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Vous avez sélectionné:
Beat the Drum This Way!
Partitions à imprimer
155 partitions trouvées
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Beat the Drum This Way!
Beat the Drum This Way!
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Chorale Unison
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DÉBUTANT
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Carol Troutman Wiggins
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Beat the Drum This Way!
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - SKU: A0.727346 Composed by Carol Troutman Wiggins. Children,Instructional,Multicultural,World. Octavo. 4 pages. Carol ...
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Choral Choir (Unison) - Level 1 - SKU: A0.727346 Composed by Carol Troutman Wiggins. Children,Instructional,Multicultural,World. Octavo. 4 pages. Carol Troutman Wiggins #3462017. Published by Carol Troutman Wiggins (A0.727346). BEAT THE DRUM THIS WAY!Unison w/Hand Drums or Bucket DrumsNeed a quick & easy song for beginning drummers? any kind of drums may be used. NO DRUMS? Use table top or back of a chair!Excellent for any age elementary & younger middle school studentsRepetitive lyrics and drum beatsDrum beats written in score for rote teachingSpecial section for drums onlyChords included
$2.50 ≈
¥18.13
Modern Drum Method Grade 2
Modern Drum Method Grade 2
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Batterie
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Contemporain
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Steve Fidyk
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Modern Drum Method Grade 2
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Drum set - Beginning-Intermediate - SKU: M0.21806BCDEB Composed by Steve Fidyk. Percussion: Drum Set. Modern Method. Contemporary. E-book and online aud...
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Drum set - Beginning-Intermediate - SKU: M0.21806BCDEB Composed by Steve Fidyk. Percussion: Drum Set. Modern Method. Contemporary. E-book and online audio. Mel Bay Publications - Digital Sheet Music #21806BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.21806BCDEB). ISBN 9781610653954. 8.75x11.75 inches.With the Modern Drum Method Grade 2, Steve Fidyk picks up where Grade 1 leaves off continuing his sequential teaching method and guiding the intermediate student through the most fundamental drumming concepts.The exercises in Grade 2 focus significantly on reading dotted note and rest values, rock, funk and swing beat variations, techniques for tuning the drum set, and a section featuring 2, 3 and 4 beat drum fill examples. The accompanying online audio features every exercise covered in the text.A supplementary DVD entitled Modern Drum Method Grades 1-3 is also available and features many of the concepts and exercises introduced in all three method books. If you are a new drum student who has just purchased your first kit, or an experienced player looking for ways to improve your fundamentals and sound production, this book series can help clarify many of the mechanical and conceptual drumming skills for you. Throughout, Steve explains each drumming topic as if he were teaching a private lesson. Reading exercises featuring dotted whole, half, quarter and eighth notes and restsExercises to help develop sight reading ability Eighth and sixteenth note rock beats Information on the history and development of the drum set Ideas on tuning and choosing drumheads, cymbals and sticks 2, 3 and 4 beat drum fill examples Includes access to online audio.
$17.99 ≈
¥130.45
Come, Let Us Walk this Road Together
Come, Let Us Walk this Road Together
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Come, Let Us Walk this Road To
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SheetMusicPlus
Forty-three songs from Africa are included in this valuable resource. Like Tom Colvin's first collection of African hymns, Fill Us with Your Love (1983, Code No...
