWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$5.99 ≈
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Claude Debussy: Prléude à L'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Reci...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)
Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwall and that ?Isolde of the White Hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.
The idea of a Tristan that restored its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.
Unfortunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bédier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l?acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ?angel of corrections? [?l?ange des Corrections?] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
¥278.29
Bach's Prelude and Fugue in E-Flat, BWV 552
Bach's Prelude and Fugue in E-Flat, BWV 552
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Robert S
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Bach's Prelude and Fugue in E-
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Robert Wallace, II
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.881579 Composed by Johann Sebastian Bach. Arranged by Robert S. Wallace, II. Baroque. Score and parts. 56 pages. Robe...
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Brass Ensemble - Level 4 - SKU: A0.881579 Composed by Johann Sebastian Bach. Arranged by Robert S. Wallace, II. Baroque. Score and parts. 56 pages. Robert Wallace, II #3570055. Published by Robert Wallace, II (A0.881579). Bach's Prelude and Fugue in E-Flat, BWV 552, often called The Saint Anne, is played by organists around the world as recital music. Here is an accessible arrangement [score and parts included] for Brass Quintet. Either movement can be performed alone, or both together for about 15 minutes. .
$75.00 ≈
¥535.85
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ?L?Histoire de Tristan?
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ?angel of corrections? [?l?ange des Corrections?] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
¥278.29
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Claude Debussy/Robert Orledge:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. ...
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.
Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwal and that ?Isolde of the white hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.
The idea of a Tristan that restorced its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.
Unforunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bédier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
$19.95 ≈
¥142.54
AMOUR LOINTAIN (LOVE FROM AFAR) Piano Solo by ROBERT VAN HORNE
AMOUR LOINTAIN (LOVE FROM AFAR) Piano Solo by ROBERT VAN HORNE
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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AMOUR LOINTAIN
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.914972 Composed by ROBERT VAN HORNE. 20th Century,Classical,Instructional,New Age,Romantic Period. Score. 9 pages. White ...
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Piano Solo - Level 4 - SKU: A0.914972 Composed by ROBERT VAN HORNE. 20th Century,Classical,Instructional,New Age,Romantic Period. Score. 9 pages. White Piano International Publishing #6448451. Published by White Piano International Publishing (A0.914972). AMOUR LOINTAIN (LOVE FROM AFAR) Advanced Intermediate Piano Soloby ROBERT VAN HORNE9 Pages In 2010, AMOUR LOINTAIN (LOVE FROM AFAR) won 2nd in the Division 7 State Contest sponsored by the Music Teachers' Association Of California. After attending a piano concert in 2009 featuring several works by Maurice Ravel, Robert was inspired to write this piano work in the style of the Impressionistic French composers. It comprises lyrical melodies in mostly 9/8 and 5/4 meters and sequential patterns, using predominately notes from the whole tone scales. The left hand ostinato occurs mostly throughout while the right hand melody is heard in different keys. As the piece concludes, there is a brief reprise of the waltz melody that slowly fades away. The score is clearly and carefully notated with dynamic marks, phrasing, pedal indications, suggested fingerings, and appropriate musical terms for playing. This piano solo makes a wonderful recital and encore piece that will delight audiences...ideal for both students and professionals. Duration time is about 4:30. A 2021 Youtube video of Robert's performance is available at: https://www.youtube.com/watch?v=V-i0GHRycok AMOUR LOINTAIN was premiered by pianist, Karen Sugano on July 3, 2010 at the 100th Music Teachers' Association of California Convention held at the LAX Marriott Hotel in Los Angeles.  Here is the video link of her performance: http://www.youtube.com/watch?v=yQUzUezA-vo Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.comRobert is a member of ASCAP       ÂÂ
$6.99 ≈
¥49.94
Robert Anchipolovsky solo on "All The Things You are"
Robert Anchipolovsky solo on "All The Things You are"
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Saxophone Alto
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Jerom Kern
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Kogan Ilya
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Robert Anchipolovsky solo on &
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Kogan Ilya
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SheetMusicPlus
Alto Saxophone Solo - Level 4 - SKU: A0.1006622 Composed by Jerom Kern. Arranged by Kogan Ilya. Jazz,Standards. Individual part. 4 pages. Kogan Ilya #29...
