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BASS Mendelssohn Hymn Sacred
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Vous avez sélectionné:
BASS Mendelssohn Hymn Sacred
Partitions à imprimer
27 partitions trouvées
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1
26
Luther: Out of the Depths for Bassoon & Piano
Luther: Out of the Depths for Bassoon & Piano
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2 Bassons (duo)
#
DÉBUTANT
#
Martin Luther
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James M
#
piano
#
Luther: Out of the Depths for
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 1 - SKU: A0.548710 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Sta...
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Instrumental Duet Bassoon,Instrumental Duet - Level 1 - SKU: A0.548710 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and parts. 4 pages. Jmsgu3 #3411733. Published by jmsgu3 (A0.548710). Out of the Depths I Cry to You by Martin Luther arranged for bassoon & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
¥180.92
HARK! THE HERALD ANGELS SING - Sax Quartet (SATB/AATB) w/ optional Acoustic Bass and Drum Set parts
HARK! THE HERALD ANGELS SING - Sax Quartet (SATB/AATB) w/ optional Acoustic Bass and Drum Set parts
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
#
Classique
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Felix Bartholdy Mendelssohn
#
Dennis Ruello
#
HARK! THE HERALD ANGELS SING -
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Chicory Music
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.734336 Composed by Felix Bartholdy Mendelssohn. Arranged by Dennis Ruello. Christian,Christmas,Ja...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.734336 Composed by Felix Bartholdy Mendelssohn. Arranged by Dennis Ruello. Christian,Christmas,Jazz,Sacred. 12 pages. Chicory Music #2946039. Published by Chicory Music (A0.734336). Hark! The Herald Angels Sing is a Christmas carol that first appeared in 1739 in the collection Hymns and Sacred Poems, having been written by Charles Wesley. Wesley had requested and received slow and solemn music for his lyrics, not the joyful tune expected today. Moreover, Wesley's original opening couplet is Hark! how all the welkin rings / Glory to the King of Kings.[1] The popular version is the result of alterations by various hands, notably by Wesley's co-worker George Whitefield who changed the opening couplet to the familiar one, and by Felix Mendelssohn. In 1840, a hundred years after the publication of Hymns and Sacred Poems, Mendelssohn composed a cantata to commemorate Johann Gutenberg's invention of the printing press, and it is music from this cantata, adapted by the English musician William H. Cummings to fit the lyrics of Hark! The Herald Angels Sing, that propels the carol known today.This arrangement, in the saxophone friendly key of F concert, can be preformed with or without the optional acoustic bass and drum set parts. Both performers and audience members will enjoy the modern harmonies used in this presentation. Performance time approx. 2 minutes 6 seconds
$11.99 ≈
¥86.94
Sullivan: The Lost Chord for Bassoon & Piano
Sullivan: The Lost Chord for Bassoon & Piano
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2 Bassons (duo)
#
INTERMÉDIAIRE/AVANCÉ
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for B
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 4 - SKU: A0.549452 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Ins...
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Instrumental Duet Bassoon,Instrumental Duet - Level 4 - SKU: A0.549452 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and parts. 15 pages. Jmsgu3 #3497185. Published by jmsgu3 (A0.549452). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95 ≈
¥195.42
Sullivan: The Lost Chord for Bass Clarinet & Piano
Sullivan: The Lost Chord for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for B
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
¥195.42
Bach: Wachet auf for Bassoon & Piano
Bach: Wachet auf for Bassoon & Piano
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Basson, Piano (duo)
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FACILE
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Classique
#
Johann Sebastian Bach
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James M
#
 
#
Bach: Wachet auf for Bassoon &
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 2 - SKU: A0.549851 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Bar...
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 2 - SKU: A0.549851 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555069. Published by jmsgu3 (A0.549851). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
¥180.92
Luther: Out of the Depths for Bass Flute & Piano
Luther: Out of the Depths for Bass Flute & Piano
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 1 - SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Stand...
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Bass Flute,Instrumental Solo,Piano - Level 1 - SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411731. Published by jmsgu3 (A0.548712). Out of the Depths I Cry to You by Martin Luther arranged for bass flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
¥180.92
Bach: Wachet auf for Bass Flute & Piano
Bach: Wachet auf for Bass Flute & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Bass Flut
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jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Ea...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
¥180.92
Prelude on Mendelssohn ('Hark! the Herald Angels Sing')
Prelude on Mendelssohn ('Hark! the Herald Angels Sing')
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Classique
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John Burkett
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John Burkett
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Prelude on Mendelssohn
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John Burkett
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1384296 Composed by John Burkett. Arranged by John Burkett. Christmas,Contemporary,Praise and Worship,Sacred. Score. 10 pages....
