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Beat On The Brat
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Vous avez sélectionné:
Beat On The Brat
Partitions à imprimer
48 partitions trouvées
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Beat On The Brat
Beat On The Brat
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Batterie
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DÉBUTANT
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The Ramones
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Felipe Gonçalves
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Beat On The Brat
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Felipe Gonçalves
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SheetMusicPlus
Drums - Level 1 - SKU: A0.1412879 By The Ramones. By Douglas Colvin, Jeffrey Hyman, John Cummings, and Thomas Erdelyi. Arranged by Felipe Gonçalves. ...
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Drums - Level 1 - SKU: A0.1412879 By The Ramones. By Douglas Colvin, Jeffrey Hyman, John Cummings, and Thomas Erdelyi. Arranged by Felipe Gonçalves. Rock. Score. 3 pages. Felipe Gonçalves #994884. Published by Felipe Gonçalves (A0.1412879). Drums simplified arrangement music Beat On The Brat by The Ramones.
$4.99 ≈
¥35.96
Beatlecracker Suite
Beatlecracker Suite
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Orchestre d'harmonie
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AVANCÉ
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John Lennon and Paul McCartney
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John Ivor Holland
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Beatlecracker Suite
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1452596 Composed by John Lennon and Paul McCartney. Arranged by John Ivor Holland. 20th Century,Christmas,Classical,Hol...
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Concert Band - Level 5 - SKU: A0.1452596 Composed by John Lennon and Paul McCartney. Arranged by John Ivor Holland. 20th Century,Christmas,Classical,Holiday,Pop. 269 pages. John Ivor Holland #1031902. Published by John Ivor Holland (A0.1452596). In the mid 1960s, Roy Castle had a series of variety shows on BBC Television and Arthur Wilkinson was his musical director. On one of the shows, the celebrity guest was ballet star Doreen Wells who asked if she could dance to music of the Beatles. It fell to Wilkinson to arrange some of the hit songs for use by a ballerina. He hit on the idea of Tchaikovsky's Nutcracker Suite as a model; it was so popular that further movements were added for an EP recording and the complete Beatlecracker Suite is the result. The EP was issued throughout the world and was to be followed by an album if it did well enough, but it appears there was none. The movements are:1. Miniature Overture (Help!)2. March (When I'm 64)3. Dance of the Sugar Plum Fairy (Can't buy me love)4. Russian Dance (Trepak) (Norwegian Wood) [not part of the original suite] 5. Arabian Dance (It's for you)6. Chinese Dance (Ticket to ride)7. Dance of the Reed Flutes (She loves you)8. Waltz of the Flowers (From me to you)9. Pas de Deux (All my loving)A perfect chart for an alternative Christmas/Holiday event, or just a great opportunity to celebrate the enduring legacy of the Beatles.
$99.99 ≈
¥720.51
Beat On The Brat
Beat On The Brat
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Guitare notes et tablatures
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Punk
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Rock
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The Ramones
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Punk
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Beat On The Brat
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By The Ramones. Pop; Punk; Rock. Guitar TAB. 5 pages. Published by Hal Leonard - Digital Sheet Music (HX.296919). - guitar TAB - Pop; Punk; Rock - Hal Leonard -...
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By The Ramones. Pop; Punk; Rock. Guitar TAB. 5 pages. Published by Hal Leonard - Digital Sheet Music (HX.296919). - guitar TAB - Pop; Punk; Rock - Hal Leonard - Digital Sheet Music
$4.99 ≈
¥35.96
Beat on the Brat by The Ramones - Guitar Tab
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Guitare notes et tablatures
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The Ramones
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Beat on the Brat
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Musicnotes
Performed by: The Ramones: Beat on the Brat Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (...
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Performed by: The Ramones: Beat on the Brat Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar/Vocal/Chords;Guitar Tab, instruments: Voice;Guitar; 5 pages -- American Punk~~New Wave~~Pop Rock~~Punk~~New York Punk
$5.50 ≈
¥39.63
String Quartet No. 12 ... The Seasons (2010) full score
String Quartet No. 12 ... The Seasons (2010) full score
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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String Quartet No. 12 ... The
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869207 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score...
