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226
Sonata in A Major
Sonata in A Major
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jerry Westerman
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Jerry Westerman
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performing this sonata
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Sonata in A Major
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Passing Lane Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1004564 Composed by Jerry Westerman. Arranged by Jerry Westerman. Contemporary. Score. 17 pages. Passing Lane Music #3866...
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Piano Solo - Level 4 - SKU: A0.1004564 Composed by Jerry Westerman. Arranged by Jerry Westerman. Contemporary. Score. 17 pages. Passing Lane Music #3866317. Published by Passing Lane Music (A0.1004564). Sonata in A Major, composed and performed by J. Westerman. This PDF score purchased with the Mp3 studio performance should assist anyone interested in learning & performing this sonata. Published by Passing Lane Music, website: https://passinglanemusic.wixsite.com/j-westerman
$7.99 ≈
£6.07
Sonata Hymnica No. 6
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00 ≈
£7.59
Sonata for banjo and guitar
Sonata for banjo and guitar
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Contemporain
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Jeremiah Lawson
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Sonata for banjo and guitar
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Jeremiah Lawson
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SheetMusicPlus
Instrumental Duet Banjo,Guitar,Instrumental Duet - Level 4 - SKU: A0.985326 Composed by Jeremiah Lawson. Contemporary. Score and parts. 14 pages. Jeremi...
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Instrumental Duet Banjo,Guitar,Instrumental Duet - Level 4 - SKU: A0.985326 Composed by Jeremiah Lawson. Contemporary. Score and parts. 14 pages. Jeremiah Lawson #6013867. Published by Jeremiah Lawson (A0.985326). This is a 14 page work in three movements that has a performance time of roughly 12:30 to 13:30. I composed this sonata back in 2012 and it was given a filmed premiere by Brett Parnell on banjo and Daniel Corr on guitar.The first movement is a sonata form that opens in G minor and ends in G major. The second movement is a set of variations on an old shape note tune known as Star in the East, and the third movement is a five-part rondo that recapitulates themes from the first and second movements. This sonata is part of a larger cycle of chamber sonatas I have been composing since 2000 which began with my sonata for flute and guitar and pairs the guitar up with woodwinds, strings and brass. The over-arching concept that guides the chamber sonata cycle as I've been working on it is to draw upon Haydn and Clementi's monothematic sonata forms as a template for synthesizing 18th century galant era processes of gestural development with American vernacular and popular styles, often from the age of ragtime up through to the 1940s and beyond.
$10.00 ≈
£7.59
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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W
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festi...
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String Orchestra - Level 4 - SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Standards. Score and parts. 125 pages. Jmsgu3 #800938. Published by jmsgu3 (A0.1202559). Sonata No. 6, “Durnitz†for String OrchestraScore and performance parts:  Score: 66 pages. Duration: ca. 29:28 Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$59.95 ≈
£45.51
Mozart: Sonata K. 284 “Durnitz” for String Trio
Mozart: Sonata K. 284 “Durnitz” for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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W
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1201012 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,C...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1201012 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Standards,Wedding. 70 pages. Jmsgu3 #798993. Published by jmsgu3 (A0.1201012). Sonata No. 6, “Durnitz†for String TrioScore and performance parts:  Score: 32 pages. Duration: ca. 28:54Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece that was composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious piano sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.There is no concrete evidence to support the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$42.95 ≈
£32.61
Sonata Hymnica No. 7 - Score Only
Sonata Hymnica No. 7 - Score Only
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Musique Sacrée
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James Siddons
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Sonata Hymnica No. 7 - Score O
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James Siddons Music and Writings
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1033406 Composed by James Siddons. 20th Century,Contemporary,Praise & Worship,Sacred,Traditional. Score and parts. 36...
