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Pat a pan, for Flute and Violin
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--INSTRUMENTS--
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Vous avez sélectionné:
Pat a pan, for Flute and Violin
Partitions à imprimer
194 partitions trouvées
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Pat-a-pan, for Flute and Violin
Pat-a-pan, for Flute and Violin
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Flûte, Violon
#
INTERMÉDIAIRE
#
Noël
#
French
#
Cindy Blevins
#
Pat-a-pan, for Flute and Violi
#
Cindy Blevins
#
SheetMusicPlus
Flute,Instrumental Duet,Violin - Level 3 - SKU: A0.543814 Composed by French. Arranged by Cindy Blevins. Christmas. 5 pages. Cindy Blevins #3509597. Pub...
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Flute,Instrumental Duet,Violin - Level 3 - SKU: A0.543814 Composed by French. Arranged by Cindy Blevins. Christmas. 5 pages. Cindy Blevins #3509597. Published by Cindy Blevins (A0.543814). This is a beautiful, playable arrangement for flute and violin. You receive the score, the flute part and the violin part. Â
$4.99 ≈
¥35.37
Pat-a-pan, for Harp, Flute and Violin
Pat-a-pan, for Harp, Flute and Violin
#
Flute, harpe et violon
#
INTERMÉDIAIRE
#
Noël
#
French carol
#
Cindy Blevins
#
Pat-a-pan, for Harp, Flute and
#
Cindy Blevins
#
SheetMusicPlus
Flute,Harp,Violin - Level 3 - SKU: A0.544342 Composed by French carol. Arranged by Cindy Blevins. Christmas. 9 pages. Cindy Blevins #3585551. Published ...
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Flute,Harp,Violin - Level 3 - SKU: A0.544342 Composed by French carol. Arranged by Cindy Blevins. Christmas. 9 pages. Cindy Blevins #3585551. Published by Cindy Blevins (A0.544342). This is a beautiful, playable arrangement for harp, flute and violin. You receive the score, the harp part, the flute part and the violin part.
$5.99 ≈
¥42.46
Pat-a-pan, for Flute, Oboe and Violin
Pat-a-pan, for Flute, Oboe and Violin
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Flûte, Hautbois, Violon
#
INTERMÉDIAIRE
#
Noël
#
French
#
Cindy Blevins
#
Pat-a-pan, for Flute, Oboe and
#
Cindy Blevins
#
SheetMusicPlus
Flute,Oboe,Violin - Level 3 - SKU: A0.544359 Composed by French. Arranged by Cindy Blevins. Christmas. 7 pages. Cindy Blevins #3586335. Published by Cin...
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Flute,Oboe,Violin - Level 3 - SKU: A0.544359 Composed by French. Arranged by Cindy Blevins. Christmas. 7 pages. Cindy Blevins #3586335. Published by Cindy Blevins (A0.544359). This is a beautiful, playable arrangement for flute, oboe and violin. You receive the score, the flute part, the oboe part and the violin part.
$5.99 ≈
¥42.46
Pat-a-pan, Flute, Clarinet and Violin
Pat-a-pan, Flute, Clarinet and Violin
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Flûte, Clarinette, Violon (trio)
#
INTERMÉDIAIRE
#
Noël
#
French carol
#
Cindy Blevins
#
Pat-a-pan, Flute, Clarinet and
#
Cindy Blevins
#
SheetMusicPlus
Small Ensemble Clarinet,Flute,Violin - Level 3 - SKU: A0.1049430 Composed by French carol. Arranged by Cindy Blevins. Christmas. Score and parts. 7 page...
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Small Ensemble Clarinet,Flute,Violin - Level 3 - SKU: A0.1049430 Composed by French carol. Arranged by Cindy Blevins. Christmas. Score and parts. 7 pages. Cindy Blevins #653780. Published by Cindy Blevins (A0.1049430). This is a beautiful, playable arrangement for flute, clarinet and violin. You receive the score, the flute part, the clarinet part and the violin part.
