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Vous avez sélectionné:
He Chose Me
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Partitions à imprimer
7 partitions trouvées
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1
Variations on Adeste fideles, Op. 21
Variations on Adeste fideles, Op. 21
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Orgue
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AVANCÉ
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Vidas Pinkevicius
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Variations on Adeste fideles,
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 5 - SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by ...
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Organ - Level 5 - SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by Vidas Pinkevicius (A0.909270). In the fall of 2013 my friend and colleague, Paulius Grigonis who is the organist at St Joseph church here in Vilnius was preparing to play a recital at Vilnius Cathedral around Christmas time. He approached me asking for advice about the pieces he could be playing.I offered him to compose a set of 6 variations on the famous Christmas tune Adeste fideles and he agreed too much hesitation (too bad).I started working on the composition but got stuck at the end of the 5th variation. I used major and minor chords only. My goal was to create something colorful and modern and yet understandable to the listener.Because of these simple chords the harmonies are very clear and transparent. What makes it sound modern though is that I avoid traditional chordal progressions of the perfect fourth and perfect fifth. This would imply tonic-dominant, dominant-tonic, tonic-subdominant, subdominant-tonic relationship.But I didn't want this. I wanted to surprise my audience and my friend Paulius. So I chose all kinds of progressions - minor and major seconds, minor and major thirds, even a tritone to keep it fresh.However, the result was too difficult to play for Paulius on a short notice and I got side-tracked with other projects. Although the idea of completing the variations never left me.So last weekend I sat down and added the last variation with a CODA.I hope you'll enjoy this piece which is dedicated to Paulius.8 pages, PDF score. Advanced level.
$7.99 ≈
7.31€
The Four Horsemen (unaccompanied sax)
The Four Horsemen (unaccompanied sax)
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Saxophone
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AVANCÉ
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Brandon Nelson
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The Four Horsemen
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Brandon Nelson
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SheetMusicPlus
Instrumental Solo,Saxophone - Level 5 - SKU: A0.1202307 Composed by Brandon Nelson. 20th Century,Chamber,Christian,Classical,Contemporary. Individual pa...
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Instrumental Solo,Saxophone - Level 5 - SKU: A0.1202307 Composed by Brandon Nelson. 20th Century,Chamber,Christian,Classical,Contemporary. Individual part. 11 pages. Brandon Nelson #800991. Published by Brandon Nelson (A0.1202307). Dr. Brian Kauth assembled a consortium of saxophone players to commission me to write a piece in four movements, each to be for a different member of the saxophone family(soprano, alto, tenor, baritone). He chose the theme of the “four horsemen of the apocalypse†because, as he puts it, “the saxophone was long considered ‘the devil’s instrument’due to the seedy and sultry qualities associated with it.â€ProgramThe story of the Four Horsemen comes from the biblical Book of Revelation. Each of the Horsemen is said to represent events that are supposed to usher in the Apocalypse, the final battle between good and evil. As with many biblical passages, there are numerous interpretations of this account debated among theologians. Those that I’ve taken in thispiece are strictly based on my own aesthetic requirements and should not be construed as taking any particular sides in these spiritual debates.The Four Horsemen symbolize the evils to come before the end of the world. It is said that a quarter of the world’s population is to be wiped out by a combination of these ills. The Horsemen pave the way for the finalbattle, the final judgement, and the Second Coming.The account begins with the White Horsemen, symbolizing pestilence. Next comes the Red Horse, representing war. Then the Black Horse, bringing widespread famine, especially against the poor of the world.Finally, the Pallid Horse, the personification of Death, reaping his reward in the victims of the tribulations.Performance NoteEach movement is assigned a different member of the saxophone family. Ideally it should be performed as such. However, if you do not have access to all four saxes, you may perform the movements on the sax or saxesof your choosing. The movements are written such that they will sound satisfactory on any of the saxes.
$12.99 ≈
11.88€
Quarry Songs
Quarry Songs
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Voix duo, Piano
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AVANCÉ
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Brett L
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Quarry Songs
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Sonata Grendel Publishing
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SheetMusicPlus
Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 5 - SKU: A0.1101414 Composed by Brett L. Wery. Chamber,Classical,Contemporary,Multicultura...
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Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 5 - SKU: A0.1101414 Composed by Brett L. Wery. Chamber,Classical,Contemporary,Multicultural,World. 52 pages. Sonata Grendel Publishing #704802. Published by Sonata Grendel Publishing (A0.1101414). I. Hammering on Rocks text by Joseph Ross II. Normal text by Reginald Harris III. My Body Holds Stones text by Laura Tohe IV. The Museum of Stones text by Carolyn Forché. Quarry Songs were written as a project initiated by my long-time friend and colleague, Mark Evans. Mark and I have spent hundreds of hours rehearsing and performing together so when he asked me to participate in a project to create a song cycle as part of a residency at the Avaloch Farm Music Institute in New Hampshire, I said yes immediately. Joining us were former students, now colleagues, Areli Mendoza-Pannone (soprano) and Robert Frazier (baritone). During our residency at Avaloch, the trio and I organized Zoom meetings with the poets and work-shopped many sections of the songs. I am immensely grateful for the contributions Mark, Areli, and Bobby made to this piece. I am especially indebted to the four amazing poets for their powerful, inspiring poems. These are works of courage, honesty, and craftsmanship and I’m humbled by the writer’s trust and generosity as I attempt to add a dimension to their work that is worthy of the source. The poems represent varied American perspectives of the artifacts of human existence and the trajectory of our culture(s), the human capacity to grow numb to suffering, the weight and cost of identity—self imposed and projected—on ourselves, our nation, and our children. Most importantly the poems witness our power to change the world through art. These poems recall the courage of Nelson Mandela, the paralysis that comes with the twenty year old war in Afghanistan, the lasting wounds of inflicted upon children in boarding schools designed to eradicate native cultures, and the markers of war and suffering that call as much for hope as for remorse. I chose poets whose voices represent not only suppressed perspectives but also the voices of Americans born of privilege, willing to use the power of art to focus the readers’ minds on the rough truths of our shared history as Americans.
