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How High The Moon Bass
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Vous avez sélectionné:
How High The Moon Bass
Partitions à imprimer
30 partitions trouvées
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How High the Moon: String Bass
How High the Moon: String Bass
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Contrebasse (partie séparée)
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Jazz
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Morgan Lewis
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Dave Wolpe
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How High the Moon: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017540_SB String Bass. Composed by Morgan Lewis. Arranged by Dave Wolpe. Jazz. Part. 4 pages. Alfred Music - Digit...
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Jazz Ensemble - SKU: AX.00-PC-0017540_SB String Bass. Composed by Morgan Lewis. Arranged by Dave Wolpe. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017540_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017540_SB). ISBN 9780757934315. UPC: 654979024835.This great jazz classic features the trombone section. With solo space (ad lib or written) for Trombones 1, 2 , and 3, this is an outstanding showcase for your entire bone section to come out front and do their tromboning thing. Another outstanding chart from the arranging genius of Dave Wolpe! (2:56).
$3.00 ≈
2.70€
THE DEEP for solo DOUBLE BASS
THE DEEP for solo DOUBLE BASS
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Contre Basse
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Contemporain
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Alan Edgar
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THE DEEP for solo DOUBLE BASS
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Alan Edgar Ted Moon
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SheetMusicPlus
Double Bass,String Bass Solo - SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932722. Published b...
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Double Bass,String Bass Solo - SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932722. Published by Alan Edgar Ted Moon (A0.1347908). Jacques Cousteau, Father of the Aqualung, wrote: The sea, once it casts its spell, holds one in its net of wonder for ever.This piece, for virtuoso double bass, imagines a scuba-diver encountering large animals, and consists of a suite of short depictions of animals in the form of variations on a melody plus a recurrent new melody representing the diver's smooth movements and bubbles. The variations are: Lobster Jazz Waltz, Sea-anemone Belly-dance, Tuna Tune, Luminous Light Show, Dolphin Fling, Jaws Serial and Blues Whale Pavane.The piece lasts about eight minutes with repeats.TECHNICAL NOTE The C harmonics will be a pip flat--they are only bursting bubbles anyway!Scuba Fins tries to feel the quiet calmness and agelessness of the underwater world, using the ancient and universal major pentatonic scale C,D,E, G,A ,C. The rhythm is mostly steady and simple, but triplets indicate the occasional extra effort. Now and again, he glances down at the infinite depths. Tintinnabulation and soft staccatissimo arpeggios represent the bubbles. Lobster Waltz is a jazz waltz with many staccato notes and leaps representing the many appendages and the tangle of lively giant crustaceans.Sea-anemone Belly-Dance pictures the soft body and tentacles swaying under the waves, using the Arabic scale Shad 'Araban, roughly G,Ab, B,C,D,Eb,F#,G and influenced by a dance to the folk tune known as Bint El-Salabiya.Tuna Tune is a quick moto perpetuo in the cheerful major mode, septuple time, the rapid rise and fall of the phrases and of volume reflecting the powerful shoal's unpredictable, ceaseless movements, approaching and retreating.Dolphin Fling is a stathspey, or highland fling, using the major mode and typical dance rhythms including the Scotch snap to depict the weighty but intelligent dolphins enjoying their leisure time and perhaps dancing with the diver.Jaws Serial reminds us of the fear a shark generates, using the dissonant 12-note serial mode and unpredictable leaps and pauses. The opening slow trill will chill you as it invokes the Jaws film theme by John Williams. You might even hear the diver's heart sink and the snap pizzicato of the teeth snapping. The prime row is the nearest possible to the original theme: Bb, Ab, F, Eb, B, C, E, G, Db, D, Gb.A, but I have followed the contours of the main themes. Blues Whale is a pavane, a slow, stately processional incorporating the typical renaissance drum rhythm. and using a blues scale, G, A, Bb, C, C#, D, F, G, and an implied 12-bar minor blues harmony.