$5.99 ≈
¥42.46
Pat-a-Pan for String Quartet (or Mixed Quartet or Piano Quintet)
Pat-a-Pan for String Quartet (or Mixed Quartet or Piano Quintet)
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Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
Traditional
#
Daniel Kelley
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Cello, Piano Quartet &
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Pat-a-Pan for String Quartet
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Last Resort Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.530720 Composed by Traditional. Arranged by Daniel Kelley. 20th Century,Christmas,Standards. Score and parts. 19 p...
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Chamber Orchestra - Level 4 - SKU: A0.530720 Composed by Traditional. Arranged by Daniel Kelley. 20th Century,Christmas,Standards. Score and parts. 19 pages. Last Resort Music Publishing #4887793. Published by Last Resort Music Publishing (A0.530720). An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and 6 interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.The following 6 parts plus score are included in the set:Part 1 Flute or Oboe or ViolinPart 2 Flute or Oboe or ViolinPart 3 ViolaPart 3 ViolinPart 4 Cello or BassoonKeyboard or GuitarScoreDon't miss our other Christmas & Nutcracker arrangements including Dance of the Sugar Plum Fairy, March, Overture & Trepak, Silent Night, The First Noel, Handel's Messiah, We Wish You a Merry Christmas and more! Available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$9.95 ≈
¥70.53
Violin String Sampler Sheet Music
Violin String Sampler
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Violon
#
Contemporain
#
Robin Kay Deverich
#
Violin String Sampler
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Global Music School String Publications
#
SheetMusicPlus
Violin Solo - SKU: A0.902205 Arranged by Robin Kay Deverich. Contemporary. 82 pages. Global Music School String Publications #5355041. Published by Glob...
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Violin Solo - SKU: A0.902205 Arranged by Robin Kay Deverich. Contemporary. 82 pages. Global Music School String Publications #5355041. Published by Global Music School String Publications (A0.902205). Violin Online String Sampler Violin Sheet Music is a fun and easy way to actively learn, study and play beautiful violin music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available on the website ViolinOnline.com* as a self-guided class specifically designed to accompany this music: https://www.violinonline.com/stringclass.html The study guide explains the history and musical form of the selected pieces, and includes violin technique tips for each piece of music. Let the music begin! *No guarantees are made that these sound files and website will be available indefinitely.Shortened and simplified pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$4.99 ≈
¥35.37
Pat-a-Pan (Violin w/Piano Accompaniment)
Pat-a-Pan (Violin w/Piano Accompaniment)
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Violon
#
INTERMÉDIAIRE
#
Bernard de la Monnoye
#
Carol Troutman Wiggins
#
Pat-a-Pan
#
Carol Troutman Wiggins
#
SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.1328093 Composed by Bernard de la Monnoye. Arranged by Carol Troutman Wiggins. Christian,Christmas,Early Music,Holiday,R...
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Violin Solo - Level 3 - SKU: A0.1328093 Composed by Bernard de la Monnoye. Arranged by Carol Troutman Wiggins. Christian,Christmas,Early Music,Holiday,Religious. 4 pages. Carol Troutman Wiggins #916083. Published by Carol Troutman Wiggins (A0.1328093). Pat-a-Pan (or Patapan) is a French Christmas Carol translated into English in the 1700s. Also known as Willie, Take Your Little Drum. The text refers to the story of Jesus Christ's birth when the shepherds presented their simple gifts of music to him from their flutes and drums.Melody is for solo instrumentIntermediate piano accompanimentExcellent for preludes, offertories, and other holiday/Christmas performances.
$9.99 ≈
¥70.81
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95 ≈
¥176.85
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95 ≈
¥176.85
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
¥70.88
ColorAll Violin Fingering and Piano String Sampler Sheet Music
ColorAll Violin Fingering and Piano String Sampler
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Violon et Piano
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FACILE
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Contemporain
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Robin Kay Deverich
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ColorAll Violin Fingering and
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Global Music School String Publications
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.902216 Arranged by Robin Kay Deverich. Contemporary. 255 pages. Global Music School String Publications #5355093. Publi...