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Organ - Level 4 - SKU: A0.1384296 Composed by John Burkett. Arranged by John Burkett. Christmas,Contemporary,Praise and Worship,Sacred. Score. 10 pages. John Burkett #968607. Published by John Burkett (A0.1384296). My Prelude on the Christmas carol tune Mendelssohn (Hark! the Herald Angels Sing) opens with a brief introduction based on the first measure of the third phrase of the tune. An original harmonization of the entire tune follows, anchored by a repetitive rhythmic pattern of alternating rests and chords. An interlude ensues, which is a rhythmically intensified reworking of the initial introduction. Then the first phrase of the tune sounds in a new key in the pedal bass, accompanied by parallel triads in the hands. Another interlude follows, also based on parallel triads, and leading to a statement in the pedals of the second phrase of the tune. Slightly modified versions of the third and fourth phrases with varied accompaniments lead to a strong cadence. The final section follows, beginning with an extended introduction that increases the rhythmic pace to the point where a constant stream of rapidly moving sixteenth notes drives forward to the final statement of the carol tune, and lends a sense of urgency as the flow continues underneath the melody. The tempo slows slightly during a brief postlude in which the state trumpet reiterates a rhythmic pattern heard earlier. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$12.00 ≈
¥87.02
Hark! The Herald Angels Sing (Duet for Tenor and Bass Solo)
Hark! The Herald Angels Sing (Duet for Tenor and Bass Solo)
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Voix duo, Piano
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FACILE
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Classique
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Felix Bartholdy Mendelssohn
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Stephen DeCesare
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Hark! The Herald Angels Sing
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Exultet Music
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SheetMusicPlus
Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 2 - SKU: A0.628093 Composed by Felix Bartholdy Mendelssohn. Arranged by Stephen DeCesare. Christia...
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Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 2 - SKU: A0.628093 Composed by Felix Bartholdy Mendelssohn. Arranged by Stephen DeCesare. Christian,Christmas,Contemporary,Praise & Worship,Sacred. 7 pages. Exultet Music #6093607. Published by Exultet Music (A0.628093). This joyous contemporary Christian/Praise and Worship style setting of the popular Christmas hymn is arranged as a duet for a Tenor and Bass solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99 ≈
¥36.18
Your Favorite Christmas Hymns and Carols for Brass, Book 2
Your Favorite Christmas Hymns and Carols for Brass, Book 2
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Ensemble de cuivres
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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Your Favorite Christmas Hymns
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Colin Kirkpatrick Publications
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.522155 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score and parts. 75 pag...
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Brass Ensemble - Level 2 - SKU: A0.522155 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score and parts. 75 pages. Colin Kirkpatrick Publications #3580273. Published by Colin Kirkpatrick Publications (A0.522155). Your Favorite Christmas Hymns and Carols for Brass, Book 2Arranged for brass by Colin KirkpatrickThis is the second volume of the collection of best-loved Christmas hymns and carols arranged for brass, to brighten up your next Christmas event. This publication includes full four-part instrumental scores plus parts for 1st B flat trumpet, 2nd B flat trumpet, horn in F (with a separate optional part for horn in E flat), trombone and/or tuba. The tuba part is also optional because it either doubles the trombone part or plays an octave below. Both trombone and tuba parts appear on a single staff in the bass clef at concert pitch. The arrangements can be used with brass quartet, brass quintet or brass ensemble. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment which means that you can use the arrangements as solos, duets or trios. The arrangements are intended either as stand-alone pieces that could be used as interludes in a concert or service, or they could be used to accompany solo, choral or congregational singing. The arrangements been written in brass-friendly keys as often as possible. While the hymns mostly use the traditional harmonies, the carols have been treated more freely. Book 2 contains the following 21 titles: As with Gladness Men of Old (Melody: Dix); Away in a Manger (Melody: Cradle Song); Ding! Dong! Merrily on High (Melody: Bransle de l'Officiel); God Rest You Merry, Gentlemen; A Great and Mighty Wonder (Melody: Es ist ein Ros); Hark! The Herald Angels Sing (Melody: Mendelssohn); Infant Holy, Infant Lowly (Melody: W. Zlobie Lezy); It Came Upon the Midnight Clear (Melody: Noel); Joseph Dearest, Joseph Mine (Melody: Resonet in Laudibus); Joy to the World (Melody: Antioch); O Come, O Come Emmanuel (Melody: Veni Emmanuel); O Little Town of Bethlehem (Melody: Forest Green) ; Once in Royal David's City (Melody: Irby); Quem Pastores Laudavere; Lully, lulla Thou Little Tiny Child (Melody: Coventry Carol); Hark! A Thrilling Voice is Calling (Melody: Merton); The First Nowell; The Wassail Song; We Three Kings (Melody: Kings of Orient), While Shepherds Watched their Flocks (Melody: Winchester Old) and While Shepherds Watched their Flocks (Melody: Christmas). The audio samples include Ding! Dong! Merrily on High, Infant Holy, Infant Lowly, Lully, lulla Thou Little Tiny Child and The First Nowell. Please note that the arrangements are usually not usually compatible with the string collection of the same name.