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Small Ensemble - Level 4 - SKU: A0.1033406 Composed by James Siddons. 20th Century,Contemporary,Praise & Worship,Sacred,Traditional. Score and parts. 36 pages. James Siddons Music and Writings #637186. Published by James Siddons Music and Writings (A0.1033406). The Sonata Hymnica series by composer-pianist James Siddons explores the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies and their words. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, at times whispering---as a sacred harp. In Sonata Hymnica No. 7, which calls for a soprano soloist, liturgical dancers, and two pianos (4 hands), three 19th-century hymns (words and music) serve as core material from which the music is developed. Movement I, “Climbing Higher,†is based on the African American spiritual “We Are Climbing Jacob’s Ladder.†The sustained chords, open harmony, and hammer-stroke rhythm evoke the ascent of a mountain climber. Movement II, “The Solid Rock,†is based on the hymn “My Hope is Built on Nothing Less†(1834) . The soprano sings brief lines from the hymn, interspersed with long passages for the pianos (only) that explore many tonal and rhythmic qualities of the original hymn tune. The driving harmony, albeit in duple meter, makes this the scherzo movement of this sonata. Movement III, “On Snowy Wings,†is based on “O Come, Angel Band†by the New England Methodist preacher Jefferson Hascall (1807-1887). In addition to the soprano singer, the appearance of liturgical dancers as angels with “snowy wings†brings this old hymn into the 21st century. Performance duration: 16 minutes.
$10.00 ≈
£7.59
Moonlight Sonata (1st Movement) Masterpiece Edition Piano Solo
Moonlight Sonata (1st Movement) Masterpiece Edition Piano Solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Minstrel Press Publications
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Moonlight Sonata
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Michael K Jipson
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.920421 Composed by Ludwig van Beethoven. Arranged by Minstrel Press Publications. Classical,Concert,Standards,Wedding. Sc...
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Piano Solo - Level 4 - SKU: A0.920421 Composed by Ludwig van Beethoven. Arranged by Minstrel Press Publications. Classical,Concert,Standards,Wedding. Score. 8 pages. Michael K Jipson #6078085. Published by Michael K Jipson (A0.920421). You will enjoy performing this Minstrel Press publication of Beethoven's masterpiece, Moonlight Sonata. Perhaps the most recognized melody of the Beethoven, this composition was not titled Moonlight Sonata until after his death.
$3.95 ≈
£3.00
Purcell - Trio Sonata No.9 (for Saxophone Quartet SATB or AATB)
Purcell - Trio Sonata No.9 (for Saxophone Quartet SATB or AATB)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Henry Purcell
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Kenneth Abeling
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Purcell - Trio Sonata No.9
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.515043 Composed by Henry Purcell. Arranged by Kenneth Abeling. Baroque. 75 pages. LINCOLN MUSIC ...
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Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.515043 Composed by Henry Purcell. Arranged by Kenneth Abeling. Baroque. 75 pages. LINCOLN MUSIC PUBLICATIONS #4611343. Published by LINCOLN MUSIC PUBLICATIONS (A0.515043). Trio Sonata No.9 The Golden Sonata, Z.810 (originally in F Major) by Henry Purcell and arranged for Saxophone Quartet by Kenneth Abeling. This Sonata was originally written for two violins, cello and continuo and all four original movements are included. This Baroque period composition is appropriate for secular and sacred performances and is an advanced intermediate to early advance arrangement. The performance time for the entire sonata is 7:40. Note: The Organ part is optional. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com.
$13.99 ≈
£10.62
Purcell - Trio Sonata No.9 (for Clarinet Quartet)
Purcell - Trio Sonata No.9 (for Clarinet Quartet)
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Henry Purcell
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Kenneth Abeling
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Purcell - Trio Sonata No.9
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.515042 Composed by Henry Purcell. Arranged by Kenneth Abeling. Baroque. 60 pages. LINCOLN MUSIC PUBLICATIONS #4611...
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Woodwind Ensemble - Level 4 - SKU: A0.515042 Composed by Henry Purcell. Arranged by Kenneth Abeling. Baroque. 60 pages. LINCOLN MUSIC PUBLICATIONS #4611339. Published by LINCOLN MUSIC PUBLICATIONS (A0.515042). Trio Sonata No.9 The Golden Sonata, Z.810 (originally in F Major) by Henry Purcell and arranged for Clarinet Quartet by Kenneth Abeling. This Sonata was originally written for two violins, cello and continuo and all four original movements are included. This Baroque period composition is appropriate for secular and sacred performances and is an advanced intermediate to early advance arrangement. The performance time for the entire sonata is 7:40. Note: The Organ part is optional. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com.
