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Vous avez sélectionné:
The Doors
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Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697...
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Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95 ≈
¥56.32
Prison Doors - an original hymn for SATB voices
Prison Doors - an original hymn for SATB voices
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Musique Sacrée
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Kevin G
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Prison Doors - an original hym
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Kevin G. Pace
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - SKU: A0.701451 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #3124...
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Vocal Solo,Voice - Level 4 - SKU: A0.701451 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #3124511. Published by Kevin G. Pace (A0.701451). A thought-provoking, original hymn. Text by Kathryn W. Hales below.YouTube video: https://youtu.be/tc-lFghc0YAPrison doors were opened For Peter and for Paul, And for the coat-clad Joseph, For Daniel, saved from a lion’s maul. For Alma and for Amulek, Nephi and Lehi too; Why not countless others Locked away from freedom’s view? Why not brave Abinadi? Or Joseph and Hyrum Smith? Why not Christians in catacombs, Or prisoners in Auschwitz? Why was the prison door opened For Barabbas, a murderer at heart, While the innocent Christ was crucified, One in whom there was no fault? Why not those entrapped today In prisons of mortal pain; Why are the doors opened for a few, While millions suffer long in vain? Yet still the promise has been made, And believe in it we must__ That all prison doors will someday open If in God we trust. Prison doors of pain and grief, Of tragedy and shame, Through the mercy of our Lord All shall be free again.
$1.99 ≈
¥14.10
Into the Wind, sacred music for SATB choir
Into the Wind, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Into the Wind, sacred music fo
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1199426 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1199426 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 10 pages. Kevin G. Pace #798494. Published by Kevin G. Pace (A0.1199426). Poignant, sacred choral music. The text is in reference to the sacrifices of the pioneers of the Church of Jesus Christ of Latter-day Saints.  Music by Kevin G. Pace.  Text by Mark R. Fotheringham. Dedicated to the Willie and Martin handcart companies. Text: Into the wind, we suffer the more. To Zion we march, or to heaven's door. We stumble and fall; angels attend To help us rise up and march on again. No never alone, for God is our guide. We know inside.Tattered and torn, our shoes all in shreds. In sage or in snow, we lay down our heads. We dig shallow graves, bury our dead, Then wake the next morn and onward we tred. Through trial and pain, we hold to the rod, And thus know God.All that we have in one little cart, Together we push; we each do our part. And somehow our hearts, knit by our chores, Are strengthened to know we'll see temple doors. These rags will be white, for joy is in store Forevermore.
$1.99 ≈
¥14.10
What If There Had Been No Star? (A Christmas Message)
What If There Had Been No Star? (A Christmas Message)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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David W
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What If There Had Been No Star
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David W. Barber
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1399551 Composed by David W. Barber. 21st Century,A Cappella,Christmas,Religious,Sacred. 3 pages. David W...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1399551 Composed by David W. Barber. 21st Century,A Cappella,Christmas,Religious,Sacred. 3 pages. David W. Barber #982842. Published by David W. Barber (A0.1399551). An original Christmas carol with an insightful message. For SATB with optional keyboard accompaniment. This is the text: What if there had been no star?(A Christmas Message)What if there had been no star?No magi travelling from afar.No innkeeper, the doors all locked.No shepherds in the fields.No flocks.No Herod’s rage, no children slain.Then would we tell the tale again?No herald angels from on highTo tell the world the Word is nigh.No heavenly message from above.Forget all that. We’d still have love. © David W. Barber (SOCAN)Toronto, December 2023 (Music March 2024)This piece and more of my music is available for download and purchase from SheetMusicPlus and SheetMusicDirect via ArrangeMe. Find my music books and my new mystery novel, Hedshot, at IndentPublishing.com Read my author/composer blog at DavidWBarber.com Contact me at dbarber@indentpublishing.com.
