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Vous avez sélectionné:
Getting There
Partitions à imprimer
242 partitions trouvées
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Hayseed in His Hair, or, The Farmer Getting There. Comic Song and Quartet Chorus
Hayseed in His Hair, or, The Farmer Getting There. Comic Song and Quartet Chorus
#
Piano, Voix
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J
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Hayseed in His Hair, or, The F
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.5299 Composed by J. B. Herbert. Political elections, Deception, Clothing & dress. Lester S. Levy Collection. 5 pages. Publishe...
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Piano and voice - SKU: LV.5299 Composed by J. B. Herbert. Political elections, Deception, Clothing & dress. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5299). Hayseed in His Hair, or, The Farmer Getting There. Comic Song and Quartet Chorus. Music by J.B. Herbert. Published 1891 by S. Brainard's Sons Co. in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Political elections, Deception, Clothing & dress. First line reads We can all of us remember, how along about September.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.53€
Christmas is Coming, the Goose is Getting Fat
Christmas is Coming, the Goose is Getting Fat
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Chorale SATB
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FACILE
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Traditional
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Christmas is Coming, the Goose
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Music-Scores.com
#
SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.721789 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christian,Christmas,Concert,Sacred...
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Choral Choir (Mixed) - Level 2 - SKU: A0.721789 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christian,Christmas,Concert,Sacred. Octavo. 5 pages. Music-Scores.com #5001981. Published by Music-Scores.com (A0.721789). Christmas is Coming, the Goose is Getting Fat, an old English nursery rhyme. There are several known versions, and here we give 3 of them. Two are suitable to be sung as a round.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$4.95 ≈
4.57€
Getting Around - Etude #5
Getting Around - Etude #5
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Rock
#
Bruce Dudley
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Bruce Dudley
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Getting Around - Etude #5
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Bruce Dudley
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1252357 By Bruce Dudley. By Bruce Dudley. Arranged by Bruce Dudley. Pop,Rock. Score. 5 pages. Bruce Dudley #846326. Publi...
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Piano Solo - Level 4 - SKU: A0.1252357 By Bruce Dudley. By Bruce Dudley. Arranged by Bruce Dudley. Pop,Rock. Score. 5 pages. Bruce Dudley #846326. Published by Bruce Dudley (A0.1252357). Getting Around (Etude #5) has a driving, straight 8th note feel that is reminiscent of certail 1980's rock bands such as Styx, Van Halen, and Journey. There is a middle section that offers a melodic study for the left hand, with pulsating quartal harmonies in the right hand.
$2.99 ≈
2.76€
Were You There - Easy Violin/Cello Duet
Were You There - Easy Violin/Cello Duet
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Violon, Violoncelle (duo)
#
DÉBUTANT
#
Traditional
#
Silent Home Records
#
Were You There - Easy Violin/C
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Silent Home Records
#
SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 1 - SKU: A0.812372 Composed by Traditional. Arranged by Silent Home Records. Christian,Easter. ...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 1 - SKU: A0.812372 Composed by Traditional. Arranged by Silent Home Records. Christian,Easter. Score and parts. 3 pages. Silent Home Records #5358483. Published by Silent Home Records (A0.812372). Were You There (When They Crucified My Lord) , a great traditional song, now for violin/cello duet. Key of G Major. Approximately 40 seconds long. Great for getting your students to play together. Cello part features many open strings. Level 1 cello and Level 2 violin. .
$2.99 ≈
2.76€
Were You There - Easy Cello Duet
Were You There - Easy Cello Duet
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2 Violoncelles (duo)
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DÉBUTANT
#
Traditional
#
Silent Home Records
#
Were You There - Easy Cello Du
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Silent Home Records
#
SheetMusicPlus
Cello Duet Cello - Level 1 - SKU: A0.812374 Composed by Traditional. Arranged by Silent Home Records. Christian,Christmas. Score. 3 pages. Silent Home R...
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Cello Duet Cello - Level 1 - SKU: A0.812374 Composed by Traditional. Arranged by Silent Home Records. Christian,Christmas. Score. 3 pages. Silent Home Records #5358491. Published by Silent Home Records (A0.812374). Were You There (When They Crucified My Lord) , a great traditional song, now for violin/cello duet. Key of F Major. Approximately 40 seconds long. Great for getting your students to play together. Melody is a level 2, and Cello 2 part is a harder Level 1. Good to introduce them to key of F major. .
