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101

Crossing Jordan: Three Spirituals for soprano, piano and cello

Crossing Jordan: Three Spirituals for soprano, piano and cello #Piano, Voix #AVANCÉ #Musique Sacrée #Maria Thompson Corley #Maria Thompson Corley #Crossing Jordan: Three Spiritu #Maria Thompson Corley #SheetMusicPlus

Piano,Vocal,Voice - Level 5 - SKU: A0.1272498 By Maria Thompson Corley. By Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Religiou...(+)

$27.00 ≈ 24.70€

"His Name So Sweet" from Crossing Jordan, for soprano, piano and cello

"His Name So Sweet" from Crossing Jordan, for soprano, piano and cello #Piano, Voix #AVANCÉ #Spiritual #Maria Thompson Corley #"His Name So Sweet" #Maria Thompson Corley #SheetMusicPlus

Piano,Vocal,Voice - Level 5 - SKU: A0.1284047 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Sacred,Spiritual,Traditio...(+)

$12.99 ≈ 11.88€

Crossing Jordan: Three Spirituals for flute, piano and cello

Crossing Jordan: Three Spirituals for flute, piano and cello #Musique Sacrée #Maria Thompson Corley #Maria Thompson Corley #Crossing Jordan: Three Spiritu #Maria Thompson Corley #SheetMusicPlus

Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thomps...(+)

$30.00 ≈ 27.45€

"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello

"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello #Spiritual #Maria Thompson Corley #"His Name So Sweet" #Maria Thompson Corley #SheetMusicPlus

Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corl...(+)

$15.00 ≈ 13.72€

Crossing Jordan: Three Spirituals for violin, piano and cello

Crossing Jordan: Three Spirituals for violin, piano and cello #Piano Quatuor: piano, 2 violons, violoncelle #AVANCÉ #Musique Sacrée #Maria Thompson Corley #Maria Thompson Corley #Crossing Jordan: Three Spiritu #Maria Thompson Corley #SheetMusicPlus

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.1272508 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thomp...(+)

$30.00 ≈ 27.45€

Crossing Jordan: Three Spirituals for clarinet, piano and cello

Crossing Jordan: Three Spirituals for clarinet, piano and cello #Musique Sacrée #Maria Thompson Corley #Maria Thompson Corley #Crossing Jordan: Three Spiritu #Maria Thompson Corley #SheetMusicPlus

Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Ma...(+)

$30.00 ≈ 27.45€

Joy to the World! Hark! the Herald Angels Sing (A mashup for Piano Duet)

Joy to the World! Hark! the Herald Angels Sing (A mashup for Piano Duet) #1 Piano, 4 mains #AVANCÉ #George F #Renee Hyche McKee #Joy to the World! Hark! the He #Renee H. McKee #SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.835645 Composed by George F. Handel, Felix Mendelssohn. Arranged by Renee Hyche McKee. Chr...(+)

$5.50 ≈ 5.03€

Sing We Now of Christmas

Sing We Now of Christmas #Orchestre de chambre #AVANCÉ #French carol #Kyra Beacock #Sing We Now of Christmas #Kyra Beacock #SheetMusicPlus

Chamber Orchestra - Level 5 - SKU: A0.963820 Composed by French carol. Arranged by Kyra Beacock. Christmas,Classical,Renaissance,Sacred,World. Score and...(+)

$24.95 ≈ 22.83€

Wade in the Water - You Gotta Sing (medley)

Wade in the Water - You Gotta Sing (medley) #Piano seul #AVANCÉ #Musique Sacrée #Bradley Sowash #Bradley Sowash #Wade in the Water - You Gotta #Bradley Sowash #SheetMusicPlus

Piano - Level 5 - SKU: A0.1266284 By Bradley Sowash. By Traditional. Arranged by Bradley Sowash. Christian,Jazz,Praise & Worship,Sacred,Spiritual. Full ...(+)

$1.99 ≈ 1.82€

Etude 2.0 + 3.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals

Etude 2.0 + 3.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals #Piano seul #AVANCÉ #Michael Bomier #Etude 2.0 + 3.0 for Piano Solo #Michael Butkus-Bomier #SheetMusicPlus

Piano Solo - Level 5 - SKU: A0.862554 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 4 pages. Michael Butkus-Bomier #2034471. ...(+)

$2.00 ≈ 1.83€

Etude 2.0 + 2.5 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals

Etude 2.0 + 2.5 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals #Piano seul #AVANCÉ #Michael Bomier #Etude 2.0 + 2.5 for Piano Solo #Michael Butkus-Bomier #SheetMusicPlus