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String Quartet String Quartet - Level 4 - SKU: A0.869207 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Summer: Cloudburst! Double rainbow … Trio 3). 48 pages. Thomas Oboe Lee #3905. Published by Thomas Oboe Lee (A0.869207). Program note: As indicated by the title, this is my twelfth string quartet. My very first work, Aperture (1974), was a string quartet. In between I wrote four (nos. 2 – 5) for the Kronos Quartet, one (no. 6) for the Manhattan String Quartet, one (no. 7) for the Lydian String Quartet, one (no. 8) for the Artaria String Quartet, two (nos. 9 - 10) for the Hawthorne String Quartet, and one (no. 11) for the Formosa Quartet. The number twelve immediately brought to mind the months of the year. But I thought a twelve-movement string quartet might be a bit excessive, and difficult to achieve in a coherent narrative arc. Most classical string quartets by Haydn, Mozart and Beethoven are in four movements. So why not the seasons, a movement for each: spring, summer, autumn, and winter. I am a huge fan of The Creation by Franz Joseph Haydn. Confession: I am a huge fan of anything by maestro Haydn. For inspiration and guidance, I went to Haydn’s other oratorio The Seasons. Armed with a Dover publication of the full score and a recording of the complete work by Sir Thomas Beecham on EMI Classics, I got down to work over the summer of 2010. String Quartet No. 12 … The Seasons, after Franz Joseph Haydn is in four movements, played without pause between movements. 1) Intro: Heavy snow … Spring: Crocuses blooming!!! 2) Summer: Cloudburst! Double rainbow … Trio 3) Autumn: La Caccia … Danza Rusticana … Trio 4) Intro: Heavy snow again … Winter: O Magnum Mysterium … Hail storm! The work begins with four descending chords, depicting the falling of snow. But it’s Spring and crocuses are seen peeping through the snow … Summer begins with cloudbursts, thunder, lightning and torrential rain. A double rainbow appears after the storm. The sun emerges from the clouds in the Trio section. It is a lovely day after all; but then the clouds return … La Caccia: men go hunting in the Autumn. Well, the men in Haydn’s days at least. Peasant ladies dance as they harvest in the fields. A hawk appears, soaring overhead in the Trio as the sun sets in an orange-red sky ... In Winter snow falls again; but it’s the season to celebrate the Nativity. Violin and viola chant O magnum mysterium … O Magnum Mysterium O great mystery Et admirabile sacramentum and wonderful sacrament Ut animalia viderent Dominum natum that animals should see the new-born Lord Jacentem in praesepio! lying in a manger! Beata Virgo, cujus viscera Blessed is the Virgin whose womb Meruerunt portare was worthy to bear Dominum Christum. Christ the Lord. Alleluia. Alleluia. A hailstorm wreaks havoc. Fine. Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/string-quartet-no-12-the-seasons-2010Video link: https://youtu.be/8seBbMtds84
$9.99 ≈
¥71.99
Thanksgiving Medley for Flute Choir
Thanksgiving Medley for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Various
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Yoel Epstein
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Thanksgiving Medley for Flute
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Yoel Epstein
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.773303 Composed by Various. Arranged by Yoel Epstein. Christian,Folk,Holiday,Praise & Worship,Sacred. 32 pag...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.773303 Composed by Various. Arranged by Yoel Epstein. Christian,Folk,Holiday,Praise & Worship,Sacred. 32 pages. Yoel Epstein #3238781. Published by Yoel Epstein (A0.773303). I wish you the greatest pleasure playing these arrangements of traditional Thanksgiving songs. Thanksgiving is one of the most beautiful of holidays, a holiday filled with joy and music. We Gather Together to Ask the Lord's Blessing: Written in 1597 by Dutch composer Adrianus Valerius to celebrate Holland's victory over Spain, the tune was brought to American shores by the early Dutch settlers. Poet Theodore Baker wrote a new version of the lyrics in 1894, which became the standard Thanksgiving version. Over the River and Through the Wood: Lydia Maria Child, an outspoken abolitionist and advocate for Indian rights, wrote this poem in 1845. It was set to music by an unknown composer. Let All Things Now Living (The Ash Grove) This traditional Welsh melody (Llwyn Onn or The Ash Grove in Welsh) has inspired numerous lyricists to write words to the hauntingly beautiful tune. The poem by Katherine Davis, written in 1939, is the text most associated with Thanksgiving. Amazing Grace: Written by reprobate sailor John Newton in 1779. Known for his profanity, vulgarity and venery, he was imprisoned, beaten, and enslaved, before he reformed, and became a leading minister and hymn-writer. This is one of the most popular hymns ever written. This Land is Your Land: A traditional American tune, made famous by folksinger Woody Guthrie in 1940. Guthrie wrote the words as a rebuff to the song God Bless America, the huge hit by songwriter Irving Berlin. As a counter to Berlin's drum-beating patriotism, Guthrie would occasionally add politically charged verses expressing his support for communism. I hope you enjoy playing this as much as I enjoyed writing it. If you need other pieces of Americana for your ensemble, you might find them in Best-Loved American Folksongs, in two volumes, available here (volume 1) and here (volume 2). There are also arrangements of Battle Hymn of the Republic, Stars and Stripes Forever, America the Beautiful, and The Star-Spangled Banner. You can see them all and more at my composer page. I have also arranged three songs from the Holocaust, which I distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me at yoelepst@gmail.com, and I will try to accommodate.
