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Vous avez sélectionné:
Ferdinand Ries Classical
Partitions à imprimer
15 partitions trouvées
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1
Haydn: Concerto No. 2 in G major (Classical Wind Ensemble)
Haydn: Concerto No. 2 in G major (Classical Wind Ensemble)
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Classique
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Franz Joseph Haydn
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Roar Kvam
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Haydn: Concerto No. 2 in G maj
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KVAMusic Edition
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.768500 Composed by Franz Joseph Haydn. Arranged by Roar Kvam. Classical,Concert. 114 pages. KVAMusic Edition #3454...
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Woodwind Ensemble - Level 4 - SKU: A0.768500 Composed by Franz Joseph Haydn. Arranged by Roar Kvam. Classical,Concert. 114 pages. KVAMusic Edition #3454071. Published by KVAMusic Edition (A0.768500). About 1785, Haydn received a commission to write a series of concertos for Ferdinand IV, King of Naples and the Twin Sicilies. It was a very curious commission; for these concertos were to be written for a pair of strange instruments, the so-called Lira organizzata. The lira was a favourite instrument of the lazzaroni, the common people of Neaples: the Bourbon King, though often a rough and uncouth monarch, had a deep affection for his people. and for all their peculiar customs, and it is characteristic that his favourite musical instrument should have been that so beloved by his people. In a letter from the King of Neaples there are two points which explain much of the peculiar character of Haydn’s concertos for the King: the first is the restricted tonal range of all the works, C, F and G major are the only principal keys allowed. The second is the range of the lira itself which is about that of an oboe. Bearing these limitations in mind, Haydn did not attempt to write complicated double concertos, but rather ensemble music for two lire, two violins, two violas, cello and two horns, in other words, 9 solo instruments. (This edition: Flute, oboe, two clarinets, two basset horns, bassoon, contrabass and two horns). Moreover, he neatly combined the concerto form with that of the divertimento: there is often no strict division into solo and tutti, but constant intermingling of both. Wonderful music by Haydn, originally written for a mixed ensemble of 2 liras, 2 Horns and strings, but this is a transcription for a classical wind ensemble, a great companion for a concert together with i.e. Mozart’s Gran Partita, since it has almost the same instrumentation.
$33.00 ≈
29.76€
Piano Trio in B flat major, Op. 28
Piano Trio in B flat major, Op. 28
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Ferdinand Ries
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Dianne James
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Piano Trio in B flat major, Op
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Artaria Editions #1065109. Published by Artaria Editions (A0.1488223). Ferdinand Ries (1784-1838) was one of the greatest pianists of his time and a composer of exceptional abilities. Ries studied pianoforte (but not composition) with Beethoven in Vienna and the two men remained on cordial terms for the rest of their lives. In the last year of his life Ries co-wrote a book of Beethoven reminiscences that remain one of the most valuable sources of information about his life and character. The place and date of composition of the Sonate Sentimentale is uncertain in spite of the apparently conclusive evidence to the contrary: Ries's autograph score is dated 'Godesberg 1814' but by this time Ries was living in London. The discrepancy is probably due to the fact that Ries added the date to this manuscript, as he did to many others, in the 1820s. One of the most intriguing aspects of this work is the difference between Ries's original conception and the work as it appeared in its first published edition in 1834. The extent of the changes points to a substantial authorial revision of the work made prior to publication rather than a garbled transmission of the original text. Among the most striking of these changes is the inclusion of a brief introduction to the first movement; but other passages are extensively rewritten and in some instances lengthened by the inclusion of additional material. As with all Ries's works for flute, the Sonate Sentimentale is exceptionally well written for the instrument and yet perhaps even more impressive is the way in which Ries balances the musical texture and exploits the full potential of both the flute and piano. The beautiful work is arguably the most impressive flute sonata of the early 19th century. Allan Badley.
$37.00 ≈
33.37€
Pianoforte Sonatas, Op.1
Pianoforte Sonatas, Op.1
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Piano seul
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INTERMÉDIAIRE
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Ferdinand Ries
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Allan Badley
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Pianoforte Sonatas, Op.1
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Artaria Editions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1487250 Composed by Ferdinand Ries. Arranged by Allan Badley. Classical. Score. 68 pages. Artaria Editions #1064224. Publ...
