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Vous avez sélectionné:
From This Moment On for Cello Solo
Partitions à imprimer
50 partitions trouvées
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1
26
From This Moment On
From This Moment On
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Violoncelle
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DÉBUTANT
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Shania Twain
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Fabio Eduardo de Oliveira
#
From This Moment On
#
Fabio Eduardo
#
SheetMusicPlus
Cello Solo - Level 1 - SKU: A0.1167257 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Fabio Eduardo de Oliveira. Pop,Wedding. ...
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Cello Solo - Level 1 - SKU: A0.1167257 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Fabio Eduardo de Oliveira. Pop,Wedding. Individual part. 2 pages. Fabio Eduardo #767634. Published by Fabio Eduardo (A0.1167257). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadFrom This Moment On is a song by Canadian singer Shania Twain. It was released as the fourth single from her third studio album, Come On Over (1997). The song was written by Twain, with additional production and songwriting by Robert John Mutt Lange. Twain has performed From This Moment On on every one of her tours. Both a duet with Bryan White as well as a solo version were released.
$4.99 ≈
4.50€
From This Moment On
From This Moment On
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Shania Twain
#
Fernando Britto
#
From This Moment On
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Minhas Partituras
#
SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.686473 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Fernando Britto. Country,Pop,Wedding. Ind...
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Cello Solo - Level 4 - SKU: A0.686473 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Fernando Britto. Country,Pop,Wedding. Individual part. 2 pages. Minhas Partituras #6454041. Published by Minhas Partituras (A0.686473). Arrangement of the song From This Moment On (Shania Twain) for Cello Solo.
$4.99 ≈
4.50€
From This Moment On
From This Moment On
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Country
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Shania Twain
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ShilakowskyArts Music
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From This Moment On
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ShilakowskyArts Music
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.864931 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by ShilakowskyArts Music....
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String Quartet String Quartet - Level 3 - SKU: A0.864931 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by ShilakowskyArts Music. Country. Score and parts. 10 pages. ShilakowskyArts Music #6039375. Published by ShilakowskyArts Music (A0.864931). This is an easy arrangement with the exceptions as follows; a few notes that are in higher positions...mostly 3rd position, except for the ending which has notes as high as 8th position in the first violin part, but which can be performed an octave down with no loss of harmonic integrity. I recommend reviewing the syncopated rhythms in the violin part. It is important for the instruments that have the notes on the beat to remain steadfast and not to get confused by the offbeats in the solo part.
$12.99 ≈
11.71€
From This Moment On (Shania Twain) for String Quartet
From This Moment On (Shania Twain) for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Shania Twain
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Fernando Britto
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From This Moment On
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Minhas Partituras
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SheetMusicPlus
By Shania Twain. Arranged by Fernando Britto. Score, Set of Parts, Solo Part. 12 pages. Published by Minhas Partituras...
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By Shania Twain. Arranged by Fernando Britto. Score, Set of Parts, Solo Part. 12 pages. Published by Minhas Partituras
$12.99 ≈
11.71€
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...
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Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95 ≈
23.38€
Shallow - Violin & Cello Duet - Lady Gaga & Bradley Cooper arr. Cellobat
Shallow - Violin & Cello Duet - Lady Gaga & Bradley Cooper arr. Cellobat
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Lady Gaga
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Sarah Cellobat Chaffee
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Shallow - Violin & Cello Duet
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Sarah Chaffee
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SheetMusicPlus
Violin, Cello, String Duet - Advanced Intermediate - By Lady Gaga. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 8 pages. Published by Sa...
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Violin, Cello, String Duet - Advanced Intermediate - By Lady Gaga. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 8 pages. Published by Sarah Chaffee
Written by Lady Gaga for the hit 2018 movie A Star Is Born, "Shallow" is a rock ballad that alternates its verses between the two main characters of the film and culminates in a powerful duet. It was not only featured as a pivotal moment in the film, but also released with a music video as a single, and after its release it quickly topped the charts in a dozen countries. "Shallow" now boasts the title of 'most awarded song of all time' after receiving numerous Oscars, Golden Globes, and Grammys. In short, this hit song is one that everyone needs to have in their gig binders! This arrangement for violin & cello duet recreates the famous guitar line, the beautiful lyrical melody lines, and maintains the powerful dynamic builds of the original for a chart that's just as much fun to play as it is to listen to! Perfect for parties, corporate events, solo & ensemble contests, or just playing for fun, this chart is sure to get everyone singing along. Easily sightreadable for professionals and playable for advanced-intermediate students -- there are some tricky rhythms throughout, and the violin part goes up to 3rd position.
Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mtley Cre, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:
http://www.cellobat.com
http://www.instagram.com/cellobat
http://www.youtube.com/c/SarahCellobatChaffee
$9.99 ≈
9.00€
From This Moment On for Cello Solo
From This Moment On for Cello Solo
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Violoncelle, Piano
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Shania Twain
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Tracey Craig McKibben
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From This Moment On for Cello
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Tracey Craig McKibben
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SheetMusicPlus
By Shania Twain. Arranged by Tracey Craig McKibben. Score, Set of Parts. 9 pages. Published by Tracey Craig McKibben (H0.129091-23023). - Score,Set of Parts - ...
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By Shania Twain. Arranged by Tracey Craig McKibben. Score, Set of Parts. 9 pages. Published by Tracey Craig McKibben (H0.129091-23023). - Score,Set of Parts - - Tracey Craig McKibben
$4.99 ≈
4.50€
From This Moment On
From This Moment On
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Shania Twain
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Fernando Britto
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From This Moment On
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Minhas Partituras
#
SheetMusicPlus
Large Ensemble Cello,Flute,Horn,Piano Accompaniment,Trumpet,Viola,Violin - Level 5 - SKU: A0.686474 By Shania Twain. By Robert John Mutt Lange and Shani...
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Large Ensemble Cello,Flute,Horn,Piano Accompaniment,Trumpet,Viola,Violin - Level 5 - SKU: A0.686474 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Fernando Britto. Country,Pop,Wedding. Score and parts. 23 pages. Minhas Partituras #6454583. Published by Minhas Partituras (A0.686474). Arrangement of the song From This Moment On (Shania Twain) for Flute, Horn in F, Trumpet in Bb I, Trumpet in Bb II, Violin Solo, Violin I, Violin II, Viola, Cello and Piano Accompaniment.
$20.99 ≈
18.92€
A Gift From The Bower (Revised)
A Gift From The Bower (Revised)
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Chris Becker
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A Gift From The Bower
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Beckeresque
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. Beckeresque (ASC...
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Cello Solo - Level 4 - SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. Beckeresque (ASCAP) #879245. Published by Beckeresque (ASCAP) (A0.1288214). When I first saw the enormous chair Rachel Gardner and Carlos Canul constructed for A Gift from the Bower, an outdoor, multi-disciplinary group exhibition conceived by renowned artists James Surls and Charmaine Locke, I had a vision of a cellist seated in a chair on the chair, performing solo in a bower deep in the woods of Splendora Gardens. I shared this image with Rachel, who didn’t think I was nuts, and over the course of several weeks, composed a piece for unaccompanied cello to be performed at the opening of the exhibit. I was honored when cellist Patrick Moore agreed to premiere the work; his formidable technique and the deep expression he brings to his playing inspired me to embrace the challenge of composing a solo for his instrument.Knowing my piece would be performed outdoors, I was inspired to evoke the rhythm of sound events one hears in woods, especially the rise and fall of wind as it moves through branches and leaves. The very opening of the piece and later, what I hear as an extended coda, were created as moments for the cellist as much as for the listener and are performed in a sort of meditative state, calling to mind the age-old question, “If a tree falls in a forest and no one is around to hear it, does it make a sound?†The repeating measures of 16th notes in the piece’s demanding middle section pay tribute to two of my heroes, Terry Riley and Philip Glass. While composing the work, Bach’s Six Suites for Violoncello Solo was another important point of reference, as was double bassist Eberhard Weber's 1973 album, The Colours of Chloë.Once finished, it made sense to name the piece A Gift from the Bower since the opportunity to compose the work was a gift, and in exchange, so is the music I have composed.A Gift from the Bower premiered on April 22, 2023, by Patrick Moore at the Locke Surls Center for Art and Nature.A revised version of this piece was completed on September 5, 2023.
$6.99 ≈
6.30€
Mysterious Moment for alto flute and string trio
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
7.21€
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
21.62€
"Air - on the G string" (Bach) - Beautiful EASY version for STRING QUARTET and PIANO (chord symbols)
"Air - on the G string" (Bach) - Beautiful EASY version for STRING QUARTET and PIANO (chord symbols)
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Johann Sebastian Bach
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Iury Cardoso
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"Air - on the G string&qu
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Iury Cardoso
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SheetMusicPlus
String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 1 - SKU: A0.1490467 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,...