$34.99 ≈
¥252.13
That's Why We Celebrate! (SAB/3-Part Mixed Voices)
That's Why We Celebrate! (SAB/3-Part Mixed Voices)
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Chorale 3 parties
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INTERMÉDIAIRE
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Noël
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Carol Troutman Wiggins
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That's Why We Celebrate!
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1348418 Composed by Carol Troutman Wiggins. Advent,Christian,Christmas,Contemporary,Religious. 6 pages. Ca...
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Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1348418 Composed by Carol Troutman Wiggins. Advent,Christian,Christmas,Contemporary,Religious. 6 pages. Carol Troutman Wiggins #933191. Published by Carol Troutman Wiggins (A0.1348418). Why do we celebrate Christmas? Luke 2:8-14 tells us that there was a Holy Child born for us to celebrate!SAB for adult choirs or younger mixed voicesLight rock; Upbeat and exciting to sing!Great for Christmas servicesEasy to learn & teachEasy harmonyEarly advanced piano accompanimentPiano accompaniment track available on this site.
$3.00 ≈
¥21.62
Yemanya (for Symphonic Band)
Yemanya (for Symphonic Band)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Becca Schack
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Yemanya
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Ingenue Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1028006 Composed by Becca Schack. 20th Century,Contemporary,Jazz. Score and parts. 123 pages. Ingenue Music #3140879. P...
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Concert Band - Level 4 - SKU: A0.1028006 Composed by Becca Schack. 20th Century,Contemporary,Jazz. Score and parts. 123 pages. Ingenue Music #3140879. Published by Ingenue Music (A0.1028006). Commissioned by the International School Of Luxembourg (ISL). Premiered in Luxembourg, in December 2010, conducted by Dimosthenis Dimitrakoulakos.Program Notes:This piece is named for Yemanya (pronounced Yeh-MAHN-jah or Yeh-MAHN-jee), the Brazilian/African nurturing mother goddess of the ocean. She's known as a protector, supplier, and one who grants wishes. Every December 31st, Brazilians celebrate Yemanya by casting white flowers and miniature boats into the sea. If Yemanya grants your wish, her waves will swallow the boat and if she denies the wish the boat will wash up on shore. Yemanya teaches us to dive in at the very moment of golden opportunity, to enjoy the rhythms of life, and to allow all doubts to be washed away. The fluid, oceanic themes of the instruments represent the flow of the water and magic of Yemanya. The piece starts off with a soft wind chime accompanied by gong/tam-tam. Then the vibraphone enters mysteriously as the main theme that drives the whole piece as it subtly changes. The double bass creates a rhythmic pulse beneath the other sections. The gentle melodies in the flute dance around jazzy articulations in the trumpets and saxophones. There's an interplay of Afro-Cuban beats in the marimba and a bossa nova rhythm between the temple blocks and xylophone. Throughout the piece I have tried to capture the water's motion and the ever-changing face of the sea. As the vibraphone returns to the original melody, we are reminded of Yemanya's eternal beauty and peaceful nature.
$60.00 ≈
¥432.35
Ramones: Beat On The Brat - guitar (tablature, play-along)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Pop musique
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Ramones
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Virtualsheetmusic
Instantly printable sheet music by Ramones for guitar (tablature, play-along) of MEDIUM skill level. / pop,punk,rock
Instantly printable sheet music by Ramones for guitar (tablature, play-along) of MEDIUM skill level. / pop,punk,rock
$6.97 ≈
¥50.22
It's Time to Celebrate Christmas!