$2.99 ≈
2.76€
Were You There - Easy Viola/Cello Duet
Were You There - Easy Viola/Cello Duet
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Alto, Violoncelle (duo)
#
DÉBUTANT
#
Traditional
#
Silent Home Records
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Were You There - Easy Viola/Ce
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Silent Home Records
#
SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Viola - Level 1 - SKU: A0.812373 Composed by Traditional. Arranged by Silent Home Records. Christian,Easter. S...
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Instrumental Duet Cello,Instrumental Duet,Viola - Level 1 - SKU: A0.812373 Composed by Traditional. Arranged by Silent Home Records. Christian,Easter. Score and parts. 3 pages. Silent Home Records #5358487. Published by Silent Home Records (A0.812373). Were You There (When They Crucified My Lord) , a great traditional song, now for violin/cello duet. Key of G Major. Approximately 40 seconds long. Great for getting your students to play together. Cello part features many open strings. Level 1 cello and Level 1/2 viola.
$2.99 ≈
2.76€
You're Getting To Be A Habit With Me
You're Getting To Be A Habit With Me
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Piano grosses notes
#
DÉBUTANT
#
You're Getting To Be A Habit W
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.454964 Broadway,Jazz,Standards. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.454964). About Hal Leo...
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SKU: HX.454964 Broadway,Jazz,Standards. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.454964). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.76€
I'm Getting Sentimental Over You
I'm Getting Sentimental Over You
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Piano grosses notes
#
DÉBUTANT
#
Jazz
#
Tommy Dorsey and His Orchestra
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I'm Getting Sentimental Over Y
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Hal Leonard - Digital
#
SheetMusicPlus
SKU: HX.456367 By Tommy Dorsey and His Orchestra. Jazz,Standards. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.456367).
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SKU: HX.456367 By Tommy Dorsey and His Orchestra. Jazz,Standards. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.456367). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.76€
Getting To Know You
Getting To Know You
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Chorale SATB
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DÉBUTANT
#
Richard Rodgers
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Rebecca Bogardus
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Getting To Know You
#
Lillwy Publishing
#
SheetMusicPlus
Choral Choir (Mixed) - Level 1 - SKU: A0.877910 Composed by Richard Rodgers. Arranged by Rebecca Bogardus. Broadway,Film/TV. Octavo. 12 pages. Lillwy Pu...
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Choral Choir (Mixed) - Level 1 - SKU: A0.877910 Composed by Richard Rodgers. Arranged by Rebecca Bogardus. Broadway,Film/TV. Octavo. 12 pages. Lillwy Publishing #3018809. Published by Lillwy Publishing (A0.877910). Give your children's choir the chance to sing with instrumentalists! This arrangement of the iconic classic from The King and I is for three flutes, three violins, and unison choir with an optional soloist. This is a perfect choice for a children's choir with the director acting as soloist! Vocal range is one octave (D to D) and vocal parts are very singable. Instrumentally, this piece is suitable for early intermediate players, making this a perfect choice for your youth ensemble. All string parts are in first position, and there is an extensive pizzicato section that will help your students focus on rhythmic accuracy. Flute parts include articulation markings designed to encourage musicality and include a 2 1/2 octave range. The piece is in Bb, making it a challenge for your more advanced string players but placing it well within the reach of early flutists. We recommend placing your strongest players on Flute 1 and Violin 3. A great choice for a family ensemble or community ensemble!
$12.99 ≈
11.99€
We Are Never Ever Getting Back Together
We Are Never Ever Getting Back Together
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Orgue
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Pop musique
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Taylor Swift
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We Are Never Ever Getting Back
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.1036554 By Taylor Swift. This edition: scorch. E-Z Play Today. Country,Pop. Score. 7 pages. Hal L...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.1036554 By Taylor Swift. This edition: scorch. E-Z Play Today. Country,Pop. Score. 7 pages. Hal Leonard - Digital #226878. Published by Hal Leonard - Digital (HX.1036554). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.76€
There! I've Said It Again
There! I've Said It Again
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Dave Mann and Redd Evans
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Mark Goodney
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There! I've Said It Again
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Mark Goodney
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.836326 Composed by Dave Mann and Redd Evans. Arranged by Mark Goodney. Contemporary. Octavo. 4 pages. Mark Goodn...