$1.99 ≈
¥14.10
Larry Williams Compositions- The Guitar Book
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00 ≈
¥141.67
"When will you open the doors before God"
"When will you open the doors before God"
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Dennis Patsiuk
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Dennis Patsiuk
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"When will you open the d
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Dennis Patsiuk
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1210573 By Dennis Patsiuk. By Dennis Patsiuk. Arranged by Dennis Patsiuk. Christian,Contemporary,Jazz,Multicultural,P...
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Full Orchestra - Level 4 - SKU: A0.1210573 By Dennis Patsiuk. By Dennis Patsiuk. Arranged by Dennis Patsiuk. Christian,Contemporary,Jazz,Multicultural,Praise & Worship,World. Score and Parts. 10 pages. Dennis Patsiuk #808358. Published by Dennis Patsiuk (A0.1210573). The song, based on the lyrics of the Christian poet Galina Krasnenkova, was written by the author in Minsk, Belarus in 2007. The lyrics are in Russian. The first performer was the author himself. Today, this song is performed in various countries, mainly in evangelical churches. The main message of the song's lyrics is that the love of God is an unearthly power that transforms the stony hearts of people, and all that is required for this is for a person to believe in Jesus Christ and open the door of their heart.
$80.00 ≈
¥566.69
Why Did the Savior Die For Me? - sacred music for SATB choir
Why Did the Savior Die For Me? - sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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He acknowledged pure will
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Why Did the Savior Die For Me?
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1085375 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 9 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1085375 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 9 pages. Kevin G. Pace #689522. Published by Kevin G. Pace (A0.1085375). Sacred music for SATB choir with an Easter theme. Music by Kevin G. Pace. Text by Mary Ann Snowball. See text below: Why did the Savior die for me on Calvary’s mount? Why did He suffer readily with never a doubt? How could his Father bear to view as He hung with pain? Was there a cov’ring then He drew like sun over rain? The Savior died for me on Calvary’s hill. He loved his Father; He acknowledged pure will. The only purpose there was true charity. The sole intention then was His love for me. Why did the Savior suffer for a sinner like me? How could his off’ring open doors to let me go free? How could He be alone that day when blood ran like tears? Why would He bear this cross to say there are no more fears? The Savior suffered more than any will know, So He could be with me wherever I go. I’ll never be alone; His focus I’ll be. He’ll never leave His child, a sinner like me.
$1.99 ≈
¥14.10
Make high the doors (Macht hoch die Tür) for Horn Quartet
Make high the doors (Macht hoch die Tür) for Horn Quartet
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Quatuor de cuivres: 4 cors
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INTERMÉDIAIRE/AVANCÉ
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Friedrich Silcher
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Jörg Richter
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Make high the doors
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Jörg Richter
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SheetMusicPlus
French Horn Quartet Horn - Level 4 - SKU: A0.798678 Composed by Friedrich Silcher. Arranged by Jörg Richter. Baroque,Christmas. 7 pages. Jörg Rich...
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French Horn Quartet Horn - Level 4 - SKU: A0.798678 Composed by Friedrich Silcher. Arranged by Jörg Richter. Baroque,Christmas. 7 pages. Jörg Richter #5326893. Published by Jörg Richter (A0.798678). Macht hoch die Tür (Make high the doors) is a German popular Advent hymn, written in Ducal Prussia in the 17th century. The incipit is the first line, Macht hoch die Tür, die Tor macht weit (Make high the doors, the gates make wide). The lyrics were written by Georg Weissel in 1623, for the inauguration of the Altroßgärter Kirche in Königsberg. The melody that is now associated with the text appeared first in 1704 in the hymnal by Johann Anastasius Freylinghausen. (from: Wikipedia.org).