$20.00 ≈
18.01€
Arrangement of How high the moon and Ornithology (C. Parker) for clarinet quintet
Arrangement of How high the moon and Ornithology (C. Parker) for clarinet quintet
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Quintette de Clarinettes: 5 clarinettes
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Jazz
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Morgan Lewis, Charlie Parker
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Pierre Veniot
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Arrangement of How high the mo
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Pierre Veniot
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - SKU: A0.1028019 Composed by Morgan Lewis, Charlie Parker. Arranged by Pierre Veniot. Jazz. 26 pages. Pierr...
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Woodwind Ensemble,Woodwind Quintet Clarinet - SKU: A0.1028019 Composed by Morgan Lewis, Charlie Parker. Arranged by Pierre Veniot. Jazz. 26 pages. Pierre Veniot #3225777. Published by Pierre Veniot (A0.1028019). Arrangement of How high the moon and Ornithology (C. Parker) for clarinet quintet.Possible optional Basset horn and Eb Clarinet.
$14.99 ≈
13.50€
How High the Moon: String Bass
How High the Moon: String Bass
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Contrebasse (partie séparée)
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Methodes
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Morgan Lewis
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Jay Althouse
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Recorded Acc. Available.
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How High the Moon: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Bass - SKU: AX.00-PC-0015925_SB String Bass. Composed by Morgan Lewis. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Musi...
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String Bass - SKU: AX.00-PC-0015925_SB String Bass. Composed by Morgan Lewis. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015925_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015925_SB). UPC: 038081444338.A multitude of artists have recorded this iconic jazz tune, presented here in a fresh, samba style with tight harmonies and a stellar scat section.Inst. Parts Available (choral); Recorded Acc. Available.
$4.00 ≈
3.60€
How High The Moon
How High The Moon
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Jazz
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Ray Brown
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How High The Moon
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Hal Leonard - Digital
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SheetMusicPlus
Bass Transcription,Bass Voice - SKU: HX.403453 By Ray Brown. This edition: scorch. Jazz. Score. 9 pages. Hal Leonard - Digital #344100. Published by Hal...
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Bass Transcription,Bass Voice - SKU: HX.403453 By Ray Brown. This edition: scorch. Jazz. Score. 9 pages. Hal Leonard - Digital #344100. Published by Hal Leonard - Digital (HX.403453).
$3.99 ≈
3.59€
Nancy Hamilton: How High The Moon for voice & other instruments (Bass Clef Instruments)
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Bass Clef Instruments
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INTERMÉDIAIRE
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Jazz
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Nancy Hamilton
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Virtualsheetmusic
Instantly printable sheet music by Les Paul for voice & other instruments (bass clef) of MEDIUM skill level. / jazz,latin,standards
Instantly printable sheet music by Les Paul for voice & other instruments (bass clef) of MEDIUM skill level. / jazz,latin,standards
$1.97 ≈
1.77€
Meet You At The Moon
Meet You At The Moon
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Imelda Mary Higham
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Liz Garnett
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Meet You At The Moon
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.856232 Composed by Imelda Mary Higham. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #4802...
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Choral Choir (SSAA) - Level 4 - SKU: A0.856232 Composed by Imelda Mary Higham. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #4802048. Published by Liz Garnett (A0.856232). Imelda May's wistful ballad adapts beautifully to the barbershop style to make a fresh and appealing contribution to either contest or show set. It needs delivering with melodic flexibility and sensitivity to the ebb and flow that characterises the original.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F4 - F5Lead: B flat 3 - C5Bari: B flat 3 - B flat4Bass: E flat 3 - F4www.HelpingYouHarmonise.com
$2.99 ≈
2.69€
Interstellar
Interstellar
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Johnson Lee
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Interstellar
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johnson lee