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String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 1 - SKU: A0.1490467 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Chamber,Christmas,Classical,Wedding. 9 pages. Iury Cardoso #1067309. Published by Iury Cardoso (A0.1490467). Beautiful easy STRING QUARTET and PIANO arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach(Score and parts: 9 pages) This arrangement of Bach's Aria transforms the original piece into a version for STRING QUARTET and PIANO and features easy writing. This arrangement can be played by beginners or professionals, due to the characteristics and tempo of the piece. In this version the piano was included, adding a new contrapuntal idea. The chord symbols are present in the sheet music, allowing the ensemble to be accompanied by another harmonic instrument, or even for a better understanding of the harmonic structure of the piece. This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner, intermediate or professionals level musicians.- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website.- Version without the piano available: On this site, there is also a version of this same arrangement without the piano.- STRING QUINTET version available: On this site, there is also a version of this same arrangement for STRING QUINTET (with or without piano accompaniment).- SOLO version available: On this site, there are also easy SOLO VERSIONS of this arrangement for all STRING instruments (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!air bach for string quartet and pianoOrchestral Suite No.3 in D major, BWV 1068air bach sheet music air on the G string for string quartet and piano air bach string quartet and piano sheet music air bach easy string quartet and piano air on the G string for beginners easy string quartet and piano chamber music air bach but on string quartet and piano air on the G string bach string quartet and piano version air on the G string bach easy string quartet and piano arrangement air bach string quartet and piano best arrangement easy string quartet and piano baroque sheet music easy piano with string orchestra piano with string orchestra air bach easier version air on the G string sheet music air bach best arrangement for string quartet with piano air on the G string arrangement for string quartet with piano air bach for easy string quartet with piano easy baroque sheet music for string quartet with piano easy air on the G string Orchestral Suite No.3 in D major, BWV 1068 for string quartet with piano easy air bach sheet music easy version of Air on the G string for string quartet piano easy air bach string quartet piano sheet music bach easy string quartet piano air for string quartet and piano beginners bach for string students air bach best easy arrangement for piano and string orchestra air bach easy version for string quartet piano easy violin easy cello easy viola easy piano bach easy sheet music for string quartet piano bach best easy arrangement for string quartet and piano bach arrangement for solo piano and quartet bach for string quartet and piano.
$9.99 ≈
9.00€
"Air - on the G string" (Bach) - Beautiful EASY version for STRING QUARTET and PIANO
"Air - on the G string" (Bach) - Beautiful EASY version for STRING QUARTET and PIANO
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Johann Sebastian Bach
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Iury Cardoso
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"Air - on the G string&qu
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Iury Cardoso
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SheetMusicPlus
String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 1 - SKU: A0.1490468 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,...
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String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 1 - SKU: A0.1490468 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Chamber,Christmas,Classical,Wedding. 8 pages. Iury Cardoso #1067311. Published by Iury Cardoso (A0.1490468). Beautiful easy STRING QUARTET and PIANO arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach(Score and parts: 8 pages) This arrangement of Bach's Aria transforms the original piece into a version for STRING QUARTET and PIANO and features easy writing. This arrangement can be played by beginners or professionals, due to the characteristics and tempo of the piece. In this version the piano was included, adding a new contrapuntal idea. This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner, intermediate or professionals level musicians.- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website.- Version without the piano available: On this site, there is also a version of this same arrangement without the piano.- STRING QUINTET version available: On this site, there is also a version of this same arrangement for STRING QUINTET (with or without piano accompaniment).- SOLO version available: On this site, there are also easy SOLO VERSIONS of this arrangement for all STRING instruments (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!air bach for string quartet and pianoOrchestral Suite No.3 in D major, BWV 1068air bach sheet music air on the G string for string quartet and piano air bach string quartet and piano sheet music air bach easy string quartet and piano air on the G string for beginners easy string quartet and piano chamber music air bach but on string quartet and piano air on the G string bach string quartet and piano version air on the G string bach easy string quartet and piano arrangement air bach string quartet and piano best arrangement easy string quartet and piano baroque sheet music easy piano with string orchestra piano with string orchestra air bach easier version air on the G string sheet music air bach best arrangement for string quartet with piano air on the G string arrangement for string quartet with piano air bach for easy string quartet with piano easy baroque sheet music for string quartet with piano easy air on the G string Orchestral Suite No.3 in D major, BWV 1068 for string quartet with piano easy air bach sheet music easy version of Air on the G string for string quartet piano easy air bach string quartet piano sheet music bach easy string quartet piano air for string quartet and piano beginners bach for string students air bach best easy arrangement for piano and string orchestra air bach easy version for string quartet piano easy violin easy cello easy viola easy piano bach easy sheet music for string quartet piano bach best easy arrangement for string quartet and piano bach arrangement for solo piano and quartet bach for string quartet and piano.
