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Vous avez sélectionné:
Too Little Time
Guitare notes et tablatures
Partitions à imprimer
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1
Mary Had a Little Lamb (GUITAR TAB) [Sarah Josepha Hale]
Mary Had a Little Lamb (GUITAR TAB) [Sarah Josepha Hale]
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Guitare notes et tablatures
#
FACILE
#
Sarah Josepha Hale
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Darek
#
Mary Had a Little Lamb
#
Darek
#
SheetMusicPlus
Easy Guitar (with TAB) - Level 2 - SKU: A0.1258205 Composed by Sarah Josepha Hale. Arranged by Darek. 19th Century,Children,Multicultural,World. Tablatu...
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Easy Guitar (with TAB) - Level 2 - SKU: A0.1258205 Composed by Sarah Josepha Hale. Arranged by Darek. 19th Century,Children,Multicultural,World. Tablature. 1 pages. Darek #851452. Published by Darek (A0.1258205). Mary Had a Little Lamb (GUITAR TAB) [Sarah Josepha Hale]Guitar arrangement of Mary Had a Little Lamb by Sarah Josepha Hale. Simplified arrangement for guitarists. Guitar Tab for Beginners. Easy arrangement for beginners. Included: Sheet Music, Tabulature, Chords, Lyrics and Youtubue tutorial. Ignite your passion for playing the guitar with our easy-level guitar tablature for the classic nursery rhyme, Mary Had a Little Lamb by Sarah Josepha Hale. Designed specifically for beginner guitarists, this sheet music offers a fun and accessible introduction to playing the guitar. Our guitar tablature includes the sheet music, tablature, and chords, making it easy for beginners to learn and play this beloved tune. The inclusion of lyrics allows you to sing along as you strum, adding an extra layer of enjoyment to your practice sessions. To support your learning journey, we provide a YouTube tutorial that offers a visual demonstration of how to play Mary Had a Little Lamb on the guitar. This tutorial serves as a valuable resource, providing step-by-step guidance and helpful tips to ensure successful learning. Position yourself as a trusted source for beginner guitar resources by offering this timeless nursery rhyme from the traditional era. Mary Had a Little Lamb has delighted generations of young learners, making it a perfect starting point for beginner guitarists. Our easy-level guitar tablature is ideal for aspiring guitarists of all ages. Whether you're a student, a hobbyist, or a parent looking to introduce your child to the joy of playing guitar, this sheet music provides a solid foundation for your musical journey. Highlight the educational value of our sheet music and attract beginners and their families by emphasizing the benefits of learning music. Playing Mary Had a Little Lamb on the guitar not only develops your musical skills but also enhances your cognitive abilities, coordination, and creativity. Build a strong online presence by positioning your product as a valuable learning tool for aspiring guitarists. With our easy-level guitar tablature, you can ignite a love for music in beginners, helping them build confidence and enjoy the process of learning guitar. Join the community of guitar enthusiasts who trust our sheet music to inspire their musical growth. Invest in our beginner-friendly guitar tablature for Mary Had a Little Lamb and embark on a musical adventure filled with joy and accomplishment. Choose our sheet music to unlock your musical potential and begin your guitar journey. With the inclusion of sheet music, tablature, chords, lyrics, and a YouTube tutorial, our package offers a comprehensive and supportive learning experience, ensuring that beginners have fun while developing their guitar skills.
$2.00 ≈
1.80€
Silent Night: From Austria to Africa
Silent Night: From Austria to Africa
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Franz Xaver Gruber
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Richard Hirsch
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Silent Night: From Austria to
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1153109 Composed by Franz Xaver Gruber. Arranged by Richard Hirsch. Christmas,Multicultural,Religious,Standards,Traditio...