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Forty-three songs from Africa are included in this valuable resource. Like Tom Colvin's first collection of African hymns, Fill Us with Your Love (1983, Code No. 431), this collection includes English language translations of songs written for the churches in Africa
Song List
: Awake There, Arise As a Mother for Her Children Beat the Drums of Welcome Behold, the Holy Lamb of God Be Merciful to Us, O God Bless The Lord, O My Soul Chiuta Is Our Sure Defense Christ Yesu Was Born (Odi, Odi) Come, Let Us Seek Our God's Protection Come, Let Us Walk This Road Together Crowds Following Yesu Everyone's Rejoicing Gift of God to Humankind Glorious Light Has Dawned God Grant That We May Be Transformed God Sends Us the Spirit God's Home Is Here God, We Pray Here in Your Sight Great Chiuta Help Us, God, to Be Peace-makers He Must Die or All Will Perish Humbly in Your Sight If It's Peace You Long For, Friends Jesu, Jesu, Fill Us With Your Love Just as a Lamb Is Led to the Slaughter Leap, Leap My Soul Let the World Unite and Sing Life of the World Night Has Fallen Our Troubles Do Abound Should We Accept that Evil Means Sing Welcome to Our Savior To Loving Yesu, Our Dearest Friend We're Glad that We Belong to You We May Choose to Walk (Free to Serve) We Remember You, Our Yesu When Our Savior Yesu Went Away Yesu Bids Us Work for Peace and Justice Yesu Born in Bethlehem Yesu Our Child at Home Lies Dying Yesu's Calling You Who Wait to See a King
$13.95 ≈
¥101.16
Drum Lessons for Kids of All Ages
Drum Lessons for Kids of All Ages
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Batterie
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FACILE
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Methodes
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Rob Silverman
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Drum Lessons for Kids of All A
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Rob Silverman. For Drum Set. Rock and Jazz. 112 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Rob Silverman. For Drum Set. Rock and Jazz. 112 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610656016. Intended for the beginning drum student, this book contains many essential reading and playing skills for the snare and drumset. These studies are integrated in a logical, sequential order. For example, a new rhythm is introduced and studied on the snare drum, then later applied as a beat and then a fill. The same rhythm will appear later in the book for review and then in one of the play-along tunes. This way each concept is reinforced and utilized in different ways. Because of the need to stress the importance of dynamics and their role in the proper execution of playing a piece, dynamic markings are included in many of the snare drum exercises. The author has gone to extreme measures to provide a fun and humorous way of learning to play drums while at the same time implementing the fundamental tools necessary to be a proficient musician. Includes access to online audio that presents eight play-along tunes with and without the drums.
$17.99 ≈
¥130.45
The Abduction of Persephone (for String Orchestra)
The Abduction of Persephone (for String Orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Aaron Fonzi
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The Abduction of Persephone
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Aaron Fonzi
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #33678...
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String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00 ≈
¥145.03
Happy Place
Happy Place
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Chorale 2 parties
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INTERMÉDIAIRE
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Pop musique
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Sally Whitwell
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Happy Place
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SA) - Level 3 - SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0...
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Choral Choir (SA) - Level 3 - SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034). Composer’s Note - Happy PlaceI’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​-- Sally Whitwell
$1.99 ≈
¥14.43
Carry On Wayward Son
Carry On Wayward Son
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Batterie
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INTERMÉDIAIRE
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Rock
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Kansas
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Logan Bruner
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Carry On Wayward Son
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Logan Bruner
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SheetMusicPlus
Drum Set,Drums - Level 3 - SKU: A0.946544 By Kansas. By Kerry Livgren. Arranged by Logan Bruner. Rock. Score. 4 pages. Logan Bruner #6340333. Published ...
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Drum Set,Drums - Level 3 - SKU: A0.946544 By Kansas. By Kerry Livgren. Arranged by Logan Bruner. Rock. Score. 4 pages. Logan Bruner #6340333. Published by Logan Bruner (A0.946544). Kansas - Carry On Wayward SonThe crisp drumming and well-recorded audio on Kansas's Carry On Wayward Son make it a blast to play along with. The part features an optional double-bass. This sheet is great for drummers working on 12/8 grooves and funky drum beats.Interested in more of my transcriptions? https://www.sheetmusicplus.com/publishers/logan-bruner/19937
$4.99 ≈
¥36.18
"This World Is Not My Home" for 8-note C major diatonic scale Tongue Drum
"This World Is Not My Home" for 8-note C major diatonic scale Tongue Drum
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Sharon Wilson
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Sharon Wilson
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"This World Is Not My Hom
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet Hand Drum,Handpan,Instrumental Duet - Level 1 - SKU: A0.569891 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Folk,Prais...