$7.99 ≈
¥56.60
Glory in the Highest
Glory in the Highest
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Gillian & Jerry Westerman
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Jerry Westerman
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Glory in the Highest
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Passing Lane Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1004537 Composed by Gillian & Jerry Westerman. Arranged by Jerry Westerman. Christian,Praise & Worship,Rock...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1004537 Composed by Gillian & Jerry Westerman. Arranged by Jerry Westerman. Christian,Praise & Worship,Rock,Sacred,Spiritual. Score. 5 pages. Passing Lane Music #3585641. Published by Passing Lane Music (A0.1004537). Glory in the Highest is the sixth track on the album Open the Doors by Through the Glass, songs by J. Westerman. An Mp3 is also available for this title here on Sheet Music Plus!
$5.99 ≈
¥42.43
Quartet in the rain for string quartet performed by Budapest Scoring (mp3)
Quartet in the rain for string quartet performed by Budapest Scoring (mp3)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Budapest Scoring String Quarte
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Quartet in the rain for string
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David Warin Solomons
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SheetMusicPlus
Level 4 - SKU: A0.1114067 By Budapest Scoring String Quartet. By David Warin Solomons. Classical,Comedy,Contemporary. Full Performance. Duration 136. Da...
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Level 4 - SKU: A0.1114067 By Budapest Scoring String Quartet. By David Warin Solomons. Classical,Comedy,Contemporary. Full Performance. Duration 136. David Warin Solomons #715968. Published by David Warin Solomons (A0.1114067). Instrumental quartet based on my choral piece The Choir in the Rain which is a sequence of limericks written and set to music by the composer imagining the scene if a choir were made to sing in the rain, complete with colds, coughs, sneezes and fever. Original limericks: (Introductory words: pitter patter pom etc) Our conductor was trying to train our choir to sing in the rain the music got wet and to our great regret we finally had to refrain So all of us went back indoors and we sang from our poor dripping scores but the audience cheered as we persevered and demanded sev'ral encores It was then that we all started sneezing the basses were coughing and wheezing The altos in harm'ny sniffed not very calmly but the audience thought we were teasing The Sopranos then noticed their dresses were shrinking and causing distresses the buttons they popped and the tenors they hopped as those buttons shot right past their faces It seemed that the choir was dissolving and the room started slowly revolving we'd all caught a cough it near carried us off as the fever we'd got was evolving We finally reached the last ditty in that chilly and rain sodden city oh we're told that in Spain it just rains on the plain but here it soaks both plain and pretty Performed by Violin 1: Csongor Veér Violin 2: Anna Fehér Viola: Péter Kondor Cello: Mátyás Ölveti of Budapest Scoring.
$5.50 ≈
¥38.96
The Phoebe Returns
The Phoebe Returns
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Kathleen Ryan
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The Phoebe Returns
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1204372 By Kathleen Ryan. By Kathleen Ryan. Classical,New Age. Score. 7 pages. Indigo Mesa Music LLC #802852. Published b...
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Piano Solo - Level 4 - SKU: A0.1204372 By Kathleen Ryan. By Kathleen Ryan. Classical,New Age. Score. 7 pages. Indigo Mesa Music LLC #802852. Published by Indigo Mesa Music LLC (A0.1204372). As composed and performed by Kathleen Ryan on her CD Under the Greenwood Tree.Kathleen's notes: When we were building our home, my husband had a big goal of not making it possible for birds to nest on the house or over the porches. (Our rental home had barn swallow nests at both the front and back doors, and it was just too messy.)But the second spring after we moved in, some Say’s phoebes showed up and wanted to nest on the house; and my husband totally fell in love with them and built them a special platform — the phoebe condo. We had 5 fledglings that year! The next spring the phoebes returned! More nests, more fledglings, more joy.When I wanted music that was lively in a gentle way, and just completely happy, I naturally thought of the phoebes. Listen for the phoebe call in the middle section.Late intermediate.
$5.25 ≈
¥37.19
Behind Closed Doors
Behind Closed Doors
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Daniel Nigro and Erick Serna
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John Fries
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Behind Closed Doors
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1116669 Composed by Daniel Nigro and Erick Serna. Arranged by John Fries. 20th Century,Country,Pop,Standards. Lead Shee...