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Piano,Violin - Level 2 - SKU: A0.902216 Arranged by Robin Kay Deverich. Contemporary. 255 pages. Global Music School String Publications #5355093. Published by Global Music School String Publications (A0.902216). This combined version of the of the Piano Accompaniment and Violin Online String Sampler: ColorAll Fingering Violin Music is a fun and easy way to actively learn, study and play beautiful violin music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. If you need help with fingering, this ColorAll Fingering version of Violin Online String Sampler Violin Music is a simple and easy way to quickly begin playing the violin sheet music. ColorAll Fingering is a patented approach to violin playing, and uses colored violin fingering numbers over each note to indicate which string should be used to play the fingered notes: blue fingering numbers, play these notes on the G string; gold fingering numbers, play these notes on the D string; green fingering numbers, play these notes on the A string; purple fingering numbers, play these notes on the E. As an added bonus, sound files of each piece and a study guide are currently available on the website ViolinOnline.com* as a self-guided class specifically designed to accompany this music: https://www.violinonline.com/stringclass.html The study guide explains the history and musical form of the selected pieces, and includes violin technique tips for each piece of music. Let the music begin!*No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jar.
$5.99 ≈
¥42.46
Jour de Pan (for bass flute and strings) - violin 2 part
Jour de Pan (for bass flute and strings) - violin 2 part
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Violon (partie séparée)
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Contemporain
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Pat Holmberg
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Jour de Pan
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Patricia Tanttila Holmberg
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Flute,Viola,Violin - SKU: A0.852580 Composed by Pat Holmberg. Contemporary. Score and parts. 9 pages. Patricia Tanttila...
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Small Ensemble Cello,Double Bass,Flute,Viola,Violin - SKU: A0.852580 Composed by Pat Holmberg. Contemporary. Score and parts. 9 pages. Patricia Tanttila Holmberg #568775. Published by Patricia Tanttila Holmberg (A0.852580). This is the second violin part for all four movements of Jour de Pan, a concerto for bass flute and strings which was first performed in October of 2015 in Boulder CO with flutist Chris Potter doing the solo flute part. The four movements are: 1)Awakening, 2) In the Glen, 3) Afternoon with the Satyrs, and 4) Twilight of the Muses. These four movements total approximately 12-13 minutes of playing time. BMI www.patholmberg.com BMI www.patholmberg.com.
$6.99 ≈
¥49.55
The Star-Spangled Banner, Flute and Violin Duet
The Star-Spangled Banner, Flute and Violin Duet
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Flûte, Violon
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INTERMÉDIAIRE
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Patriotique
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John Stafford Smith
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Cindy Blevins
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The Star-Spangled Banner, Flut
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Cindy Blevins
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - SKU: A0.1044864 Composed by John Stafford Smith. Arranged by Cindy Blevins. Patriotic. Scor...
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Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - SKU: A0.1044864 Composed by John Stafford Smith. Arranged by Cindy Blevins. Patriotic. Score and parts. 5 pages. Cindy Blevins #649481. Published by Cindy Blevins (A0.1044864). This is a beautiful, playable arrangement for flute and violin. You receive the score, the flute part and the violin part.
$4.99 ≈
¥35.37
Flute and Violin for Christmas, Vol. I
Flute and Violin for Christmas, Vol. I
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Flûte, Violon
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INTERMÉDIAIRE
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Noël
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Various
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Flute and Violin for Christmas
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Cindy Blevins
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SheetMusicPlus
Composed by Various. Arranged by Cindy Blevins. Christmas. Score and parts. 61 pages. Cindy Blevins #4278127. Published by Cindy Blevins...
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Composed by Various. Arranged by Cindy Blevins. Christmas. Score and parts. 61 pages. Cindy Blevins #4278127. Published by Cindy Blevins
Flute and Violin for Christmas, Vol. I contains 12 beautiful arrangements for flute and violin duet. You will receive the scores, the Flute parts and the Violin parts. You can view some score samples. The audio sample is an excerpt from \"Carol of the Bells.\" It was digitally produced.
The songs included in this book are: Angels From the Realms of Glory, Away in a Manger, Carol of the Bells, Ding! Dong! Merrily On High, Hark! the Herald Angels Sing, In Dulci Jubilo, It Came Upon the Midnight Clear, O Holy Night, Pachelbel\'s Canon, Pat-a-Pan, The First Noel and While Shepherds Watched.