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Piano Solo - Level 3 - SKU: A0.1487250 Composed by Ferdinand Ries. Arranged by Allan Badley. Classical. Score. 68 pages. Artaria Editions #1064224. Published by Artaria Editions (A0.1487250). Ferdinand Ries (1784-1838) was one of the greatest pianists of his time and a composer of exceptional abilities. Ries studied pianoforte (but not composition) with Beethoven in Vienna and the two men remained on cordial terms for the rest of their lives.In the last year of his life Ries co-wrote a book of Beethoven reminiscences that remain one of the most valuable sources of information about his life and character. The Pianoforte Sonatas, Op.1 were composed during the period 1804-1806 and published with a dedication to Beethoven. They are very impressive works, bold, powerful and imaginative, and worthy in every sense to be associated with the name of his illustrious teacher.
$57.00 ≈
51.41€
Three Russian Airs With Variations, Op. 72
Three Russian Airs With Variations, Op. 72
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ferdinand Ries
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Three Russian Airs With Variat
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Paladino Editions
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1281610 By Ferdinand Ries. By Ferdinand Ries. 19th Century,Classical,Romantic Period. Score and part. 40 pages. Paladino...
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Cello,Piano - Level 4 - SKU: A0.1281610 By Ferdinand Ries. By Ferdinand Ries. 19th Century,Classical,Romantic Period. Score and part. 40 pages. Paladino Editions #872952. Published by Paladino Editions (A0.1281610). Trois Airs Russes Variés pour le Piano-forte et Violoncelle ou Violon Concertans, Op. 72, was written in 1812, while Ries was on tour in Russia with virtuoso cellist Bernhard Romberg. A virtuoso display piece for both instruments, it is a potpourri of three Russian tunes. Two cello parts are included in this edition by Cole Tutino and Martin Rummel: one as printed in the first edition, and one with fingerings and bowings by Martin Rummel.
$15.95 ≈
14.38€
Sonata ("Grande Sonate") No. 2 in A Major for Violoncello and Piano, Op. 21
Sonata ("Grande Sonate") No. 2 in A Major for Violoncello and Piano, Op. 21
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ferdinand Ries
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Sonata
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Paladino Editions
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1287344 Composed by Ferdinand Ries. 19th Century,Classical,Romantic Period. Score and part. 68 pages. Paladino Editions ...
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Cello,Piano - Level 4 - SKU: A0.1287344 Composed by Ferdinand Ries. 19th Century,Classical,Romantic Period. Score and part. 68 pages. Paladino Editions #878361. Published by Paladino Editions (A0.1287344). Ferdinand Ries’ second cello sonata was written for Bernhard Romberg in 1808, who performed frequently with Beethoven at that time. The title Grande Sonate clearly refers to the aim to excel music written for amateurs at home.This first modern edition of the piece contains two cello parts: One without any markings, reflecting the first edition, and one with suggestions for bowings and fingerings from the editor, renowned cellist Martin Rummel.
$24.95 ≈
22.50€
Sonata ("Grande Sonate") No. 1 in C Major for Violoncello and Piano, Op. 20
Sonata ("Grande Sonate") No. 1 in C Major for Violoncello and Piano, Op. 20
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Ferdinand Ries
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Sonata
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Paladino Editions
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1287339 Composed by Ferdinand Ries. 19th Century,Classical,Romantic Period. Score and part. 46 pages. Paladino Editions ...
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Cello,Piano - Level 3 - SKU: A0.1287339 Composed by Ferdinand Ries. 19th Century,Classical,Romantic Period. Score and part. 46 pages. Paladino Editions #878356. Published by Paladino Editions (A0.1287339). Ferdinand Ries’ first cello sonata was written for Bernhard Romberg in 1808, who performed frequently with Beethoven at that time. The title “Grande Sonate†clearly refers to the aim to excel music written for amateurs to play at home.This is the first modern edition of the work. It has two cello parts: one with the original phrasings only, and one with Martin Rummel's suggestions for fingerings and bowings.
$19.95 ≈
17.99€
Cellosonate, Opus 21
Cellosonate, Opus 21
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Violoncelle, Piano
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Ferdinand Ries
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Cellosonate, Opus 21
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Bisel Classics - Digital
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SheetMusicPlus
Cello and piano - SKU: BQ.979-0-50179-179-8 Composed by Ferdinand Ries. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Score. With T...