$9.99 ≈
9.00€
Kommos (Lamentation) / "When the World Moved On" - Violoncello
Kommos (Lamentation) / "When the World Moved On" - Violoncello
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Pub...
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Cello Solo - Level 4 - SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Published by Benjamin Sajo (A0.1018958). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.15€
"Air - on the G string" (Bach) - Beautiful EASY version for STRING QUARTET (chord symbols).
"Air - on the G string" (Bach) - Beautiful EASY version for STRING QUARTET (chord symbols).
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Johann Sebastian Bach
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Iury Cardoso
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"Air - on the G string&qu
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Iury Cardoso
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1490438 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Chambe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1490438 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Chamber,Christmas,Classical,Wedding. 8 pages. Iury Cardoso #1067280. Published by Iury Cardoso (A0.1490438). Beautiful easy STRING QUARTET arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach(Score and parts: 8 pages) This arrangement for STRING QUARTET of Bach's Aria features easy writing and can be played by beginners or professionals, due to the characteristics and tempo of the piece. The chord symbols are present in the sheet music, allowing the ensemble to be accompanied by another harmonic instrument, or even for a better understanding of the harmonic structure of the piece. This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner, intermediate or professionals level musicians.- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website.- Version with the piano available: On this site, there is also a version of this same arrangement with the piano.- STRING QUINTET version available: On this site, there is also a version of this same arrangement for STRING QUINTET (with or without piano accompaniment).- SOLO version available: On this site, there are also easy SOLO VERSIONS of this arrangement for all STRING instruments (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!air bach for string quartetOrchestral Suite No.3 in D major, BWV 1068air bach sheet music air on the G string for string quartetair bach string quartet sheet music air bach easy string quartetair on the G string for beginners easy string quartet chamber music air bach but on string quartetair on the G string bach string quartet version air on the G string bach easy string quartet arrangement air bach string quartet best arrangement easy string quartet baroque sheet music air bach for string orchestra string orchestra air bach easier version air on the G string sheet music air bach best arrangement for string quartetair on the G string arrangement for string quartetair bach for easy string quarteteasy baroque sheet music for string quarteteasy air on the G string Orchestral Suite No.3 in D major, BWV 1068 for string quarteteasy air bach sheet music easy version of Air on the G string for string quarteteasy air bach string quartet sheet music bach easy string quartetair for string quartet beginners bach for string students air bach best easy arrangement for string orchestra air bach easy version for string quarteteasy violin easy cello easy viola bach easy sheet music for string quartetbach best easy arrangement for string quartetbach arrangement for quartet bach for string quartet.
$7.99 ≈
7.20€
"Air - on the G string" (Bach) - Beautiful EASY version for STRING QUARTET.
"Air - on the G string" (Bach) - Beautiful EASY version for STRING QUARTET.