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Instrumental Duet Hand Drum,Handpan,Instrumental Duet - Level 1 - SKU: A0.569891 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Folk,Praise & Worship,Sacred,Spiritual,Traditional. Score and parts. 15 pages. Sharon Wilson #6639071. Published by Sharon Wilson (A0.569891). Note: the audio sample follows the Grand Staff #2 score with the melody played on a 6-inch, 8-note Tongue drum and chords played on a 12-inch, 13-note Drum; the YouTube video follows the Grand Staff #1 score with both parts played on the 12-inch drum This sheet music is arranged for an 8-note, C major diatonic scale Tongue Drum (8, 11, or 13-note drums, but sounds the best on the larger instruments such as a 12-inch vs. 6-inch). Three separate types of scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below: Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment.Chords ScoresChords Score #1 consists of 2-note chords that harmonize with the melody. These simplified chords follow the beat (4/4 time: count 1, 2, 3, 4 in each measure) making it easy to accompany yourself or someone else singing the melody. Alternately, this score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment while someone else plays the melody. Chords Score #2 is identical to Chords Score #1 except this score uses Rhythm #5 instead of Rhythm #1. Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. The chord names are shown above the staff. The corresponding Tongue Drum numbers are shown below the staff. Grand StaffThis score combines the Melody Score with Chords Score #1 providing a visual overview of how the two scores line up and is helpful for a director using this set of scores in a group setting. If playing with a partner (a duet), and both are familiar with standard music notation, this score may be easier to use since both players can see what the other person is playing. Rhythm ChartThis chart shows six rhythm patterns that can be used as an accompaniment for the melody. The first rhythm pattern is the easiest and the one used for the Chords Score #1 and the Grand Staff. Using the Grand Staff, follow the chord names above the melody staff to play notes from the given chord using one of the rhythm patterns. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99 ≈
¥28.93
"God Is So Good" for Tongue Drum (8-note, C major diatonic scale)
"God Is So Good" for Tongue Drum (8-note, C major diatonic scale)
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Sharon Wilson
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Sharon Wilson
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"God Is So Good" for
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet Hand Drum,Handpan,Instrumental Duet - Level 1 - SKU: A0.569893 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,C...
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Instrumental Duet Hand Drum,Handpan,Instrumental Duet - Level 1 - SKU: A0.569893 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Christian,Folk,Multicultural,Sacred,World. Score and parts. 11 pages. Sharon Wilson #6641757. Published by Sharon Wilson (A0.569893). Note: the audio sample uses the Grand Staff #2 score (melody played on a 6-inch, 8-note Tongue drum and chords played on a 12-inch, 13-note Drum); the YouTube video uses the Grand Staff #1 score with both parts played on the 12-inch drumHere is an easy song to play on a key of C Tongue Drum (8, 11, or 13-note drums). This sheet music is notated for an 8-note, C major diatonic scale Tongue Drum (sometimes called a Hand Drum or Steel Drum). Whether beginner or experienced musician, this set of scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Grand Staff #1This score combines the melody staff with the chord staff. The top staff is the melody staff and shows the notes used to play the melody. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. The bottom staff uses Rhythm #1 and consists of 2-note chords that harmonize with the melody. These simplified chords follow the beat making it easy to accompany yourself or someone else singing the melody. Lyrics between the staves are provided for sing along enjoymentGrand Staff #2This score is identical to Grand Staff #1 except it shows an alternate rhythm pattern on the bottom staff. This alternate accompaniment uses the same chords, but follows a variation of Rhythm #2. Melody ScoreThis score can be played as a solo or with accompaniment using the chord names. Chord names are shown above the staff and note numbers are shown below the lyrics. Chord names can be used when playing with other instruments such as a Ukulele or Guitar. Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. The chord names are shown above the staff. The corresponding Tongue Drum numbers are shown below the staff.Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Melody Score, follow the chord names above the melody staff to play notes from the given chord using one of the rhythm patterns.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99 ≈
¥28.93
Dance Me To The End Of Love
Dance Me To The End Of Love
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Jazz
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Madeleine Peyroux
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Peet du Toit
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Dance Me To The End Of Love
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Peet du Toit
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SheetMusicPlus
Small Ensemble Drum Set,Euphonium,Horn,Tuba - Level 3 - SKU: A0.802534 By Madeleine Peyroux. By Leonard Cohen. Arranged by Peet du Toit. Jazz. Score and...