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C Instrument - Level 4 - SKU: A0.1116669 Composed by Daniel Nigro and Erick Serna. Arranged by John Fries. 20th Century,Country,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #718324. Published by John Fries (A0.1116669). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Behind Closed Doors is a country song written by Kenny O'Dell. It was first recorded by Charlie Rich for his 1973 album Behind Closed Doors. The single was Rich's first number-one hit on the country charts, spent 20 weeks on this chart, and was also a crossover hit on the pop charts. It was certified Platinum by the RIAA for U. S. sales in excess of two million copies. it ranked #9 in CMT's 100 Greatest Songs in Country Music.
$3.99 ≈
¥28.26
Into the Twilight (Clifton Davis) solo low voice with piano, from "Songs of Yeats" collection
Into the Twilight (Clifton Davis) solo low voice with piano, from "Songs of Yeats" collection
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Voix seule
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INTERMÉDIAIRE/AVANCÉ
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Clifton Davis
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Into the Twilight
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Clifton Allen Davis Music, ASCAP
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - SKU: A0.927267 Composed by Clifton Davis. 20th Century,Concert,Contemporary,Graduation. 7 pages. Clifton Allen Davis Music,...
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Vocal Solo,Voice - Level 4 - SKU: A0.927267 Composed by Clifton Davis. 20th Century,Concert,Contemporary,Graduation. 7 pages. Clifton Allen Davis Music, ASCAP #5318747. Published by Clifton Allen Davis Music, ASCAP (A0.927267). Yeats enigmatic poem entitled Into the Twilight form the lyrics of this neo-romatic art song. Starting slowly and reflective, the piano transitions to a lilting meter to help the singer ecstatically express the love of Eire and all outdoors. Part of a collection of settings of Yeats' poetry. While traveling in Sligo, Ireland, to celebrate a wedding anniversary, the composer purchased a copy of William Butler Yeats’s collected poems. In between hikes and other adventures, he explored poems like Into the Twilight by allowing the text to push and then pull at the tempo.
$4.99 ≈
¥35.35
A Gift From The Bower (Revised)
A Gift From The Bower (Revised)
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Chris Becker
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A Gift From The Bower
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Beckeresque
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. Beckeresque (ASC...
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Cello Solo - Level 4 - SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. Beckeresque (ASCAP) #879245. Published by Beckeresque (ASCAP) (A0.1288214). When I first saw the enormous chair Rachel Gardner and Carlos Canul constructed for A Gift from the Bower, an outdoor, multi-disciplinary group exhibition conceived by renowned artists James Surls and Charmaine Locke, I had a vision of a cellist seated in a chair on the chair, performing solo in a bower deep in the woods of Splendora Gardens. I shared this image with Rachel, who didn’t think I was nuts, and over the course of several weeks, composed a piece for unaccompanied cello to be performed at the opening of the exhibit. I was honored when cellist Patrick Moore agreed to premiere the work; his formidable technique and the deep expression he brings to his playing inspired me to embrace the challenge of composing a solo for his instrument.Knowing my piece would be performed outdoors, I was inspired to evoke the rhythm of sound events one hears in woods, especially the rise and fall of wind as it moves through branches and leaves. The very opening of the piece and later, what I hear as an extended coda, were created as moments for the cellist as much as for the listener and are performed in a sort of meditative state, calling to mind the age-old question, “If a tree falls in a forest and no one is around to hear it, does it make a sound?†The repeating measures of 16th notes in the piece’s demanding middle section pay tribute to two of my heroes, Terry Riley and Philip Glass. While composing the work, Bach’s Six Suites for Violoncello Solo was another important point of reference, as was double bassist Eberhard Weber's 1973 album, The Colours of Chloë.Once finished, it made sense to name the piece A Gift from the Bower since the opportunity to compose the work was a gift, and in exchange, so is the music I have composed.A Gift from the Bower premiered on April 22, 2023, by Patrick Moore at the Locke Surls Center for Art and Nature.A revised version of this piece was completed on September 5, 2023.