It's Time to Celebrate Christmas!
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Chorale 2 parties
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Noël
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George L
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It's Time to Celebrate Christm
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Heritage Music Press
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SheetMusicPlus
2-part choir, Piano, Glockenspiel - SKU: LX.15-3648H Composed by George L.O. Strid and Mary Donnelly. Educational, Secular Christmas. Octavo. 12 pages. ...
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2-part choir, Piano, Glockenspiel - SKU: LX.15-3648H Composed by George L.O. Strid and Mary Donnelly. Educational, Secular Christmas. Octavo. 12 pages. Heritage Music Press #e15/3648H. Published by Heritage Music Press (LX.15-3648H). ISBN 9780787764791.This bright, happy Christmas original features an upbeat, forward-moving melody throughout coupled with an exciting second voice part. Included are snippets of Deck the Hall and the refrain of Angels We Have on High, and the optional glockenspiel part adds to the delightful festive flavor of the tune. A brilliant program opener!
$2.50 ≈
¥18.01
Carol to the King
Carol to the King
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Chorale TTBB
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Mack Wilberg
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Carol to the King
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Oxford University Press Digital
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SheetMusicPlus
SATB chorus and piano four hands or orchestra - SKU: OX.9780193543188 Arranged by Mack Wilberg. Sheet music. Octavo. 15 pages. Oxford University Press D...
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SATB chorus and piano four hands or orchestra - SKU: OX.9780193543188 Arranged by Mack Wilberg. Sheet music. Octavo. 15 pages. Oxford University Press Digital #9780193543188. Published by Oxford University Press Digital (OX.9780193543188). ISBN 9780193543188.For SATB and piano four hands or orchestra. In an upbeat march in 2/4 meter (the orchestral version starts with a snare drum) the choir lifts off in the bright key of D major. Lightly, and with lots of bounce, the voices celebrate the birth of the Saviour by imitating the leaps and accents of trumpets. Orchestral material is available on hire.
$4.00 ≈
¥28.82
Uncle John From Jamaica
Uncle John From Jamaica
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Orchestre d'harmonie
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Vengaboys
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Amphibia Cultural Legacy
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Uncle John From Jamaica
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Amphibia Cultural Legacy
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SheetMusicPlus
Concert Band - SKU: A0.1216926 By Vengaboys. By Danski and Delmundo. Arranged by Amphibia Cultural Legacy. Broadway,Classical,Disco,Film/TV,Musical/Show...
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Concert Band - SKU: A0.1216926 By Vengaboys. By Danski and Delmundo. Arranged by Amphibia Cultural Legacy. Broadway,Classical,Disco,Film/TV,Musical/Show,Pop. Score and Parts. 24 pages. Amphibia Cultural Legacy #813455. Published by Amphibia Cultural Legacy (A0.1216926). The Great Champion is an instrumental cover remixed with an orchestra from Amphibia Cultural Legacy, based on the classic hit single Uncle John From Jamaica by Vengaboys. This cover is used for Amphibia Legacy as the Champion Quartet's Theme. This powerful, stirring composition blends modern and classical music. The strings and horns create a majestic atmosphere, while the drums provide a driving and energetic beat. This arrangement perfectly captures the spirit of the Vengaboys' original, giving it a unique and uplifting twist. The Great Champion is sure to be a hit with classical and pop music fans.This instrumental cover is a fantastic, award-winning piece of music that will surely be a hit at any celebration, party, or event. It is an excellent choice for those looking for a unique and memorable soundtrack to their special occasion. The music is upbeat and lively, featuring a mix of traditional instruments, including horns, strings, drums, and electronic elements. The result is a modern and timeless sound, perfect for any event.The instrumental cover is full of energy and emotion, making it an excellent choice for any occasion. This music will surely get everyone to celebrate, whether it’s a wedding, anniversary, birthday, or graduation. It’s also perfect for corporate events, dinner parties, and other special occasions. The music will surely bring everyone a smile and create a memorable atmosphere.This instrumental cover is an excellent choice for any occasion and will surely be a hit with guests. It’s sure to be the perfect soundtrack to any event and will leave a lasting impression on all who hear it.
$100.00 ≈
¥720.58
Anything You Can Do . . . for violin and vibraphone
Anything You Can Do . . . for violin and vibraphone
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Robert M
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Anything You Can Do . . . for
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and p...