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Small Ensemble Drum Set,Euphonium,Horn,Tuba - Level 3 - SKU: A0.802534 By Madeleine Peyroux. By Leonard Cohen. Arranged by Peet du Toit. Jazz. Score and parts. 23 pages. Peet du Toit #5770405. Published by Peet du Toit (A0.802534). This Greek dance was inspired by the Holocaust, the death camps, the cremation, the cries, the fate... In some of those camps, prisoner musicians had to play classical music to their fellow inmates on the latter's way to death - no return... until the musician had to follow suit. Unlike Nearer my God, to Thee on the Titanic, these musicians were forced to do this. I became so emotionally involved in this arrangement... every sequence has a meaning: the high cries of the women and the children (flügelhorns), the low voices of the concern and physically defeated men (euphonium & french horn), the sirens (french horn), the promise of eternity (euph solo), the tuba (the continuous beat of walking towards one's death) and the perpetual percussion (the clock is ticking...) and the cyclical theme of endless love against all odds, remembering the good times in a dance with your loved one(s). Yours.
$24.00 ≈
¥174.03
Specie Payment. A Song and Chorus for the Times
Specie Payment. A Song and Chorus for the Times
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Harry Miller
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Specie Payment. A Song and Cho
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.11422 Composed by Harry Miller. Wealth, Satire, Political platforms, Taxes. Lester S. Levy Collection. ...
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Piano and voice (solo and SATB chorus) - SKU: LV.11422 Composed by Harry Miller. Wealth, Satire, Political platforms, Taxes. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11422). Specie Payment. A Song and Chorus for the Times. Words by George Cooper. Music by Harry Miller. Published 1870 by John L. Peters, 599 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Wealth, Satire, Political platforms, Taxes. First line reads Ring the bells, and beat the drum! Shake your neighbor's hand today!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥43.44
Arctic Fanfare
Arctic Fanfare
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Orchestre d'harmonie
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James Michael bicigo
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Arctic Fanfare
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Polar Publications
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SheetMusicPlus
Concert Band - SKU: A0.757442 Composed by James Michael bicigo. Contemporary,World. Score and parts. 52 pages. Polar Publications #3012023. Published by...