$16.95 ≈
¥120.14
Duo for Flute and Violin
Duo for Flute and Violin
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Flûte, Violon
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INTERMÉDIAIRE/AVANCÉ
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Patrick Prejean
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Duo for Flute and Violin
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Patrick Prejean
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SheetMusicPlus
Flute,Instrumental Duet,Violin - Level 4 - SKU: A0.1286627 Composed by Patrick Prejean. 21st Century,Chamber,Classical,Contemporary. 37 pages. Patrick P...
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Flute,Instrumental Duet,Violin - Level 4 - SKU: A0.1286627 Composed by Patrick Prejean. 21st Century,Chamber,Classical,Contemporary. 37 pages. Patrick Prejean #877694. Published by Patrick Prejean (A0.1286627). This piece was written for a couple of friends of mine for an upcoming recital. Movement one is based off the Spanish dances I heard growing up.Movement two is the most harmonically challenging. It meanders through time.Movement three starts with an argument with both players vying for attention. The theme of the first movement comes back as a sort compromise between the two.
$15.00 ≈
¥106.32
Three Impressions of Northern Arizona Violin Version
Three Impressions of Northern Arizona Violin Version
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Violon et Piano
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Judith Cloud
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panose-1:2 4 5 3 5 4 6 3 2 4
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Three Impressions of Northern
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Judith Cloud
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SheetMusicPlus
Piano,Violin - SKU: A0.981188 Composed by Judith Cloud (b. 1954). 20th Century,Contemporary,World. 32 pages. Judith Cloud #4621701. Published by Judith ...
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Piano,Violin - SKU: A0.981188 Composed by Judith Cloud (b. 1954). 20th Century,Contemporary,World. 32 pages. Judith Cloud #4621701. Published by Judith Cloud (A0.981188). <!-- /* Font Definitions */ @font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Times New Roman; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Cambria; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> Program notes: Three Impressions of Northern Arizona for flute (or violin) and piano The three movements of this piece were composed in the summer of 2007 for Emily McKay, flute and Rita Borden, piano. I chose places and themes that were compelling for me for a variety of reasons. The first movement, Wupatki, is based on the feeling of expanse and solitude I experience when I am visiting this ancient pueblo and the stunning vistas of the Painted Desert. The Song of Friendship, a charming and simple tune was introduced to me by Gary Gorman, a Native American student of mine in the early 1990’s. I fashioned a simple arrangement and composed some original tunes to accompany it. This movement is dedicated to my colleague, clarinetist Michael Sullivan, who was dying from a rare form of cancer during the days I was finishing this movement. The day I finished the piece, I realized that it needed to end as if it never had a chance to finish, much like Michael’s life that was so tragically cut short. Quite by chance, the music ends at bar 43-the exact number of years of Michael’s brief life. Wind, title of the third movement, was composed to give musical interpretation to this element of relentless fury we experience during several months out of the year in this region. It springs up then dies down, only to resurface with more force and resilience.
$15.00 ≈
¥106.32
The Inner Struggles of a Man; Prelude (Little One); Little One [Chicago] (full score & set of parts)
The Inner Struggles of a Man; Prelude (Little One); Little One [Chicago] (full score & set of parts)
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Big band
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AVANCÉ
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Rock
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Chicago
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Patrick Sheehan
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The Inner Struggles of a Man;
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Patrick Sheehan
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SheetMusicPlus
Rock band and orchestra - Advanced - By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 186 pages. Published by Patrick Sheehan ...
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Rock band and orchestra - Advanced - By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 186 pages. Published by Patrick Sheehan
Transcribed as recordedby CHICAGO on their album CHICAGO XI in 1977.
INSTRUMENTATION:Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, TenorSaxophone (Bb), Flugelhorn (Bb), Trombone, Fender Rhodes, Grand Piano, ElectricGuitar, Bass, Cabasa, Conga Drums, Drumset.
FluteI, Flute II, English Horn (F), Bassoon I, Bassoon II, Clarinet I (Bb), ClarinetII (Bb), Horn (F), Trombone I, Trombone II, Harp, Cymbals (crash,suspended), Chimes, Timpani, Violin I, Violin II, Viola, Cello, Contrabass.
ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
¥354.40
Beethoven: Sonata Op. 49 No. 2 for Flute Quartet
Beethoven: Sonata Op. 49 No. 2 for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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SheetMusicPlus
Flute Quartet Instrumentation: 2 concert flutes, 1 alto flute, 1 bass flute - Intermediate - Composed by Ludwig van Beethoven (1770-1827). Arrange...
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Flute Quartet Instrumentation: 2 concert flutes, 1 alto flute, 1 bass flute - Intermediate - Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Classical Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 52 pages. Published by jmsgu3
Beethoven Sonata Op. 49 No. 2 arranged for flute quartet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute quartet.
Sonata Op. 49 No. 2
Arranged from Beethoven?s Piano Sonata No. 20, this isa simple but interesting work in two movements showing the composers sense ofhumor. The first movement ?Allegro ma non troppo? and the second movement?Tempo di Menuetto? are both in the key of G. Both Sonatas 19 and 20 (op. 49,No. 1 & 2) are named ?Easy Sonatas? because they are technically easierthan the usual Beethoven Sonatas. This makes them very popular among studentsand teachers alike.
BeethovenBackground
Ludwig vanBeethoven (1770 ?1827) was certainly a German pianist. Aboveall, he was probably one of the greatest composers in history. As a result, heis a pivotal character in the progress between the Classical and Romantic periods.He is certainly one of the most famous and hence important of all composers.Seems like his most familiar and noteworthy works include symphonies 1-9; pianoconcertos 1-5; and furthermore, the violin concerto. Also, certainly of extremeimportance are the noteworthy 32 sonatas for the piano; the string quartets1-16; the Missa solemnis; and likewise, his only opera, Fidelio.
Beethoven Overview
First of all, Beethoven was born andconsequently raised in Bonn. Upon turning 21 he moved to Vienna probablyto study composition with Haydn. That?s when he consequently grew areputation as a brilliant pianist. Furthermore, he probably stayed in Viennathe rest of his life. In his late 20s it seems like his hearing certainly beganto decline. It slowly declined until consequently he was nearly totally deafprobably by the last decade of his life. As a result, he stopped conducting andperforming. Nevertheless, he continued to compose. As a result, some of hisgreatest works probably come from this period.
First Period
Seems like we often divideBeethoven?s life into three periods. Period 1 begins with Beethoven?s arrivalin Vienna. Hence, during this period, he mastered the Viennese style of Haydn& Mozart. He consequently began increasing the size and scale of his works.Furthermore, he experimented with extreme dynamics, and likewise extreme tempi.He worked similarly with chromatic harmony. His First and Second Symphoniestherefore belong to this period. Other important works also belong here: the firstsix string quartets and the Sonata Pathtique, Op. 13.
Second Period
His second period probably began assoon as he realized that he was going deaf. During this period, it seems likehe became obsessed with the idea of heroism. His works consequently become evenlarger and more massive. The most noteworthy of these include the symphonies 3? 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas(Waldstein and Appassionata), the Kreutzer violinsonata, the violin concerto and his only opera: Fidelio.
Third Period
In contrast, Beethoven's thirdperiod is branded above all by works of incredible intellectual depth, formalinnovation, and penetrating expression. It seems like he continued to expandhis works. Consequently, the string quartet Op. 131 spills over into sevenconnected movements. Likewise, in the Ninth Symphony he adds choral forcesto his orchestra probably for the first time in history. Even more, otherworks from this period include his Missa solemnis, the final 5string quartets (including the enormous Groe Fuge) and the finalfive sonatas for piano.
$49.95 ≈
¥354.05
Pat-a-Pan for String or Piano Trio (or Wind Trio or Mixed Trio)
Pat-a-Pan for String or Piano Trio (or Wind Trio or Mixed Trio)
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Traditional
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Daniel Kelley
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Pat-a-Pan for String or Piano
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Last Resort Music Publishing
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SheetMusicPlus
Large Ensemble,Piano Trio Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola,Violin - Level 4 - SKU: A0.530688 Composed by Traditional. Arranged by Daniel Ke...
