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No Reason To Fear
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Vous avez sélectionné:
No Reason To Fear
Partitions à imprimer
16 partitions trouvées
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1
I Am Not An Angry Black Woman for mezzo-soprano (Range: A4 to A6)
I Am Not An Angry Black Woman for mezzo-soprano (Range: A4 to A6)
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Chorale 3 parties
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AVANCÉ
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Maria Thompson Corley
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I Am Not An Angry Black Woman
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Maria Thompson Corley
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SheetMusicPlus
Choral Choir (SSA) - Level 5 - SKU: A0.845956 Composed by Maria Thompson Corley. Concert,Contemporary. Octavo. 7 pages. Maria Thompson Corley #6679309. ...
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Choral Choir (SSA) - Level 5 - SKU: A0.845956 Composed by Maria Thompson Corley. Concert,Contemporary. Octavo. 7 pages. Maria Thompson Corley #6679309. Published by Maria Thompson Corley (A0.845956). The text to this dramatic, intense song was inspired by the events of the summer of 2020; that said, the trope it addresses goes back for many years. The message is this: no person can be summed up by one emotion, and all have the right to be angry, on occasion. Black women have more reason to be angry than a lot of people, and while we shouldn't be consumed by anger, we shouldn't feel like we can't express it, either. Anger results from hurt or fear; the more lyrical middle section alludes to the pain that we've experienced. The song ends with the defiant question: But what if I were? If you have questions, Raehann Bryce and Jeanne-Minette Cilliers capture this song perfectly in the YouTube video. For reasons I can't explain, I'm unable to add the link, however, it's on my Maria Corley YouTube channel.
$9.99 ≈
¥70.05
No Reason To Fear
No Reason To Fear
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Guitare
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Gospel Spirituel
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Tunescribers
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No Reason To Fear
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Tunescribers LLC
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SheetMusicPlus
Solo Guitar - SKU: A0.1409855 Arranged by Tunescribers. Gospel. Individual part. 4 pages. Tunescribers LLC #63911. Published by Tunescribers LLC (A0.140...
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Solo Guitar - SKU: A0.1409855 Arranged by Tunescribers. Gospel. Individual part. 4 pages. Tunescribers LLC #63911. Published by Tunescribers LLC (A0.1409855).
$9.95 ≈
¥69.77
Eye of the Storm
Eye of the Storm
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Alden Pong
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Eye of the Storm
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Alden Pong
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1031305 Composed by Alden Pong. Contemporary. Octavo. 8 pages. Alden Pong #3110369. Published by Alden Pong (A0....
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Choral Choir (SATB) - Level 3 - SKU: A0.1031305 Composed by Alden Pong. Contemporary. Octavo. 8 pages. Alden Pong #3110369. Published by Alden Pong (A0.1031305). A song of struggle between faith and fear as a storm threatens to engulf all in its path. Verses of storm are interspersed with verses of calm, as the loving heart struggles to ease the desperate mind with the notion of there being no reason to fear, reinforcing the faith that ‘love will hold through blood and tears’. The music and text express this idea with an almost surreal detachment of the peaceful heart from the surrounding storm during each return of the verse of calm, amidst the increasing tension in the verses of storm, as if in temporary respite within the eye of the storm. In such a meditative state, one can even begin to admire the storm in awe of the beauty of the sheer force of nature. It culminates with the eventual defeat of the loving heart and a resignation to the likely fate to be met by the end of the storm. Yet, the end is not met with the fear that had threatened to engulf the desperate minds, but with the final, strongest, statement in faith that ‘love goes on past life on earth’.Duration: Approx. 4:30minLanguage: English2017 Choral Contest Entry
$2.00 ≈
¥14.02
Cygnus X-1 Book Ii: Hemispheres
Cygnus X-1 Book Ii: Hemispheres
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Basse electrique
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Rush
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Tracy Dean McCallum
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Cygnus X-1 Book Ii: Hemisphere
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Tracy Dean McCallum
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SheetMusicPlus
Bass Guitar - Level 4 - SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tra...