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.912635 Composed by Johnson Lee. Contemporary,World. 35 pages. Johnson lee #2897207. Published by ...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.912635 Composed by Johnson Lee. Contemporary,World. 35 pages. Johnson lee #2897207. Published by johnson lee (A0.912635). https://youtu.be/0hVSzb1pUP0INTERSTELLAR First movement - Astronomical Space Synopsis Astronomical Space is the void that exists between celestial bodies. However, the space is not completely empty, between, the vacuum consists of electromagnetic radiation, magnetic fields and dust and cosmic rays. Within this space, planets and moon freely orbits in their path. An unseen force is behind the organized path and movement of these planets in the galaxy. This movement uses different aspects of palindrome concept to depict the organised space in music. First, the time signature expands and contracts in palindromic fashion, indicating an orderly manner in which the music orbits. Next, the intervals expands exponentially and also contracts in retrograde fashion. Analysis This movement uses palindrome concept for compositional technique. Rhythmically, it is palindromic in nature. The note values starts from a minim to dotted crotchet, crotchet, quaver, semiquavers. The time signature also expands and contract palandromically, starting from 2/4, 3/4 , 4/4, 5/4, 6/4, 5/4, 4/4, 3/4, 2/4. The intervallic relationships are also in palindrome. Ascending from middle C the interval starts with Minor 2nd and expands exponentially to Major 2nd, Minor 3rd , Major 3rd, Perfect 4th , Augmented 4th , Perfect 5th to the tonic. Conversely, the intervals descend in similar fashion. French Horn begins with Low G (Concert C) and builds up this set of intervals reaching high B (Concert E). This melody is repeated by the Clarinet at the start of the new time signature of 3/ 4. Oboe enters at the next time signature of 4 /4. Flute at time signature of 5/4 and Bassoon at time signature of 6/4. The retrograde inversion of this motif is announced by the French Horn, this time starting on its high G (Concert C). Behind all this build up, the intervallic motif as shown above is played. At section A, this motif is announced without the rhythmic palindrome. The motif and its inversion builds up to a climax and re-asserts its presence with all the instruments playing at Bar before rehearsal mark B. The piece ends with the French horn performing the same motif at the beginning of this movement. Second Movement - Celestial Bodies Synopsis Celestial bodies or Astronomical objects refers to a single cohesive structure that is bound together usually by gravity or electromagnetism. Some examples includes asteroids, moons, planets and the stars. These objects or bodies may range from a single planet to star clusters, nebulae or entire galaxies and they have their position in space. This movement uses whole tone scale. The whole tone scale is used in this movement as it does not create sharp dissonances and the space between each interval is equal whichever way you stack the notes. The main melody, 8 bars long is repeated in canonic fashion. A countermelody is announced and also repeated by the ensemble in canonic fashion. Thereafter, both melodies will merge and this movement ends with a chord consisting of the whole tone scale starting on B. The music gradually unveils the each axis of the motion in which the astronomi.
$5.00 ≈
4.50€
Under The Moon Of Love
Under The Moon Of Love
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Chorale 3 parties
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FACILE
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Showaddywaddy
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Christine Franz
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Under The Moon Of Love
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Christine Franz
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1315566 By Showaddywaddy. By Curtis Lee and Tommy Boyce. Arranged by Christine Franz. 20th Century,A Cappe...
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Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1315566 By Showaddywaddy. By Curtis Lee and Tommy Boyce. Arranged by Christine Franz. 20th Century,A Cappella,Barbershop,Contemporary,Pop. 14 pages. Christine Franz #904309. Published by Christine Franz (A0.1315566). As sung by SHOWADDYWADDY. This is a simple but fun arrangement for soprano, alto und baritone (SAB).Duration: ca. 2:45 minThe arrangement is based on the original version by SHOWADDYWADDY featuring the famous bass line for the baritone voice and a rather small range for the women's voices. The melody switches between the baritone and women's voices.In some measures, the baritone voice can easily be lowered by an octave if it's too high.It can be sung a cappella but was originally meant to be performed with piano accompaniment. Chords have been provided to allow for guitar or band accompaniment. The pdf-file contains the complete score as well as the piano and the choir part.Also available in SSAB (2 soprano voices, alto, and baritone).
$2.25 ≈
2.03€
How High The Moon - Bass Clef Solo Sheet
How High The Moon - Bass Clef Solo Sheet
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Bass Clef Instruments
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Jazz
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Morgan Lewis and Nancy Hamilto
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Mark Taylor
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How High The Moon - Bass Clef
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Morgan Lewis and Nancy Hamilton. Arranged by Mark Taylor. Jazz; Standards. Jazz Band. 2 pages. Published by Hal Leonard - Digital Sheet Music...