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Choral Choir (TTBB) - Level 3 - SKU: A0.836326 Composed by Dave Mann and Redd Evans. Arranged by Mark Goodney. Contemporary. Octavo. 4 pages. Mark Goodney #5219211. Published by Mark Goodney (A0.836326). This arrangement is basically a Lead solo, with the Bass getting a piece of the melody, in the reprise.
$4.51 ≈
4.16€
Getting into Latin Jazz Guitar
Getting into Latin Jazz Guitar
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Guitare
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FACILE
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Latin/Musique du monde
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Jazz
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John Zaradin
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Getting into Latin Jazz Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by John Zaradin. Getting Into. Latin American. E-book and online audio. 96 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.20198BCDE...
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Composed by John Zaradin. Getting Into. Latin American. E-book and online audio. 96 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.20198BCDEB). - e-book and online audio - Latin American - Mel Bay Publications - Digital Sheet Music
ISBN 9781610651363. This book is a guide to some of the techniques needed for "getting into latin jazz guitar." There are 5 independent sections: References and definition of terms; exercises and/or pieces which demonstrate various guitar techniques; examples of common Rasgueado patterns; the "Riverboat Suite," studies for developing rhythmic ability and appreciation; and pieces in a variety of different Latin styles. The audio, used in conjunction with the written notation, tablature and chord symbols, gives a clear idea of what is required for players and teachers of all levels. It is assumed that the reader is familiar with guitar and music notation, but glossaries of terms are included for reference. There are a variety of patterns which are employed in the different styles of music; the examples show how to "get into" some basic forms. All the techniques described are playable on the fingerstyle guitar, and the pieces themselves are selected and arranged with performance in mind.
$17.99 ≈
16.60€
Getting There
Getting There
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Piano, Voix et Guitare
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Comédie Musicale
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Kristen Anderson-Lopez
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Getting There
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.389493 By Kristen Anderson-Lopez. This edition: Interactive Download. Broadway,Musical/Show. Piano/Vocal/Guitar. 8 pages. Pu...
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Interactive Download SKU: HX.389493 By Kristen Anderson-Lopez. This edition: Interactive Download. Broadway,Musical/Show. Piano/Vocal/Guitar. 8 pages. Published by Hal Leonard - Digital (HX.389493).
$4.99 ≈
4.61€
We're Getting There - Tenor Sax solo
We're Getting There - Tenor Sax solo
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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Phil Rawle
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We're Getting There - Tenor Sa
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Phillip Rawle
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SheetMusicPlus
Tenor Saxophone Solo - Level 3 - SKU: A0.824488 Composed by Phil Rawle. Concert,Jazz. Individual part. 4 pages. Phillip Rawle #3629299. Published by Phi...
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Tenor Saxophone Solo - Level 3 - SKU: A0.824488 Composed by Phil Rawle. Concert,Jazz. Individual part. 4 pages. Phillip Rawle #3629299. Published by Phillip Rawle (A0.824488). One of four pieces from 4 Ballads with piano accompaniment. Can be played as written or used as a basis for jazz improvisation.
$3.00 ≈
2.77€
We're Getting There - Soprano Sax
We're Getting There - Soprano Sax
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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Phil Rawle
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We're Getting There - Soprano
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Phillip Rawle
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SheetMusicPlus
Soprano Saxophone Solo - Level 3 - SKU: A0.824547 Composed by Phil Rawle. Concert,Jazz. Individual part. 4 pages. Phillip Rawle #4595345. Published by P...
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Soprano Saxophone Solo - Level 3 - SKU: A0.824547 Composed by Phil Rawle. Concert,Jazz. Individual part. 4 pages. Phillip Rawle #4595345. Published by Phillip Rawle (A0.824547). One of four pieces from 4 Ballads with piano accompaniment. Can be played as written or used as a basis for jazz improvisation.
$3.00 ≈
2.77€
Getting There
Getting There
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James-Allen Ford, Kristen Ande
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Deke Sharon
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Getting There
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Hal Leonard - Digital
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SheetMusicPlus
(Full Performance) - SKU: HX.410207 Composed by James-Allen Ford, Kristen Anderson-Lopez, Russell Kaplan, and Sara Wordsworth. Arranged by Deke Sharon. ...