$25.99 ≈
¥188.46
And The Angels Sang (Duet for Tenor and Bass Solo)
And The Angels Sang (Duet for Tenor and Bass Solo)
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Voix duo, Piano
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FACILE
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Classique
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Felix Bartholdy Mendelssohn, R
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Stephen DeCesare
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And The Angels Sang
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Exultet Music
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 2 - SKU: A0.624973 Composed by Felix Bartholdy Mendelssohn, Richard Storrs Willis, and Traditional. Arranged by Ste...
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Piano,Voice Duet Piano,Voice - Level 2 - SKU: A0.624973 Composed by Felix Bartholdy Mendelssohn, Richard Storrs Willis, and Traditional. Arranged by Stephen DeCesare. Christmas,Praise & Worship,Sacred. 13 pages. Exultet Music #4835885. Published by Exultet Music (A0.624973). A wonderful composite of three beloved hymns for Christmas wrapped up into one medley (Hark! The Herald Angels Sing, It Came Upon The Midnight Clear and Angels We Have Heard On High) Scored as a duet for a Tenor and Bass Solo, Bb-Trumpet, and Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99 ≈
¥36.18
Hark! The Herald Angels Sing (Woodwind Quartet and Piano)
Hark! The Herald Angels Sing (Woodwind Quartet and Piano)
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Classique
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Felix Bartholdy Mendelssohn
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Stephen DeCesare
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Hark! The Herald Angels Sing
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Exultet Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.628109 Composed by Felix Bartholdy Mendelssohn. Arranged by Stephen D...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.628109 Composed by Felix Bartholdy Mendelssohn. Arranged by Stephen DeCesare. Christian,Christmas,Contemporary,Praise & Worship,Sacred. 21 pages. Exultet Music #6094509. Published by Exultet Music (A0.628109). This joyous contemporary Christian/Praise and Worship style setting of the popular Christmas hymn is arranged as a duet for a Woodwind Quartet (Flute, Oboe, Bb-Clarinet, Bassoon) with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$12.99 ≈
¥94.20
And The Angels Sang (for Woodwind Quartet and Piano)
And The Angels Sang (for Woodwind Quartet and Piano)
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Classique
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Felix Bartholdy Mendelssohn, R
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Stephen DeCesare
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And The Angels Sang
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Exultet Music
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.624987 Composed by Felix Bartholdy Mendelssohn, Richard Storrs Willis, and Traditional. Arranged ...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.624987 Composed by Felix Bartholdy Mendelssohn, Richard Storrs Willis, and Traditional. Arranged by Stephen DeCesare. Christmas,Praise & Worship,Sacred. 22 pages. Exultet Music #4836567. Published by Exultet Music (A0.624987). A wonderful composite of three beloved hymns for Christmas wrapped up into one medley (Hark! The Herald Angels Sing, It Came Upon The Midnight Clear and Angels We Have Heard On High) Scored for a Woodwind Quartet (Flute, Oboe, Bb-Clarinet, Bassoon) with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$12.99 ≈
¥94.20
Hark! the Herald Angels Sing for Brass Trio
Hark! the Herald Angels Sing for Brass Trio
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Noël
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Traditional
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James M
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Hark! the Herald Angels Sing f
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jmsgu3
#
SheetMusicPlus
Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1327445 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditi...