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Johann Sebastian Bach
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Iury Cardoso
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"Air - on the G string&qu
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Iury Cardoso
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1490455 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Chambe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1490455 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Chamber,Christmas,Classical,Wedding. 7 pages. Iury Cardoso #1067296. Published by Iury Cardoso (A0.1490455). Beautiful easy STRING QUARTET arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach(Score and parts: 7 pages) This arrangement for STRING QUARTET of Bach's Aria features easy writing and can be played by beginners or professionals, due to the characteristics and tempo of the piece. This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner, intermediate or professionals level musicians.- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website.- Version with the piano available: On this site, there is also a version of this same arrangement with the piano.- STRING QUINTET version available: On this site, there is also a version of this same arrangement for STRING QUINTET (with or without piano accompaniment).- SOLO version available: On this site, there are also easy SOLO VERSIONS of this arrangement for all STRING instruments (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!air bach for string quartetOrchestral Suite No.3 in D major, BWV 1068air bach sheet music air on the G string for string quartetair bach string quartet sheet music air bach easy string quartetair on the G string for beginners easy string quartet chamber music air bach but on string quartetair on the G string bach string quartet version air on the G string bach easy string quartet arrangement air bach string quartet best arrangement easy string quartet baroque sheet music air bach for string orchestra string orchestra air bach easier version air on the G string sheet music air bach best arrangement for string quartetair on the G string arrangement for string quartetair bach for easy string quarteteasy baroque sheet music for string quarteteasy air on the G string Orchestral Suite No.3 in D major, BWV 1068 for string quarteteasy air bach sheet music easy version of Air on the G string for string quarteteasy air bach string quartet sheet music bach easy string quartetair for string quartet beginners bach for string students air bach best easy arrangement for string orchestra air bach easy version for string quarteteasy violin easy cello easy viola bach easy sheet music for string quartetbach best easy arrangement for string quartetbach arrangement for quartet bach for string quartet.
$7.99 ≈
7.20€
Mysterious Moment for oboe and string trio
Mysterious Moment for oboe and string trio
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Contemporain
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages....
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
7.21€
Georgia On My Mind
Georgia On My Mind
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Ray Charles
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Julia Dos Reis
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Georgia On My Mind
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Julia Dos Reis
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1269943 By Ray Charles. By Hoagy Carmichael and Stuart Gorrell. Arranged by Julia D...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1269943 By Ray Charles. By Hoagy Carmichael and Stuart Gorrell. Arranged by Julia Dos Reis. 20th Century,Jazz,Pop,Soul,Wedding. 13 pages. Julia Dos Reis #862415. Published by Julia Dos Reis (A0.1269943). Lyricist Gorrell descibes the tune sung by Ray Charles as 'hauntingly sweet'! This string quartet arrangement takes memorable features from the original orchestration, and features optional solos for both cello and viola (alternatively, sections can be skipped or the melody inserted). Enjoy!Julia Dos Reis is a freelance violist, composer/arranger, and teacher based in London, UK. She has performed with her own groups, as well as one off projects, in venues across the UK and Europe, including Ronnie Scott’s, Royal Festival Hall, and Paris’ Grande Halle de La Villette. Julia has a Masters in Jazz Performance from Guildhall School of Music & Drama, where she studied under jazz violinist, Chris Garrick.Her arrangements offer fun takes on pop/jazz classics, keeping the essence of the original. Features of the arrangements include the inclusion of extended and percussive techniques such as ‘chopping’, moments of improvisation, melodic lines passed around all players, and solid grooves. Such features are flexible and can be adapted to suit players’ skills.The arrangements are all truly tried and tested, as she performs the arrangements regularly at weddings and events with her quartet, Soli Strings. Please listen here: https://www.youtube.com/@solistringsmusichttps://www.juliadosreis.com/
$12.99 ≈
11.71€
"Air - on the G string" (Bach) - Beautiful EASY version for STRING QUINTET and PIANO (chord symbols)
"Air - on the G string" (Bach) - Beautiful EASY version for STRING QUINTET and PIANO (chord symbols)
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Johann Sebastian Bach
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Iury Cardoso
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"Air - on the G string&qu
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Iury Cardoso
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SheetMusicPlus
String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 1 - SKU: A0.1491970 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Cha...