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Bass Guitar - Level 4 - SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tracy Dean McCallum #792663. Published by Tracy Dean McCallum (A0.1193208). When our weary world was youngThe struggle of the ancients first beganThe gods of Love and ReasonSought alone to rule the fate of ManThey battled through the agesBut still neither force would yieldThe people were dividedEvery soul a battlefieldEvery soul a battlefieldThe Universe dividedAs the Heart and Mind collidedWith the people left unguidedFor so many troubled yearsIn a cloud of doubts and fearsTheir world was torn asunder into hollow hemispheresSome fought themselves, some fought each otherMost just followed one anotherLost and aimless like their brothersFor their hearts were so unclearAnd the truth could not appearTheir spirits were divided into blinded hemispheresSome who did not fightBrought tales of old to lightMy Rocinante sailed by nightOn her final flightTo the heart of Cygnus' fearsome forceWe set our courseSpiralled through that timeless spaceTo this immortal placeI have memory and awarenessBut I have no shape or formAs a disembodied spiritI am dead and yet unbornI have passed into OlympusAs was told in tales of oldTo the City of ImmortalsMarble white and purest goldI see the Gods in battle rage on highThunderbolts across the skyI cannot move, I cannot hideI feel a silent scream begin insideThen all at once the chaos ceasedA stillness fell, a sudden peaceThe Warriors felt my silent cryAnd stayed their struggle, mystifiedApollo was astonishedDionysus thought me madBut they heard my story furtherAnd they wondered, and were sadLooking down from OlympusOn a world of doubt and fearIts surface splintered intoSorry hemispheresThey sat a while in silenceThen they turned at last to meWe will call you CygnusThe God of Balance you shall beWe can walk our road togetherIf our goals are all the sameWe can run alone and freeIf we pursue a different aimLet the truth of Love be lightedLet the love of truth shine clearSensibilityArmed with sense and libertyWith the Heart and Mind unitedIn a single perfect sphere
$5.99 ≈
¥42.00
Blow, Winds, Blow! (Wehe, Windgen, Wehe) for Tuba Quintet (2 Euph., 3 Tubas)
Blow, Winds, Blow! (Wehe, Windgen, Wehe) for Tuba Quintet (2 Euph., 3 Tubas)
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Classique
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Samuel Scheidt
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Derrick Thom
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Blow, Winds, Blow!
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Derrick Thom. Lewis
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SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 2 - SKU: A0.975916 Composed by Samuel Scheidt. Arranged by Derrick Thom. Lewis. Baroque,Instructional. Score and p...
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Brass Ensemble Euphonium,Tuba - Level 2 - SKU: A0.975916 Composed by Samuel Scheidt. Arranged by Derrick Thom. Lewis. Baroque,Instructional. Score and parts. 19 pages. Derrick Thom. Lewis #6719755. Published by Derrick Thom. Lewis (A0.975916). DON'T FEAR PRE-BACH MUSIC! The idea of 'Progress' in art is fallacious (within reason). Scheidt- Variations on Wehe, Windgen, wehe (Blow Little Winds, Blow) [1624, Halle] This gem of mid-Baroque German meister Sam Scheidt, who (for reference) was 23 yrs. younger than Shakespeare and 98 yrs. than Bach, sounds not-a-bit strange to today's ears. Donald J. (no, not him) Grout says that John Dowland's songs of 1590's sound entirely modern. Well, they do! STING recorded them, if that means anything to you. So then, what have composers been up to for the last 430 years?! I jest, but this piece is terrific. Be advised, the 'runs' are modal, in that the 7th degree is usually NOT just a semitone under the 8th/1st, but a whole tone. A bit like bagpipe music, in our day.
$50.00 ≈
¥350.62
Blow Winds, Blow (Wehe, Windgen, wehe)
Blow Winds, Blow (Wehe, Windgen, wehe)
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Classique
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Samuel Scheidt
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Derrick Thom
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Blow Winds, Blow
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Derrick Thom. Lewis
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.975915 Composed by Samuel Scheidt. Arranged by Derrick Thom. Lewis. Baroque,Instructi...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.975915 Composed by Samuel Scheidt. Arranged by Derrick Thom. Lewis. Baroque,Instructional. Score and parts. 19 pages. Derrick Thom. Lewis #6719751. Published by Derrick Thom. Lewis (A0.975915). DON'T FEAR PRE-BACH MUSIC! The idea of 'Progress' in art is fallacious (within reason). Scheidt- Variations on Wehe, Windgen, wehe (Blow Little Winds, Blow) [1624, Halle] This gem of mid-Baroque German meister Sam Scheidt, who (for reference) was 23 yrs. younger than Shakespeare and 98 yrs. than Bach, sounds not-a-bit strange to today's ears. Donald J. (no, not him) Grout says that John Dowland's songs of 1590's sound entirely modern. Well, they do! STING recorded them, if that means anything to you. So then, what have composers been up to for the last 430 years?! I jest, but this piece is terrific. Be advised, the 'runs' are modal, in that the 7th degree is usually NOT just a semitone under the 8th/1st, but a whole tone. A bit like bagpipe music, in our day.