Piano Solo - Level 5 - SKU: A0.862553 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 4 pages. Michael Butkus-Bomier #2034459. ...(+)

$2.50 ≈ 2.29€

En Face Du Miroir (Facing The Mirror)

En Face Du Miroir (Facing The Mirror) #Piano seul #AVANCÉ #Jazz #Isadar #En Face Du Miroir #Mainya Music Publishing #SheetMusicPlus

Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Ma...(+)

$5.99 ≈ 5.48€

A Game of Hearts, Vocal Score

A Game of Hearts, Vocal Score #Douglas Pew #A Game of Hearts, Vocal Score #Blue Shore Music #SheetMusicPlus

Vocal Solo,Voice - Level 5 - SKU: A0.938580 Composed by Douglas Pew. Contemporary,Opera. 42 pages. Blue Shore Music #13037. Published by Blue Shore Musi...(+)

$29.99 ≈ 27.44€

Vistas (score - vln, vla, cel)

Vistas (score - vln, vla, cel) #Mark Oâ€™Connor

#Mark O'Connor #Vistas #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861811 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 24 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861811 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 24 pages. Mark O'Connor Musik International #6202301. Published by Mark O'Connor Musik International (A0.861811). Vistas (score â€“ vln, vla, cel) MO143AScore (parts available)Music by Mark Oâ€™Connor20 pages - 10:20 minutes in length Vistas for violin, viola and cello (1999), was composed by Mark Oâ€™Connor and is featured on the Appalachian Journey album, recorded with Yo-Yo Ma and Edgar Meyer. In describing Vistas, Mark Oâ€™Connor explains the works initial inspiration came from his home studio in Vista, California. From his studio he has three magnificent views. In composing the piece he contemplated the three different views of the musicians, their three personalities and how they come together to speak the same language to say the same thing. In his liner notes for the album, respected classical producer and author John Schaefer describes the work as sprawling, almost narrative. A very small theme is explored separately by all three instruments, each arriving at the same melodic conclusion but at different points. Put together in almost a symphonic form, Vistas suggests a journey beneath big skies and far-off horizons, and finally, a return home. The music is suited for advanced and intermediate levels. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1999 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalVistas can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark Oâ€™Connor Sony ClassicalCatalogue Number MO143ACopyright Â© 1999 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$7.50 ≈ 6.86€

Vistas (viola part - vln, vla, cel)
Vistas (viola part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #Vistas #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861809 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861809 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6202313. Published by Mark O'Connor Musik International (A0.861809). Vistas (viola â€“ vln, vla, cel) MO143CViola Part (score and parts available)Music by Mark Oâ€™Connor7 pages - 10:20 minutes in length Vistas for violin, viola and cello (1999), was composed by Mark Oâ€™Connor and is featured on the Appalachian Journey album, recorded with Yo-Yo Ma and Edgar Meyer. In describing Vistas, Mark Oâ€™Connor explains the works initial inspiration came from his home studio in Vista, California. From his studio he has three magnificent views. In composing the piece he contemplated the three different views of the musicians, their three personalities and how they come together to speak the same language to say the same thing. In his liner notes for the album, respected classical producer and author John Schaefer describes the work as sprawling, almost narrative. A very small theme is explored separately by all three instruments, each arriving at the same melodic conclusion but at different points. Put together in almost a symphonic form, Vistas suggests a journey beneath big skies and far-off horizons, and finally, a return home. The music is suited for advanced and intermediate levels. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1999 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical Vistas can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark Oâ€™Connor Sony Classical Catalogue Number MO143CCopyright Â© 1999 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50 ≈ 4.12€

Vistas (violin part - vln, vla, cel)
Vistas (violin part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #Vistas #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861810 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861810 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202307. Published by Mark O'Connor Musik International (A0.861810). Vistas (violin part â€“ vln, vla, cel) MO143BViolin Part (score and parts available)Music by Mark Oâ€™Connor6 pages - 10:20 minutes in length Vistas for violin, viola and cello (1999), was composed by Mark Oâ€™Connor and is featured on the Appalachian Journey album, recorded with Yo-Yo Ma and Edgar Meyer. In describing Vistas, Mark Oâ€™Connor explains the works initial inspiration came from his home studio in Vista, California. From his studio he has three magnificent views. In composing the piece he contemplated the three different views of the musicians, their three personalities and how they come together to speak the same language to say the same thing. In his liner notes for the album, respected classical producer and author John Schaefer describes the work as sprawling, almost narrative. A very small theme is explored separately by all three instruments, each arriving at the same melodic conclusion but at different points. Put together in almost a symphonic form, Vistas suggests a journey beneath big skies and far-off horizons, and finally, a return home. The music is suited for advanced and intermediate levels. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1999 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalVistas can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark Oâ€™Connor Sony Classical Catalogue Number MO143BCopyright Â© 1999 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50 ≈ 4.12€