$13.99 ≈
£10.62
Purcell - Trio Sonata No.9 (for Woodwind Quartet)
Purcell - Trio Sonata No.9 (for Woodwind Quartet)
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Henry Purcell
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Kenneth Abeling
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Purcell - Trio Sonata No.9
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.515045 Composed by Henry Purcell. Arranged by Kenneth Abeling. Baroqu...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.515045 Composed by Henry Purcell. Arranged by Kenneth Abeling. Baroque,Sacred. 72 pages. LINCOLN MUSIC PUBLICATIONS #4611347. Published by LINCOLN MUSIC PUBLICATIONS (A0.515045). Trio Sonata No.9 The Golden Sonata, Z.810 (originally in F Major) by Henry Purcell and arranged for Woodwind Quartet by Kenneth Abeling. This Sonata was originally written for two violins, cello and continuo and all four original movements are included. This Baroque period composition is appropriate for secular and sacred performances and is an advanced intermediate to early advance arrangement. The performance time for the entire sonata is 7:40. Note: The Organ part is optional. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com.
$13.99 ≈
£10.62
Purcell - Trio Sonata No.9 (for Woodwind Quintet)
Purcell - Trio Sonata No.9 (for Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Henry Purcell
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Kenneth Abeling
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Purcell - Trio Sonata No.9
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.515046 Composed by Henry Purcell. Arranged by Kenneth Abeling. B...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.515046 Composed by Henry Purcell. Arranged by Kenneth Abeling. Baroque,Sacred. 75 pages. LINCOLN MUSIC PUBLICATIONS #4611349. Published by LINCOLN MUSIC PUBLICATIONS (A0.515046). Trio Sonata No.9 The Golden Sonata, Z.810 (originally in F Major) by Henry Purcell and arranged for Woodwind Quintet by Kenneth Abeling. This Sonata was originally written for two violins, cello and continuo and all four original movements are included. This Baroque period composition is appropriate for secular and sacred performances and is an advanced intermediate to early advance arrangement. The performance time for the entire sonata is 7:40. Note: The Organ part is optional. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com.
$14.99 ≈
£11.38
Purcell - Trio Sonata No.9 (for Saxophone Quintet SATTB or AATTB)
Purcell - Trio Sonata No.9 (for Saxophone Quintet SATTB or AATTB)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Henry Purcell
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Kenneth Abeling
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Purcell - Trio Sonata No.9
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.515044 Composed by Henry Purcell. Arranged by Kenneth Abeling. Baroque. 81 pages. LINCOLN MUSIC ...
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Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.515044 Composed by Henry Purcell. Arranged by Kenneth Abeling. Baroque. 81 pages. LINCOLN MUSIC PUBLICATIONS #4611345. Published by LINCOLN MUSIC PUBLICATIONS (A0.515044). Trio Sonata No.9 The Golden Sonata, Z.810 (originally in F Major) by Henry Purcell and arranged for Saxophone Quintet by Kenneth Abeling. This Sonata was originally written for two violins, cello and continuo and all four original movements are included. This Baroque period composition is appropriate for secular and sacred performances and is an advanced intermediate to early advance arrangement. The performance time for the entire sonata is 7:40. Note: The Organ part is optional. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com.
$14.99 ≈
£11.38
The Nativity - Mvt. III from Rosary Sonatas, trans. for solo clarinet
The Nativity - Mvt. III from Rosary Sonatas, trans. for solo clarinet
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joel Denney
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The Nativity - Mvt. III from R
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Joel Denney Music
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SheetMusicPlus
B-Flat Clarinet Solo - Level 4 - SKU: A0.1350796 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joel Denney. Baroque,Classical,Sacred. Individu...