$6.99 ≈
¥49.51
The Decoration of Houses: Seven Miniatures for SATB Chorus, Soloists, Narrator, and Piano
The Decoration of Houses: Seven Miniatures for SATB Chorus, Soloists, Narrator, and Piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Elissa Brill Pashkin
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The Decoration of Houses: Seve
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Elissa Brill Pashkin
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.938912 Composed by Elissa Brill Pashkin. Contemporary. Octavo. 27 pages. Elissa Brill Pashkin #59085. Published ...
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Choral Choir (SATB) - Level 4 - SKU: A0.938912 Composed by Elissa Brill Pashkin. Contemporary. Octavo. 27 pages. Elissa Brill Pashkin #59085. Published by Elissa Brill Pashkin (A0.938912). Back to School 2015, Duration 8.5 minutes, composed in 2003. Text is excerpted from the book The Decoration of Houses by Edith Wharton and Ogden Codman, Jr.. Seven short movements: I. Introduction: Rooms in General, II. Openings: Doors, Windows, Vestibule, III. Solo: The Dining Room, IV. Structure: Walls Ceilings, Floors, V. Solo: Fireplaces, VI. Interiors: The Children’s Room, VII. Conclusion: Common Sense. Solo passages may be sung as unisons. Narration may be divided among several people. The occasional x noteheads indicate that text is spoken in rhythm. The audio clip is the final movement--Conclusion, performed in May, 2003 by the Holyoke Community College Chorale, directed by Dr. Janet Polvino and accompanied by Joyce Crouch. Complete recording available upon request from the composer at ebrill@hcc.edu. The nature of the piece is elegant, a bit satiric, a bit wacky--certainly one of a kind. Minimum level is advanced high school or college. Licensed by BMI.
$2.25 ≈
¥15.94
Happy Together
Happy Together
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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The Turtles
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Thomas Strauch
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Happy Together
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Purple Pedagogy Publishing
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.815441 By The Turtles. By Alan Gordon and Garry Bonner. Arranged by Thomas Strauch. Film/TV,Folk,Pop,R...
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String Quartet String Quartet - Level 4 - SKU: A0.815441 By The Turtles. By Alan Gordon and Garry Bonner. Arranged by Thomas Strauch. Film/TV,Folk,Pop,Rock,Wedding. Score and parts. 16 pages. Purple Pedagogy Publishing #3405453. Published by Purple Pedagogy Publishing (A0.815441). Great fun choice for more upbeat wedding prelude, or reception. Does require shifting, but high enough to be heard outdoors. Good for experienced players.
$14.99 ≈
¥106.18
Outdoors a suite for piano
Outdoors a suite for piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Robert Dusek
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Outdoors a suite for piano
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DaCapo, LLC
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.991557 Composed by Robert Dusek. Concert,Contemporary,Standards. Score. 16 pages. DaCapo, LLC #3012517. Published by DaCa...
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Piano Solo - Level 4 - SKU: A0.991557 Composed by Robert Dusek. Concert,Contemporary,Standards. Score. 16 pages. DaCapo, LLC #3012517. Published by DaCapo, LLC (A0.991557). Outdoors is a suite of 5 movements: 1. playful, 2. reflective, 3. lively, 4. serious, 5. playful again. This suite for solo piano is appropriate for the advanced intermediate pianist. .
$10.00 ≈
¥70.84
The Quarantine Rag
The Quarantine Rag
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Aaron Whitehead
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The Quarantine Rag
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Aaron Whitehead
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1123880 Composed by Aaron Whitehead. Blues,Classical,Contemporary,Jazz,Ragtime. Score. 4 pages. Aaron Whitehead #724637. ...