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Large Ensemble,Piano Trio Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola,Violin - Level 4 - SKU: A0.530688 Composed by Traditional. Arranged by Daniel Kelley. Baroque,Christmas,Standards. Score and parts. 21 pages. Last Resort Music Publishing #4883175. Published by Last Resort Music Publishing (A0.530688). This is a fabulous arrangement of an all-time Christmas favorite for Trio! Full Set of Parts includes:Part 1 Flute or Oboe or Violin
$9.95 ≈
¥70.53
Pat-a-pan, for Piano, Flute and Violin
Pat-a-pan, for Piano, Flute and Violin
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Noël
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French
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Cindy Blevins
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Pat-a-pan, for Piano, Flute an
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Cindy Blevins
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.544343 Composed by French. Arranged by Cindy Blevins. Christmas. 9 page...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.544343 Composed by French. Arranged by Cindy Blevins. Christmas. 9 pages. Cindy Blevins #3585553. Published by Cindy Blevins (A0.544343). This is a beautiful, playable arrangement for piano, flute and violin. You receive the score, the piano part, the flute part and the violin part. My website: https://www.blevinsmusic.com.
$5.99 ≈
¥42.46
Intermediate Music for Two, Christmas for Flute or Oboe or Violin & Clarinet 47251DD
Intermediate Music for Two, Christmas for Flute or Oboe or Violin & Clarinet 47251DD
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Flûte, Clarinette (duo)
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INTERMÉDIAIRE
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Noël
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Various
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Daniel Kelley
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Intermediate Music for Two, Ch
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Last Resort Music Publishing
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SheetMusicPlus
Clarinet,Flute,Instrumental Duet - Level 3 - SKU: A0.1255024 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Hanukkah,Holida...
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Clarinet,Flute,Instrumental Duet - Level 3 - SKU: A0.1255024 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Hanukkah,Holiday. 43 pages. Last Resort Music Publishing #848613. Published by Last Resort Music Publishing (A0.1255024). This versatile series is designed to be played by two different instruments! Each duet book is published in score form (both parts on the same page) so that the players can play from the same part. All duets are arranged specifically for the listed instrumentation. Table of ContentsA La Nanita Nana Break Forth, O Beauteous, Heavenly Light Bring Your Torches, Jeanette, Isabella Christ-Child Is Born Christmas Day in the Morning First Noel, The Good King Wenceslas Greensleeves Holly and the Ivy, The  I Heard the Bells on Christmas Day It Came Upon a Midnight Clear Jingle Bells Joy to the World O Christmas Tree O Come, All Ye Faithful Adeste Fideles O Come, O Come, Emmanuel Pat-a-Pan Twelve Days of Christmas, The Wexford Carol Don't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com
$22.00 ≈
¥155.94
Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,S...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com
$49.95 ≈
¥354.05
Music for Four, Christmas for Quartet - Part 3 Clarinet in Bb 75133
Music for Four, Christmas for Quartet - Part 3 Clarinet in Bb 75133
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
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Noël
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Various
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Daniel Kelley
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Music for Four, Christmas for
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Last Resort Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - SKU: A0.530443 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical. 43 p...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - SKU: A0.530443 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical. 43 pages. Last Resort Music Publishing #3604133. Published by Last Resort Music Publishing (A0.530443). Part 3 for Clarinet in Bb #75133Music for Four, Christmas Volume - Traditional Christmas MusicFantastic holiday arrangements for quartet with flexible instrumentation, featuring Christmas favorites like The Nutcracker Suite, Silent Night, Pat-A-Pan, We Wish You A Merry Christmas and more! Perfect for String Quartet, Wind Quartet, Piano Quartet, Sax Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.Parts available for the following instruments:Part 1 Flute or Oboe or ViolinPart 1 Clarinet in Bb (available by digital download)Part 2 Flute or Oboe or ViolinPart 2 Clarinet in Bb (available by digital download)Part 3 ViolaPart 3 Violin in C (available by digital download)Part 3 French Horn or English Horn in F (available by digital download)Part 3 Clarinet in Bb (available by digital download)Part 4 Cello or BassoonPart 4 Bass Clarinet in BbKeyboard or GuitarScore (Parts 1-4 in C) (available by digital download)Table of ContentsAngels We Have Heard on High Away in a Manger Deck the Halls Bring Your Torches, Jeanette, Isabella Sing We Now of Christmas Noel Nouvelet God Rest Ye Merry Gentlemen Good Christian Men, Rejoice Greensleeves It Came Upon a Midnight Clear Holly and the Ivy, The I Saw Three Ships Jolly Old Saint Nicholas O Come, O Come, Emmanuel Pat-a-Pan The Nutcracker (Chinese Dance, Dance of the Reed Flutes,  Dance of the Sugar Plum Fairy, March,Overture, Trepak,  and Waltz of the Flowers) Silent Night Wassail Song We Three Kings of Orient Are We Wish You a Merry Christmas arranged by Last Resort Music Publishing www.lastresortmusic.comavailable on Sheet Music Plus and www.lastresortmusic.com
$18.50 ≈
¥131.13
Music for Four, Christmas for Quartet - Keyboard or Guitar 75150
Music for Four, Christmas for Quartet - Keyboard or Guitar 75150
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Noël
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Daniel Kelley
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Daniel Kelley
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Music for Four, Christmas for
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1079525 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Holiday,Traditional. Sco...