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Concert Band - SKU: A0.757442 Composed by James Michael bicigo. Contemporary,World. Score and parts. 52 pages. Polar Publications #3012023. Published by Polar Publications (A0.757442). This work was commissioned by Ron Inyoue for the Arctic Winer Games in Fairbanks, Alaska 2014. When Ron Inouye first discussed a fanfare for the Arctic Winter Games to be held in Fairbanks in 2014, he asked me to somehow represent the peoples of the north and to include something of native drumming, particularly, Inuit drumming. Since the fanfare is for the games, it needs to be able to be used in its entirity or in parts depending on how much time or the purpose of the fanfare in a given situation. This fanfare is therefore composed with three distinct sections that can be used separately or together depending on the circumstance. The Opening four measures of the brass is reminiscent of much of my music representing the Aurora Borealis. The Drumming is inspired by Inuit and Yupik drumming. I use the two different types of drum and blend the drumming style of the Yupik and Inuit cultures in a bit of a western context. The Yupik tradition of hard beat and soft beat is represented in the dynamics of the drums. The Inuit tradition of establishing the steady beat and then passing rhythmic patterns between the parts is represented throughout the work in all of the drum parts. There is a nod to Athabascan old time fiddle music in the choice of an Irish/Scotish traditional melody entitled The Far North. This is also a traditional Canadian Northern Tier American camping and scouting song. Finally, there is a traditional Fanfare that can be used independently to call people to an event or back from an intermission. It is my sincere hope that this fanfare represents all of us in some way and leaves enough to the listener, that they will relate their own experience of the North in the music they hear. James Bicigo August 18, 2013
$50.00 ≈
¥362.57
The Pink Panther
The Pink Panther
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A Century Of Movie Soundtracks
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SAMUEL DE SOUZA MALAQUIAS
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The Pink Panther
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SAMUEL DE SOUZA MALAQUIAS
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SheetMusicPlus
Drum Set,Flute,Piano,Tenor Saxophone - Level 3 - SKU: A0.1366537 By A Century Of Movie Soundtracks. By Henry Mancini. Arranged by SAMUEL DE SOUZA MALAQU...
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Drum Set,Flute,Piano,Tenor Saxophone - Level 3 - SKU: A0.1366537 By A Century Of Movie Soundtracks. By Henry Mancini. Arranged by SAMUEL DE SOUZA MALAQUIAS. Blues,Broadway,Film/TV,Jazz,Musical/Show. 26 pages. SAMUEL DE SOUZA MALAQUIAS #950875. Published by SAMUEL DE SOUZA MALAQUIAS (A0.1366537). The Pink PantherThis intermediate-level arrangement of the classic theme song is perfect for a very small jazz ensemble (piano, tenor saxophone, flute and drum set). The piano provides the foundation, the drums keep the beat, the sax tenor adds a touch of soul, and the flute provides a soaring melody. The arrangement stays true to the original, while adding a new level of sophistication.Order your copy today!
$13.99 ≈
¥101.45
Beat it out from Graded Music for Snare Drum, Book I
Beat it out from Graded Music for Snare Drum, Book I
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Caisse Claire
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Classique
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Ian Wright and Kevin Hathawa
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Beat it out from Graded Music
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ABRSM
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SheetMusicPlus
Composed by Ian Wright and Kevin Hathaway, Ian Wright, and Kevin Hathway. This edition: scorch. Classical. Individual part. 1 pages. Published by ABRS...
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Composed by Ian Wright and Kevin Hathaway, Ian Wright, and Kevin Hathway. This edition: scorch. Classical. Individual part. 1 pages. Published by ABRSM (Associated Board of the Royal Schools of Music)
$2.99 ≈
¥21.68
The City In the Sea: Choral Tone Poem
The City In the Sea: Choral Tone Poem
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Chorale SATB
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AVANCÉ
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Contemporain
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Pu...
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Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60 ≈
¥40.61
Rewrite The Stars
Rewrite The Stars
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Zac Efron & Zendaya
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Issac Cheng
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Rewrite The Stars
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Issac Cheng
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SheetMusicPlus
Instrumental Duet,Piano Drum Set,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1243566 By Zac Efron & Zendaya. By Benj Pasek and Justin Paul. Arran...
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Instrumental Duet,Piano Drum Set,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1243566 By Zac Efron & Zendaya. By Benj Pasek and Justin Paul. Arranged by Issac Cheng. 21st Century,Broadway,Film/TV,Musical/Show. 18 pages. Issac Cheng #838532. Published by Issac Cheng (A0.1243566). Rewrite The Stars arranged for VIOLIN, PIANO and DRUMKITExperience the enchanting magic of Rewrite the Stars from The Greatest Showman like never before! Our captivating arrangement, expertly crafted for violin, piano, and drum kit, will transport you to a world of mesmerizing melodies and rhythmic beats. Feel the power of the music as the violin weaves its emotive lines, the piano sets the stage with its rich harmonies, and the drum kit adds an irresistible pulse that will make your heart soar. Whether you're a fan of the movie or simply appreciate beautiful music, this arrangement will leave you spellbound. Don't miss your chance to own this extraordinary musical masterpiece and rewrite your own stars with every note.