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Piano Solo - Level 4 - SKU: A0.1123880 Composed by Aaron Whitehead. Blues,Classical,Contemporary,Jazz,Ragtime. Score. 4 pages. Aaron Whitehead #724637. Published by Aaron Whitehead (A0.1123880). In 2020 the world went indoors. Folks stayed home to stay safe. Throughout the history of ragtime composers have marked moments such as this with an original composition (ie. Scott Joplin's Great Crush Collision March or Wall Street Rag). In this spirit, I am excited to share with you The Quarantine Rag, composed during the height of the quarantine. May you enjoy learning and playing this piece!
$2.99 ≈
¥21.18
Joseph and Mary
Joseph and Mary
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Simon James, Daniel Thomas, Ma
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Simon James
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Joseph and Mary
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DML
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SheetMusicPlus
Acoustic Guitar,High Voice,Medium Voice - Level 4 - SKU: A0.1108944 By Simon James, Daniel Thomas, Matthew Thomas. By Traditional Catalan. Arranged by S...
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Acoustic Guitar,High Voice,Medium Voice - Level 4 - SKU: A0.1108944 By Simon James, Daniel Thomas, Matthew Thomas. By Traditional Catalan. Arranged by Simon James. Christian,Christmas,Classical,Contemporary,Traditional. Full Performance. Duration 119. DML #711493. Published by DML (A0.1108944). Catalonia has a great tradition of Christmas carols, rather like Austria. They are secular songs in general, intended to be sung by anybody at any time during the Christmas period. According to the Catalan writer Joan Amades (1890-1959) these Christmas songs were sung by shepherds at the doors of the churches on Christmas Eve, some of the melodies date back to the 15th century. As their origin would suggest the lyrics can be very down to earth. Joseph and Mary (Josep i Maria) has an English lyric which, like the Song Of The Birds (Cant Dels Ocells), is not a direct translation though the central elements are the same as the Catalan original. The score is also available from Sheet Music Direct or Sheet Music Plus.
$1.99 ≈
¥14.10
3 Catalan Carols for Voice & Guitar-Joseph and Mary
3 Catalan Carols for Voice & Guitar-Joseph and Mary
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Simon James, Daniel Thomas, Ma
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Simon James
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3 Catalan Carols for Voice &am
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DML
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SheetMusicPlus
Small Ensemble Acoustic Guitar,High Voice,Medium Voice - Level 4 - SKU: A0.1109097 By Simon James, Daniel Thomas, Matthew Thomas. By Traditional Catalan...
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Small Ensemble Acoustic Guitar,High Voice,Medium Voice - Level 4 - SKU: A0.1109097 By Simon James, Daniel Thomas, Matthew Thomas. By Traditional Catalan. Arranged by Simon James. Christian,Christmas,Classical,Contemporary,Traditional. Score and parts. 4 pages. DML #711641. Published by DML (A0.1109097). Catalonia has a great tradition of Christmas carols, rather like Austria. They are secular songs in general, intended to be sung by anybody at any time during the Christmas period and not specifically for use in church. According to the Catalan writer Joan Amades (1890-1959) these Christmas songs were sung by shepherds at the doors of the churches on Christmas Eve, some of the melodies date back to the 15th century. The English lyric, as with the Song Of The Birds (Cant Dels Ocells), is not a direct translation though the central elements are the same as the Catalan original. The arrangement is for two voices and guitar where the guitar part is challenging but vocal parts are not.
$5.99 ≈
¥42.43
3 Catalan Carols - Score Only
3 Catalan Carols - Score Only
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Simon James, Daniel Thomas, Ma
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Simon James
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3 Catalan Carols - Score Only
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DML
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1113262 By Simon James, Daniel Thomas, Matthew Thomas. By Traditional Catalan. Arranged by Simon James. Christian,Chr...
