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Oboe Saxophone Exercises
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Vous avez sélectionné:
Oboe Saxophone Exercises
Partitions à imprimer
19 partitions trouvées
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1
Sonata for solo oboe
Sonata for solo oboe
#
Hautbois
#
INTERMÉDIAIRE
#
Classique
#
Chris Gordon
#
Sonata for solo oboe
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Cool Wind Music Digita
#
SheetMusicPlus
Oboe - Intermediate - Digital Download Composed by Chris Gordon. Etudes and Exercises, Repertoire, Technique Training. Score. 3 pages. Published by C...
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Oboe - Intermediate - Digital Download Composed by Chris Gordon. Etudes and Exercises, Repertoire, Technique Training. Score. 3 pages. Published by Cool Wind Music Digita
A skittish, mercurial study-sonata for solo oboe (or soprano or alto saxophone). The opening slow section (marked Lento) returns at the end as a coda. The main Allegro grows out of an ascending 'Leitmotiv' heard in the Lento introduction. Highly recommended for competitions and music festivals.
$7.50 ≈
6.88€
10 Rounds and Canons for Oboe Duet
10 Rounds and Canons for Oboe Duet
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2 Hautbois (duo)
#
INTERMÉDIAIRE
#
David McKeown
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10 Rounds and Canons for Oboe
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David McKeown
#
SheetMusicPlus
Oboe Duet Oboe - Level 3 - SKU: A0.1189254 Composed by David McKeown. Chamber,Contemporary,Instructional. Score. 11 pages. David McKeown #788879. Publis...
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Oboe Duet Oboe - Level 3 - SKU: A0.1189254 Composed by David McKeown. Chamber,Contemporary,Instructional. Score. 11 pages. David McKeown #788879. Published by David McKeown (A0.1189254). 10 Rounds and Canons are beautiful new and original compositions by David McKeown arranged for two Oboes. We all remember the fun we had singing rounds in school, and these pieces take that to the next level.  Each piece is a pure canon where the second part faithfully follows the first, and are ideal for players at early intermediate and intermediate levels. Each piece last between one and two minutes.Click the YouTube link to listen to samples of these duets played on Alto Saxophone.10 Rounds and Canons are Perfect for concert performances large and small; Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; Beautiful pieces that are much more than just musical exercises; The titles provoke mental pictures that connect with the player’s musical imagination;  The ten titles are, Round House, Round of Applause, Plenty to go Round, Round Here, Round Peg Square Hole, Round Table, Round the Bend, Round Number, Roundabout and Round Up.There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$9.99 ≈
9.16€
10 Rounds and Canons for Flute and Oboe Duet
10 Rounds and Canons for Flute and Oboe Duet
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Flûte, Hautbois (duo)
#
INTERMÉDIAIRE
#
David McKeown
#
10 Rounds and Canons for Flute
#
David McKeown
#
SheetMusicPlus
Flute,Instrumental Duet,Oboe - Level 3 - SKU: A0.1188878 Composed by David McKeown. Chamber,Contemporary,Instructional. 11 pages. David McKeown #788489....
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Flute,Instrumental Duet,Oboe - Level 3 - SKU: A0.1188878 Composed by David McKeown. Chamber,Contemporary,Instructional. 11 pages. David McKeown #788489. Published by David McKeown (A0.1188878). 10 Rounds and Canons are beautiful new and original compositions by David McKeown arranged for one Flute and one Oboe. We all remember the fun we had singing rounds in school, and these pieces take that to the next level.  Each piece is a pure canon where the second part faithfully follows the first, and are ideal for players at early intermediate and intermediate levels. Each piece last between one and two minutes.Click the YouTube link to listen to samples of these duets played on Alto Saxophone.10 Rounds and Canons are Perfect for concert performances large and small; Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; Beautiful pieces that are much more than just musical exercises; The titles provoke mental pictures that connect with the player’s musical imagination;  The ten titles are, Round House, Round of Applause, Plenty to go Round, Round Here, Round Peg Square Hole, Round Table, Round the Bend, Round Number, Roundabout and Round Up.There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$9.99 ≈
9.16€
10 Rounds and Canons for Oboe and Bassoon Duet
10 Rounds and Canons for Oboe and Bassoon Duet
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Hautbois, Basson (duo)
#
INTERMÉDIAIRE
#
David McKeown
#
10 Rounds and Canons for Oboe
#
David McKeown
#
SheetMusicPlus
Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.1188888 Composed by David McKeown. Chamber,Contemporary,Instructional. 11 pages. David McKeown #78849...