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B-Flat Clarinet Solo - Level 4 - SKU: A0.1350796 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joel Denney. Baroque,Classical,Sacred. Individual part. 7 pages. Joel Denney Music #935623. Published by Joel Denney Music (A0.1350796). Originally composed for solo scordatura violin and continuo, this transcription for clarinet may be performed as an unaccompanied solo or with continuo parts available on IMSLP. The original violin part makes extensive use of double, triple, and quadruple stops, often to the extent of imitating multiple voices in counterpoint. This transcription attempts to imitate this effect through the use of grace notes and quick arpeggios. As in the original score, dynamics are not provided for the soloist, and may be freely added at the player’s discretion.Performers will immensely benefit from listening to one or more recordings of violinists performing this piece to compare interpretations and performance practices. While this transcription largely follows the interpretation given on violinist Lina Tur Bonet’s excellent recording with the Musica Alchemica ensemble, the transcription is by no means intended to exclude other interpretations. Players may change whatever ornamental and rhythmic elements they wish in order to accomplish their artistic goals. This transcription includes three options for key signature. Any of the three included versions may be played by any key/size of clarinet for unaccompanied performance. 1.   Written key of C# minor, for Clarinet in Bâ™â€”can be accompanied by the original continuo parts2.   Written key of D minor, for Clarinet in A—can be accompanied by the original continuo parts3.   Written key of B minor, for Clarinet in Bâ™ or A—only for unaccompanied performancePerformance notes, links to free IMSLP continuo parts, and links to recommended reference recordings are incuded in a separate page at the end of the PDF.©2023 Joel Denney Music. All Rights Reserved.
$2.99 ≈
£2.27
Sonata Hymnica No. 1
Sonata Hymnica No. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 1
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
£7.21
Sonata Hymnica No. 2
Sonata Hymnica No. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 2
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
£7.21
Händel's Sonata No IV for recorder and guitar (mp3)
Händel's Sonata No IV for recorder and guitar (mp3)
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Classique
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Nigel Tasane and David Warin S
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David Warin Solomons
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Händel's Sonata No IV for
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David Warin Solomons
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SheetMusicPlus
Alto Recorder,Guitar - Level 4 - SKU: A0.1266766 By Nigel Tasane and David Warin Solomons. By George Frideric Handel. Arranged by David Warin Solomons. ...
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Alto Recorder,Guitar - Level 4 - SKU: A0.1266766 By Nigel Tasane and David Warin Solomons. By George Frideric Handel. Arranged by David Warin Solomons. Baroque,Classical. Full Performance. Duration 748. David Warin Solomons #859444. Published by David Warin Solomons (A0.1266766). Arrangement based on the Sonata for Flute and Harpsichord in C Major, HWV 365 Op.1 No.7The continuo of this sonata suits the guitar very well in this arrangement. The recorder part is as written for flute, but with occasional embellishments.The movements are:LarghettoAllegroLarghettoAllegroTempo di Gavotta.
$10.50 ≈
£7.97
Sonata (1978/2009) for Violoncello Solo
Sonata (1978/2009) for Violoncello Solo
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Fridolin Dallinger
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Sonata
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Paladino Editions
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1274051 Composed by Fridolin Dallinger. 20th Century,Classical. Individual part. 7 pages. Paladino Editions #866186. Publ...
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Cello Solo - Level 4 - SKU: A0.1274051 Composed by Fridolin Dallinger. 20th Century,Classical. Individual part. 7 pages. Paladino Editions #866186. Published by Paladino Editions (A0.1274051). Compositionally sophisticated yet technically manageable for performers and confident students, this sonata is a strikingly effective solo piece. Though written for one instrument, it exploits the polyphonic capacities of the cello to produce compound melody and self-accompaniment figures. Though the sonata was written in 1978, this edition presents the composer’s own 2009 revision.
$10.99 ≈
£8.34
Oboe Sonata in F Major and String Ensemble
Oboe Sonata in F Major and String Ensemble
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Classique
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Paolo G
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Don Werdick (1946 - )
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Oboe Sonata in F Major and Str
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Oboe,Viola - Level 4 - SKU: A0.955176 Composed by Paolo G. Besozzi (1704-1778). Arranged by Don Werdick (1946 - ). Baro...