Vistas (cello part - vln, vla, cel)
Vistas (cello part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #Vistas #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861812 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861812 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6202317. Published by Mark O'Connor Musik International (A0.861812). Vistas (cello â€“ vln, vla, cel) MO143DCello Part (score and parts available)Music by Mark Oâ€™Connor8 pages - 10:20 minutes in length Vistas for violin, viola and cello (1999), was composed by Mark Oâ€™Connor and is featured on the Appalachian Journey album, recorded with Yo-Yo Ma and Edgar Meyer. In describing Vistas, Mark Oâ€™Connor explains the works initial inspiration came from his home studio in Vista, California. From his studio he has three magnificent views. In composing the piece he contemplated the three different views of the musicians, their three personalities and how they come together to speak the same language to say the same thing. In his liner notes for the album, respected classical producer and author John Schaefer describes the work as sprawling, almost narrative. A very small theme is explored separately by all three instruments, each arriving at the same melodic conclusion but at different points. Put together in almost a symphonic form, Vistas suggests a journey beneath big skies and far-off horizons, and finally, a return home. The music is suited for advanced and intermediate levels. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1999 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalVistas can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark Oâ€™Connor Sony ClassicalCatalogue Number MO143DCopyright Â© 1999 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50 ≈ 4.12€

The Weight
The Weight #Chorale SATB #AVANCÉ #The Band #Eric Hagmann #The Weight #Eric Hagmann #SheetMusicPlus

Choral Choir (SATB divisi) - Level 5 - SKU: A0.796815 By The Band. By J.R. Robertson. Arranged by Eric Hagmann. A Cappella. Octavo. 14 pages. Eric Hagma...(+)

Choral Choir (SATB divisi) - Level 5 - SKU: A0.796815 By The Band. By J.R. Robertson. Arranged by Eric Hagmann. A Cappella. Octavo. 14 pages. Eric Hagmann #3911445. Published by Eric Hagmann (A0.796815). An SSATB + duet vocal jazz arrangement of The Weight (Take a Load Off, Annie) by The Band. This chart reimagines The Band's original song as an a cappella swing tune straight out of the 1940's. The bottom voice thumps along on neutral syllables of your choosing just as an upright bassist would in the big band. If you don't have any singers who can take on this part, an actual bass instrument could be substituted. The guitar accompaniment of the original song is now replaced by complex jazz harmonies and rhythms sung by your upper voices to compliment your soloists. The last 1/3rd of the song has a breakdown that layers and overlaps your voices one by one until they come together for a final build into the last chorus. This section also offers an opportunity for a small quartet to sing an optional harmony part. While this piece is challenging, it offers a unique spin on an old classic that will surely hold your audience's attention if performed well. .

$2.25 ≈ 2.06€

Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel) #Mark O'Connor #Johnny Cash #Piano Trio No. 1 "Poets a #Mark O'Connor Musik International #SheetMusicPlus

Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...(+)

Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score â€“ piano, vln, cel) MO160APiano Score (parts available)Music by Mark Oâ€™Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, Iâ€™m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark Oâ€™Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. Oâ€™Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadnâ€™t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2003 Composed by Mark Oâ€™ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark Oâ€™Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A

$22.50 ≈ 20.59€

Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel) #Mark O'Connor #Johnny Cash #Piano Trio No. 1 "Poets a #Mark O'Connor Musik International #SheetMusicPlus

Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...(+)

Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part â€“ piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark Oâ€™Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, Iâ€™m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark Oâ€™Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. Oâ€™Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadnâ€™t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2003 Composed by Mark Oâ€™ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark Oâ€™Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.

$15.00 ≈ 13.72€

Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel) #Mark O'Connor #Johnny Cash #Piano Trio No. 1 "Poets a #Mark O'Connor Musik International #SheetMusicPlus

Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...(+)

Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part â€“ piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark Oâ€™Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, Iâ€™m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark Oâ€™Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. Oâ€™Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadnâ€™t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2003 Composed by Mark Oâ€™ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark Oâ€™Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.