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Cello and piano - SKU: BQ.979-0-50179-179-8 Composed by Ferdinand Ries. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. Opus 21. 58 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-179-8). ISBN 9790501791798.A masterpiece for cello and piano, this sonata in a traditional four movement setting was dedicated to Ries' childhood cello tutor, the prominent virtuoso Bernhard Romberg. Remaining in the classical idiom, the work nevertheless exploits the dawning spirit of romanticism and recalls the bravura influence of Ries' other teacher Beethoven, with sublime accompaniment at the piano which occasionally erupts into the kind of explosive display which came to characterise Ries' style of playing.
$21.95 ≈
19.80€
Piano Trio in C minor, Op. 143
Piano Trio in C minor, Op. 143
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Ferdinand Ries
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Dianne James
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Piano Trio in C minor, Op. 143
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00 ≈
33.37€
Piano Trio in E flat major, Op. 2
Piano Trio in E flat major, Op. 2
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Ferdinand Ries
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Dianne James
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Piano Trio in E flat major, Op
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00 ≈
33.37€
Sonata for Pianoforte with Flauto Obbligato, Op.87 (for flute and piano)
Sonata for Pianoforte with Flauto Obbligato, Op.87 (for flute and piano)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Ferdinand Ries
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Uwe Grodd
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Sonata for Pianoforte with Fla
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Artaria Editions
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1488844 Composed by Ferdinand Ries. Arranged by Uwe Grodd. Classical. Score and part. 29 pages. Artaria Editions #106569...
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Flute,Piano - Level 3 - SKU: A0.1488844 Composed by Ferdinand Ries. Arranged by Uwe Grodd. Classical. Score and part. 29 pages. Artaria Editions #1065698. Published by Artaria Editions (A0.1488844). Artaria Editions AE438This edition is based on Ries' autograph score. It is, for the most part, carefully written and presents few difficulties to the editor. Nonetheless, there are instances where dynamic markings and articulations are ambiguous and, in some places, where the pitches are unclear. In order to facilitate performance, the style and notation of articulation and dynamic markings have been standardized throughout, and, where missing from the autograph, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are places within brackets. Uwe Grodd's research for this edition was made possible with the support of a grant from the University of Auckland Research Committee UARC. Allan Badley, Uwe Grodd.
$30.00 ≈
27.06€
Beethoven/St. Clair: Easy Sonata in C Major for Solo Piano (1798/1990): A Completion
Beethoven/St. Clair: Easy Sonata in C Major for Solo Piano (1798/1990): A Completion
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Piano seul
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven / Richard
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Beethoven/St. Clair: Easy Sona
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Richard St. Clair
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.939845 Composed by Ludwig van Beethoven / Richard St. Clair. Classical,Concert. Score. 17 pages. Richard St. Clair #58686...
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Piano Solo - Level 3 - SKU: A0.939845 Composed by Ludwig van Beethoven / Richard St. Clair. Classical,Concert. Score. 17 pages. Richard St. Clair #5868681. Published by Richard St. Clair (A0.939845). This solo piano sonata, of moderate technical difficulty, is a completion of a fragment left unfinished by Beethoven sometime around 1798 and has the without opus catalog number WoO 51. The first movement is entirely by Beethoven and is scored with minor edits. The second movement was abandoned by Beethoven at m. 121, and the movement is completed here by St. Clair. The third movement, a rondo in the style of Beethoven, is completely by Richard St. Clair. (A very poor completion of the second movement was made by Ferdinand Ries, a pupil of Beethoven.)
$16.99 ≈
15.32€
Grande Sonate fur Cello und Klavier, Opus 20 - Cello Part
Grande Sonate fur Cello und Klavier, Opus 20 - Cello Part
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Violoncelle
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Ferdinand Ries
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Grande Sonate fur Cello und Kl
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Bisel Classics - Digital
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SheetMusicPlus
Cello - SKU: BQ.979-0-50179-128-6 Composed by Ferdinand Ries. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Part. With Text Languag...
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Cello - SKU: BQ.979-0-50179-128-6 Composed by Ferdinand Ries. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Part. With Text Language: English / German. Opus 20. 20 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-128-6). ISBN 9790501791286.With not so much as a single wasted note in this entire composition the twentieth sonata is an object lesson in the qualities of composition which characterised the very best of the High Classical period. Elegant, confident, expressive and profoundly musical, the grande sonata composed for his childhood mentor Bernhard Romberg and redolent with the influence of his other teacher Beethoven, still has the capacity to transport us into the sound world of an exciting musical age, an age that ushered in the Romantic era in no uncertain terms.