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Small Ensemble Cello,Double Bass,Oboe,Viola - Level 4 - SKU: A0.955176 Composed by Paolo G. Besozzi (1704-1778). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 54 pages. Chamber Ensemble of Minnesota, Inc. #6325679. Published by Chamber Ensemble of Minnesota, Inc. (A0.955176). Oboe solo part of the Oboe Sonata in F Major and String Ensemble, composed in 1735 by P. Besozzi, arranged by D Werdick … this is the arrangement for Oboe of Besozzi’s Bassoon Sonata in Bb Major. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 0 seconds During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2021 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.00 ≈
£12.91
Violin Sonata in A minor (Piano score & Violin part)
Violin Sonata in A minor (Piano score & Violin part)
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Daniel Leo Simpson
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Violin Sonata in A minor
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ScorePerfect
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 4 - SKU: A0.860414 Composed by Daniel Leo Simpson. Classical,Contemporary,Wedding. Score and individual part. 56 ...
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Instrumental Solo,Piano,Violin - Level 4 - SKU: A0.860414 Composed by Daniel Leo Simpson. Classical,Contemporary,Wedding. Score and individual part. 56 pages. ScorePerfect #2028455. Published by ScorePerfect (A0.860414). Violin Sonata in A minor is a self-contained one-movement composition by San Francisco's award-winning composer Daniel Leo Simpson. In classical style with rich, sonorous harmonies, this sonata movement will not fail to please both performers and audiences alike. Includes piano score and separate violin part. Perfect for public recitals, pre-wedding or wedding receptions. A classic piece in this genre.
$12.99 ≈
£9.86
Sonata Pulse (Oboe)
Sonata Pulse (Oboe)
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Hautbois (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Christian Martin
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Sonata Pulse
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Lux Novus
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SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.1022789 Composed by Christian Martin. Contemporary. Individual part. 4 pages. Lux Novus #3211723. Published by Lux Novus (...
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Oboe Solo - Level 4 - SKU: A0.1022789 Composed by Christian Martin. Contemporary. Individual part. 4 pages. Lux Novus #3211723. Published by Lux Novus (A0.1022789). This document is the oboe part for the performance of Sonata Pulse (it is expected that the pianist will use the score for rehearsal and performance).
$2.00 ≈
£1.52
Piano sonata number 3, 2nd movement
Piano sonata number 3, 2nd movement
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ian J
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Piano sonata number 3, 2nd mov
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Ian Miller
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1084459 Composed by Ian J. Miller. 20th Century,Classical. Score. 5 pages. Ian Miller #686927. Published by Ian Miller (A...
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Piano Solo - Level 4 - SKU: A0.1084459 Composed by Ian J. Miller. 20th Century,Classical. Score. 5 pages. Ian Miller #686927. Published by Ian Miller (A0.1084459). A slow movement based on a theme and two variations with the opportunity to express less usual harmonies with a good resonant piano. A little easier to play than the two outer movements. Again, this sonata has had no public performances, so a world premier performance is available.
$2.99 ≈
£2.27
English horn Sonata in Bb Major
English horn Sonata in Bb Major
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Paolo G
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Don Werdick (1946 - )
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English horn Sonata in Bb Majo
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.955184 Composed by Paolo G. Besozzi (1704-1778). Arranged by Don Werdick (1946 - ). Baroque. Score and part. 28 p...
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English Horn,Piano - Level 4 - SKU: A0.955184 Composed by Paolo G. Besozzi (1704-1778). Arranged by Don Werdick (1946 - ). Baroque. Score and part. 28 pages. Chamber Ensemble of Minnesota, Inc. #6474619. Published by Chamber Ensemble of Minnesota, Inc. (A0.955184). English horn solo part, Piano accompaniment plus Eng. horn-Piano score of the Bassoon Sonata in Bb Major and String Ensemble, composed in 1735 by P. Besozzi, arranged for English horn by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 0 seconds During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2021 Chamber Ensemble of Minnesota, Inc. Publishing.