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Alto Saxophone Solo - Level 4 - SKU: A0.1006622 Composed by Jerom Kern. Arranged by Kogan Ilya. Jazz,Standards. Individual part. 4 pages. Kogan Ilya #2922933. Published by Kogan Ilya (A0.1006622). It's my own transcription of R.Anchipolovsky alt sax solo in Jerusalem Jazz Fest performance ith great Phil Woods (his teacher) in the year 2006.I have Robert's written permission. See that solo on YouTube: https://youtu.be/h9m_xE46wU8?t=3m47s
$20.00 ≈
¥142.89
Writing's On The Wall (from SPECTRE) for String Quartet
Writing's On The Wall (from SPECTRE) for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Sam Smith
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Robert Newth
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Writing's On The Wall
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Robert Newth
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SheetMusicPlus
String Quartet - Advanced Intermediate - Digital Download By Sam Smith. Arranged by Robert Newth. Score, Set of Parts. 13 pages. Published by Robert ...
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String Quartet - Advanced Intermediate - Digital Download By Sam Smith. Arranged by Robert Newth. Score, Set of Parts. 13 pages. Published by Robert Newth
This arrangement of Sam Smith's song "Writing's On the Wall", the theme song from the James Bond film SPECTRE, is for standard string quartet of 2 violins, viola, and cello.
The PDF download includes a full score and all four parts.
If you've enjoyed this arrangement, please leave a review!
$12.99 ≈
¥92.81
Writing's On The Wall (from SPECTRE) for Clarinet Quartet
Writing's On The Wall (from SPECTRE) for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Sam Smith
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Robert Newth
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Writing's On The Wall
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Robert Newth
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SheetMusicPlus
Clarinet, Woodwind Quartet - Advanced Intermediate - By Sam Smith. Arranged by Robert Newth. Score, Set of Parts. 13 pages. Published by Robert Newt...
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Clarinet, Woodwind Quartet - Advanced Intermediate - By Sam Smith. Arranged by Robert Newth. Score, Set of Parts. 13 pages. Published by Robert Newth
This arrangement of Sam Smith's song "Writing's On the Wall", the theme song from the James Bond film SPECTRE, is for standard clarinet quartet of 3 Bb clarinets and 1 bass clarinet.
The PDF download includes a full score and all four parts.
If you've enjoyed this arrangement, please leave a review!
$12.99 ≈
¥92.81
Writing's On The Wall (from SPECTRE) for Wind Quintet
Writing's On The Wall (from SPECTRE) for Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Sam Smith
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Robert Newth
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Writing's On The Wall
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Robert Newth
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SheetMusicPlus
Advanced Intermediate - By Sam Smith. Arranged by Robert Newth. Score, Set of Parts. 21 pages. Published by Robert Newth ...
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Advanced Intermediate - By Sam Smith. Arranged by Robert Newth. Score, Set of Parts. 21 pages. Published by Robert Newth
This arrangement of Sam Smith's song "Writing's On the Wall", the theme song from the James Bond film SPECTRE, is for standard Wind Quintet, with Flute, Oboe, Clarinet in Bb, French Horn, and Bassoon. I've tried to write this arrangement so that all the players do get rests throughout, to save tired lips!
The available PDF includes a concert pitch score and all five parts.
$12.99 ≈
¥92.81
Golliwogg's Cakewalk for Euphonium-Tuba Quartet
Golliwogg's Cakewalk for Euphonium-Tuba Quartet
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4 Tubas
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Robert Coulter
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Golliwogg's Cakewalk for Eupho
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SheetMusicPlus
Tuba Quartet - Advanced Intermediate - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Robert Coulter. 20th Century, Romantic Pe...
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Tuba Quartet - Advanced Intermediate - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Robert Coulter. 20th Century, Romantic Period, Impressionistic. Score, Set of Parts. 14 pages. Published by Cherry Classics Music
Claude Debussy's Golliwogg's Cakewalk is the sixth movement from his Children's Corner written for the Piano. A Golliwogg is a children's doll and a Cakewalk is a dance that was popular in music halls of the 1890's.
This jaunty movement arranged by Robert Coulter is a perfect setting for the Euphonium-Tuba Quartet and can be performed by moderate level performers.
$20.00 ≈
¥142.89
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Clarinet 1
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Clarinet 1
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Clarinette (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Karl Jenkins
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Robert Longfield
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The Armed Man
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Hal Leonard - Digital
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SheetMusicPlus
Level 4 - SKU: HX.420975 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - D...
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Level 4 - SKU: HX.420975 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.420975).
$6.00 ≈
¥42.87
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Percussion 1
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Percussion 1
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Percussion (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Karl Jenkins
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Robert Longfield
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The Armed Man
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Hal Leonard - Digital
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SheetMusicPlus
Level 4 - SKU: HX.420994 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - D...
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Level 4 - SKU: HX.420994 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.420994).
$6.00 ≈
¥42.87
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Percussion 3
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Percussion 3
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Percussion (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Karl Jenkins
#
Robert Longfield
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The Armed Man
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Hal Leonard - Digital
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SheetMusicPlus
Level 4 - SKU: HX.421016 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - D...
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Level 4 - SKU: HX.421016 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.421016).