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String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 1 - SKU: A0.1491970 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Chamber,Christian,Classical,Wedding. 10 pages. Iury Cardoso #1068651. Published by Iury Cardoso (A0.1491970). Beautiful easy STRING QUINTET and PIANO arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach (Score and parts: 10 pages) This arrangement of Bach's Aria transforms the original piece into a version for STRING QUINTET and PIANO and features easy writing. This arrangement can be played by beginners or professionals, due to the characteristics and tempo of the piece. In this version the piano was included, adding a new contrapuntal idea. The chord symbols are present in the sheet music, allowing the ensemble to be accompanied by another harmonic instrument, or even for a better understanding of the harmonic structure of the piece. This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty. Other features of this sheet music: - Easy arrangement: made for beginner, intermediate or professionals level musicians. - Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website. - Version without the piano available: On this site, there is also a version of this same arrangement without the piano. - STRING QUARTET version available: On this site, there is also a version of this same arrangement for STRING QUARTET (with or without piano accompaniment). - SOLO version available: On this site, there are also easy SOLO VERSIONS of this arrangement for all STRING instruments (with or without piano accompaniment). See more arrangements by Iury Cardoso, thank you so much! air bach for string quintet and piano Orchestral Suite No.3 in D major, BWV 1068 air bach sheet music air on the G string for string quintet and piano air bach string quintet and piano sheet music air bach easy string quintet and piano air on the G string for beginners easy string quintet and piano chamber music air bach but on string quintet and piano air on the G string bach string quintet and piano version air on the G string bach easy string quintet and piano arrangement air bach string quintet and piano best arrangement easy string quintet and piano baroque sheet music easy piano with string orchestra piano with string orchestra air bach easier version air on the G string sheet music air bach best arrangement for string quintet with piano air on the G string arrangement for string quintet with piano air bach for easy string quintet with piano easy baroque sheet music for string quintet with piano easy air on the G string Orchestral Suite No.3 in D major, BWV 1068 for string quintet with piano easy air bach sheet music easy version of Air on the G string for string quintet piano easy air bach string quintet piano sheet music bach easy string quintet piano air for string quintet and piano beginners bach for string students air bach best easy arrangement for piano and string orchestra air bach easy version for string quintet piano easy violin easy cello easy viola easy piano bach easy sheet music for string quintet piano bach best easy arrangement for string quintet and piano bach arrangement for solo piano and quintet bach for string quintet and piano.
$11.99 ≈
10.80€
"Air - on the G string" (Bach) - Beautiful EASY version for STRING QUINTET and PIANO
"Air - on the G string" (Bach) - Beautiful EASY version for STRING QUINTET and PIANO
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Johann Sebastian Bach
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Iury Cardoso
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"Air - on the G string&qu
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Iury Cardoso
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SheetMusicPlus
String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 1 - SKU: A0.1491976 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Cha...
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String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 1 - SKU: A0.1491976 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Chamber,Christian,Classical,Wedding. 9 pages. Iury Cardoso #1068657. Published by Iury Cardoso (A0.1491976). Beautiful easy STRING QUINTET and PIANO arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach (Score and parts: 10 pages) This arrangement of Bach's Aria transforms the original piece into a version for STRING QUINTET and PIANO and features easy writing. This arrangement can be played by beginners or professionals, due to the characteristics and tempo of the piece. In this version the piano was included, adding a new contrapuntal idea. This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty. Other features of this sheet music: - Easy arrangement: made for beginner, intermediate or professionals level musicians. - Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website. - Version without the piano available: On this site, there is also a version of this same arrangement without the piano. - STRING QUARTET version available: On this site, there is also a version of this same arrangement for STRING QUARTET (with or without piano accompaniment). - SOLO version available: On this site, there are also easy SOLO VERSIONS of this arrangement for all STRING instruments (with or without piano accompaniment). See more arrangements by Iury Cardoso, thank you so much! air bach for string quintet and piano Orchestral Suite No.3 in D major, BWV 1068 air bach sheet music air on the G string for string quintet and piano air bach string quintet and piano sheet music air bach easy string quintet and piano air on the G string for beginners easy string quintet and piano chamber music air bach but on string quintet and piano air on the G string bach string quintet and piano version air on the G string bach easy string quintet and piano arrangement air bach string quintet and piano best arrangement easy string quintet and piano baroque sheet music easy piano with string orchestra piano with string orchestra air bach easier version air on the G string sheet music air bach best arrangement for string quintet with piano air on the G string arrangement for string quintet with piano air bach for easy string quintet with piano easy baroque sheet music for string quintet with piano easy air on the G string Orchestral Suite No.3 in D major, BWV 1068 for string quintet with piano easy air bach sheet music easy version of Air on the G string for string quintet piano easy air bach string quintet piano sheet music bach easy string quintet piano air for string quintet and piano beginners bach for string students air bach best easy arrangement for piano and string orchestra air bach easy version for string quintet piano easy violin easy cello easy viola easy piano bach easy sheet music for string quintet piano bach best easy arrangement for string quintet and piano bach arrangement for solo piano and quintet bach for string quintet and piano.