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Small Ensemble - Level 4 - SKU: A0.1079525 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Holiday,Traditional. Score and parts. 81 pages. Last Resort Music Publishing #203130. Published by Last Resort Music Publishing (A0.1079525). Traditional Christmas Favorites Keyboard or Guitar Parts are available separately for each instrument and are listed below. 25 Fantastic arrangements for quartet with flexible instrumentation, featuring Christmas favorites like The Nutcracker Suite, Silent Night, Pat-A-Pan, We Wish You A Merry Christmas and more! Perfect for String Quartet, Wind Quartet, Piano Quartet, Sax Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Table of Contents Angels We Have Heard on High Away in a Manger Deck the Halls Bring Your Torches, Jeanette, Isabella Sing We Now of Christmas Noel Nouvelet God Rest Ye Merry Gentlemen Good Christian Men, Rejoice Greensleeves It Came Upon a Midnight Clear Holly and the Ivy, The I Saw Three Ships Jolly Old Saint Nicholas O Come, O Come, Emmanuel Pat-a-Pan The Nutcracker (Chinese Dance, Dance of the Reed Flutes, Dance of the Sugar Plum Fairy,March,Overture, Trepak, and Waltz of the Flowers) Silent Night Wassail Song We Three Kings of Orient Are We Wish You a Merry Christmas Part 1 Flute or Oboe or Violin 75111 Part 1 Clarinet in Bb (available by digital download) 75113 Part 2 Flute or Oboe or Violin 75121 Part 2 Clarinet in Bb (available by digital download) 75123 Part 3 Viola 75131 Part 3 French Horn or English Horn in F 75132 Part 3 Clarinet in Bb 75133 Part 4 Cello or Bassoon 75131 Part 4 Bass Clarinet in Bb 75143 Keyboard or Guitar 75150 Published by lastresortmusic.com.
$26.00 ≈
¥184.29
Bass and Piano String Sampler Sheet Music
Bass and Piano String Sampler
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Contrebasse, Piano (duo)
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FACILE
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Contemporain
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Robin Kay Deverich
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Bass and Piano String Sampler
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Global Music School String Publications
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 2 - SKU: A0.902215 Arranged by Robin Kay Deverich. Contemporary. Score and part. 255 pages. Global Music School St...
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Double Bass,Piano,String Bass - Level 2 - SKU: A0.902215 Arranged by Robin Kay Deverich. Contemporary. Score and part. 255 pages. Global Music School String Publications #5355089. Published by Global Music School String Publications (A0.902215). This combined version of the of the Piano Accompaniment and String Bass Online String Sampler Bass Sheet Music is a fun and easy way to actively learn, study and play beautiful bass music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available online on StringBassOnline* as a self-guided class specifically designed to accompany this music: https://www.stringbassonline.com The study guide explains the history and musical form of the selected pieces, and includes bass technique tips for each piece of music. Let the music begin! *No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$5.99 ≈
¥42.46
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