$6.00 ≈
¥42.87
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Clarinet 3
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Clarinet 3
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Clarinette (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Karl Jenkins
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Robert Longfield
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The Armed Man
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Hal Leonard - Digital
#
SheetMusicPlus
Level 4 - SKU: HX.420977 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - D...
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Level 4 - SKU: HX.420977 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.420977).
$6.00 ≈
¥42.87
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Trombone 1
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Trombone 1
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Trombone (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Karl Jenkins
#
Robert Longfield
#
The Armed Man
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Hal Leonard - Digital
#
SheetMusicPlus
Level 4 - SKU: HX.420988 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - D...
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Level 4 - SKU: HX.420988 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.420988).
$6.00 ≈
¥42.87
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - F Horn 1
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - F Horn 1
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Cor (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Karl Jenkins
#
Robert Longfield
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The Armed Man
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Hal Leonard - Digital
#
SheetMusicPlus
Level 4 - SKU: HX.420986 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - D...
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Level 4 - SKU: HX.420986 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.420986).
$6.00 ≈
¥42.87
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Trumpet 1
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Trumpet 1
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Trompette (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Karl Jenkins
#
Robert Longfield
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The Armed Man
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Hal Leonard - Digital
#
SheetMusicPlus
Level 4 - SKU: HX.420983 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - D...
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Level 4 - SKU: HX.420983 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.420983).
$6.00 ≈
¥42.87
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Percussion 2
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Percussion 2
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Percussion (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Karl Jenkins
#
Robert Longfield
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The Armed Man
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Hal Leonard - Digital
#
SheetMusicPlus
Level 4 - SKU: HX.421015 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - D...
(+)
Level 4 - SKU: HX.421015 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.421015).
$6.00 ≈
¥42.87
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - F Horn 2
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - F Horn 2
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Cor (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Karl Jenkins
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Robert Longfield
#
The Armed Man
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Hal Leonard - Digital
#
SheetMusicPlus
Level 4 - SKU: HX.420987 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - D...
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Level 4 - SKU: HX.420987 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.420987).
$6.00 ≈
¥42.87
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Clarinet 2
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Clarinet 2
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Clarinette (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
Karl Jenkins
#
Robert Longfield
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The Armed Man
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Hal Leonard - Digital
#
SheetMusicPlus
Level 4 - SKU: HX.420976 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - D...
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Level 4 - SKU: HX.420976 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 360. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.420976).
$6.00 ≈
¥42.87
Finale from Symphony No. 5 (arr. Robert Longfield) - Trombone 2
Finale from Symphony No. 5 (arr. Robert Longfield) - Trombone 2
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Trombone (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ludwig van Beethoven
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Robert Longfield
#
Finale from Symphony No. 5
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Hal Leonard - Digital
#
SheetMusicPlus
Concert Band - Level 4 - SKU: HX.455105 Composed by Ludwig van Beethoven. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Durati...
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Concert Band - Level 4 - SKU: HX.455105 Composed by Ludwig van Beethoven. Arranged by Robert Longfield. This edition: scorch. Classical. 2 pages. Duration 290. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.455105).
$6.00 ≈
¥42.87
Finale from Symphony No. 5 (arr. Robert Longfield) - Bb Trumpet 2
Finale from Symphony No. 5 (arr. Robert Longfield) - Bb Trumpet 2
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Trompette (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ludwig van Beethoven
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Robert Longfield
#
Finale from Symphony No. 5
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Hal Leonard - Digital
#
SheetMusicPlus
Concert Band - Level 4 - SKU: HX.455100 Composed by Ludwig van Beethoven. Arranged by Robert Longfield. This edition: scorch. Classical. 3 pages. Durati...
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Concert Band - Level 4 - SKU: HX.455100 Composed by Ludwig van Beethoven. Arranged by Robert Longfield. This edition: scorch. Classical. 3 pages. Duration 290. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.455100).
$6.00 ≈
¥42.87
Finale from Symphony No. 5 (arr. Robert Longfield) - Bb Clarinet 3
Finale from Symphony No. 5 (arr. Robert Longfield) - Bb Clarinet 3
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Clarinette (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ludwig van Beethoven
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Robert Longfield
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Finale from Symphony No. 5
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Hal Leonard - Digital
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SheetMusicPlus
Concert Band - Level 4 - SKU: HX.455093 Composed by Ludwig van Beethoven. Arranged by Robert Longfield. This edition: scorch. Classical. 3 pages. Durati...
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Concert Band - Level 4 - SKU: HX.455093 Composed by Ludwig van Beethoven. Arranged by Robert Longfield. This edition: scorch. Classical. 3 pages. Duration 290. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.455093).
$6.00 ≈
¥42.87
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