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Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1327445 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 9 pages. Jmsgu3 #915481. Published by jmsgu3 (A0.1327445). Hark! The Herald Angels Sing is a well-known Christmas carol with exciting facts surrounding its creation and evolution. Here are some intriguing details about the song:The original song was published as Hark, How All the Welkin Rings in the 1739 Wesley hymnal, Hymns and Sacred Poems. The second line, as written by Charles Wesley, read Glory to the King of kings, not Glory to the newborn King. The change from welkin to herald angels was made by George Whitfield, altering the meaning of Wesley's metaphor.The tune we usually associate with Hark! The Herald was written by Felix Mendelssohn in 1840 and was not intended as a sacred song. Mendelssohn wrote it to commemorate the four-hundredth anniversary of Gutenberg's printing press.The song was initially intended to be sung to the same tune as Charles Wesley's Easter hymn, Christ the Lord Is Risen Today.In 1855, British musician William Hayman Cummings adapted Mendelssohn's secular music to fit the lyrics of Hark! The Herald Angels Sing by Charles Wesley.The hymn highlights the virgin birth, the universal application of the coming of the incarnate Deity to all nations, and the significance of Christ's birth in Bethlehem.These facts shed light on the historical and musical significance of Hark! The Herald Angels Sing, adding depth to its enduring popularity as a Christmas carol.
$24.95 ≈
¥180.92
Hark! the Herald Angels Sing for Woodwind Trio
Hark! the Herald Angels Sing for Woodwind Trio
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Noël
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Traditional
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James M
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Hark! the Herald Angels Sing f
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 3 - SKU: A0.1329078 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Chri...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 3 - SKU: A0.1329078 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 6 pages. Jmsgu3 #917049. Published by jmsgu3 (A0.1329078). Hark! The Herald Angels Sing is a well-known Christmas carol with exciting facts surrounding its creation and evolution. Here are some intriguing details about the song:The original song was published as Hark, How All the Welkin Rings in the 1739 Wesley hymnal, Hymns and Sacred Poems. The second line, as written by Charles Wesley, read Glory to the King of kings, not Glory to the newborn King. The change from welkin to herald angels was made by George Whitfield, altering the meaning of Wesley's metaphor.The tune we usually associate with Hark! The Herald was written by Felix Mendelssohn in 1840 and was not intended as a sacred song. Mendelssohn wrote it to commemorate the four-hundredth anniversary of Gutenberg's printing press.The song was initially intended to be sung to the same tune as Charles Wesley's Easter hymn, Christ the Lord Is Risen Today.In 1855, British musician William Hayman Cummings adapted Mendelssohn's secular music to fit the lyrics of Hark! The Herald Angels Sing by Charles Wesley.The hymn highlights the virgin birth, the universal application of the coming of the incarnate Deity to all nations, and the significance of Christ's birth in Bethlehem.These facts shed light on the historical and musical significance of Hark! The Herald Angels Sing, adding depth to its enduring popularity as a Christmas carol.
$24.95 ≈
¥180.92
THE ANGELS SANG AT CHRISTMAS - Concert Band (Angels We Have Heard on High/Hark! The Herald Angels)
THE ANGELS SANG AT CHRISTMAS - Concert Band (Angels We Have Heard on High/Hark! The Herald Angels)
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Orchestre d'harmonie
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FACILE
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Noël
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Felix Mendelssohn, Traditional
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Glen Poehlmann
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THE ANGELS SANG AT CHRISTMAS -
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arrangements by GPoehlmann
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1087372 Composed by Felix Mendelssohn, Traditional French Melody. Arranged by Glen Poehlmann. Christmas,Holiday,Instruc...
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Concert Band - Level 2 - SKU: A0.1087372 Composed by Felix Mendelssohn, Traditional French Melody. Arranged by Glen Poehlmann. Christmas,Holiday,Instructional,Sacred. Score and parts. 29 pages. Arrangements by GPoehlmann #691589. Published by arrangements by GPoehlmann (A0.1087372). THE ANGELS SANG AT CHRISTMAS - for CONCERT BAND (Grade 2+) An easier arrangement that uses ANGELS WE HAVE HEARD ON HIGH and HARK! THE HERALD ANGELS SING Hymn Tunes: MENDELSSOHN and GLORIA 67 measures. Performance Time approx 2:15 Key F. Meter: 4/4 Parts included (PDF): Score Flute, Oboe, English Horn, Bassoon Clarinet 1/2 over, Clarinet 1/2 under, Alto Clarinet, Bass Clarinet Alto Saxophone, Tenor Saxophone, Baritone Saxophone Trumpet 1/2, Horn in F 1/2. Trombone 1/2, Baritone TC, Tuba Percussion 1 - Snare Drum, Bass Drum, Cymbals Percussion 2 - Triangle & Sleigh Bells Percussion 3- (Glockenspiel.