$15.00 ≈ 13.72€

Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie #Orchestre de chambre #AVANCÉ #Carson Cooman #Carson Cooman: The Acts of the #Musik Fabrik Music Publishing #SheetMusicPlus

Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...(+)

Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical â€œTheophilusâ€), yet they are unusual for being composed in such contrasting genres. Lukeâ€™sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesaboutâ€”and speeches fromâ€”the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christâ€™s ascension is narratedandâ€”following an orchestral Sinfoniaâ€”the chorus sings words of Jesus from the Sermon on the Plain in Lukeâ€™sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faithâ€”a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiahâ€œHeaven is my throneâ€¦â€, the end of the narrative is remarkable for two reasons: firstly, Stephenâ€™s final wordsmirror those of Christ on the cross in Lukeâ€™s gospelâ€”where Jesus forgives his executioners and prays â€œFather, intoyour hands I commend my spiritâ€ (Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephenâ€™s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiahâ€”whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saulâ€™sConversion is followed here by a Christological poem found in Paulâ€™s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Lukeâ€™s realistic assessment that in spite of Paulâ€™s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Lukeâ€™s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paulâ€™s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,â€œSpirit of mercy, truth, and loveâ€ is an eighteenth century poem that e.

$25.95 ≈ 23.74€

Strangers In The Night
Strangers In The Night #Piano seul #AVANCÉ #Frank Sinatra #Timothy Stapay/Liberace #Strangers In The Night #Timothy Stapay #SheetMusicPlus

Piano Solo - Level 5 - SKU: A0.1342176 By Frank Sinatra. By Bert Kaempfert, Charles Singleton, and Eddie Snyder. Arranged by Timothy Stapay/Liberace. Br...(+)

Piano Solo - Level 5 - SKU: A0.1342176 By Frank Sinatra. By Bert Kaempfert, Charles Singleton, and Eddie Snyder. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #927698. Published by Timothy Stapay (A0.1342176). Strangers In The Night is here arranged as performed by famous piano artist, Liberace.Â He played this in concerts around the world and on his piano albums.Â This piano solo arrangement has all of the sparkle and fiery improvisations that made Liberace famous.Â Now for the first time, here is the sheet music as played by Liberace.On a personal note:Â I saw Liberace perform this live at a concert in Chicago, when I was a very, very young piano student.Â My parents were both Liberace fans and took me to one of his concerts.Â The memory stayed with me for a lifetime!Lyrics:[Verse 1]Strangers in the night exchanging glancesWondering in the night, what were the chances?We'd be sharing love before the night was through[Verse 2]Something in your eyes was so invitingSomething in your smile was so excitingSomething in my heart told me I must have you[Chorus]Strangers in the nightTwo lonely people, we were strangers in the nightUp to the moment when we said our first hello, little did we knowLove was just a glance away, a warm embracing dance away and[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the night[Bridge]Love was just a glance away, a warm embracing dance away[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the nightÂ [Outro]Dooby-doooby-dooDoob-dooob-doob-dee-daaDaaa-daaa-daaa-daaa-daaa.

$8.99 ≈ 8.23€

Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de #Orgue #AVANCÉ #Classique #Claude Debussy/Robert Orledge #Robert Orledge: A Night in the #Musik Fabrik Music Publishing #SheetMusicPlus

Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishi...(+)

Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908â€“16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usherâ€™s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussyâ€™s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with MÃ©lisandeâ€™s theme in his opera PellÃ©as et MÃ©lisande), the only things I really needed to add were linking material and any passages where fast music was required. So the â€˜nightmare scherzoâ€™, and Lady Madelineâ€™s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of â€˜changing backgroundsâ€™, both harmonic and textural, proved extremely useful, as it did to Debussy in his PrÃ©lude Ã lâ€™aprÃ¨s-midi dâ€™un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussyâ€™s score as A Night in the House of Usher for organ, and subsequently pianoâ€”with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.ï»¿

$12.95 ≈ 11.85€

Sync
Sync #Contemporain #Will Phillips #the final sync point.
#Sync #Will Phillips Music #SheetMusicPlus

Small Ensemble Cello,Double Bass,Flute - Level 5 - SKU: A0.1024747 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Will...(+)

Small Ensemble Cello,Double Bass,Flute - Level 5 - SKU: A0.1024747 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Will Phillips Music #3465398. Published by Will Phillips Music (A0.1024747). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.

$19.99 ≈ 18.29€

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