$51.06 ≈
46.72€
I Heard the Bells on Christmas Day
I Heard the Bells on Christmas Day
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Piano seul
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AVANCÉ
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Noël
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Michael Swedberg
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Terrence Niska
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I Heard the Bells on Christmas
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1125799 By Michael Swedberg. By Jean Baptiste Calkin. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. ...
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Piano Solo - Level 5 - SKU: A0.1125799 By Michael Swedberg. By Jean Baptiste Calkin. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726539. Published by Niska Music Publishing (A0.1125799). I must admit that I was far more familiar with the 1956 setting of this poem as sung by Bing Crosby to music by Johnny Marks than I was to the one found in many hymnals. It was on several of the Christmas albums that would be played on the phonograph in our house during the holiday season. However, I chose to arrange the carol setting for this collection as it resonated more deeply with me and seemed to better capture the essence of the poem by Longfellow. He wrote it during the Civil War, on Christmas Day of 1863, and several of the verses make reference to the war. While I did not set any of the Civil War verses, there is an almost martial quality to the opening music and one can almost hear the brass choir ringing out in the first verse. With each subsequent verse, the rhythm of the right hand becomes quicker, moving from half notes to quarter note triplets to eighth notes and finally to eighth note triplets in the final verse. For the most part, the left hand maintains the steady beat of quarter notes, with the exception of the final verse where it begins to move in eighth notes setting up a two-against-three pattern between the hands. It is the most jubilant of the verses and feels like an explosion of sound as the bells ring out across all the land proclaiming God is not dead, nor doth He sleep; The Wrong shall fail, The Right prevail, With peace on earth, good-will to men..
$3.99 ≈
3.65€
Three Psalms for Tenor Saxophone and Organ
Three Psalms for Tenor Saxophone and Organ
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Diana Mascari
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Diana Mascari
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Three Psalms for Tenor Saxopho
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Diana Mascari Music
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SheetMusicPlus
Instrumental Duet,Pipe Organ,Tenor Saxophone - Level 5 - SKU: A0.1478037 By Diana Mascari. By Diana Mascari. Arranged by Diana Mascari. 20th Century,21s...
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Instrumental Duet,Pipe Organ,Tenor Saxophone - Level 5 - SKU: A0.1478037 By Diana Mascari. By Diana Mascari. Arranged by Diana Mascari. 20th Century,21st Century,Classical,Jazz,Sacred. 57 pages. Diana Mascari Music #1055375. Published by Diana Mascari Music (A0.1478037). After composing two saxophone quartets in the 1990s for the Berlin Saxophone Quartet which they played several times, baritone saxophonist Friedemann Graef commissioned me to compose this piece: Three Psalms for Tenor Saxophone and Pipe Organ. When I asked him about why use the tenor saxophone, he explained that his role in the quartet as baritone saxophonist had no bearing on his desire and ability to play other saxophones. Since this composition included the pipe organ, I chose to create a work that reflected the sacred nature of church.The movements are:I. PraiseII. Comfort and AssuranceIII. ThansgivingIf you have any questions about this or any of my other compositions please visit: www.dianamascari.com.
$19.95 ≈
18.25€
Pax Aeternam for tuba and piano
Pax Aeternam for tuba and piano
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Tuba et Piano
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AVANCÉ
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Contemporain
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Maria Thompson Corley
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Pax Aeternam for tuba and pian
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Maria Thompson Corley
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SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley #846603. Publish...
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Piano,Tuba - Level 5 - SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley #846603. Published by Maria Thompson Corley (A0.1252810). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.
$15.00 ≈
13.72€
A Taste Of Honey
A Taste Of Honey
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Piano seul
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AVANCÉ
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Rock
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The Beatles
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Timothy Stapay/Liberace
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A Taste Of Honey
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1129326 By The Beatles. By Bobby Scott and Ric Marlow. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Jazz,Musical...
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Piano Solo - Level 5 - SKU: A0.1129326 By The Beatles. By Bobby Scott and Ric Marlow. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Jazz,Musical/Show,Pop,Rock. Score. 4 pages. Timothy Stapay #729825. Published by Timothy Stapay (A0.1129326). A Taste Of Honey is arranged as performed by piano artist, Liberace. For the first time; here is the Liberace version of this famous sixties classic song; arranged for piano solo! A Taste of Honey is a pop standard written by Bobby Scott and Ric Marlow. It was originally an instrumental track (or recurring theme) written for the 1960 Broadway version of the 1958 British play A Taste of Honey (which was also made into the film of the same name in 1961). Both the original and a later recording by Herb Alpert in 1965 earned the song four Grammy Awards. Barbra Streisand performed the song as part of her cabaret act during 1962, and recorded it in January 1963 for her debut album The Barbra Streisand Album, on Columbia, which won a Grammy for Album of the Year (1963). The Beatles performed Lenny Welch's adaptation as part of their repertoire in 1962, slightly changing the lyrics in the chorus. Because the instrumental version by Acker Bilk was popular in the United Kingdom at the time, the song was chosen to be recorded for their 1963 debut album, Please Please Me. A version from that time was released in 1977 on the album Live! at the Star-Club in Hamburg, Germany; 1962. In the US, this song first appeared on the Vee-Jay Records album Introducing... The Beatles. They also performed A Taste of Honey seven times for BBC radio shows.<.p> Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world
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