$11.99 ≈
10.80€
"Air - on the G string" (Bach) - Beautiful EASY version for STRING QUINTET (chord symbols)
"Air - on the G string" (Bach) - Beautiful EASY version for STRING QUINTET (chord symbols)
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Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
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DÉBUTANT
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Johann Sebastian Bach
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Iury Cardoso
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"Air - on the G string&qu
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Iury Cardoso
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 1 - SKU: A0.1490456 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Chamber,C...
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String Quintet Cello,Double Bass,Viola,Violin - Level 1 - SKU: A0.1490456 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Chamber,Christmas,Classical,Wedding. 10 pages. Iury Cardoso #1067298. Published by Iury Cardoso (A0.1490456). Beautiful easy STRING QUINTET arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach (Score and parts: 10 pages) This arrangement for STRING QUINTET of Bach's Aria features easy writing and can be played by beginners or professionals, due to the characteristics and tempo of the piece. The chord symbols are present in the sheet music, allowing the ensemble to be accompanied by another harmonic instrument, or even for a better understanding of the harmonic structure of the piece. This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty. Other features of this sheet music: - Easy arrangement: made for beginner, intermediate or professionals level musicians. - Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website. - Version with the piano available: On this site, there is also a version of this same arrangement with the piano. - STRING QUARTET version available: On this site, there is also a version of this same arrangement for STRING QUARTET (with or without piano accompaniment). - SOLO version available: On this site, there are also easy SOLO VERSIONS of this arrangement for all STRING instruments (with or without piano accompaniment). See more arrangements by Iury Cardoso, thank you so much! air bach for string quintet Orchestral Suite No.3 in D major, BWV 1068 air bach sheet music air on the G string for string quintet air bach string quintet sheet music air bach easy string quintet air on the G string for beginners easy string quintet chamber music air bach but on string quintet air on the G string bach string quintet version air on the G string bach easy string quintet arrangement air bach string quintet best arrangement easy string quintet baroque sheet music air bach for string orchestra string orchestra air bach easier version air on the G string sheet music air bach best arrangement for string quintet air on the G string arrangement for string quintet air bach for easy string quintet easy baroque sheet music for string quintet easy air on the G string Orchestral Suite No.3 in D major, BWV 1068 for string quintet easy air bach sheet music easy version of Air on the G string for string quintet easy air bach string quintet sheet music bach easy string quintet air for string quintet beginners bach for string students air bach best easy arrangement for string orchestra air bach easy version for string quintet easy violin easy cello easy viola bach easy sheet music for string quintet bach best easy arrangement for string quintet bach arrangement for quintet bach for string quintet.
$9.99 ≈
9.00€
"Air - on the G string" (Bach) - Beautiful EASY version for STRING QUINTET.
"Air - on the G string" (Bach) - Beautiful EASY version for STRING QUINTET.
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Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
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DÉBUTANT
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Johann Sebastian Bach
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Iury Cardoso
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"Air - on the G string&qu
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Iury Cardoso
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 1 - SKU: A0.1490459 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Chamber,C...
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String Quintet Cello,Double Bass,Viola,Violin - Level 1 - SKU: A0.1490459 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Chamber,Christmas,Classical,Wedding. 9 pages. Iury Cardoso #1067301. Published by Iury Cardoso (A0.1490459). Beautiful easy STRING QUINTET arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach (Score and parts: 9 pages) This arrangement for STRING QUINTET of Bach's Aria features easy writing and can be played by beginners or professionals, due to the characteristics and tempo of the piece. This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty. Other features of this sheet music: - Easy arrangement: made for beginner, intermediate or professionals level musicians. - Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website. - Version with the piano available: On this site, there is also a version of this same arrangement with the piano. - STRING QUARTET version available: On this site, there is also a version of this same arrangement for STRING QUARTET (with or without piano accompaniment). - SOLO version available: On this site, there are also easy SOLO VERSIONS of this arrangement for all STRING instruments (with or without piano accompaniment). See more arrangements by Iury Cardoso, thank you so much! air bach for string quintet Orchestral Suite No.3 in D major, BWV 1068 air bach sheet music air on the G string for string quintet air bach string quintet sheet music air bach easy string quintet air on the G string for beginners easy string quintet chamber music air bach but on string quintet air on the G string bach string quintet version air on the G string bach easy string quintet arrangement air bach string quintet best arrangement easy string quintet baroque sheet music air bach for string orchestra string orchestra air bach easier version air on the G string sheet music air bach best arrangement for string quintet air on the G string arrangement for string quintet air bach for easy string quintet easy baroque sheet music for string quintet easy air on the G string Orchestral Suite No.3 in D major, BWV 1068 for string quintet easy air bach sheet music easy version of Air on the G string for string quintet easy air bach string quintet sheet music bach easy string quintet air for string quintet beginners bach for string students air bach best easy arrangement for string orchestra air bach easy version for string quintet easy violin easy cello easy viola bach easy sheet music for string quintet bach best easy arrangement for string quintet bach arrangement for quintet bach for string quintet.
