Partitions Numériques de Instrument en Do pour Cor anglais, Piano

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Instrument en Do
Non classifié 921

Piano & claviers
Instruments en Do 11 680
Piano seul 239
Piano, Voix 72
Piano Facile 69
2 Pianos, 4 mains 25

Piano, Voix et Guitare 22
Orgue 20
Accompagnement Piano 13
Piano (partie séparée) 9
Piano Trio: piano, violon, violoncelle 8
1 Piano, 4 mains 5
Piano Quatuor: piano, 2 violons, violoncelle 3
Orgue, Piano (duo) 2
Piano Quatuor: piano, violon, alto, violoncelle 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1

+ 10 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 95
Guitare 21
Mandoline, Piano (duo) 10
Guitare (partie séparée) 9
Basse electrique 9

2 Guitares (duo) 5
Guitare notes et tablatures 5
Basse électrique (partie séparée) 5
Ukulele 4
Dulcimer 3
Piano, Guitare (duo) 2
Mandoline 2
4 Guitares (Quatuor) 1

+ 8 instrumentations

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Voix
Chorale SATB 57
Chorale Unison 20
Chorale 3 parties 18
Chorale 2 parties 15
Chorale TTBB 7

Voix duo 7
Chorale SSAA 6
Voix duo, Piano 6
Voix Soprano, Piano 4
Chorale SSATB 1
Voix moyenne, Piano 1
Voix seule 1

+ 7 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 34
2 Flûtes traversières, Piano 25
Saxophone (partie séparée) 25
Flûte, Hautbois, Clarinette, Basson 24
Flûte et Guitare 23

Clarinette 23
2 Saxophones (duo) 20
Flûte traversière et Piano 18
Clarinette (partie séparée) 17
Hautbois, Piano (duo) 17
Saxophone Alto et Piano 17
Saxophone Tenor et Piano 14
Hautbois (partie séparée) 13
Clarinette et Piano 13
Flute (partie séparée) 13
Flûte traversière 12
Hautbois, Basson (duo) 12
Ensemble de Clarinettes 12
Quatuor de Saxophones: 4 saxophones 11
2 Flûtes traversières (duo) 11
Flûte, Clarinette (duo) 10
2 Clarinettes (duo) 10
Saxophone, Clarinette (duo) 8
Clarinette, Guitare (duo) 8
Quintette de Saxophone: 5 saxophones 7
Clarinette, Basson (duo) 7
Ensemble de Flûtes 7
Clarinette, Violon (duo) 7
Saxophone Alto 6
Quatuor de Clarinettes: 4 clarinettes 6
Quintette de Clarinettes: 5 clarinettes 6
Ensemble de saxophones 6
Flûte, Violon 5
Flûte, Saxophone (duo) 4
Quintette de Flûte : 5 flûtes 4
Quatuor de Flûtes : 4 flûtes 4
Instruments en Mib 4
Cor anglais, Guitare (duo) 3
Saxophone Baryton, Piano 3
Hautbois, Guitare (duo) 3
Saxophone Soprano et Piano 3
Harmonica 2
Cor anglais, Piano 2

Saxophone et Harpe 2
2 Flûte à bec (duo) 2
Clarinette Basse, Piano 2
Clarinette et Alto 2
Harmonica, Piano 2
Flûte, Violoncelle, Piano (trio) 2
Flûte, Violoncelle 2
2 Hautbois (duo) 1
Saxophone 1
2 Cors Anglais Et Pianoforte 1
Flûte irlandaise 1
Flûte, Hautbois, Basson 1
Cor Anglais 1
Piccolo 1
Cor anglais et Harpe (duo) 1
3 Clarinettes (trio) 1
Quatuor de Flûtes à bec 1
Saxophone Tenor 1
Hautbois, Harpe 1
3 Saxophones (trio) 1
Hautbois, Flûte 1
Hautbois 1
Flûte, Trompette (duo) 1
Clarinette, Violoncelle (duo) 1
Saxophone et Guitare 1
Saxophone Soprano 1
Flûte, Hautbois (duo) 1
Flûte à Bec 1
Clarinette, Harpe (duo) 1
Flûte à bec Soprano 1

+ 68 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 36
Trompette (partie séparée) 30
Trombone (partie séparée) 21
Quatuor de Cuivres 16
Trompette 13