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By Morgan Lewis and Nancy Hamilton. Arranged by Mark Taylor. Jazz; Standards. Jazz Band. 2 pages. Published by Hal Leonard - Digital Sheet Music
$6.00 ≈
5.40€
Fly Me To The Moon (In Other Words)
Fly Me To The Moon (In Other Words)
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Tony Bennett
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Ben Pritchard
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Fly Me To The Moon
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Benjamin Pritchard
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1495235 By Tony Bennett. By Bart Howard. Arranged by Ben Pritchard. Film/TV,Jazz,Reggae,Singer/Songwrite...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1495235 By Tony Bennett. By Bart Howard. Arranged by Ben Pritchard. Film/TV,Jazz,Reggae,Singer/Songwriter,Standards. 38 pages. Benjamin Pritchard #1071779. Published by Benjamin Pritchard (A0.1495235). Custom arrangements and engraving are available.bpritch77@gmail.comEmail if additional parts are needed (ex. TC Baritone, vibes, etc).This is a fun, laid back Reggae arrangement of the classic jazz standard. The arrangement is based on Shaggy’s version from his Grammy-nominated album “Com Fly Wit’ Mi.” (produced by Sting). It’s a great change of pace from the usual jazz ensemble styles and arrangements. The melody is traded between various trombone and saxophone parts. The solo section can be performed with the written section solis or as a traditional improvised solo. Or the section could be repeated and you could do both! Both piano and electric keyboard parts are included to add to the authenticity. Lead trumpet goes to high C and lead trombone to high F.5 saxes4 trumpets4 trombonesGuitarPianoElectric KeyboardElectric BassDrum Set.
$59.99 ≈
54.03€
Morgan Lewis: How High the Moon - choir (SATB: soprano, alto, tenor, bass)
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Chorale SATB
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INTERMÉDIAIRE
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Morgan Lewis
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Virtualsheetmusic
Instantly printable sheet music by Morgan Lewis for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / choral
Instantly printable sheet music by Morgan Lewis for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / choral
$6.08 ≈
5.48€
Morgan Lewis: How High the Moon - choir (SAB: soprano, alto, bass)
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Chorale 3 parties
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INTERMÉDIAIRE
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Morgan Lewis
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Virtualsheetmusic
Instantly printable sheet music by Morgan Lewis for choir (SAB: soprano, alto, bass) of MEDIUM skill level. / choral
Instantly printable sheet music by Morgan Lewis for choir (SAB: soprano, alto, bass) of MEDIUM skill level. / choral
$5.88 ≈
5.30€
How High The Moon
How High The Moon
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Bass Clef Instruments
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Jazz
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Latin/Musique du monde
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Les Paul
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Latin
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How High The Moon
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Les Paul. Bb Instruments. Jazz; Latin; Standards. RBMC. 1 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Les Paul. Bb Instruments. Jazz; Latin; Standards. RBMC. 1 pages. Published by Hal Leonard - Digital Sheet Music
$1.99 ≈
1.79€
How High The Moon
How High The Moon
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Bass Clef Instruments
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Jazz
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Latin/Musique du monde
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Les Paul
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Latin
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How High The Moon
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Les Paul. C Instruments. Jazz; Latin; Standards. RBMC. 1 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Les Paul. C Instruments. Jazz; Latin; Standards. RBMC. 1 pages. Published by Hal Leonard - Digital Sheet Music
$1.99 ≈
1.79€
How High The Moon
How High The Moon
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Bass Clef Instruments
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Jazz
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Latin/Musique du monde
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Les Paul
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How High The Moon
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Les Paul. Jazz, Latin, Standards. Leadsheet (melody/chords only). 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.40001). - leadsheet (melody/cho...
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By Les Paul. Jazz, Latin, Standards. Leadsheet (melody/chords only). 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.40001). - leadsheet (melody/chords only) - Jazz,Latin,Standards - Hal Leonard - Digital Sheet Music
$1.99 ≈
1.79€
Welcome to the Choir - SATB Choir Score
Welcome to the Choir - SATB Choir Score
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Chris Lawry
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Welcome to the Choir - SATB Ch
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Moonhouse Music
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SheetMusicPlus
Composed by Chris Lawry. For Choir,SATB. 21st Century,Repertoire,Secular. Intermediate. Individual Part,Octavo,Sheet Music Single. Moonhouse Music #HBM13011. Pu...