$14.99 ≈
¥108.70
Noah And The Ark - A Musical
Noah And The Ark - A Musical
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Chorale 2 parties
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FACILE
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Musique Sacrée
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Two
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John Fries
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John Fries
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Noah And The Ark - A Musical
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John Fries
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1297608 Composed by John Fries. Arranged by John Fries. Children,Christian,Praise & Worship,Religious,S...
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Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1297608 Composed by John Fries. Arranged by John Fries. Children,Christian,Praise & Worship,Religious,Sacred. 163 pages. John Fries #887591. Published by John Fries (A0.1297608). Entitled Don't Forget The Albatross!, this delightful, upbeat, easy to perform musical tells the story of Noah And The Ark. All of us are aware that hurches today need to create ways to reach out to the community and production of this easy to produce musical will go a long way towards that goal. There are 6 easy to sing two part songs, 7 scenes, a cast of only 9, and charts for piano, bass, drums and flute. A Director's copy, scene books, vocal charts, charts for piano, bass, drums and flute are all included. I have even included a water color page for you to use on your program. The cast includes a narrator, Noah and his wife, Noah's three sons and their wives. The set is easy to create - all that is needed is the side of the ark with a door at the side and a window near the top. During the song, Two By Two.children dressed as animals enter from the rear of the sanctuary. This will be a great way to increase your outreach efforts within the community.  Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John.
$29.99 ≈
¥217.47
Quarter Century March Snare Drum and Cymbals
Quarter Century March Snare Drum and Cymbals
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter Westin
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Quarter Century March Snare Dr
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011771 Composed by Peter Westin. Contemporary. Score and parts. 3 pages. Peter's Publishing House #3466256. Published ...
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Concert Band - Level 4 - SKU: A0.1011771 Composed by Peter Westin. Contemporary. Score and parts. 3 pages. Peter's Publishing House #3466256. Published by Peter's Publishing House (A0.1011771). This is a beautiful March Composed in 2016 as a way the mark the first 25 years of the Century. The March begins with a 5 measure opener followed by the main theme until a middle section begins with on beat eighth notes for the harmony. This march will be a challenge for the band to read, but it is well suited for advanced bands only. Total Time 4:33. Snare Drum and Cymbals part.
$3.99 ≈
¥28.93
Another Day Of Sun
Another Day Of Sun
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Comédie Musicale
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Film/TV
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Benj Pasek, Justin Hurwitz, an
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Mark Harrison
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Another Day Of Sun
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Mark Harrison
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.547027 Composed by Benj Pasek, Justin Hurwitz, and Justin Paul. Arranged by Mark Harrison. Broadway,Film/TV,Musical/Show,Pop. Brass Band. 60 pages. Mark Harrison #156965. Published by Mark Harrison (A0.547027). This is the opening number from the 2016 musical film, La La Land. It portrays drivers in a Los Angeles traffic jam on a highway ramp, singing and dancing about their aspirations to succeed in Hollywood. It's an upbeat number, with elements of Jazz and Swing for the drummer to get stuck into and have fun with. The original key change went up from F to F# Major, but I've made it slightly simpler by making it go from F to G Major instead. Hopefully everyone gets the chance to shine and have fun with this fast-paced arrangement! - British Style Brass Band - Bass Clef parts available on request.
$49.99 ≈
¥362.50
The Brass Player: Fantasy on Ich bin ein Musikant
The Brass Player: Fantasy on Ich bin ein Musikant
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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F
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The Brass Player: Fantasy on I
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,W...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99 ≈
¥50.69
Take Me To The River
Take Me To The River
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Contemporain
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Al Green
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Bill Wilson
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Take Me To The River
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Alexander Wilson
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SheetMusicPlus
Small Ensemble Clarinet,Drum Set,Guitar,Horn,Tuba - Level 3 - SKU: A0.775324 By Al Green. By Al Green and Mabon Hodges. Arranged by Bill Wilson. Contemp...