Quatuor de Cuivres : 2 trompettes, trombone, tuba 13
Cor (partie séparée) 12
Trompette, Piano 10
Trombone et Piano 8
2 Trombones (duo) 8
Cor 7
Cor et Piano 6
Trompette, Trombone (duo) 6
Ensemble de Trombones 5
Trompette, Saxophone (duo) 5
Ensemble de Trompettes 5
2 Tubas (duo) 5
Trombone 5
Quatuor de Cuivres: 2 trompettes, Cor, trombone 4
Instruments en Sib 4
Cor anglais, Guitare (duo) 3
Tuba (partie séparée) 3
Ensemble de Cors 3
Tuba et Piano 3
2 Trompettes (duo) 3
Euphonium, Piano (duo) 3
Trompette, Cor (duo) 3
Cor anglais, Piano 2

2 Euphoniums (duo) 2
Clarinette, Cor (duo) 2
Trio de Cuivres 2
2 Cors Anglais Et Pianoforte 1
Euphonium, Tuba (duo) 1
Euphonium 1
Cor, Tuba (duo) 1
Cor Anglais 1
Cor anglais et Harpe (duo) 1
Trombone, Orgue 1
Trombone, Tuba (duo) 1
Trompette, Violoncelle (duo) 1
Tuba 1
Trompette, Euphonium (duo) 1
2 Cors (duo) 1
Trompette, Harpe 1
Cor et Harpe 1
Trompette, Tuba (duo) 1

+ 41 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 60
Violon, Violoncelle (duo) 54
Violon 32
Violon et Piano 28
Contrebasse (partie séparée) 21

Harpe 20
Violoncelle (partie séparée) 18
Violon (partie séparée) 16
Alto, Violoncelle (duo) 16
Violon, Guitare (duo) 12
Quintette à cordes: 2 violons, alto, violoncelle, basse 12
Alto, Piano 11
Violon, Alto (duo) 11
Alto (partie séparée) 10
Violoncelle, Piano 10
Harpe et mandoline 9
Alto seul 8
Violoncelle , Guitare (duo) 7
2 Violons (duo) 7
Harpe (partie séparée) 6
Harpe, Violon (duo) 6
Violoncelle 5
Harpe, Flûte (duo) 4
Contre Basse 4
Violoncelle, Contrebasse (duo) 4
Trio à Cordes: violon, alto, violoncelle 3
Quintette à cordes: 2 violons, 2 altos, violoncelle 3
Trio à Cordes: 2 violons, violoncelle 3
2 Harpes (duo) 3
Ensemble de Violons 2
2 Violoncelles (duo) 2
4 Violoncelles 2
Piano Trio: Violon, Alto, Piano 2
Alto, Guitare (duo) 2
Ensemble d'Altos 2
Trio à Cordes: 3 violoncelles 2
Violon, Basson (duo) 2
Alto et Harpe 2
Harpe et Piano 1
Quintette à cordes : 2 violons, alto et 2 violoncelles 1
Harpe, Violoncelle (duo) 1
4 Contrebasses 1
2 Contrebasses (duo) 1
Harpe, Trombone (duo) 1
2 Altos (duo) 1
Quatuor à cordes: 4 violons 1
Contrebasse, Piano (duo) 1

+ 42 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 84
Orchestre 64
Percussion (partie séparée) 28
Ensemble de cuivres 28
Orchestre de chambre 25

Orchestre à Cordes 24
Ensemble Jazz 20
Jazz combo 14
Batterie (partie séparée) 13
Ensemble de Percussions 12
Fanfare 6
Cloches 4
Batterie 3

+ 8 instrumentations

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Instrument en Do

Cor anglais, Piano

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2 partitions trouvées

Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano

Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano #Cor anglais, Piano #INTERMÉDIAIRE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...(+)

English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ £15.55

Luther: Out of the Depths for English Horn & Piano

Luther: Out of the Depths for English Horn & Piano #Cor anglais, Piano #DÉBUTANT #Martin Luther #James M #Luther: Out of the Depths for #jmsgu3 #SheetMusicPlus

English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and ...(+)

English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716). Out of the DepthsÂ I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

$24.95 ≈ £19.44

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