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00 ≈
¥201.76
We Will Rock You
We Will Rock You
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Queen
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Javier MartÃnez Maya
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We Will Rock You
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.742580 By Queen. By Brian May. Arranged by Javier MartÃnez Maya. A Cappella,Rock. Score and parts. 65 pages. Arte ...
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Full Orchestra - Level 4 - SKU: A0.742580 By Queen. By Brian May. Arranged by Javier MartÃnez Maya. A Cappella,Rock. Score and parts. 65 pages. Arte Nova Music Lab #6431861. Published by Arte Nova Music Lab (A0.742580). We Will Rock You is a song written by Brian May and recorded by British rock band Queen for their 1977 album News of the World. Rolling Stone ranked it number 330 of The 500 Greatest Songs of All Time in 2004, and it placed at number 146 on the Songs of the Century list in 2001. In 2009, We Will Rock You was inducted into the Grammy Hall of Fame.Other than the last 30 seconds, which contains a guitar solo by May, the song is generally set in a cappella form, using only stomping and clapping as a rhythmic body percussion beat. In 1977, We Will Rock You and We Are the Champions were issued together as a worldwide top 10 single. Soon after the album was released, many radio stations began playing the songs consecutively and without interruption.Since its release, We Will Rock You has been covered, remixed, sampled, parodied, referred to, and used by multiple recording artists, TV shows, films and other media worldwide. It has also become a popular stadium anthem at sports events around the world, due mostly to its simple rhythm. On 7 October 2017, Queen released a Raw Sessions version of the track to celebrate the 40th anniversary of the release of News of the World. It features a radically different approach to the guitar solo and includes May's count-in immediately prior to the recording.Taken from https://en.wikipedia.org/wiki/We_Will_Rock_You
$60.00 ≈
¥432.35
Jogo de Cartas (for Tenor Sax and Piano)
Jogo de Cartas (for Tenor Sax and Piano)
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Saxophone Tenor et Piano
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AVANCÉ
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Brandon Nelson
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Jogo de Cartas
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Brandon Nelson
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SheetMusicPlus
Piano,Tenor Saxophone - Level 5 - SKU: A0.1201702 Composed by Brandon Nelson. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. ...
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Piano,Tenor Saxophone - Level 5 - SKU: A0.1201702 Composed by Brandon Nelson. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. Score and part. 24 pages. Brandon Nelson #800317. Published by Brandon Nelson (A0.1201702). Jogo de Cartas is Portuguese for “card game.†I opted for the Portuguese to honor my patron for this piece, tenor saxophonist Philippe Trovão of Lisbon.In this work, I celebrate four favorite card games.War is a relatively simple game in which each player is dealt half of the deck. The players play one card and the player with the larger card value wins the “battle.†If both players play an identical value, a “war†is started. There are variations on the game at this point, but in one popular version, each player places three cards face down then play another card face up—whichever player has the highest card takes all the cards. The object is to win all of the cards in the deck. In this musical setting, the sax and piano are each a “player,†and each plays cards (translated into rhythmic values) with the conflict and victory painted in dynamic, sometimes dissonant vitality.In Solitaire, the sax plays alone as one plays this game alone. And, just as in the game, each phrase (or suit-based pile) becomes longer, more complex, and ends in an excited flurry of activity as “victory “ is achieved!The third movement, Blackjack, illustrates the deceptively-simple game of chance, with gradually ebbing and flowing tension until, in this case, the (sax) player takes the hand. The number 21 features prominently in the construction principles of the movement as a hand totaling 21 is considered the best in the game.The finale is a wild ride portraying a newer card game called Egyptian Rat Screw. In this colorful and fast-paced game, players flip one card up in turn, continuing to do so until one player puts down a face card. The next player then has several chances (based on the specific face card played) to match or beat that card. In a interesting quirk, if two players play cards of equal rank, the player who “slaps†the card pile first wins all of the cards in the pile. This unique game was fertile ground for musical interplay, illustrating both the back-and-forth and the more aggressive aspects of play!
$10.99 ≈
¥79.19
Psalm 111
Psalm 111
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Musique Sacrée
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Dan Heslink
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Psalm 111
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Pharaoh Publications
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SheetMusicPlus
Small Ensemble Vibraphone,Voice - Level 3 - SKU: A0.935378 Composed by Dan Heslink. Christian,Jazz,Jewish,Sacred. Score and parts. 5 pages. Pharaoh Publ...