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Small Ensemble - Level 4 - SKU: A0.1113262 By Simon James, Daniel Thomas, Matthew Thomas. By Traditional Catalan. Arranged by Simon James. Christian,Christmas,Classical,Contemporary,Traditional. Score and parts. 14 pages. DML #715207. Published by DML (A0.1113262). Catalonia has a great tradition of Christmas carols, rather like Austria. They are secular songs in general, intended to be sung by anybody at any time during the Christmas period and not specifically for use in church. According to the writer Joan Amades (1890-1959), who was curator at the Museu D’Industries I Arts Populars in Barcelona, these Christmas songs were sung by shepherds at the doors of the churches on Christmas Eve, some of the melodies date back to the 15th century. This is a full score of all three carols for reference purposes.
$5.99 ≈
¥42.43
I Did Not See Temple Spires - an original hymn for SATB voices
I Did Not See Temple Spires - an original hymn for SATB voices
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I Did Not See Temple Spires -
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G....
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Choral Choir (SATB) - Level 4 - SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125371. Published by Kevin G. Pace (A0.701457). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/w68JlvntMjcI did not see the vision, Nor dream a prophet’s dream, I only saw the barren desert Stretch forth upon the scene. I was not there when Brigham’s cane Touched the virgin ground Naming the spot the Lord had shown Where a temple would be found. I did not hear the Lord’s own voice As over ocean waves I tossed, Nor spared the death of loved ones dear As the vast plains I crossed. I only felt the Holy Spirit Telling me the work was true, So I obeyed the prophetic words Until my trek was through. I helped dig the rocky soil Before the foundation was laid Then with shovel filled the gaping hole Before Johnston’s army stayed. I did not see the temple’s spires I only saw the walls, I only shaped the granite stones With hammer, chisel, maul. I coaxed oxen through the mud To move stones down a mountain side, I watched our leaders grow old in years, No temple finished before they died. Now soon I too will join them Though I’ve labored oh so long, I’ll not see the rising spires Or sing praises in Hosanna song. I’m just a common earthly man, A laborer in a cause so great, To generations yet unborn, I’m not one you’ll appreciate. Through the years I’ve toiled and sweat, Shared blood and grief and tears, Obeyed the prophet’s call to serve Listened in faith, not fear. Please do not take for granted As you walk through these carved doors, Or hear the echo of carpenters From stairs or roof or floors The love and work that went into Many years of toil and prayer, Feel our spirits in the halls As you enter there. Though the structure’s end I’ll not see, To others who this path may trod, Go forth with diligence and faith Till we finish the work of God.
$1.99 ≈
¥14.10
Symphony No. 5 ... Utopia Parkway (2003) full score
Symphony No. 5 ... Utopia Parkway (2003) full score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Park
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Obo...
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Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99 ≈
¥70.77
Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Enfant
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F
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F
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Gremlins, Trolls and Hobgoblin
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Bras...
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Brass Ensemble - Level 4 - SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Brass Press #6656487. Published by Sweetwater Brass Press (A0.808712).   Gremlins, trolls and hobgoblins. All are imaginary or supernatural, products of folklore. The first is a mischievous elf. The second, a product of Scandinavian imaginations, is a rather unattractive dwarf (or maybe a giant) that dwells in caves or on mountains. The third is a small, hirsute and naughty household spirit. In other words, these are just the types of beings that show up on your doorstep on October 31 evenings threatening to play tricks unless you provide treats.  This composition exemplifies not only these creatures, but also the witches, skeletons, ghosts, vampires, black cats and other scary beings that populate Halloween. Written in the key of C minor with a 6/8 time signature, it rolls along at a suggested tempo of 96 BPM. Based primarily on the traditional melody, The Hearse Song (the worms crawl in, the worms crawl out), it also quotes the composer’s own The Eerie Night and Chopin’s Marche Funèbre. And like the worms of the song, the melodies work their way sinuously in and out among the five instruments. Most notes are well within normal playing range: Trumpet 1’s highest is five A notes above its staff; Tuba’s lowest, G below the staff. There are no tricky rhythmic figures. It’s just a fun piece for Halloween . . . or any time of the year.  Completed in 2021, performance time for Gremlins, Trolls and Hobgoblins runs about 3 minutes, 33 seconds. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95 ≈
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