$8.75 ≈
£6.64
Oboe Sonata in F Major
Oboe Sonata in F Major
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Paolo G
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Don Werdick (1946 - )
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Oboe Sonata in F Major
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.955175 Composed by Paolo G. Besozzi (1704-1778). Arranged by Don Werdick (1946 - ). Baroque. Score and part. 28 pages. Ch...
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Oboe,Piano - Level 4 - SKU: A0.955175 Composed by Paolo G. Besozzi (1704-1778). Arranged by Don Werdick (1946 - ). Baroque. Score and part. 28 pages. Chamber Ensemble of Minnesota, Inc. #6325675. Published by Chamber Ensemble of Minnesota, Inc. (A0.955175). Oboe solo part, Piano accompaniment plus Oboe-Piano score of the Bassoon Sonata in Bb Major and String Ensemble, composed in 1735 by P. Besozzi, arranged for Oboe in F Major by D. Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 0 seconds During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2021 Chamber Ensemble of Minnesota, Inc. Publishing.
$8.75 ≈
£6.64
Sonata No.4 in Bb
Sonata No.4 in Bb
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Gioachino Rossini
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Spence Bundy
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Sonata No.4 in Bb
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Spencer Bundy
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Viola,Violin - Level 4 - SKU: A0.837732 Composed by Gioachino Rossini. Arranged by Spence Bundy. Classical,Concert. Score ...
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Small Ensemble Cello,Clarinet,Viola,Violin - Level 4 - SKU: A0.837732 Composed by Gioachino Rossini. Arranged by Spence Bundy. Classical,Concert. Score and parts. 64 pages. Spencer Bundy #6064889. Published by Spencer Bundy (A0.837732). Most people would see the name Rossini and think Opera but he also wrote numerous songs and some chamber music. This Sonata, from a set of six, was originally for String Quartet but with Double Bass and no Viola. Here it has Clarinet with String Trio. It's a lovely piece which will be enjoyed by both the performers and audiences.
$5.00 ≈
£3.80
J. S. Bach; The Six "Trio Sonatas", BWV 525-530, arranged for SAB saxophone trio
J. S. Bach; The Six "Trio Sonatas", BWV 525-530, - SAB saxophone trio
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3 Saxophones (trio)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach; The Six "Trio
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 4 - SKU: A0.534363 Composed by Johann Sebastian Bach. Arrang...
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 4 - SKU: A0.534363 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Sacred,Standards. 179 pages. Musik Fabrik Music Publishing #3387883. Published by Musik Fabrik Music Publishing (A0.534363). The Six Trio Sonatas, BWV 525-530 were composed about 1727 during Bach’s period in Leipzig. They were not composed for organ, but (according to Forkel, Bach’s first biographer whose information came from Bach’s son Carl Philip Emmanuel Bach) for the pedal harpsichord as means of improiving the pedal technique of his son Wilhelm Friedemann Bach. This instrument, which requires a great deal of precision in performance, contains a normal harpsichord with two manuals attached to a pedal board which activates another harpsichord which is lower to the ground. Many of the movements in these Italian sonatas were used in other settings, in Bach’s Cantatas and in other instrumental works.Bach always tuned his own keyboards and confided his tuning system to his student Johann Kimberger (1721-1788) who used this information to devise several tuning schemes to create a well-tempered system according to Bach’s ideas. The main principal that Bach gave Kimberger was that all thirds should be tuned slightly sharp (...alle grossen Terzen scharf). The saxophone is an ideal instrument to experiment with this sort of tuning, given the possibilities for adjustment in the embouchure. Nothing can replace a good set of ears in the process and use of electronic tuning devices should be avoided, unless they can be specifically programmed to reflect these sorts of non-standard tunings.Sonata no. 1 in Eb major, BWV 525 Sonata no. 2 in c minor , BWV 526 Sonata no. 3 in d minor, BWV 527 Sonata no. 4 in e minor, BWV 528 Sonata no. 5 in C major, BWV 529 Sonata no. 6 in G major, BWV 530
$58.95 ≈
£44.75
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