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(Full Performance) - SKU: HX.410207 Composed by James-Allen Ford, Kristen Anderson-Lopez, Russell Kaplan, and Sara Wordsworth. Arranged by Deke Sharon. A Cappella. Choral. Duration 189. Published by Hal Leonard - Digital (HX.410207).
$1.99 ≈
1.84€
Getting There - 10 Prints from In Transit - SATB Choir A Cappella
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Chorale SATB
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Comédie Musicale
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Getting There - 10 Prints from
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Musicnotes
Getting There Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: SATB Choir A Cappella, instruments: SATB Choir; 18 pages -...
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Getting There Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: SATB Choir A Cappella, instruments: SATB Choir; 18 pages -- Musical~~Show/Broadway
$2.99 ≈
2.76€
Getting There from In Transit - Piano/Vocal/Chords
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Piano, Voix
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Comédie Musicale
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Getting There from In Transit
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Musicnotes
Getting There - from In Transit Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords, instruments: Voice;P...
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Getting There - from In Transit Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 8 pages -- Show/Broadway~~Musical
$5.75 ≈
5.31€
Stella Nova
Stella Nova
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Orchestre d'harmonie
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FACILE
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Helmut Kogler
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Stella Nova
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Pentharmonics
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1237526 Composed by Helmut Kogler. 21st Century,Contemporary,Multicultural,World. 81 pages. Pentharmonics #833041. Publ...
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Concert Band - Level 2 - SKU: A0.1237526 Composed by Helmut Kogler. 21st Century,Contemporary,Multicultural,World. 81 pages. Pentharmonics #833041. Published by Pentharmonics (A0.1237526). Stella Nova - Grade 2 - Duration 4:20 min.... a new star. In the beginning there is darkness, filled with dust in nothingness. It takes some time for massive clouds to form from this deep cold nebula. But gradually they grow and then attract each other. They are therefore getting bigger and unite with huge momentum resulting in a large whole thing. Now the cold diminishes until it even disappears. It's getting warm, then hot and hotter, finally a spark ignites and a new fresh light is kindled. From now on it brightens up the dark and gives the warmth, which is indispensable for new life to arise.With a duration of approx. 4 1/2 minutes and grade 2, the piece is suitable for a relaxing rest point in the concert programme for the audience and the musicians as well.The PDF contains the score and all parts, already multiplied accordingly for a common number of musicians in a concert band. No duplication of parts necessary - so, just print and go. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the composer: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com
$69.99 ≈
64.60€
For Elise
For Elise
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
#
Arwyn Bailey
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For Elise
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Galactic Publishers Limited
#
SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.1028132 Composed by Arwyn Bailey. 20th Century,Concert,Contemporary,Wedding. Score and part. 18 pages. Galactic Publisher...
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Oboe,Piano - Level 4 - SKU: A0.1028132 Composed by Arwyn Bailey. 20th Century,Concert,Contemporary,Wedding. Score and part. 18 pages. Galactic Publishers Limited #3381141. Published by Galactic Publishers Limited (A0.1028132). For EliseA composition for Oboe and Piano written to mark the birth of the composers grand-daughter.The piece is a sweet piece of one movement lasting just under 3.30.it is a piece that students of the oboe will enjoy learning and playing. The standard for an oboist is around grade 5. The pianist needs to be competent and around grade 7 or upwards in standard. This is also a good piece for college students to work on together as a performance piece.This piece is reflective, and would serve well for a performance at a school concert, in a church, or as a meditative piece.The composition benefits from practice individually, with a coming together of players before the performance date and will give the performers the experience of practicing individually as well as together.Breath control is key for the oboist as after the introduction the oboe plays right through without break. The piece will challenge and teach the need for breath control to the performer whether they are seasoned or a student.The pianist will experiences wide stretches and may have to work out which notes can be lost due to the stretch involved and the notation of the chords without affecting the overall largesse of piano sound.Dynamics are also important and both players will need to work on getting this right as there are waves of dynamics in very spaces during the piece. Keeping time is also important as the players will play in counter rhythms including triplets against standard syncopted quaver beats, in short spaces, thereby creating a challenge for the perfomrers to listen to themsleves and count, rather than relying upon the other performer for the timing.The MP3 file, (that can be found here: http://thetimelord.blog/family) is NOT a true representation of the piece as it is a basic extract from the composition software and is too harsh a representation of the piece. It requires a performance to be recorded. Contact the composer if you are interested in creating a recording. A recording must not be undertaken without prior permission of the publisher and composer.ALL rights are held by Galactic Publishers Limited and the piece cannot be reproduced, recorded or re-arranged in any form without permission.