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Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.1188888 Composed by David McKeown. Chamber,Contemporary,Instructional. 11 pages. David McKeown #788499. Published by David McKeown (A0.1188888). 10 Rounds and Canons are beautiful new and original compositions by David McKeown arranged for one Oboe and one Bassoon. We all remember the fun we had singing rounds in school, and these pieces take that to the next level.  Each piece is a pure canon where the second part faithfully follows the first, and are ideal for players at early intermediate and intermediate levels. Each piece last between one and two minutes.Click the YouTube link to listen to samples of these duets played on Alto Saxophone.10 Rounds and Canons are Perfect for concert performances large and small; Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; Beautiful pieces that are much more than just musical exercises; The titles provoke mental pictures that connect with the player’s musical imagination;  The ten titles are, Round House, Round of Applause, Plenty to go Round, Round Here, Round Peg Square Hole, Round Table, Round the Bend, Round Number, Roundabout and Round Up.There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$9.99 ≈
9.16€
10 Rounds and Canons for Oboe and Violin Duet
10 Rounds and Canons for Oboe and Violin Duet
#
Hautbois, violon (duo)
#
INTERMÉDIAIRE
#
David McKeown
#
10 Rounds and Canons for Oboe
#
David McKeown
#
SheetMusicPlus
Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.1188892 Composed by David McKeown. Chamber,Contemporary,Instructional. 11 pages. David McKeown #788503...
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Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.1188892 Composed by David McKeown. Chamber,Contemporary,Instructional. 11 pages. David McKeown #788503. Published by David McKeown (A0.1188892). 10 Rounds and Canons are beautiful new and original compositions by David McKeown arranged for one Oboe and one Violin. We all remember the fun we had singing rounds in school, and these pieces take that to the next level.  Each piece is a pure canon where the second part faithfully follows the first, and are ideal for players at early intermediate and intermediate levels. Each piece last between one and two minutes.Click the YouTube link to listen to samples of these duets played on Alto Saxophone.10 Rounds and Canons are Perfect for concert performances large and small; Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; Beautiful pieces that are much more than just musical exercises; The titles provoke mental pictures that connect with the player’s musical imagination;  The ten titles are, Round House, Round of Applause, Plenty to go Round, Round Here, Round Peg Square Hole, Round Table, Round the Bend, Round Number, Roundabout and Round Up.There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$9.99 ≈
9.16€
10 Rounds and Canons for Oboe and Clarinet Duet
10 Rounds and Canons for Oboe and Clarinet Duet
#
Hautbois, Clarinette (duo)
#
INTERMÉDIAIRE
#
David McKeown
#
10 Rounds and Canons for Oboe
#
David McKeown
#
SheetMusicPlus
Clarinet,Instrumental Duet,Oboe - Level 3 - SKU: A0.1188890 Composed by David McKeown. Chamber,Contemporary,Instructional. 11 pages. David McKeown #7885...