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Solo Guitar - Level 4 - SKU: A0.1153109 Composed by Franz Xaver Gruber. Arranged by Richard Hirsch. Christmas,Multicultural,Religious,Standards,Traditional,World. Individual part. 8 pages. Richard Hirsch #753352. Published by Richard Hirsch (A0.1153109). An arrangement for solo guitar of the all-time favourite Christmas carol composed by Franz Gruber. The arrangement starts with an introduction of the melody in arpeggios of natural harmonics and moves into broken chords mixed with arpeggios for the first rendering of the song in 6/8 time. In the second part, at the shift to 4/4 time, the melody is rendered in an African inspired version with natural harmonics reminiscent of tunes played on an African kalimba (thumb harp) woven into the broken chords and arpeggios. As the speed increases, and the volume decreases, the arrangement moves steadily toward a total kalimba version. I like to think of the first part of the arrangement as symbolising a night in the little Austrian village where Gruber lived and composed the song. The natural harmonics and base notes and treble notes on open strings denoting the village chapel bells ringing on Christmas Eve. The second part tries to give a feel for how the melody can stand as a symbol of our common human origins in Africa, celebrating the birth and unity of humanity. The arrangement is within reach of intermediate to advanced students of guitar and is a good introduction to natural harmonics on the twelfth, seventh, and fifth frets. The African inspired polyrhythm fingerpicking in the second part consists basically of the thumb alternating with the index and middle fingers in a repetitive cycle. The second part is notated in 4/4 time, but can perhaps be more easily be read and played as 8/8 time, as practically everything, especially towards the end of the arrangement consists of eight notes. The polyrhythmic second part should have an accent on the downbeat of the first beat of the measure followed by an accent at 3and (an upbeat), just before the fourth and final beat of the measure. Reading the four part harmony of the score may at first present a challenge but if played basically as eight notes followed by eight notes everything should come out right in the end. Refer to the mp3 version provided with the score if in doubt. I do not mark the natural harmonics explicitly in the tablature, there are simply too many of them. The diamond shaped notes in the notation denoting harmonics are found directly above the corresponding fingerings in the tablature. It has been a real joy to work with this arrangement of the song and I hope it brings joy to others in playing it, giving new life to the traditional melody.
$4.99 ≈
4.49€
Despacito
Despacito
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Latin/Musique du monde
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Luis Fonsi and Daddy Yankee
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Jaan Varts
#
bass)
#
Despacito
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Jaan Varts
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.985305 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Varts. Latin. Guitar Tab...
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Guitar - Level 3 - SKU: A0.985305 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Varts. Latin. Guitar Tab. 22 pages. Jaan Varts #5719575. Published by Jaan Varts (A0.985305). Despacito by Luis Fonsi and Daddy Yankee arranged for 3 guitars (rhythm, melody & bass).This one came out a little trickier than I first expected, so there´s something to learn regardless of your playing level. This song is a good introduction to caribbean feel and groov.If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part.Bass (the easiest part)The harmony of the song is Bm-G-A-D, one chord per bar. The bass is playing mostly rhythmic variations on the chord triads. If the main part is too difficult, then focus on just the first notes of the bars. Also take one groov at a time - you can use one groov throughout the song. When you feel confident with the one groov then take another one.If you want to see only the bass part, then click here: https://youtu.be/AfR3KnmemfERhythm (intermediate)The rhythm part features the same four chords - Bm-G-A-D on different positions and with different grooves. If you need to simplify then use open position chords and use one groove at a time.If you want to see only the rhythm part, then click here: https://youtu.be/mxT1ZLqmqzIMelody (advanced)The melody features lots of triplets and syncopations. When you´re a beginner, then just try to imitate the rhythm - you don´t have to play all the notes & rhythms. The same goes to all the legatos, slides and other embellishments.If you want to see only the melody part, then click here: https://youtu.be/A0gBfkV-F7o
$6.00 ≈
5.40€
Despacito
Despacito
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Guitare notes et tablatures
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INTERMÉDIAIRE
#
Latin/Musique du monde
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Luis Fonsi and Daddy Yankee
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Jaan Varts
#
bass)
#
Despacito
#
Jaan Varts
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.985303 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Varts. Latin. Guitar Tab...
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Guitar - Level 3 - SKU: A0.985303 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Varts. Latin. Guitar Tab. 71 pages. Jaan Varts #5719569. Published by Jaan Varts (A0.985303). Despacito by Luis Fonsi and Daddy Yankee arranged for 3 guitars (rhythm, melody & bass). This one came out a little trickier than I first expected, so there´s something to learn regardless of your playing level. This song is a good introduction to caribbean feel and groov. If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part. Bass (the easiest part) The harmony of the song is Bm-G-A-D, one chord per bar. The bass is playing mostly rhythmic variations on the chord triads. If the main part is too difficult, then focus on just the first notes of the bars. Also take one groov at a time - you can use one groov throughout the song. When you feel confident with the one groov then take another one. If you want to see only the bass part, then click here: https://youtu.be/AfR3KnmemfE Rhythm (intermediate) The rhythm part features the same four chords - Bm-G-A-D on different positions and with different grooves. If you need to simplify then use open position chords and use one groove at a time. If you want to see only the rhythm part, then click here: https://youtu.be/mxT1ZLqmqzI Melody (advanced) The melody features lots of triplets and syncopations. When you´re a beginner, then just try to imitate the rhythm - you don´t have to play all the notes & rhythms. The same goes to all the legatos, slides and other embellishments. If you want to see only the melody part, then click here: https://youtu.be/A0gBfkV-F7o
$9.00 ≈
8.11€
Waltz Op 69 No 2 (Arranged for Guitar)
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99 ≈
1.79€
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