$10.00 ≈
¥72.51
HARK! THE HERALD ANGELS SING - Clarinet Quartet ( SSAB/SSSB) w/ optional Acoustic Bsss and Drum Set
HARK! THE HERALD ANGELS SING - Clarinet Quartet ( SSAB/SSSB) w/ optional Acoustic Bsss and Drum Set
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Dennis Ruello
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HARK! THE HERALD ANGELS SING -
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Chicory Music
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.734337 Composed by Felix Bartholdy Mendelssohn. Arranged by Dennis Ruello. Christian,Chr...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.734337 Composed by Felix Bartholdy Mendelssohn. Arranged by Dennis Ruello. Christian,Christmas,Jazz. 12 pages. Chicory Music #2948385. Published by Chicory Music (A0.734337). HARK! THE HERALD ANGELS SING - Clarinet Quartet w/opt. Acoustic Bass and Drum Set Parts Hark! The Herald Angels Sing is a Christmas carol that first appeared in 1739 in the collection Hymns and Sacred Poems, having been written by Charles Wesley. Wesley had requested and received slow and solemn music for his lyrics, not the joyful tune expected today. Moreover, Wesley's original opening couplet is Hark! how all the welkin rings / Glory to the King of Kings.[1] The popular version is the result of alterations by various hands, notably by Wesley's co-worker George Whitefield who changed the opening couplet to the familiar one, and by Felix Mendelssohn. In 1840, a hundred years after the publication of Hymns and Sacred Poems, Mendelssohn composed a cantata to commemorate Johann Gutenberg's invention of the printing press, and it is music from this cantata, adapted by the English musician William H. Cummings to fit the lyrics of Hark! The Herald Angels Sing, that propels the carol known today.This arrangement, in the clarinet friendly key of F concert, can be preformed as a quartet with or without the optional acoustic bass and drum set parts. No extremes in range or technique are required to play this intermediate level piece. Your performers and audience will enjoy the modern harmonies used in this presentation. Performance time approx. 2 minutes 6 seconds.
$11.99 ≈
¥86.94
HARK! THE HERALD ANGELS SING - String Orchestra / String Quartet - Intermediate
HARK! THE HERALD ANGELS SING - String Orchestra / String Quartet - Intermediate
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Quatuor à cordes: 2 violons, alto, violoncelle
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Classique
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Felix Bartholdy Mendelssohn
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Dennis Ruello
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HARK! THE HERALD ANGELS SING -
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Chicory Music
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.734335 Composed by Felix Bartholdy Mendelssohn. Arranged by Dennis Ruello. Christian,Christmas,Jazz. Score and p...
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String Quartet String Quartet - SKU: A0.734335 Composed by Felix Bartholdy Mendelssohn. Arranged by Dennis Ruello. Christian,Christmas,Jazz. Score and parts. 11 pages. Chicory Music #2946001. Published by Chicory Music (A0.734335). HARK! THE HERALD ANGELS SING - String Orchestra / String Quartet - Intermediate Hark! The Herald Angels Sing is a Christmas carol that first appeared in 1739 in the collection Hymns and Sacred Poems, having been written by Charles Wesley. Wesley had requested and received slow and solemn music for his lyrics, not the joyful tune expected today. Moreover, Wesley's original opening couplet is Hark! how all the welkin rings / Glory to the King of Kings.[1] The popular version is the result of alterations by various hands, notably by Wesley's co-worker George Whitefield who changed the opening couplet to the familiar one, and by Felix Mendelssohn. In 1840, a hundred years after the publication of Hymns and Sacred Poems, Mendelssohn composed a cantata to commemorate Johann Gutenberg's invention of the printing press, and it is music from this cantata, adapted by the English musician William H. Cummings to fit the lyrics of Hark! The Herald Angels Sing, that propels the carol known today.This arrangement, in the string friendly key of G concert, can be preformed as a quartet with or without the optional acoustic bass and drum set parts. It may be performed as a string orchestra with all the string parts plus or minus the drum set part. Your performers and audience will enjoy the modern harmonies used in this presentation. Performance time approx. 2 minutes 6 seconds.