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Composed by Chris Lawry. For Choir,SATB. 21st Century,Repertoire,Secular. Intermediate. Individual Part,Octavo,Sheet Music Single. Moonhouse Music #HBM13011. Published by Moonhouse Music
Welcome to the Choir is a quirky, fun concert piece for a cappella SATB choir written in 2013 by UK composer Chris Lawry and commissioned by Parkrose High School PHS Choir, Lesley Bossert and the Parkrose Educational Foundation. It received its US/World premier by the choir in April 2014 and the UK premiere, by the Harlequin Chamber Choir, in May 2014.The piece is a fantastic, descriptive, concert opener, and is dedicated to the past, present and future students of Parkrose 'may your singing serve as a healing element to the realities of life, giving you lifelong friendships and show you the importance of beauty in our lives through music'.The piece features descriptive elements from each section of the choir, 'bass line on beat' 'tenor rhythm off beat' 'soprano melody' alto harmonies, homophony, polyphony, melismatic singing, a great show piece to introduce the choir at concerts and shows. Much can also be made of the theatrical elements of the piece (at the conductor's discretion).The recording is a temporary computerised fix until the commissioning choir have finalised their recording of the piece later in 2014 (words below), sounds odd computerised but sounds incredible live! WORDS:[Basses] Let's start with the bass line. On beat. (repeated)[Tenors] and add in a tenor rhythm. Off beat. (")[Sopranos] Now for soprano melody; beautiful melody, soprano melody.[Altos] But don't forget the altos who can turn a melody, into harmony (S A) Melody and Harmony.STOP![All] We sing in homophony, ah! Homophony, ah! From minor to major, and changing the key...To sing in polyphony, polyphony, melismatic polyphony.Welcome to the choir! (x5)..................The recording is by the Izhevsk Choir conducted by Lev Nakariakov.
$4.99 ≈
4.49€
Homage to O'Keeffe for Orchestra
Homage to O'Keeffe for Orchestra
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Orchestre
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AVANCÉ
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99 ≈
36.02€
The Wedding Party Waltz.
The Wedding Party Waltz.
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Johnson K
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The Wedding Party Waltz.
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Johnson Gao
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SheetMusicPlus
Large Ensemble Alto Saxophone,Cello,Double Bass,High Voice,Low Voice,Oboe,Soprano Saxophone,Tenor Saxophone,Timpani,Violin,Xylophone - Level 3 - SKU: A0.100...
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Large Ensemble Alto Saxophone,Cello,Double Bass,High Voice,Low Voice,Oboe,Soprano Saxophone,Tenor Saxophone,Timpani,Violin,Xylophone - Level 3 - SKU: A0.1007040 Composed by Johnson K. Gao. Contemporary,Musical/Show,Wedding. Score and parts. 28 pages. Johnson Gao #6347767. Published by Johnson Gao (A0.1007040). Three years ago, I wrote a song for a poem written by Su Dong-po (1037-1101) - Written on the Wall of the West Wood Temple, and later I changed it to a Wedding Party Waltz. There is a shortage of people who care about it. Recently, I spent three days during the period of after herpes zoster neuralgia, and complete the MP3 with eleven musical instruments. Here I present it to you. The total pages are 28 music sheet. The lyrics in English: The wedding party is wonderful. The vintage wine raises our mood. You are the shining moon in the night sky. We are stars twinkling by you. May you both love forever! Care others until getting old!The Chinese lyrics:喜慶婚宴為å›è¾¦ã€‚香醇美酒為å›é–‹ã€‚å¦³ä¼¼æ˜Žæœˆå¤œç©ºç…§ã€‚è¡†æ˜Ÿæ‹±æœˆæ›´ç‡¦çˆ›ã€‚é¡˜ä½ å€†æ°¸é 相愛ï¼ç™½é å•è€å¸¸ç›¸é™ªï¼.
$1.99 ≈
1.79€
The New England Suite, Three Poems for Solo Piano
The New England Suite, Three Poems for Solo Piano
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Piano seul
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AVANCÉ
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Klaus H
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The New England Suite, Three P
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SheetMusicPlus
Piano Solo - Advanced - Composed by Klaus H. Schader. Contemporary Classical, Impressionistic, Post- Romantic. 8 pages. Published by Maple Mystery Music...