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Clarinet,Instrumental Duet,Oboe - Level 3 - SKU: A0.1188890 Composed by David McKeown. Chamber,Contemporary,Instructional. 11 pages. David McKeown #788501. Published by David McKeown (A0.1188890). 10 Rounds and Canons are beautiful new and original compositions by David McKeown arranged for one Oboe and one Clarinet. We all remember the fun we had singing rounds in school, and these pieces take that to the next level.  Each piece is a pure canon where the second part faithfully follows the first, and are ideal for players at early intermediate and intermediate levels. Each piece last between one and two minutes.Click the YouTube link to listen to samples of these duets played on Alto Saxophone.10 Rounds and Canons are Perfect for concert performances large and small; Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; Beautiful pieces that are much more than just musical exercises; The titles provoke mental pictures that connect with the player’s musical imagination;  The ten titles are, Round House, Round of Applause, Plenty to go Round, Round Here, Round Peg Square Hole, Round Table, Round the Bend, Round Number, Roundabout and Round Up.There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$9.99 ≈
9.16€
10 Exercises to Master All Major Scales Vol. 1
10 Exercises to Master All Major Scales Vol. 1
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Aldo Salvent
#
10 Exercises to Master All Maj
#
SALVENT MUSIC LLC
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,English Horn,Flute,Guitar,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,English Horn,Flute,Guitar,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Level 2 - SKU: A0.969255 Composed by Aldo Salvent. Instructional,Standards. Score and parts. 55 pages. SALVENT MUSIC LLC #6056115. Published by SALVENT MUSIC LLC (A0.969255). The ultimate method to practice effectively the major scales on every instrument. Become a confident player and achieve flawless technique that allows you to play everything, at any tempo..
$7.99 ≈
7.33€
10 Rounds and Canons for Oboe and Cor Anglais (or English Horn) Duet
10 Rounds and Canons for Oboe and Cor Anglais (or English Horn) Duet
#
David McKeown
#
10 Rounds and Canons for Oboe
#
David McKeown
#
SheetMusicPlus
English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.1188891 Composed by David McKeown. Chamber,Contemporary,Instructional. 11 pages. David McKeown #...
(+)
English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.1188891 Composed by David McKeown. Chamber,Contemporary,Instructional. 11 pages. David McKeown #788502. Published by David McKeown (A0.1188891). 10 Rounds and Canons are beautiful new and original compositions by David McKeown arranged for one Oboe and one Cor Anglais (or English Horn). We all remember the fun we had singing rounds in school, and these pieces take that to the next level.  Each piece is a pure canon where the second part faithfully follows the first, and are ideal for players at early intermediate and intermediate levels. Each piece last between one and two minutes.Click the YouTube link to listen to samples of these duets played on Alto Saxophone.10 Rounds and Canons are Perfect for concert performances large and small; Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; Beautiful pieces that are much more than just musical exercises; The titles provoke mental pictures that connect with the player’s musical imagination;  The ten titles are, Round House, Round of Applause, Plenty to go Round, Round Here, Round Peg Square Hole, Round Table, Round the Bend, Round Number, Roundabout and Round Up.There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$9.99 ≈
9.16€
Stylistic Etudes for Piccolo, Flute, Oboe, Clarinet, or Saxophone
Stylistic Etudes for Piccolo, Flute, Oboe, Clarinet, or Saxophone
Flute,Oboe,Clarinet,English Horn,Alto Sax,Tenor Sax,Baritone Sax,Soprano Sax
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Methodes Etudes
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Methodes
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Sy Brandon
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Stylistic Etudes for Piccolo,
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Sy Brandon
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SheetMusicPlus
Composed by Sy Brandon. 21st Century, 20th Century, Contemporary Classical, Etudes and Exercises. Individual Part. 28 pages. Published by Sy Brandon (S0.261469)...
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Composed by Sy Brandon. 21st Century, 20th Century, Contemporary Classical, Etudes and Exercises. Individual Part. 28 pages. Published by Sy Brandon (S0.261469). - Individual Part - 21st Century,20th Century,Contemporary Classical,Etudes and Exercises - Sy Brandon
$6.99 ≈
6.41€
Oboe/Saxophone Exercises
Oboe/Saxophone Exercises
Oboe,Alto Sax,Tenor Sax,Baritone Sax,Soprano Sax
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Methodes Etudes
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Methodes
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Eric Bingham-Kumpf
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Oboe/Saxophone Exercises
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Eric Bingham-Kumpf
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SheetMusicPlus
Composed by Eric Bingham-Kumpf. For Oboe,Alto Sax,Tenor Sax,Baritone Sax,Soprano Sax. Etudes and Exercises. Intermediate. 6 pages. Published by Eric Bingham-Kum...