$50.00 ≈
¥350.62
"Wehe, Windgen, Wehe" (Blow winds, blow)
"Wehe, Windgen, Wehe" (Blow winds, blow)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Classique
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Samuel Scheidt
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Derrick Thom
#
"Wehe, Windgen, Wehe"
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Derrick Thom. Lewis
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.975917 Composed by Samuel Scheidt. Arranged by Derrick Thom. Lewis. Baroque. 10 pages. Derrick Th...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.975917 Composed by Samuel Scheidt. Arranged by Derrick Thom. Lewis. Baroque. 10 pages. Derrick Thom. Lewis #6719761. Published by Derrick Thom. Lewis (A0.975917). DON'T FEAR PRE-BACH MUSIC! The idea of 'Progress' in art is fallacious (within reason). Scheidt- Variations on Wehe, Windgen, wehe (Blow Little Winds, Blow) [1624, Halle] This gem of mid-Baroque German meister Sam Scheidt, who (for reference) was 23 yrs. younger than Shakespeare and 98 yrs. than Bach, sounds not-a-bit strange to today's ears. Donald J. (no, not him) Grout says that John Dowland's songs of 1590's sound entirely modern. Well, they do! STING recorded them, if that means anything to you. So then, what have composers been up to for the last 430 years?! I jest, but this piece is terrific. Be advised, the 'runs' are modal, in that the 7th degree is usually NOT just a semitone under the 8th/1st, but a whole tone. A bit like bagpipe music, in our day.
$50.00 ≈
¥350.62
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Trombone or Euphonium and Piano
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Trombone or Euphonium and Piano
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
#
SheetMusicPlus
B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - SKU: A0....
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B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - SKU: A0.1320503 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. Score and individual part. 9 pages. RBMusic #909019. Published by RBMusic (A0.1320503). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement (for solo trombone or euphonium and piano accompaniment) includes an alternative part for trombone/euphonium in treble clef. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99 ≈
¥112.13
Intermezzo from "Cavalleria rusticana" (Mascagni) - Clarinet Quartet
Intermezzo from "Cavalleria rusticana" (Mascagni) - Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Clas...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 15 pages. RBMusic #913462. Published by RBMusic (A0.1325229). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for clarinet in E-flat and alto clarinet in E-flat. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99 ≈
¥112.13
Intermezzo from "Cavalleria rusticana" (Mascagni) - Brass Quintet
Intermezzo from "Cavalleria rusticana" (Mascagni) - Brass Quintet
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1321540 Composed by Pietro Mascagni. Arranged ...
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Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1321540 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 18 pages. RBMusic #910007. Published by RBMusic (A0.1321540). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$19.99 ≈
¥140.18
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Violin and Piano
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1315952 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 8 pages....
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Piano,Violin - Level 4 - SKU: A0.1315952 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 8 pages. RBMusic #904730. Published by RBMusic (A0.1315952). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99 ≈
¥112.13
Just A Girl
Just A Girl
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Basse electrique
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INTERMÉDIAIRE/AVANCÉ
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No Doubt
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Daniel Roberts
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Just A Girl
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Daniel P Roberts
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SheetMusicPlus
Bass Guitar - Level 4 - SKU: A0.950672 By No Doubt. By Gwen Stefani and Thomas Dumont. Arranged by Daniel Roberts. 20th Century,Latin,Pop,Rock. Score. 6...
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Bass Guitar - Level 4 - SKU: A0.950672 By No Doubt. By Gwen Stefani and Thomas Dumont. Arranged by Daniel Roberts. 20th Century,Latin,Pop,Rock. Score. 6 pages. Daniel P Roberts #556397. Published by Daniel P Roberts (A0.950672). Arranged for 4 string bass in Drop D tuning with TAB Take this pink ribbon off my eyes I'm exposed and it's no big surprise Don't you think I know exactly where I stand? This world is forcing me to hold your hand 'Cause I'm just a girl, oh, little old me Well, don't let me out of your sight Oh, I'm just a girl, all pretty and petite So don't let me have any rights Oh, I've had it up to here The moment that I step outside So many reasons for me to run and hide I can't do the little things I hold so dear 'Cause it's all those little things that I fear 'Cause I'm just a girl, I'd rather not be 'Cause they won't let me drive late at night Oh, I'm just a girl, guess I'm some kind of freak 'Cause they all sit and stare with their eyes Oh, I'm just a girl, take a good look at me Just your typical prototype Oh, I've had it up to here Oh, am I making myself clear? I'm just a girl I'm just a girl in the world That's all that you'll let me be Oh, I'm just a girl, living in captivity Your rule of thumb makes me worrisome Oh, I'm just a girl, what's my destiny? What I've succumbed to is making me numb Oh, I'm just a girl, my apologies What I've become is so burdensome Oh, I'm just a girl, lucky me Twiddle-dum, there's no comparison Oh, I've had it up to Oh, I've had it up to Oh, I've had it up to here.
$4.99 ≈
¥34.99
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No Reason To Fear