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Piano Solo - Advanced - Composed by Klaus H. Schader. Contemporary Classical, Impressionistic, Post- Romantic. 8 pages. Published by Maple Mystery Music
Three piano compositions inspired by New England landscapes.
Dedicated to Helen Lin
Performance time 5:53 m
"Finally got a chance to play through ?The New England Suite??Three Poems for Solo Piano by the amazing Klaus Schader, a modern German composer. Klaus dedicated this piece to me. In Klaus Schader?s piano suite, he explored the deepest longings of human soul, then he painted it out using especially various and unusual harmonies into a master piece with colors of curiosity and warmth. Each harmony was made to wanting more. Wanting more in mystery, wanting more in the dream. In ?Delaware moon?, I hear the warmth of the moonlight dimming Delaware and it feels romantic and welcoming, yet mysterious. The unexpected disharmony of the four chords strikes you into intensive emotions, and reminds you that it was these struggles of reality make beauty even more beautiful. In the ?Old King?s Highway?, the changing of irregular meters and the use of 5/4 gives you the unsettling worries, yet Klaus uses the calming bass lines and chords to balance the scene, and it feels all is in control on the bumpy road. In ?Dusk on the Mohawk Trail?, the story line was based on the unusual chordal progressions, however the dominant sevenths chords throughout brings back the core spirit of the entire piano series-romance, mystery, and dream. It reminds one where the core of the soul is, and that is, where peace is at. Thank you Klaus!!"
Helen Lin
$3.99 ≈
3.59€
25 jazz etudes
25 jazz etudes
B Flat, E Flat and C Instruments
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Jazz
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Methodes Etudes
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Darren Lloyd
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Darren Lloyd
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25 jazz etudes
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Darren Lloyd
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SheetMusicPlus
B-Flat instrument, Bass Clef Instrument, C Instrument, E- Flat Instrument, Instrumental Solo - Level 3 - Digital Download By Darren Lloyd. By Darren L...
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B-Flat instrument, Bass Clef Instrument, C Instrument, E- Flat Instrument, Instrumental Solo - Level 3 - Digital Download By Darren Lloyd. By Darren Lloyd. Arranged by Darren Lloyd. Jazz, Latin. Individual part. 110 pages. Darren Lloyd #843171. Published by Darren Lloyd
25 jazz etudes is a book aimed at intermediate jazz students wanting something authentic to play over well known jazz standards.
It has long been recognised that to develop jazz vocabulary we should copy the masters of the music but what if our favourite player is simply too advanced for where we currently are in our musical development?
The 25 jazz etudes have been created with limited tricky passages, no high sustained playing but still uses great, authentic vocabulary.
Check out the demo.
You should also check out www.jazzetudes.net where if you subscribe to the newsletter you receive a bunch of free etudes to try along with the backing and demo tracks!
The book has 25 etudes and each etude is in concert pitch, Bb. pitch, Eb pitch and bass clef.
The etudes are -
Alfie ? 60 bpm
Almost like being in love ? 135 bpm
Bye bye blackbird - 135 bpm
Caravan ? 180 bpm
Doxy ? 100 bpm
East of the sun ? 135 bpm
Fascinating rhythm ? 160 bpm
Fly me to the moon ? 140 bpm
Four - 170bpm
Giant steps ? 185 bpm
Have you met miss Jones? 135 bpm
How high the moon ? 175 bpm
I remember you ? 165 bpm
I'll close my eyes ? 160 bpm
I'm coming Virginia ? 131 bpm
I've got rhythm changes ? 175 bpm
Line for Lyons ? 140 bpm
Makin' whoopee ? 90 bpm
Night in Tunisia ? 170 bpm
Scrapple from the apple ? 160 bpm
Song for my father ? 135 bpm
Star eyes ? 115 bpm
Summertime ? 105 bpm
Tempus fugit ? 200 bpm
There will never be another you ? 160 bpm
If you would like the backing tracks and demo recordings (free) you need to go here - https://www.jazzetudes.net/demo-backing-tracks-free
$14.99 ≈
13.50€
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