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Composed by Eric Bingham-Kumpf. For Oboe,Alto Sax,Tenor Sax,Baritone Sax,Soprano Sax. Etudes and Exercises. Intermediate. 6 pages. Published by Eric Bingham-Kumpf
$4.50 ≈
4.13€
Lavender Blues - Jazz Flute or Violin Solo (Jazz Exercise & Etudes No.2)
Lavender Blues - Jazz Flute or Violin Solo (Jazz Exercise & Etudes No.2)
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Miranda Wong
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Lavender Blues - Jazz Flute or
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Miranda Wong
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SheetMusicPlus
Small Ensemble Flute,Oboe,Recorder,Violin - Level 2 - SKU: A0.519714 Composed by Miranda Wong. Children,Contemporary,Instructional,Jazz,Wedding. Score a...
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Small Ensemble Flute,Oboe,Recorder,Violin - Level 2 - SKU: A0.519714 Composed by Miranda Wong. Children,Contemporary,Instructional,Jazz,Wedding. Score and parts. 2 pages. Miranda Wong #2026607. Published by Miranda Wong (A0.519714). Easy & Funny Jazz Exercises For Flute, Violin, Oboe, Saxophone or Recorder Solo. 1 Page. C Key with Chords.
$3.99 ≈
3.66€
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
9.17€
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00 ≈
9.17€
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00 ≈
9.17€
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
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Various
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B
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"Calisthenics for Recorde
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bl_music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.8...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99 ≈
14.67€
Lesson Plan & Manuscript Book
Lesson Plan & Manuscript Book
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Eric Bolvin
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Lesson Plan & Manuscript B
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ERIC V BOLVIN
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drums,English Horn,Euphoni...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drums,English Horn,Euphonium,Flute,Harmonica,Harp,Marimba,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.829070 Composed by Eric Bolvin. Instructional,Standards. Score and parts. 78 pages. ERIC V BOLVIN #3579873. Published by ERIC V BOLVIN (A0.829070). All teachers and students can use this book. It is simply an outline for developing a consistent practice routine. Sections A and B should consist of exercises that are for the instrument. For trumpet this may include flexibility, long tones, scales, arpeggios, buzzing, pedal tones or any other technical exercise. Sections C, D and E should be used for assignments concerning music. These could include etudes, jazz transcriptions, orchestral excerpts, concertos, ensemble parts or any other musical application. The indications for REST are very important for all brass players. You must always rest as much as you play during the A and B sections of the lesson.This is the warm-up section of your routine and you will feel better if you take your time during these first and most important steps. If you become fatigued during parts A or B, you are not resting enough and shouldstart fresh the next day, all the while considering the fact that you have not rested properly.The opposing manuscript page is for writing scales, exercises, tunes, licks, notes, or whatever you wish to write there.The book also has a space at the bottom for students to write down how much time they practice each day.
$13.95 ≈
12.80€
The Big Book of Pentatonics & Fourths
The Big Book of Pentatonics & Fourths
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Eric Bolvin
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The Big Book of Pentatonics &a
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ERIC V BOLVIN
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Violin - Level...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Violin - Level 4 - SKU: A0.829078 Composed by Eric Bolvin. Blues,Instructional,Jazz. Score and parts. 92 pages. ERIC V BOLVIN #3580507. Published by ERIC V BOLVIN (A0.829078). The Big Book of Pentatonics & Fourths is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion.DescriptionA pentatonic scale is any group of five notes that cover the span of an octave. There are literally hundreds of pentatonic scales in Western music, and hundreds more that use alternate tunings.The Big Book of Pentatonics & Fourths will focus on the most common pentatonic scale, the major pentatonic and its relative minor. In the key of C the notes of the major pentatonic are: C D E G A. If you start on C and go up in perfect 5ths, you will get all the notes of the major pentatonic. The relative minor scale in A minor is A C D E G. If you start on E and go up in perfect 4ths, you will get the minor pentatonic in A.This book is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion. You should watch the video that goes with this book for more detailed instruction on how to properly practice the exercises.
$19.95 ≈
18.30€
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Oboe Saxophone Exercises