$15.95 ≈
14.38€
Grosse Variationen uber ein ungarisches Thema, Opus 15
Grosse Variationen uber ein ungarisches Thema, Opus 15
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Piano seul
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Ferdinand Ries
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Grosse Variationen uber ein un
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Bisel Classics - Digital
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SheetMusicPlus
Piano - SKU: BQ.979-0-50179-181-1 Composed by Ferdinand Ries. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Score. With Text Langua...
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Piano - SKU: BQ.979-0-50179-181-1 Composed by Ferdinand Ries. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. Opus 15. 52 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-181-1). ISBN 9790501791811.In this work the composer takes a popular Hungarian theme and fashions sixteen brilliant variations from its material. A remarkable achievement from a composer still only 25 years old which illustrates both the breadth of his imagination and the passion of his musical feeling. Bound together in a single coherent work the theme and bravura variations represent a high point in Classical style while simultaneously looking forward towards the developments of Romantic piano technique.
$16.95 ≈
15.29€
Vals No 1 for 2 Guitars
Vals No 1 for 2 Guitars
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Guitare
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FACILE
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Fernando Sor
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Arte Nova Music Lab
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Vals No 1 for 2 Guitars
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.742432 Composed by Fernando Sor. Arranged by Arte Nova Music Lab. Classical,Concert,Standards. Individual part. 3 pages....
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Solo Guitar - Level 2 - SKU: A0.742432 Composed by Fernando Sor. Arranged by Arte Nova Music Lab. Classical,Concert,Standards. Individual part. 3 pages. Arte Nova Music Lab #3684065. Published by Arte Nova Music Lab (A0.742432). Fernando Sor or Josep Ferran Sorts i Muntades (baptized 14 February 1778 – died 10 July 1839) was a Spanishclassical guitarist and composer. While he is best known for his guitar compositions, he also composed music for a wide range of genres, including opera, orchestra, string quartet, piano, voice, and ballet. His ballet score Cendrillon(Cinderella) received over one hundred performances. Sor's works for guitar range from pieces for beginning players to advanced players such as Variations on a Theme of Mozart. Sor's contemporaries considered him to be the best guitarist in the world,[1] and his works for guitar have been widely played and reprinted since his death.[2] Although modern classical guitar players usually do, Sor rarely used his ring finger and refused the usage of nails when playing.[3]As Sor's works were published in various countries, his name was translated, leading to variations in the spelling. Variations have included Joseph Fernando Macari Sors, Fernando Sor, Ferran Sor, Ferdinand Sor, and Ferdinando Sor. Taken from https://en.wikipedia.org/wiki/Fernando_Sor
$3.99 ≈
3.60€
Andantino for Guitar
Andantino for Guitar
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Guitare
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INTERMÉDIAIRE
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Fernando Sor
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Arte Nova Music Lab
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Andantino for Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.742430 Composed by Fernando Sor. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual pa...
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Solo Guitar - Level 3 - SKU: A0.742430 Composed by Fernando Sor. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual part. 4 pages. Arte Nova Music Lab #3684051. Published by Arte Nova Music Lab (A0.742430). Fernando Sor or Josep Ferran Sorts i Muntades (baptized 14 February 1778 – died 10 July 1839) was a Spanishclassical guitarist and composer. While he is best known for his guitar compositions, he also composed music for a wide range of genres, including opera, orchestra, string quartet, piano, voice, and ballet. His ballet score Cendrillon(Cinderella) received over one hundred performances. Sor's works for guitar range from pieces for beginning players to advanced players such as Variations on a Theme of Mozart. Sor's contemporaries considered him to be the best guitarist in the world,[1] and his works for guitar have been widely played and reprinted since his death.[2] Although modern classical guitar players usually do, Sor rarely used his ring finger and refused the usage of nails when playing.[3]As Sor's works were published in various countries, his name was translated, leading to variations in the spelling. Variations have included Joseph Fernando Macari Sors, Fernando Sor, Ferran Sor, Ferdinand Sor, and Ferdinando Sor. Taken from https://en.wikipedia.org/wiki/Fernando_Sor
$3.99 ≈
3.60€
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Ferdinand Ries Classical