$11.99 ≈
¥86.94
America's Favorite Christmas Carols arranged for Brass
America's Favorite Christmas Carols - Brass
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Ensemble de cuivres
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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2nd trumpet in B flat
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America's Favorite Christmas C
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Colin Kirkpatrick Publications
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.522189 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Christmas,Praise & Worship,Sacred. Score and par...
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Brass Ensemble - Level 2 - SKU: A0.522189 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 129 pages. Colin Kirkpatrick Publications #6403993. Published by Colin Kirkpatrick Publications (A0.522189). These arrangements of favorite Christmas carols are sure to brighten up your next Christmas event. The publication consists of full scores for each hymn plus separate instrumental parts and an optional simplified keyboard part. All the arrangements are in four parts, reflecting the traditional SATB voicing. The parts include 1st trumpet in B flat; 2nd trumpet in B flat; horn in F; horn in E flat; trombone and optional tuba; optional bass in B flat and bass in E flat. There are also two optional baritone parts in B flat (TC) and C (BC) in case you need them. They are the same as the tenor part. In some carols, you might prefer to assign any baritones to doubling the bass or doubling the melody an octave lower. The baritone part in C is also playable by trombone. The trombone and tuba parts appear on a single staff. Of course, you can use any number of instruments to a particular part. The optional keyboard part has been simplified and whenever possible limited to single notes in the left hand part and no more than two-note chords in the right. Using the keyboard part, you can use the arrangements as solos, duets or trios. The scores and all the parts are contained in a single 129-page PDF file.Because the music has been set in brass-friendly keys, the arrangements are not necessarily with other Colin Kirkpatrick arrangements published by Glyn Joseph Editions. This collection includes the following favorite carols: Angels We Have Heard On High (Gloria); Lo, How a Rose E’er Blooming (Es ist ein Ros entsprungen); O Come, O Come Emmanuel (Veni Emmanuel); The First Noel; Ding Dong! Merrily on High (Bransle de l’Officiel); O Come All Ye Faithful (Adeste Fidelis); Hark! The Herald Angels Sing (Mendelssohn); Go Tell It on the Mountain; O Little Town of Bethlehem (St. Louis); O Holy Night (Cantique de Noël); Silent Night (Stille Nacht); Away in a Manger (Mueller); Joy to the World (Antioch); O Christmas Tree (Tannenbaum); We Three Kings (Kings of Orient); I Heard the Bells on Christmas Day (Waltham); What Child is This? (Greensleeves); God Rest You Merry, Gentlemen; Good King Wenceslas (Tempus Adest Floridum) and We Wish You a Merry Christmas.
$19.99 ≈
¥144.96
Bach: Wachet auf for Clarinet Quartet
Bach: Wachet auf for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Clarinet
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.549861 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,C...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.549861 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 18 pages. Jmsgu3 #3557469. Published by jmsgu3 (A0.549861). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore. Instrumentation: 2 Bb clarinets, 1 alto clarinet, 1 bass clarinet.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbrevia.
$39.95 ≈
¥289.69
Music for Four Brass, Volume 2 - Part 1 for Trumpet in Bb - 60211
Music for Four Brass, Volume 2 - Part 1 for Trumpet in Bb - 60211
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Ensemble de cuivres
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AVANCÉ
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Celtique/Irlandais
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Various
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Daniel Kelley
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Music for Four Brass, Volume 2
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Last Resort Music Publishing
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.530567 Composed by Various. Arranged by Daniel Kelley. Baroque,Easter,Sacred,Spiritual. Score and parts. 42 pages. La...