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Small Ensemble Vibraphone,Voice - Level 3 - SKU: A0.935378 Composed by Dan Heslink. Christian,Jazz,Jewish,Sacred. Score and parts. 5 pages. Pharaoh Publications #4887161. Published by Pharaoh Publications (A0.935378). Psalm 111 composed by Dan Heslink This work is an original composition for narrator and solo vibes. The narration, which should be delivered with a manner of intense reverence, is interpreted simultaneously by the vibe’s music. It is hoped that this work will assist vibists who wish to play sacred music. Psalm 111 would serve equally well in recital or in a church service. Any position in the service would be appropriate, especially as special music or as an offertory. Written for four mallets, the vibe part is accessible for a player with intermediate level experience. Pedaling on the vibes is for the most part by the dotted quarter note beat, and is not notated in most places. Pedal indications occur when this pattern is varied. Half-pedal should be applied wherever needed for clarification of the line. The composer recommends medium hard mallets and no use of the motor for vibrato. 111 is one of the hallelujah psalms that portrays reverence for God. The narration is appropriately delivered by either masculine of feminine voice; the translation is from the Life Application Bible, New International Version. It is possible for the vibist to also deliver the narration, but a separate narrator is preferable. The music is notated in one part, with narration text place above the vibe notation. Pairing of voice and instrument is general, not requiring coordination greater than one beat resolution. Considerable flexibility in tempo is acceptable, even appropriate. Duration is 5:30. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$3.99 ≈
¥28.75
Arizona Centennial Overture - Chamber Orchestra Version
Arizona Centennial Overture - Chamber Orchestra Version
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Arizona Centennial Overture -
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Pu...
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Chamber Orchestra - Level 4 - SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Published by Sy Brandon (A0.755102). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close. The score prints on legal size paper and the parts on letter.
$39.99 ≈
¥288.16
Arizona Centennial Overture - Band Version
Arizona Centennial Overture - Band Version
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Arizona Centennial Overture -
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Sy Brandon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.755100 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 130 pages. Sy Brandon #3384569....
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Concert Band - Level 4 - SKU: A0.755100 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 130 pages. Sy Brandon #3384569. Published by Sy Brandon (A0.755100). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.The score prints on legal size paper and the parts on letter.
$39.99 ≈
¥288.16
Arizona Centennial Overture - Orchestra Version
Arizona Centennial Overture - Orchestra Version
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Arizona Centennial Overture -
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.755101 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 124 pages. Sy Brandon #338457...
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Full Orchestra - Level 4 - SKU: A0.755101 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 124 pages. Sy Brandon #3384577. Published by Sy Brandon (A0.755101). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.The score prints on legal size paper and the parts on letter.
$39.99 ≈
¥288.16
Tree Dance
Tree Dance
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Marimba
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AVANCÉ
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Marei Suyama
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Tree Dance
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good umbrella inc
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SheetMusicPlus
Marimba Solo - Level 5 - SKU: A0.1406581 By Marei Suyama. By Marei Suyama. 21st Century,Classical,Contemporary,Multicultural,New Age,World. Individual p...
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Marimba Solo - Level 5 - SKU: A0.1406581 By Marei Suyama. By Marei Suyama. 21st Century,Classical,Contemporary,Multicultural,New Age,World. Individual part. 72 pages. Good umbrella inc #989346. Published by good umbrella inc (A0.1406581). It is said that when an earthquake occurs, trees grow well.Though there is no evidence, the vibration of the earthquake seems to stir and condition the soil.Even through unprecedented disasters when the earth is cracked and the city is burnt, and even when people suffer from helplessness and anger, the trees (including apricot and blackberry branches) grow unaffectedly.Inger Christensen, the author of the poetry collection 'Alphabet', through her perceptive and lyrical senses, expressed that human beings are not managers of nature.On a lonely night, all we hear is the sound of crawling roots underneath the earth and rhythmic breathing of branches and leaves.....Not a few people consider classical music as something you listen to quietly while frowning. Tapping your feet to the rhythm is simply not acceptable. But I’ve always thought that classical music could be danceable - something that DJs can play at a club and you can move your body to.≪Tree dance≫, as the title suggests, is a musical piece featuring marimba and piano expressing the way trees dance in the wind. The music is almost like the classical version of craftwork, combining four-on-the-floor beats of techno music with the sharp sounds of modern music and organic poetry.I hope that the colorful musical notes on the score will be given life to and grow in this concert hall, creating a feast of dancing trees. I would be overwhelmed with joy to see the audience move their bodies or tap their feet to the rhythm of music. Marei Suyama
$38.00 ≈
¥273.82
Shady Grove: Score
Shady Grove: Score
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Orchestre à Cordes
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Folklorique/Traditionel
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Renata Bratt
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Shady Grove: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PR-0005596 Score. Arranged by Renata Bratt. Folk. Score. 11 pages. Alfred Music - Digital Sheet Music #00-PR-000559...