$1.99 ≈
1.84€
Rondo in C
Rondo in C
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Piano seul
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FACILE
#
Ric Price
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Rondo in C
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Richard J Price
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1264703 Composed by Ric Price. 20th Century,Classical,Instructional. Score. 5 pages. Richard J Price #857533. Published b...
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Piano Solo - Level 2 - SKU: A0.1264703 Composed by Ric Price. 20th Century,Classical,Instructional. Score. 5 pages. Richard J Price #857533. Published by Richard J Price (A0.1264703). Music NotesThis is a piece I wrote to shape some concepts for my first/second year pianostudent daughter. I had the idea while listening to her practice by brute force –meaning the keys are repeated hit continuously at same tempo, same strength – almost as a pounding exercise. I thought nuance was not getting into her playing yet (as with most beginning students).  I wanted her to be aware of the musicality innate in a piece of music.Therefore, I loaded this piece up with all kinds of tempo changes, dynamics, etc. A little overkill, but printed music does suggest these things although it might not be written in.Concepts I was going for: Form: In this case a Rondo. Using classic ABACA. Key Relationships: C Major / A Minor. Sections B and C are in A minor, although written in key of C with the addition of sharps (leading tone G ♯). Hand Independence: Scales in one hand punctuated in the other. Scales: Scales found in both hands and the value of scales fingering in a real piece. Phrasing: How different notes are placed together to make a complete thought. Dynamics: Lots of changes written in there and how it relates to phrasing helping make the ‘complete thought.’ Articulation: Staccato vs Legato, voices opposing each other; again helping with the ‘complete thought.’ Tempo: That such a thing as flexible tempo helps with phrasing and completing that ‘complete thought’ we talked about. Pounding beat vs a larger beat: as interpretation such as dance (emphasizing the first beat instead of pounding by each beat. Notice by the tempo markings that a larger beat is called for by the markings (one beat per measure embracing the dance aspect.) Her former teacher is very talented, holds his Doctor's degree in Piano Performance and was absolutely terrific with her. That being said, Kara soon found out there were boys, and from that moment on the instructor never had a chance. She’s 38 now, loves to play this piece and still -- pounds it out. ☺.
$9.00 ≈
8.31€
String Quartet No. 6 (Lochrian) (score)
String Quartet No. 6 (Lochrian) (score)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
#
Contemporain
#
Colin Bayliss
#
String Quartet No. 6
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Colin Bayliss
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.938389 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 46 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 5 - SKU: A0.938389 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 46 pages. Colin Bayliss #6143. Published by Colin Bayliss (A0.938389). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
$8.00 ≈
7.38€
String Quartet No. 6 (Lochrian) (parts)
String Quartet No. 6 (Lochrian) (parts)
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Contemporain
#
Colin Bayliss
#
String Quartet No. 6
#
Colin Bayliss
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.938391 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 57 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 5 - SKU: A0.938391 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 57 pages. Colin Bayliss #6145. Published by Colin Bayliss (A0.938391). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
$10.00 ≈
9.23€
Someone You Loved
Someone You Loved
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Trompette
#
DÉBUTANT
#
Lewis Capaldi
#
Josiel Oliveira
#
Someone You Loved
#
M das Melodias
#
SheetMusicPlus
B-Flat Trumpet Solo - Level 1 - SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arran...
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B-Flat Trumpet Solo - Level 1 - SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117500. Published by M das Melodias (A0.505838). Sheet music of the song Someone You Loved for trumpet in Bb. Singer Lewis Capaldi. Sheet music on the easy-to-play level. #trumpet #Bbtrumpet #someoneyouloved #lewiscapaldi I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99 ≈
4.61€
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