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Brass Ensemble - Level 5 - SKU: A0.530567 Composed by Various. Arranged by Daniel Kelley. Baroque,Easter,Sacred,Spiritual. Score and parts. 42 pages. Last Resort Music Publishing #4317925. Published by Last Resort Music Publishing (A0.530567). Volume 2 - Sacred & Spiritual Music for Brass Quartet Part 1 for Trumpet in BbA wonderful collection of arrangements for brass quartet including works by Handel, Purcell, Martin Luther, and many more! This series is designed to be used by a brass quartet. This volume includes 30 titles and is available for 4 interchangeable parts plus keyboard and score.Available for the following instrumentation: Part 1 Bb Trumpet  Part 2 Bb Trumpet Part 2 French Horn in F Part 3 Trombone Part 3 French Horn in F Part 4 Bass Trombone or TubaKeyboard or Guitar Score (parts 1-2 in Bb, 3-4 in C)Table of ContentsArioso from Cantata #156 (Bach)Ave Maria adapted by Charles Gounod from WTC Prelude #1 (Bach)Komm, Susser Tod (Bach)My Heart Ever Faithful Aria from Cantata #68 (Bach)Agnus Dei from incidental music to L'Arlesienne (Bizet)Amazing Grace (Early American Melody)Panis Angelicus from Messe Solonnelle, Op. 12 (Franck)Every Valley Shall Be Exalted from The Messiah (Handel)Hallelujah Chorus from The Messiah (Handel)Sound an Alarm from Judas Maccabeus (Handel)Thine Be the Glory from Judas Maccabeus (Handel)O Worship the King (Haydn)Children's Prayer from Hansel and Gretel (Humperdinck)A Mighty Fortress is Our God (Luther)Nearer, My God, to Thee (Mason)On Wings of Song from Op. 34 #2 (Mendelssohn)Alleluia from Exsultate, Jubilate, K. 165 (Mozart)Ave Verum Corpus from K. 618 (Mozart)When I Am Laid in Earth from Dido and Aeneas (Purcell)Ave Maria (Schubert)Deep River (Spiritual)Give Me that Old-Time Religion (Spiritual)Go Tell It on the Mountain (Spiritual)He's Got the Whole World in His Hands (Spiritual)Sometimes I Feel like a Motherless Child (Spiritual)Swing Low, Sweet Chariot (Spiritual)Were You There? (Spiritual)Battle Hymn of the Republic (Steffe & Howe)Onward Christian Soldiers (Sullivan)Be Thou My Vision (Traditional Irish Melody)All available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$20.00 ≈
¥145.03
Hark the Herald Angels Sing
Hark the Herald Angels Sing
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Raluca Bojor
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Raluca Bojor
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Hark the Herald Angels Sing
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Raluca Bojor
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1328436 By Raluca Bojor. By Felix Bartholdy Mendelssohn. Arranged by Raluca Bojor. Christian,Christmas,Holiday,Praise & W...
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Piano Solo - Level 4 - SKU: A0.1328436 By Raluca Bojor. By Felix Bartholdy Mendelssohn. Arranged by Raluca Bojor. Christian,Christmas,Holiday,Praise & Worship,Sacred. Score. 4 pages. Raluca Bojor #916458. Published by Raluca Bojor (A0.1328436). In this advanced piano arrangement I maintained a congregational-style approach, meaning I stayed close to the harmonic texture in the hymnal for the most part. It's three verses long, with the first verse being in a medium register. The second verse in a higher register (with a delicate sound) and you will hear some 2-against-3 rhythms which offer some variety in the otherwise standard-sounding texture. In the final verse you will use a wider range of registers, including full octave chords in the right hand and octave bass lines in the left hand. LISTEN to the full recording below!Product details:• sheet music PDF• four (4) pages long• difficulty: early advanced• key of F major• performance time 2’32â€GET the sheet music today!
$6.99 ≈
¥50.69
Hark! The Herald Angels Sing
Hark! The Herald Angels Sing
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Orchestre à Cordes
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FACILE
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John Denver
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Frank Chow
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Hark! The Herald Angels Sing
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Frank Chow
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1119493 By John Denver. By Charles Wesley and Felix Bartholdy Mendelssohn. Arranged by Frank Chow. Christmas,Holida...
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String Orchestra - Level 2 - SKU: A0.1119493 By John Denver. By Charles Wesley and Felix Bartholdy Mendelssohn. Arranged by Frank Chow. Christmas,Holiday,Instructional,Romantic Period,Standards. Score and parts. 15 pages. Frank Chow #720904. Published by Frank Chow (A0.1119493). Hark! The Herald Angels Sing is an English Christmas carol that first appeared in 1739 in the collection “Hymns and Sacred Poemsâ€. The music is adapted from Vaterland, in deinen Gauen by Felix Mendelssohn This arrangement is suitable for amateur players who have played the instrument for around 1 year. For Violin 2nd, Violin 3rd, Viola, Cello and Double Bass, the range is within one octave. Suggested fingerings and bowings are provided.