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String Orchestra - SKU: AX.00-PR-0005596 Score. Arranged by Renata Bratt. Folk. Score. 11 pages. Alfred Music - Digital Sheet Music #00-PR-0005596. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005596). UPC: 038081517339.Ever ask your intermediate students to sing their parts? This one's for you! This American fiddling song is arranged by Renata Bratt so that every section gets a chance to sing the song as well as play the tune with idiomatic fiddle breaks based on the tune. Sounds great without the singing as well! The fast driving rhythmic power of offbeat accents in cut time is emphasized in this accessible D major arrangement. This tune calls for fast left hand fingers and some quick bow-crossings, though it stays in the first position. Great fun! (1:40).
$9.00 ≈
¥64.85
Shady Grove: 1st Violin
Shady Grove: 1st Violin
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Violon (partie séparée)
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Folklorique/Traditionel
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Renata Bratt
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Shady Grove: 1st Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017317_VN1 1st Violin. Arranged by Renata Bratt. Folk. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC...
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String Orchestra - SKU: AX.00-PC-0017317_VN1 1st Violin. Arranged by Renata Bratt. Folk. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017317_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017317_VN1). UPC: 038081517339.Ever ask your intermediate students to sing their parts? This one's for you! This American fiddling song is arranged by Renata Bratt so that every section gets a chance to sing the song as well as play the tune with idiomatic fiddle breaks based on the tune. Sounds great without the singing as well! The fast driving rhythmic power of offbeat accents in cut time is emphasized in this accessible D major arrangement. This tune calls for fast left hand fingers and some quick bow-crossings, though it stays in the first position. Great fun! (1:40).
$5.99 ≈
¥43.16
Shady Grove: 2nd Violin
Shady Grove: 2nd Violin
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Violon (partie séparée)
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Folklorique/Traditionel
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Renata Bratt
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Shady Grove: 2nd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017317_VN2 2nd Violin. Arranged by Renata Bratt. Folk. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC...
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String Orchestra - SKU: AX.00-PC-0017317_VN2 2nd Violin. Arranged by Renata Bratt. Folk. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017317_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017317_VN2). UPC: 038081517339.Ever ask your intermediate students to sing their parts? This one's for you! This American fiddling song is arranged by Renata Bratt so that every section gets a chance to sing the song as well as play the tune with idiomatic fiddle breaks based on the tune. Sounds great without the singing as well! The fast driving rhythmic power of offbeat accents in cut time is emphasized in this accessible D major arrangement. This tune calls for fast left hand fingers and some quick bow-crossings, though it stays in the first position. Great fun! (1:40).
$5.99 ≈
¥43.16
Shady Grove: Viola
Shady Grove: Viola
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Orchestre à Cordes
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Folklorique/Traditionel
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Renata Bratt
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Shady Grove: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017317_VA1 Viola. Arranged by Renata Bratt. Folk. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017...
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String Orchestra - SKU: AX.00-PC-0017317_VA1 Viola. Arranged by Renata Bratt. Folk. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017317_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017317_VA1). UPC: 038081517339.Ever ask your intermediate students to sing their parts? This one's for you! This American fiddling song is arranged by Renata Bratt so that every section gets a chance to sing the song as well as play the tune with idiomatic fiddle breaks based on the tune. Sounds great without the singing as well! The fast driving rhythmic power of offbeat accents in cut time is emphasized in this accessible D major arrangement. This tune calls for fast left hand fingers and some quick bow-crossings, though it stays in the first position. Great fun! (1:40).
$5.99 ≈
¥43.16
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Beat On The Brat