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Small Ensemble Clarinet,Drum Set,Guitar,Horn,Tuba - Level 3 - SKU: A0.775324 By Al Green. By Al Green and Mabon Hodges. Arranged by Bill Wilson. Contemporary. Score and parts. 19 pages. Alexander Wilson #6561399. Published by Alexander Wilson (A0.775324). Take Me to the River, by Al Green and Mabon Hodges, is definitely off the beaten path. A Pandemica Driveway Band arrangement for clarinet in Bb, French horn in F, tuba, drum set, and guitar. This arrangement was written by tuba player Bill Wilson and performed by the Pandemica Driveway Band in southeastern Michigan driveways, parks and backyards during the COVID-19 pandemic. Performance time is approximately 3:03. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$12.99 ≈
¥94.20
Mean Green Mother From Outer Space
Mean Green Mother From Outer Space
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Various
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Jeffrey Bowen
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Mean Green Mother From Outer S
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Music Arrangement Services Inc.
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1453188 By Various. By Alan Menken and Howard Ashman. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Film/TV,Musi...
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Concert Band - Level 4 - SKU: A0.1453188 By Various. By Alan Menken and Howard Ashman. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Film/TV,Musical/Show,Pop. 96 pages. Music Arrangement Services Inc. #1032414. Published by Music Arrangement Services Inc. (A0.1453188). From the Musical Production and Film “Little Shop Of Horrors”. This Concert Band Scores accompanies the SATB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. This song is about the plant “Audrey 2” responding to being threatened because he is mean. The song refers to waiting, minding manners, changing tone, doing things their way, not knowing what they are messing with or what they are up against, being bad, being had, being mean and green, saving one’s self, good advice, being fighting mad, King Kong, Frankenstein, the Black Lagoon, The Thing, It, the Creature, can’t beat trouble. This arrangement is shorter than the original, thus avoiding harsh language. There are also cues for shortening this piece. This arrangement is designed for high school or college show choir, concert choir or community choir. SATB/Piano Score also available. Performance time is approximately 3:50.
$49.99 ≈
¥362.50
Groove #3 for Snare Drum
Groove #3 for Snare Drum
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Batterie
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INTERMÉDIAIRE
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Ryan Jonker
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Groove #3 for Snare Drum
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Ryan Jonker
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SheetMusicPlus
Drums - Level 3 - SKU: A0.870484 Composed by Ryan Jonker. Contemporary,Instructional. Score. 1 pages. Ryan Jonker #3046313. Published by Ryan Jonker (A0...
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Drums - Level 3 - SKU: A0.870484 Composed by Ryan Jonker. Contemporary,Instructional. Score. 1 pages. Ryan Jonker #3046313. Published by Ryan Jonker (A0.870484). This is a 55 second rudimental snare drum solo. This piece includes 15 indicated dynamic instructions, with more opportunities to express yourself musically. All stickings are marked as needed, and the following techniques and rudiments are used: tap-accent, playing on the rim, fivelets, tap drags, tap fives, double stroke rolls, rim shots, low singles, accented drags within rolls, single stroke rolls, upbeat fivelets, syncopated rhythms, and it's just fun to play. This piece is part of a collection of 9 snare drum solos which are available for purchase on Sheet Music Plus individually or as a complete package (the only way to get the 9th solo is to buy the package! - just search Ryan Jonker in the search bar and you will find it. If you have any questions or comments about this piece, please email the composer: ryanjonkermusic@gmail.com ...I hope you enjoy playing this music!
$1.99 ≈
¥14.43
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
¥72.51
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Beat the Drum This Way!