$50.00 ≈
¥362.57
Hark! The Herald Angels Sing (2-part choir)
Hark! The Herald Angels Sing (2-part choir)
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Chorale 2 parties
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FACILE
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Classique
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Felix Bartholdy Mendelssohn
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Stephen DeCesare
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Hark! The Herald Angels Sing
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Exultet Music
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.628094 Composed by Felix Bartholdy Mendelssohn. Arranged by Stephen DeCesare. Christian,Christmas,Conte...
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Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.628094 Composed by Felix Bartholdy Mendelssohn. Arranged by Stephen DeCesare. Christian,Christmas,Contemporary,Praise & Worship,Sacred. 7 pages. Exultet Music #6093601. Published by Exultet Music (A0.628094). This joyous contemporary Christian/Praise and Worship style setting of the popular Christmas hymn is arranged for a 2-part choir (Part 1: High Voices (Sop. & Ten), Part 2: Low Voices (Alto & Bass) with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$3.99 ≈
¥28.93
Music for Three, Volume 3 Part 2 Viola 50322
Music for Three, Volume 3 Part 2 Viola 50322
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Celtique/Irlandais
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Various
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Daniel Kelley
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Music for Three, Volume 3 Part
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble,Strings Piano Accompaniment,Viola - Level 4 - SKU: A0.530636 Composed by Various. Arranged by Daniel Kelley. Contemporary,Sacred,Spiritua...
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Small Ensemble,Strings Piano Accompaniment,Viola - Level 4 - SKU: A0.530636 Composed by Various. Arranged by Daniel Kelley. Contemporary,Sacred,Spiritual,Wedding. Score and parts. 50 pages. Last Resort Music Publishing #4854635. Published by Last Resort Music Publishing (A0.530636). Including works by Handel, Massenet & Mozart and titles such as Amazing Grace, Dodi Li & Be Thou My VisionAn incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio could play with a pianist - as long as Part 1 is being played. Table of Contents My Heart Ever Faithful Aria from Cantata #68 (Bach)Wachet Auf Chorale from Cantata #140 (Bach)Agnus Dei from incidental music to L'Arlesienne (Bizet)Amazing Grace (Early American Melody)Hallelujah Chorus from The Messiah (Handel)Heavens Are Telling, The from The Creation (Haydn)Children's Prayer from Hansel and Gretel (Humperdink)A Mighty Fortress is Our God (Luther)Meditation from Thais (Massenet)On Wings of Song from Op. 34 #2 (Mendelssohn)Alleluia from Exsultate Jubilate, K. 165 (Mozart)Ave Maria (Schubert)SImple Gifts (Shaker Hymn)Deep River (Spiritual)Give Me That Old-Time Religion (Spiritual)Go Tell It on the Mountain (Spiritual)He's Got the Whole World in His Hands (Spiritual)Nobody Knows the Trouble I've Seen (Spiritual)Sometimes I Feel Like a Motherless Child (Spiritual)Swing Low, Sweet Chariot (Spiritual)Were You There? (Spiritual)Battle Hymn of the Republic (Steffe & Howe)Onward Christian Soldiers (Sullivan)Be Thou My Vision (Traditional Irish Melody) Traditional Jewish BashanaDodi Li (Bridal March) Erev Shel Shoshanim (Wedding processional) Hava Nagila and Tsena TsenaJerusalem of Gold (Y'rushalayim Shel Zahov)Od Yeshoma, Version 1 (Wedding recessional)Od Yeshoma, Version 2 (Wedding recessional)Oif'n PripetshokOse Shalom and Hevenu Shalom Aleychem Simon Tov and Chosen Kalle Mazel Tov (Wedding recessional)Yedid Nefesh (Wedding processional)The following parts are available for Music for Three, Volume 350311 Part 1 Flute or Oboe or Violin50313 Part 1 Clarinet in Bb50321 Part 2 Flute or Oboe or Violin50322 Part 2 Viola 50323 Part 2 Clarinet in Bb50331 Part 3 Cello or Bassoon50340 Keyboard or Guitar50399 Score Please visit www.lastresortmusic.com for more titles and information!
$20.00 ≈
¥145.03
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