$9.99 ≈
9.00€
Hold On To The Moment - RHYTHM PACK (Piano/Vocal, Bass, Guitar 1&2, Drum Set, Synth)
Hold On To The Moment - RHYTHM PACK (Piano/Vocal, Bass, Guitar 1&2, Drum Set, Synth)
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W
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2, Bb Clarinet 1 &
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Hold On To The Moment - RHYTHM
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Diamond S Music
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SheetMusicPlus
Bass Guitar,Drum Set,Synthesizer - Level 3 - SKU: A0.789893 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. 29 pages. Diamond S Music #3079757. Publish...
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Bass Guitar,Drum Set,Synthesizer - Level 3 - SKU: A0.789893 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. 29 pages. Diamond S Music #3079757. Published by Diamond S Music (A0.789893). RHYTHM PACK ONLY - Piano/Vocal, Elec. Guitar, Acoustic Guitar, Elec. Bass, Drum Set, Synth Parts. HOLD ON TO THE MOMENT is a beautiful sentimental pop song that can be showcased at graduation ceremonies, Church services, Weddings, and Choir or Band Concerts.You will need at least the Piano/Vocal score to full play this piece. The song begins with a VOCAL SOLO that turns into a TRIO  with a full SATB chorus and Gospel Trio in counterpoint. Full Accompaniment is scored for: Piano, Synthm  Electric Guitar, Acoustic Guitar,  Bass Guitar, Drum Set, Piccolo, Flute 1 & 2, Bb Clarinet 1 & 2, Alto Sax, Tenor Sax, Horn in F, Trumpet 1 & 2, Trombone 1 & 2, Violin 1 & 2, Viola, Cello, Double Bass, Percussion. Can also be performed as a Vocal Solo with Piano (or small group- Piano, Bass, Drums, Guitar). This song begins and ends very sweet, but really grooves and opens up in the middle.  Lyrics are adapted from an anonymous poem, Hold On To The Moment that was used in many school yearbooks years ago, Single file and yet together, we have shared out greatest days. And we carry common memories...).
$15.99 ≈
14.41€
Hold On To The Moment - PIANO/VOCAL SCORE
Hold On To The Moment - PIANO/VOCAL SCORE
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Piano, Voix
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W
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Hold On To The Moment - PIANO/
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Diamond S Music
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.789892 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. Score. 12 pages. Diamond S Music #3079755. Published by Diamond S Mu...
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Piano,Vocal,Voice - SKU: A0.789892 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. Score. 12 pages. Diamond S Music #3079755. Published by Diamond S Music (A0.789892). PIANO/VOCAL SCORE Only. HOLD ON TO THE MOMENT is a beautiful sentimental pop song that can be showcased at graduation ceremonies, Church services, Weddings, and Choir or Band Concerts. The song begins with a VOCAL SOLO that turns into a TRIO  with a full SATB chorus and Gospel Trio in counterpoint. Accompaniment is scored for: Piano, Synth, Electric Guitar  1 & 2, Bass Guitar, Drum Set, Percussion, Piccolo, Flute 1 & 2, Bb Clarinet 1 & 2, Alto Sax, Tenor Sax, Horn in F, Trumpet 1 & 2, Trombone 1 & 2, Violin 1 & 2, Viola, Cello, Double Bass. Can also be performed as a Vocal Solo with Piano (or small group- Piano, Bass, Drums, Guitar). This song begins and ends very sweet, but really grooves and opens up in the middle.  Lyrics are adapted from an anonymous poem, Hold On To The Moment that was used in many school yearbooks years ago, Single file and yet together, we have shared out greatest days. And we carry common memories...).
$7.00 ≈
6.31€
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From This Moment On for Cello Solo
